michelle omalley (54 resultados)

Paperback. Condición: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condición: very_good. This books is in Very good condition. There may be a few flaws like shelf wear and some light wear.

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. This book is like new; no remainder marks. Unread copy. Dustjacket does have some shelfwear. Inside pages are clean. ; 9.76 X 6.85 X 1.02 inches; 265 pages.

Contents include: Defining fame; Value systems; Dynamism of demand. Bibliography and index. Nicely illustrated. -- Hardcover, 265 pages, 7x10 inches. Condition: near fine (spine crown bumped) with near fine dust jacket. ISBN 9780300197976.

Dark blue cloth. Condición: Near fine. Estado de la sobrecubierta: Near fine. First. First printing, near fine hardcover showing just a hint of wear, in near fine lightly rubbed dust jacket. 265 pages with color and black & white illustrations and index. Still a good looking copy of this work that ".shows how the increased desire for art objects exerted significant pressure on highly sough after painters.".

Pamphlet. Condición: Very Good. Vol 59, No 2, pp. 45-83, Illus, Extracted from orig vol, then Recased in Original Journal Covers, last page in facsimile else VG.

Hard Cover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 265pp. Hardback with DJ, VG, index, bibliography, chapter notes, b&w and color illustrations, Shows how the increased desire for art objects exerted significant pressure on highly sought after painters in 15th century Florence,

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Very Good. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Paperback. Condición: New. Despite the recent interests of economic and art historians in the workings of the market, we still know remarkably little about the everyday context for the exchange of objects and the meaning of demand in the lives of individuals in the Renaissance. Nor do we have much sense of the relationship between the creation and purchase of works of art and the production, buying and selling of other types of objects in Italy in the period. The material Renaissance addresses these issues of economic and social life. It develops the analysis of demand, supply and exchange first proposed by Richard Goldthwaite in his ground-breaking Wealth and the demand for art in Renaissance Italy, and expands our understanding of the particularities of exchange in this consumer-led period. Considering food, clothing and every-day furnishings, as well as books, goldsmiths' work, altarpieces and other luxury goods, the book draws on contemporary archival material to explore pricing, to investigate production from the point of view of demand, and to look at networks of exchange that relied not only on money but also on credit, payment in kind and gift giving.The material Renaissance establishes the dynamic social character of exchange. It demonstrates that the cost of goods, including the price of the most basic items, was largely contingent upon on the relationship between buyer and seller, shows that communities actively sought new goods and novel means of production long before Colbert encouraged such industrial enterprise in France and reveals the wide ownership of objects, even among the economically disadvantaged.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780719081255.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:9780719081255.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Minor edge wear to jacket. Else a bright, clean copy. "This book considers the impact that economics had on Renaissance art. In late fifteenth-century Italy, there was increasing demand for goods of all types, including sustained demand for art which exerted significant pressure on sought-after painters. Analysing specific works, the book demonstrates the consequences of demand for decisions about production. It addresses questions of how master painters employed their workshops to fulfill the requirement for new works, and how, in the face of high demand, they produced works of quality. The book traces the careers of four artists whose work defined painting in late fifteenth-century Florence: Alessandro Botticelli, Domenico Ghirlandaio, Filippino Lippi and Pietro Perugino, men who turned out high volumes of work and attracted the patronage of prestigious patrons, and whose reputations for excellence were widely publicized. Economic questions have long fuelled research in art history and we know a significant amount about prices and business on a macro level. Less is known about decisions on the micro level: what approaches painters took to the manufacture of bodies of commissioned work, how they made daily decisions on design and pigments application, how serial production related to creating work for commissions. The book considers these issues within the framework of two arguments. The first asserts that levels of excellence in production reflected master painters' choices; the second contends there was a central relationship among economics, design and quality. Using documentary evidence about price, scientific evidence about production, and formal analysis about appearance, the book demonstrates Renaissance business practices and shows the individual approaches artists took to producing excellence and meeting demand"--.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: new. Paperback. Despite the recent interests of economic and art historians in the workings of the market, we still know remarkably little about the everyday context for the exchange of objects and the meaning of demand in the lives of individuals in the Renaissance. Nor do we have much sense of the relationship between the creation and purchase of works of art and the production, buying and selling of other types of objects in Italy in the period. The material Renaissance addresses these issues of economic and social life. It develops the analysis of demand, supply and exchange first proposed by Richard Goldthwaite in his ground-breaking Wealth and the demand for art in Renaissance Italy, and expands our understanding of the particularities of exchange in this consumer-led period. Considering food, clothing and every-day furnishings, as well as books, goldsmiths' work, altarpieces and other luxury goods, the book draws on contemporary archival material to explore pricing, to investigate production from the point of view of demand, and to look at networks of exchange that relied not only on money but also on credit, payment in kind and gift giving.The material Renaissance establishes the dynamic social character of exchange. It demonstrates that the cost of goods, including the price of the most basic items, was largely contingent upon on the relationship between buyer and seller, shows that communities actively sought new goods and novel means of production long before Colbert encouraged such industrial enterprise in France and reveals the wide ownership of objects, even among the economically disadvantaged. -- . Focussing on the consumer demand for goods in Renaissance Italy, The Material Renaissance establishes the dynamic social character of exchange. It demonstrates that the cost of goods, including the price of the most basic items, was largely contingent upon on the relationship between buyer and seller. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New. In.

Paperback. Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. Focussing on the consumer demand for goods in Renaissance Italy, The Material Renaissance establishes the dynamic social character of exchange. It demonstrates that the cost of goods, including the price of the most basic items, was largely contingent upon on the relationship between buyer and seller. Editor(s): O'Malley, Michelle; Welch, Evelyn. Series Editor(s): Breward, Christopher; Sherman, Bill. Series: Studies in Design and Material Culture. Num Pages: 328 pages, Illustrations, black & white. BIC Classification: 1DST; 3H; HBJD; HBTB; KCZ. Category: (U) Tertiary Education (US: College). Dimension: 243 x 173 x 19. Weight in Grams: 584. . 2010. Illustrated. paperback. . . . .

32 pp.; 22.9 x 15.2 cm.; staple bound; black-and-white & color; edition size 1000; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held September 16 - October 28, 1995. Curated and with a curator's statement by Bennett Roberts. Essay by Terry R. Myers. Artists include Michelle Fierro, Maxwell Hendler, Dennis Hollingsworth, David Lloyd, John Millei, John M. Miller, Ed Moses, Noel O'Malley, Sabina Ott, Lari Pittman, Lucas Reiner, Leonard Seagal, and Pauline Stella Sanchez. Includes biographical information. Very Good / Fine. Light scratching of covers and gentle bumping of top left corner of verso. Contents clean and unmarked.

Condición: New. Focussing on the consumer demand for goods in Renaissance Italy, The Material Renaissance establishes the dynamic social character of exchange. It demonstrates that the cost of goods, including the price of the most basic items, was largely contingent upon on the relationship between buyer and seller. Editor(s): O'Malley, Michelle; Welch, Evelyn. Series Editor(s): Breward, Christopher; Sherman, Bill. Series: Studies in Design and Material Culture. Num Pages: 328 pages, Illustrations, black & white. BIC Classification: 1DST; 3H; HBJD; HBTB; KCZ. Category: (U) Tertiary Education (US: College). Dimension: 243 x 173 x 19. Weight in Grams: 584. . 2010. Illustrated. paperback. . . . . Books ship from the US and Ireland.

Condición: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.