michael sweerts (24 resultados)

No Binding. Condición: Near Fine. Postcard in Very Good condition, unmailed, with minor marks on reverse. Cards are sent in stiff mailers. Postcard.

No Binding. Condición: Near Fine. Postcard in near-fine condition, a little age-toned. Unmailed. Cards are sent in stiff mailers. Postcard.

Soft cover. Condición: Fine. No Jacket. 208 p. : ill. ; 29 cm. ; ISBN: 0520213009 (pbk.); 9780520213005 (pbk.) LCCN: 97-20496 ; OCLC: 36900938 ; LC: NC1479.H613; Dewey: 741.5/942 ; pictorial stiff paper wrappers ; Contents: 1. Whose Hogarth? -- 2. Hogarth's Public: Finding An Audience -- 3. Politeness and Roman Satire -- 4. Hogarth and 'The Spirit of Party' -- 5. Disenchantment: Hogarth, God and Science -- App. Hogarthomania and the Collecting of Hogarth / Sheila O'Connell -- Catalogue -- Redefining Hogarth: Twentieth to Eighteenth Centuries -- The Satirical Engraver and His Public -- The Targets of Satire: The Orders of Society -- The Political Stage -- Intellectual Warfare: The Analysis of Beauty and Its Reception -- Last Battles -- Index of Hogarth's Works Illustrated. ; Catalog of exhibitions held at the British Museums, London, from 26 Sept. 1997 to 4 Jan. 1998, and other North American museums from 28 Jan. to 21 Nov. 1998./ Includes bibliographical references (p. 204-205) and indexes. ; "This volume.looks at the varied reactions's to Hogarth's prints and the different identities imposed upon the artist over the centuries: witty satirist, stern moralist, libertine, aggressive self-promoter, detached observer, and man of the people."--Jacket. ; exhibition dates . British Museum, London, from 26 September 1997 to 4 January 1998 . Berkeley Art Museum, University of California: 28 January - 19 April 1998, National Gallery of Canada, Ottawa: 18 June - 23 August 1998, Miriam and Ira D. Wallach Art Gallery, Columbia University, New York: 15 September - 21 November 1998] ; "The reputation of William Hogarth (1697-1764) rests largely on his pictorial stories, a series of engravings that he called "modern Moral Subjects," the most famous being the Harlot's and the Rake's Progress. In this catalog, David Bindman works backward from Hogarth's reputation today--where he is seen by some as a conservative populist and by others as a political radical--and examines his impact on various artists over the past three centuries. Bindman also sets Hogarth's prints firmly in their historical context, discussing the artist's public and the different influences on his work, from Roman satire to the politics of the day. The result is an engaging and insightful portrayal not only of William Hogarth, but also of the middle years of the eighteenth century. Art lovers will enjoy this book, but so too will anyone with an interest in the literature and history of the mid-eighteenth century. " ; FINE. Book.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Oversized hardbound edition with dust jacket published 2002 by Rijksmuseum. ISBN 9789040086762. Pages unmarked, modest wear. NOTE: Because of this book's large size and heavy weight, extra charges may be requested for shipping and handling.

