michael herren (142 resultados)

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condición: VGF. 145-32. A VGF or better original release 8 x 10 still. Photographic Image.

Soft cover. Condición: VGF. A VGF folded pressbook with no cuts. Size: 11" X 14". Book.

Condición: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: New. 284 pp., paperback, new. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

xiv, 226p., original stiff printed wrappers (Papers in mediaeval studies, 1).

Magazine. 36p. includes covers, 8.5x11 inches, news, articles, reviews, ads, very good magazine in stapled pictorial wraps. Started as a newsletter then became Lambda Rising Book Report, a tabloid, for volume one. Interview with the creator of the Henry Rios Mysteries.

Condición: New. In.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. The Anatomy of Myth is a comprehensive study of the different methods of interpreting myths developed by the Greeks, adopted by the Romans, and eventually passed on to Jewish and Christian interpreters of the Bible. Greek thinkers only rarely saw "myth" as a category of thought in its own right. Most often they viewed myths as the creation of poets, or else as an ancient revelation that had been corrupted by them. In the first instance, critics attempted to find in the intention of the authors some deeper truth, whether physical or spiritual; in the second, they deemed it necessary to clear away poetic falsehoods in order to recapture an ancient revelation. Parallel to the philosophical critiques were the efforts of early historians to explain myths as exaggerated history; myths could be purified by logos (reason) and rendered believable. Practically all of these early methods could be lumped under the term "allegory"--to intend something different from what one expressed. Only occasionally did philosophers veer from a concern for the literal truth of myths but a few thinkers, while acknowledging myths as fictions, defended their value for the examples of good and bad human behavior they offered. These early efforts were invaluable for the development of critical thinking, enabling public criticism of even the most authoritative texts. The Church Fathers took the interpretative methods of their pagan contemporaries and applied them vigorously to their reading of the scriptures. Pagan Greek methods of myth interpretation passed into the Middle Ages and beyond, serving as a perennial defense against the damaging effects of scriptural literalism and fundamentalism.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. A new interpretation of Celtic Christianity, supported by images of Christ taken from manuscripts, metalwork and sculpture, and showing how it departed from continental practice largely due to a differing perception and application of Pelagianism.Christ in Celtic Christianity gives a new interpretation of the nature of Christianity in Celtic Britain and Ireland from the fifth to the tenth century. The written and visual evidence on which the authors base their argument includes images of Christ created in and for this milieu, taken from manuscripts, metalwork and sculpture and reproduced in this study. The authors challenge the received opinion that Celtic Christians were in unity with Romein all matters except the method of Easter reckoning and the shape of the clerical tonsure. They find, on the contrary, that the strain of the Pelagian heresy which rooted itself in Britain in the early fifth century influenced the theology and practice of the Celtic monastic Churches on both sides of the Irish Sea for several hundred years, creating a theological spectrum quite distinct from that of continental establishments. MICHAEL W. HERRENis Professor of Classics and Distinguished Research Professor at York University (Toronto), a member of the Graduate Faculty at the Centre for Medieval Studies in the University of Toronto, and an Honorary Member of the Royal Irish Academy; SHIRLEY ANN BROWN is Professor of Art History and a member of the Faculty of Graduate Studies at York University.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condición: Fine. Larger trade softcover of vii+213 pages clean tight unmarked.

Soft cover. Condición: VGF. 145-28. A VGF or better original release 8 x 10 still. Photographic Image.

Paperback. Condición: New. Translations from the Latin of the ingenious works of Aldelm, first English man of letters. Introduction, bibliography and notes to the texts included.Aldhelm was the first Latin poet of Europe who was not a native speaker of Latin. The ingenuity and originality which he brought to the task of composing Latin poetry ensured that his poems would be widely read everywhere, but they were studied especially in England during the early medieval period. Aldhelm's poetic corpus includes the Carmina Ecclesiastica, a series of dedicatory poems which contain a wealth of detail about early Anglo-Saxon churches; the Carmen de Virginitate, a verse counterpart to his earlier prose De Virginitate, but which includes an extensive passage describing an allegorical battle of the vices and virtues; a collection of 100 riddles or Enigmata, which are an imaginative investigation of the structure of the natural world; and a brief rhythmical poem describing the effects of a mighty storm in southwest England. In each of the poetic genres he essayed, Aldhelm found a host of later imitators, and it is not an exaggeration to say that he was the most influential Latin poet whose works were studied in Anglo-Saxon England; indeed, many surviving Old English poems are simple translations or adaptations of Latin poems by Aldhelm. The translations are presented here with an introduction outlining what is known of Aldhelm's life and writings, and an appendix by NEIL WRIGHT contains a translation of Aldhelm's De Metris, a technical treatise on the composition of Latin verse.

Condición: new.

Paperback. Condición: New. A new interpretation of Celtic Christianity, supported by images of Christ taken from manuscripts, metalwork and sculpture, and showing how it departed from continental practice largely due to a differing perception and application of Pelagianism.Christ in Celtic Christianity gives a new interpretation of the nature of Christianity in Celtic Britain and Ireland from the fifth to the tenth century. The written and visual evidence on which the authors base their argument includes images of Christ created in and for this milieu, taken from manuscripts, metalwork and sculpture and reproduced in this study. The authors challenge the received opinion that Celtic Christians were in unity with Romein all matters except the method of Easter reckoning and the shape of the clerical tonsure. They find, on the contrary, that the strain of the Pelagian heresy which rooted itself in Britain in the early fifth century influenced the theology and practice of the Celtic monastic Churches on both sides of the Irish Sea for several hundred years, creating a theological spectrum quite distinct from that of continental establishments. MICHAEL W. HERRENis Professor of Classics and Distinguished Research Professor at York University (Toronto), a member of the Graduate Faculty at the Centre for Medieval Studies in the University of Toronto, and an Honorary Member of the Royal Irish Academy; SHIRLEY ANN BROWN is Professor of Art History and a member of the Faculty of Graduate Studies at York University.

Paperback. Condición: Good. 2000 Brepols paperback, with some shelfwear/edgewear, GOOD Standard-sized.

Paperback. Condición: New. Translations from the Latin of the ingenious works of Aldelm, first English man of letters. Introduction, bibliography and notes to the texts included.Aldhelm was the first Latin poet of Europe who was not a native speaker of Latin. The ingenuity and originality which he brought to the task of composing Latin poetry ensured that his poems would be widely read everywhere, but they were studied especially in England during the early medieval period. Aldhelm's poetic corpus includes the Carmina Ecclesiastica, a series of dedicatory poems which contain a wealth of detail about early Anglo-Saxon churches; the Carmen de Virginitate, a verse counterpart to his earlier prose De Virginitate, but which includes an extensive passage describing an allegorical battle of the vices and virtues; a collection of 100 riddles or Enigmata, which are an imaginative investigation of the structure of the natural world; and a brief rhythmical poem describing the effects of a mighty storm in southwest England. In each of the poetic genres he essayed, Aldhelm found a host of later imitators, and it is not an exaggeration to say that he was the most influential Latin poet whose works were studied in Anglo-Saxon England; indeed, many surviving Old English poems are simple translations or adaptations of Latin poems by Aldhelm. The translations are presented here with an introduction outlining what is known of Aldhelm's life and writings, and an appendix by NEIL WRIGHT contains a translation of Aldhelm's De Metris, a technical treatise on the composition of Latin verse.

Paperback. Condición: New.

Condición: New. In.

PF. Condición: New.