Michael e gerli (148 resultados)

Hardcover. Condición: Near Fine. No Dust Jacket. Near Fine Condition. No dust jacket. Pp. 297. Boards have a protective cover. No marks on the text block. No marks of previous ownership or inscriptions.; Height: 9.75 Inches, Length: 6.5 Inches, Weight: 1 Pounds, Width: 1 Inches; 297 pages.

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condición: As New. Like New condition. Very Good dust jacket. A near perfect copy that may have very minor cosmetic defects.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. 8vo; 137 pp; Excellent book; Always Delivery Confirmation. 35 Years Fast Excellent Service. We Know How To Pack Books.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. Studies In Romance Languages: 39, dust jacket now in a clear protector; 137 pages.

Cloth. Condición: Very Good +. No Jacket. First Edition. But for the library markings the book is in very good + condition.

Hardcover. Estado de la sobrecubierta: Near Fine. First Edition. First edition (first printing). Near fine in a near fine dust jacket. In this wide-ranging study E. Michael Gerli shows how Cervantes and his contemporaries ceaselessly imitated one another--glossing works, dismembering and reconstructing them, writing for and against one another--while playing sophisticated games of literary one-upmanship. The result was that literature in late Renaissance Spain was often more than a simple matter of source and imitation. It must be understood as a far more subtle, palimpsest-like process of forging endless series of texts from other texts, thus linking closely the practices of reading, writing, and rewriting. Like all major writers of the age, Cervantes was responding not just to specific literary traditions but to a broad range of texts and discourses. He expected his well-read audience to recognize his sources and to appreciate their transformations. The notion of writing as reading and reading as writing is thus central to an understanding of Cervantes' literary invention. As he created his works, he constantly questioned and reconfigured the authority of other texts, appropriating, combining, naturalizing, and effacing them, displacing them with his own themes, images, styles, and beliefs. Modern literary theory has confirmed what Cervantes and his contemporaries intuitively knew--that reading and writing are closely linked dimensions of the literary enterprise. Reading Cervantes and his contemporaries in this way enables us to cojnprehend the craft, wit, irony, and subtle conceit that he at the heart of seventeenth-century Spanish literature.…

Condición: New.

Paperback or Softback. Condición: New. Poetry at Court in Trastamaran Spain: From the Cancionero de Baena to the Cancionero General. Book.

Hardcover. Condición: Fine. No Jacket. 1st Edition. Festschrift in dull black boards with gold lettering has minor shelf-wear, tight, bright, and unmarked. Twenty-one (!) essays and the honoree's bibliography. A nice copy.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Hardcover. Condición: Very Good. xxv, 130 pages. Publisher's cloth-covered binding sturdy, corners sharp, gold-stamped lettering bright; a few marks in pencil to the introduction, else contents unmarked and attractive. 400 grams.

Condición: New. 1st edition. Cloth, F. xxii+297pp, index, a fine copy. MRTS vol 181. A collection of 12 essays dealing with late Medieval Castilian poetry. 725 grams.

Condición: New. 1st edition. Cloth, F. xxii+297pp, index, a fine copy. MRTS vol 181. A collection of twelve essays dealing with late Medieval Castilian poetry. 725 grams.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Issued without a dust jacket. Like new. Pages clean; binding tight; very minor wear to covers; issued without a dustjacket. Twelve essays, by various authors, examining early Spanish love poetry. 297 pages. MRTS 181. Size: 6 1/2" x 9 1/2".

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Issued without a dust jacket. Like new. Pages clean; binding tight; very minor wear to covers; issued without a dustjacket. Twelve essays, by various authors, examining early Spanish love poetry. 297 pages. MRTS 181. Size: 6 1/2" x 9 1/2".

Broschiert. Condición: Gut. 148-306 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. Neben dem oben aufgeführten Aufsatz befinden sich auch weitere Beiträge auch anderer Autoren in dem Werk. MEHRSPRACHIG. mu Gewicht in Gramm: 260.…

Hardcover. Condición: Fair. No Jacket. Condition : Fair. Ex-university library copy with associated library stamps etc. Hard cover, no jacket. 183pp. Lots of penciled UNDERLINING. Small STAIN in margin of two pages. A very usable study copy.

Condición: New.

Hardcover. Condición: Fine. 183 pages : illustrations ; 21 cm.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Fine. First Edition. Fine-looking, structurally sound hardcover exemplar of a second festschrift for Samuel G. Armistead. Little discernible wear to the gray cloth over boards, gilt lettering to spine and front cover, university logo stamped to front cover. Bright interior, unmarked. This festschrift edited by E. Michael Gerli features contributions by him and by Harvey L. Sharrer, Samuel G. Armistead, Manuel Alvar, Juan Bautista Avalie-Arce, Paul Benichou, Dorothy Clotelle Clarke, Manuel da Costa Fontes, Alan Deyermond, Giuseppe di Stefano, Alvaro Galmes de Fuentes, Milagros de Nuestrat Senora and E. Michael Gerli, Harriet Goldberg, Jaco M. Hassan, Israel E. Katz, John E. Keller, Paul M. Lloyd, Yakov Malkiel, Francisco Marquez Villanueva, Elena Romero, Antonio Sanchez Romeralo, Harvey L. Sharrer, Joseph Silverman and Colin Smith. Volume contains scholarly apparatus in the form of, e.g., notes, index, and bibliography. Frontis matter, 2-301 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets. …

Condición: New.

Condición: New. In English.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condición: New. Brand New.

Condición: As New. Unread book in perfect condition.