Michelangelo anselmi (3 resultados)
CORREGGIO, PARMIGIANINO, ANSELMI NELLA CHIESA DI SAN GIOVANNI EVANGELISTA A PARMA
Sgarbi, Vittorio [editor]; Correggio, 1489?-1534; Parmigianino, 1503-1540; Anselmi, Michelangelo, approximately 1492- approximately 1554 [subjects]
Editorial: Skira, Milano, 2008
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Librería: Second Story Books, ABAA, Rockville, MD, Estados Unidos de AmericaSecond Story Books, ABAA
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EUR 13,79
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Añadir al carritoSoftcover. Quarto, 279 pages. In Very Good condition. Spine is black with white print. Cover is illustrated, white print. Text block has inscription in ink on half-title page. Illustrated: color. Text in Italian. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex Area, Netdesk Column QD (ND-QD). 1386181. FP New Rockville Stock. …
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Librería: Antiquariaat A. Kok & Zn. B.V., Amsterdam, HolandaAntiquariaat A. Kok & Zn. B.V.
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EUR 16,50
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Añadir al carritoParma, 1960. 159 pp. 155 figs & 3 col.plts. Soft cover. (Biblioteca di Palatina I).

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Librería: BWS BKS, Ferndale, NY, Estados Unidos de AmericaBWS BKS
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EUR 2423,93
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HARDCOVER. Condición: As New. Archivi Di Arte Antica; Though frequently misunderstood and often confused by no fewer than two cases of coincidence of names, Michelangelo Anselmi was the third most-important painter at the time of Correggio and Parmigianino in Parma. The creator of several altar paintings and entire cycles of frescoes in the cathedral, in the Cappella della Concezione, in Palazzo Lalatta, and in five chapels in the church of San Giovanni Evangelista,Anselmi spent his entire working life in Parma. The only exception was the Baptism of Christ in the church of San Prospero in Reggio Emilia, which was the companion piece for Correggio s Night, now in Dresden. The book gives a stylistic and iconographic analysis of his works and a detailed study of documentary sources, shedding doubt on the erroneous tradition that considered Michelangelo Anselmi as a painter of Sienese origin whose works were partly derived from those of Sodoma and Beccafumi. Forty years after the only monographic study of the artist, by Augusta Ghidiglia Quintavalle, Elis.…