mickey rose (18 resultados)

Condición: As New. Boyle, Caitlin Rose Ilustrador. Unread book in perfect condition.

Condición: New. Boyle, Caitlin Rose Ilustrador.

Condición: New. Boyle, Caitlin Rose Ilustrador.

Paperback. Condición: Very Good. Constantin Alajálov Cover Art (Mickey Mouse); James Thurber, Alan Dunn, Carl Rose, Mary Petty, Saul Steinberg, Whitney Darrow, Jr., Helen E. Hokinson, etc: Ilustrador. 1st. stapled pictorial wraps; 48 clean, unmarked pages; includes: Ruth McKenny (May on A's"); Irwin Shaw (:hsmlets of the World"); William MacConnell (reporter at Sea: Cabin Unreserved) Esther Evarts ("Table for one"); Louise Bogan (Books, Including Review of Karl Shapiro's "Person,place, and Thing:); Phylllis McGinley (poem);Talk of the Town, Books, Art, Theater, Cinema, Food Rreviews, Etc.

Two vintage color studio still photographs from the 1971 film. Anxious to impress his activist ex-girlfriend, a blue collar worker travels to a fictitious South American country, where he is unwittingly conscripted into a group of violent revolutionaries. Shot on location in New York and Puerto Rico. 8 x 10 inches. Very Good plus overall, with a few pinholes to the corners.

Condición: As New. Boyle, Caitlin Rose Ilustrador. Unread book in perfect condition.

Script Format, reprint. Condición: Very Good. / 1979 DRAFT, 135 PAGES / THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS/.

DVD. Condición: Very Good. 2000. 3 discs. Disc Quality: Excellent. DVD11.

Script Format, reprint. Condición: As New. / 1968 DRAFT / I HAVE MORE TITLES, LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS /.

Script Format, reprint. Condición: As New. / 1981 FINAL DRAFT / I HAVE MORE TITLES, LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS /.

Vintage Tentative Shooting Schedule for the 1969 film, copy belonging to casting director Marvin Paige, with the annotation of his name in manuscript marker in the top right corner of the title page, and two underlines to "tentative," dated June 7, 1968. The 51 page shooting schedule, covering the 50 days of shooting, from 6/17/68 through 8/23/68, is printed horizontally on goldenrod leaves, and contains copied annotations on five pages, circling the sequence number, interior or exterior sequence, night or day sequence, and a needed effect. Woody Allen's directorial debut, one of the great American comedies, the film that set the template for Allen's 1970s work. Allen stars as Virgil Starkwell, a terribly inept bank robber, whose life is told documentary-style, with an FBI voiceover as well as interviews with his family and friends. Set and shot on location in San Francisco and San Quentin State Prison. Self wrappers with front wrapper integral with title page, dated June 7, 1968, with credits for director Woody Allen. 51 leaves, with last page of text numbered 50. Mimeograph duplication, rectos only, with blue, white, and yellow revision pages throughout. Pages Near Fine, bound at the top with two gold brads.

Draft script for the 1971 film. Annotations in manuscript ink on the title page, striking the working title, "El Weirdo." The draft notably features the film's original ending, which Woody Allen's editor, Ralph Rosenblum, convinced him to replace, showing Allen emerging from a bombing in inadvertent, sooty blackface and participating in a Black uprising on a university campus. Anxious to impress his activist ex-girlfriend, a blue collar worker travels to a fictitious South American country, where he is unwittingly conscripted into a group of violent revolutionaries. Allen's third feature film (the first in which he had nearly full creative control) and the third and final film he wrote with Mickey Rose. Preceded by "What's Up, Tiger Lily?" (1966) and "Take the Money and Run" (1969). Set in the fictional "banana republic" of San Marcos, and shot on location in New York and Puerto Rico. Black Studio Duplicating Service wrappers with a rubber stamped titled label. Title page present, dated March 24, 1970, with credits for screenwriters Woody Allen and Mickey Rose. 126 leaves, with last page of text numbered 116. Mimeograph duplication, rectos only, with pink, yellow, and green revision pages throughout, dated variously between 4-28-70 and 4-30-28. Pages Near Fine, wrapper Very Good plus, bound with two gold screw brads.

