mike weaver ed (21 resultados)

Paperback. Condición: Very Good. First Edition. First edition, first printing. Includes essays on Julio Le Parc and Ludwig Hirschfeld-Mack, a poem by Charles Tomlinson, and more. Text and images are unmarked; pages are bright, though the page edges are a little age toned. Stapled binding is tight and square. Covers show some light edge wear.

Paperback. Condición: Very Good. First edition, first printing. Includes essays on Julio Le Parc and Ludwig Hirschfeld-Mack, a poem by Charles Tomlinson, and more. Text and images are unmarked; pages are bright, though the page edges are a little age toned. Binding is tight and square. Covers show some light edgewear. From the collection of the Gotham Book Mart. 32pp.

Soft Cover. Sound binding, clean and bright interior. Wrappers are yellow and white with picture of woman and armload of calendula on flower farm in Arizona. Lightly shelf worn overall. Map of Southwest U.S. is in very good condition. Contents: Oases of Life in the Cold Abyss (sea creatures in the Galopagos Rift). Edwards and Parks, The Danube: River of Many Natons, Many Names. Jeffery and Kim, Arizon's Suburbs of the Sun. Mech, Where Can the Wolf Survive? Cerruti and Rogers, The Dominican Republic - Caribbean Comeback. Weaver, The Power of Letting off Steam. Journeying through America's Historylands (new National Geographic book). 10.0" tall; 185 pages. Very Good in No Dust Jacket dust jacket.

Cloth. Condición: Very Good. Estado de la sobrecubierta: Very Good -. (1989), 472pp, illus., black cloth w/ gilt lettering to spine, binding slightly cocked, small tear to dj at bottom of spine, slight rubbing & edgewear to dj, contents clean, very heavy - may require extra shipping.

Condición: New.

Condición: As New. Unread book in perfect condition.

x+472pp. 4to. Original wrappers. Includes numerous black and white and colour reproductions. A very good copy. First edition.

Softcover. Condición: Near Fine. (Vol. 22, No. 2). [nice clean copy, just a tiny bit of edgewear, minor scuffing to rear cover]. (B&W photographs) The bulk of this issue is devoted to two topics. "Photography and Architecture" features a guest editorial and five articles focusing on that topic, including an interview with Ezra Stoller, and discussions of Walter Benjamin, Le Corbusier, and Violett-le-Duc. The section on Ansel Adams features four articles about his work: "Ansel Adams, The Zone System and the California School of Fine Arts"; "Ansel Adams and Louise Arner Boyd: A Camera Tells a Story"; "Ansel Adams and Spanish Colonial Arts"; and "Ansel Adams and Objectivism: Making a Photograph with Group f/64." Additionally, this issue contains: "The Objectivism of Edward Weston: An Attempt at a Functional Definition of the Art of the Camera," an essay written by Kenneth Rexroth in 1931 but published here for the first time; a biographical article on photographer Harry K. Shigeta of Chicago, by Christian A. Peterson; and an article about the photography, by Margaret Bourke-White and Henri Cartier-Bresson, of Gandhi's funeral in 1948.

Condición: New.

4°, Leinen. Condición: Sehr gut. 143 S., Sehr guter Zustand, Schutzumschlag mit leichten Gebrauchsspuren, textsauber. Mit zahlreichen s/w-Photographien auf Tafeln. Sprache: Italienisch. Catalogo italiano a cura di Marina Miraglia dell`Istituto Nazionale per la Grafica. --- Julia Margaret Cameron (geborene: Julia Margaret Pattle; * 11. Juni 1815 in Kalkutta; 26. Januar 1879 in Kalutara, Ceylon) war eine britische Fotografin. 8820206072 Sprache: it Gewicht in Gramm: 1050.

Condición: As New. Unread book in perfect condition.

4°, orig. wrappers. 100 pp. With numerous b&w illustrations. Contents: Graham Smith: Calvert Jones in Florence; Ray McKenzie: Scottish Photographers in Nineteenth-century Italy; Marina Miraglia: GiorgioSommer`s Italian Journey: Between Tradition and the Popular Image; et al. - Cover somewhat sunned, edges minimally bumped, else a fine copy. Sprache: Englisch Gewicht in Gramm: 0.

Condición: Good. 4to. Hardcover, clothbound with dust jacket. 472 pp. Half and Half Color and B&W Plates. Very Good, except slight wear to edges of dust jacket including one small tear at top of binding. Stored in a protective box.1989 art exhibition traveled between the Museum of Fine Arts in Houston to the Australian National Gallery in Canberra to the Royal Academy of the Arts in London.**Oversize, may require additional postage**.

4°, orig. wrappers. (75-) 158 pp. With numerous b&w illustrations. Contents: Graham Clarke: Alfredf Stieglitz and Lake George; Alfred Stieglitz: Some Uncollected Works; Fred Zinnemann: Portfolio: Photographs of New Yoirk (1932); Anne Hammond: Impressionist Theory and the Autochrome; et al. - Somewhat sunned, front cover minimally squeezed, else a fine copy. Sprache: Englisch Gewicht in Gramm: 0.

4°, orig. wrappers. (275-) 388 pp., 3 leaves. With numerous illustrations, partley coloured. Contents: Danièle Meaux: Duane Michal`s Real Dreams; Jan Baetens: John Berger & Jean Mohr`s Another Way of Telling; Mireille Ribière: Danny Lyon`s Family Album; et al. - Spine faded, foot of spine somewhat squeezed, else a fine copy. Sprache: Englisch Gewicht in Gramm: 0.