Loose Leaf. Condición: New. Reproduction. Original title: Portrait of a man in rich clothing German: Porträt eines Mannes in reicher Kleidung French: Portrait d'un homme aux vêtements riches Spanish: Retrato de un hombre con ropa rica High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1643). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condición: New. Reproduction. Original title: Bust of man with fur hat German: Büste des Mannes mit Pelzmütze French: Buste d'homme avec chapeau de fourrure Spanish: Busto de hombre con sombrero de piel High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1656). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condición: New. Reproduction. Original title: Bust of a child with hat German: Büste eines Kindes mit Hut French: Buste d'un enfant avec chapeau Spanish: Busto de un niño con sombrero High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1656). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condición: New. Reproduction. Original title: Pricking man in chair German: Pricking Mann auf Stuhl French: L'homme qui pèche en chaise Spanish: Hombre chulo en la silla High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1643). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condición: New. Reproduction. Original title: Witness of Christ German: Zeuge Christi French: Témoin de Christ Spanish: Testigo de Cristo High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1643). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condición: New. Reproduction. Original title: Bust of a boy German: Vollbust eines Jungen French: Buste d'un garçon Spanish: El busto de un niño High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1656). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condición: New. Reproduction. Original title: Bust of a youngster with turban German: Büste eines Jungen mit Turban French: Buste d'un jeune avec turban Spanish: Busto de un joven con turbante High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1656). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condición: New. Reproduction. Original title: Farmer's bust with hat German: Bauernbüste mit Hut French: Le buste de l'agriculteur avec chapeau Spanish: El busto del granjero con sombrero High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1656). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condición: New. Reproduction. Original title: Bust of a young man with turban German: Büste eines jungen Mannes mit Turban French: Buste d'un jeune homme avec turban Spanish: Busto de un joven con turbante High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1656). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condición: New. Reproduction. Original title: Bust of an old bearded man German: Büste eines alten bärtigen Mannes French: Buste d'un vieil homme barbu Spanish: Busto de un viejo barbudo High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1656). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condición: New. Reproduction. Original title: Bust of a youngster German: Büste eines jungen Mannes French: Buste d'un jeune Spanish: Busto de un joven High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1656). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condición: New. Reproduction. Original title: Bust of an older woman German: Büste einer älteren Frau French: Buste d'une femme plus âgée Spanish: Busto de una mujer mayor High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1656). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condición: New. Reproduction. Original title: Young man behind a painter's donkey German: Junger Mann hinter dem Esel eines Malers French: Jeune homme derrière un âne de peintre Spanish: Joven detrás del burro de un pintor High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1656). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condición: New. Reproduction. Original title: Bust of a bearded man German: Büste eines bärtigen Mannes French: Buste d'un homme barbu Spanish: Busto de un hombre barbudo High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1656). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condición: New. Reproduction. Original title: Bust of wide smiling boy with beret German: Büste von breiten lächelnden Jungen mit Berett French: Buste de grand garçon souriant avec béret Spanish: Busto de niño sonriente con boina High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1656). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condición: New. Reproduction. Original title: Portrait of a man in a cloak German: Porträt eines Mannes in einem Mantel French: Portrait d'un homme dans un manteau Spanish: Retrato de un hombre con una capa High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1643). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condición: New. Reproduction. Original title: Pricking man in chair German: Pricking Mann auf Stuhl French: L'homme qui pèche en chaise Spanish: Hombre chulo en la silla High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1643). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

[Antwerpen, Kanselarij Phoebus Foundation vzw, 2023]. 79,[1] pp. Col. ills. Orig. softcover (pictorial wrappers). 8vo. (Phoebus focus, 21).Rubens, Van Dyck, Jordaens? Antwerp is renowned for its many talented artists. But what about Brussels? Researcher Lara Yeager-Crasselt takes the reader on a journey through the vibrant Brussels art scene, specifically its extraordinary portraiture, with Michael Sweerts as a pioneer. - Text in Dutch.

Paris, 2009. 59 pp. Col. ills. Hardcover.

Doornspijk, Davaco Publihsres, 1996. 184 pp. Col. frontispiece, 30 col. plts & [230] b./w. ills on [187] plts. Hardcover, d./j. (Aetas Aurea. Monographs on Dutch & Flemisch Painting XII). - - New copy !!The long-neglected seventeenth-century Flemish artist Michael Sweerts (1618-1664) has been described by art historians as an "enigmatic Dutch Le Nain". Nothing is known about him from the time of his birth in Brussels until his arrival in Rome at the age of twenty-eight. This book traces Sweerts' artistic development: his years in Rome, his return to Brussels to found a drawing academy, his subsequent move to Amsterdam, and finally his decision, towards the end of his life, to join a French missionary society and travel to the Far East. Sweerts' idiosyncratic methods reveal a continual struggle to reconcile the academic principles he so willingly adopted with the Dutch art of his Netherlandish contemporaries in Rome, especially the Bamboccianti. He seems to have been constantly influenced by French art as well, in particular by the Le Nain school. After his return to Brussels, elements typical of Flemish portraiture can be seen in his work, and his subsequent stay in Holland exposed him to contemporary Dutch tastes in portrait painting, to which he increasingly devoted himself. In later years his religious fervour hampered his ability to function in society and perhaps had an adverse effect on his artistic output as well. His constant vacillation between accepted schools - academicism versus genre painting, for example - eventually led him to develop an eclectic but alluring style which was all his own. - - Including a full catalogue raisonné.