Vintage publicity photograph from the 1971 film, showing director Woody Allen behind a pile of bananas. With the stamp of London Press Photos Ltd. on the verso, along with manuscript pencil annotations regarding layout. Anxious to impress his activist ex-girlfriend, a blue collar worker travels to a fictitious South American country, where he is unwittingly conscripted into a group of violent revolutionaries. Shot on location in New York and Puerto Rico. 8 x 10 inches. Very Good plus, with a few tiny nicks and a small, faint splash to the bottom edge.

Vintage borderless reference photograph from the 1971 film, showing director Woody Allen and actress Louise Lasser. Printed mimeo snipe affixed to the verso, along with annotations in manuscript ink and pencil regarding cropping. From the archive of film historian and author Joel Finler. Anxious to impress his activist ex-girlfriend, a blue collar worker travels to a fictitious South American country, where he is unwittingly conscripted into a group of violent revolutionaries. Shot on location in New York and Puerto Rico. 10 x 8 inches. Near Fine.

Collection of eleven vintage borderless reference photographs from the 1969 film. Woody Allen's directorial debut, the film that set the template for Allen's 1970s work. Allen stars as Virgil Starkwell, a terribly inept bank robber, whose life is told documentary-style, with an FBI voiceover as well as interviews with his family and friends. Set and shot on location in San Francisco and inside the walls of San Quentin State Prison. 7 x 9.5 inches. Very Good plus to Very Good.

Final Draft script for the twelfth episode of the thirteen episode 1975 comedy and variety show television series, SIGNED on the front wrapper, "Tom & Dick," by Tom and Dick Smothers, with an inscription on the top left, partially lost due to dampstaining, "[illegible] Wishes from the Smothers Brothers." Copy belonging to uncredited cast or crew member David Carroll, with manuscript marker and pencil annotations of his name or partial name ("David C.") on the top of the title page and two other pages, with manuscript ink and marker annotations on 32 pages marking music cues. NBC's tamer and largely unsuccessful revival of CBS's 1967-1969 variety series "The Smothers Brothers Comedy Hour," which aired for thirteen episodes, January 13 through May 19, 1975. The episode on offer here was the penultimate episode which was taped on March 28, 1975 and aired on May 12, 1975, featuring guests Florence Henderson and David Gates. Of note, the script is labeled as "Production #011 / Air Sequence #11," with a manuscript marker annotation of "12" over the air date of "May 5, 1975." The May 5 episode of the series featured guests Kris Kristofferson, Rita Coolidge, and Arlo Guthrie, and the episode found here, featuring Henderson and Gates, was aired as the twelfth episode on May 12, 1975. Front wrapper integral with title page, dated March 26, 1975, noted as FINAL DRAFT. 90 leaves, with last page of text numbered 77. Mimeograph duplication, rectos only, with blue, pink, yellow and green revision pages throughout, undated. Pages Very Good with dampstaining throughout and silverfish damage to the extremities of the first three leaves.

Vintage borderless double weight photograph of Woody Allen's mug shot, from the 1969 film. Woody Allen's first film as a director, one of the great American comedies, the film that set the template for Allen's 1970s work. Set in and shot in San Francisco and inside the walls of San Quentin State Prison. 9.25 x 7 inches. Near Fine.

Six vintage borderless satin-finish photographs from the 1969 film. Woody Allen's directorial debut, the film that set the template for Allen's 1970s work. Allen stars as Virgil Starkwell, a terribly inept bank robber, whose life is told documentary-style, with an FBI voiceover as well as interviews with his family and friends. Set and shot on location in San Francisco and inside the walls of San Quentin State Prison. 7 x 9.5 inches. Near Fine.