4°, orig. wrappers. pp. 251-332, 5 leaves. Contents: Judith Keller: The Department of Photographs at the Getty Museum; Alison Devine Nordström: Early Photography in Samoa; Geraldine Wojno Kiefer: Roland G. Rood; Keith I. P. Adamson: Early British Patents in Photography; Dissertations: Calotype and Daguerreotype; and others. - Lower Corners minimally bumped, els a fine copy. Sprache: Englisch Gewicht in Gramm: 0.

4°, orig. wrappers. pp. 315-402, 6 leaves. Contents: Melinda Boyd Parsons: Edward Steichen`s Socialism; Lucy Bowditch: Steichen and Maeterlinck.: The Symbolist Connection; Joan Harrison: Colour in the Gum-Bichromate Process; Jamers C. Faris: The Navajo Photography of Edward S. Curtis; and others. - Cover somewhat faded, else a fine copy. Sprache: Englisch Gewicht in Gramm: 0.

Soft cover. Condición: Fine. pages 299-413 : illustrations : 30 cm.

Paperback. Condición: very good. Book. 245 x 245 mm, 32 pp. in stapled, printed wraps. Special issue of the groundbreaking art, architecture and literary magazine FORM, which was edited by influential Cambridge academics of the period, and was noteworthy for republishing and translating avant-garde texts. This particular issue is dedicated to the 'Brighton Festival Exhibition of Concrete Poetry'. Features a map and index of the works exhibited (the exhibition was directed by FORM editor Stephen Bann), as well as a translation of 'The first years of Concrete Poetry' by Eugen Gomringer. This issue also includes: an essay by Lewis Shelley on the avant-garde Black Mountain College (the first in a series); an essay by Joseph Albers entitles 'My courses at the Hochschule fur Gestaltung at Ulm', and an essay on 'Albers' 'Graphic Tectonics' by Irving Finkelstein'; 'What is Kinetism?' by Lev Nusberg - translated from his manifesto; 'Symmetry: Nature and the Plane' and 'A Non-Aristotelian Creative Reality' by Charles Biederman; poetry by Anselm Hollo, and a section on 'Great Little Magazines', with this particular issue focused on 'Mecano', which was edited by Theo von Doesburg. Reprinted from 'Mecano' here is 'Two Men' by Kurt Schwitters, 'Towards a Constructive Poetry' by I.K. Bonset (aka Theo von Doesburg) and 'Manifesto on the Lawfulness of Sound' by Raoul Hausman (translated by Richard Taylor'. Ref: Allen, Artist's Magazines, MIT Press, 2011. p. 261 Condition: crease to front cover as seen, minor toning to covers, internally near fine. Overall very good.

Soft cover. Condición: Very Good. 1st Edition. Superb copy of a well done and thorough magazine on kinetic art and concrete poetry. One page dog-eared else excellent with slightest handling and shelfwear.

Paperback. Condición: Near fine. Book. 265 x 210 mm, 64 pp. in printed stapled wraps. Front cover image ('Portrait of Andree Dantu by Richard Hardwick: three phases of a Dantu polaroid light mobile') in colour, contents illustrated with both colour and b/w images. Three issues of Image (usually a 'careers' magazine for young graduates) were effectively taken over by important Cambridge academics of the day, all with a specific interest in concrete poetry and kinetic art: Philip Steadman, Stephen Bann and Reg Gadney. The issues of Image dedicated to kinetic and concrete poetry were particularly noteworthy for their commitment to translation and reprinting 'lost' texts, an imaginative use of layout and photography, and enlightening academic essays on their given subjects. This particular issue is entirely dedicated to kinetic art and concrete poetry (as the title suggests), and the editorial (which is idiosyncratically placed in the middle of the publication) reads: 'This issue of IMAGE is largely devoted to Kinetic Art: art, that is, incorporating real movement as opposed to the painted or static illusion of movement.' It is illustrated with a photograph of the editors and contributors - Stephen Bann, Reg Gadney, Frank Popper, Phil Steadman and Citroen - strolling through Paris. The issue features an essay by the concrete poetry specialist Stephen Bann, entitled 'Communication and Structure in Concrete Poetry', which comes with a reprinted letter from Ian Hamilton Finlay to Pierre Garnier, dated September 17th 1963. Translated by Bann are extracts from 'Manifesto for a new poetry, visual and phonic' by the concrete poet Pierre Garnier: 'The word is an element. / The word is a material. / The word is an object.' Also included in this section is a manifesto by Eugen Gomringer, entitled 'from line to consideration', and translated by Mike Weaver. It was 'first printed in augenblick no 2 agis verlag baden-baden 1954'. Works by Augusto de Campos, Ronaldo Azeredo, Decio Pignatari and Haraldo de Campos are also reprinted here. The second academic essay featured is a text by Mike Weaver entitled 'Concrete and Kinetic: the poem as Functional Object', which is illustrated with reproduced typestracts by Dom Sylvester Houedard. Also featured is a text by the editor Philip Steadman, entitled 'Colour Music and the Art of Lumia, and an essay by Reg Gadney entitled 'An Introduction: Kinetic Art', which is illustrated with images of works by Alexander Calder and Alexander Schoffer's Chronus sculptures. There are artist profiles of Frank Malina (by Reg Gadney); Gregoria Vardanega (by Stephen Bann); Martha Boto (by R.G); J-M. Cruxent (by S.B); Andree Dantu (by R.G); Knud Hvidberg and William Soya (by R.G); Nino Calos (by R.G). Condition: near fine (contents fine minor rubbing to covers).