Michael crichton screenwriter (9 resultados)

Paperback. Condición: Very Good. Pages in great condition. Cover shows some shelfwear, creasing on spine. 100% Satisfaction Guaranteed. Orders received before 3PM PT typically ship same day. All profits support the non-profit community.

Two vintage studio still photographs from the 1972 film. Based on the 1971 novel by Michael Crichton and his brother Douglas (under the pseudonym "Michael Douglas"), about a Harvard law student (Lyons) who is sent from Boston to San Francisco to smuggle a shipment of marijuana. He convinces the drug dealer (Lithgow) to have a girl (Hershey) he met in San Francisco bring another shipment, so he can see her again. The girl gets busted, but only for half of the shipment, as the other half is taken by a corrupt cop (Charles Durning). They attempt to steal back the stolen half, but in doing so accidentally steal an additional $80,000 in heroin. The ever-relevant John Lithgow made his film debut, and Barbara Hershey confirms her status as an ideal 1970s "hippie chick." Set in WHERE, shot on location in WHERE. 8 x 10 inches. Vert Good plus, one with several pinholes in all corners, one with pin holes in top right corner.…

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Three vintage color studio still photographs from the 1973 film. An erotic thriller following a television reporter who becomes increasingly obsessed with filming his neighbors' private lives. Noted author Michael Crichton's first original screenplay. 10 x 8 inches. Near Fine.

Eight vintage studio still photographs from the 1973 film. An erotic thriller following a television reporter who becomes increasingly obsessed with filming his neighbors' private lives. Noted author Michael Crichton's first original screenplay. 10 x 8 inches. Near Fine.

Final script for the 1973 film, based on the 1972 novel by Michael Crichton. Noted director Mike Hodges' third film, and first to be made in the US (after "Get Carter" in 1971 and "Pulp" in 1972). An unusual and prescient sci-fi thriller that was poorly distributed in the US, but over time counted Stanley Kubrick and Terrence Malick among its admirers. Segal, in a serious against-type role, is a scientist who agrees to an experimental treatment wherein a tiny computer is implanted in his head to help control violent tendencies. The computer malfunctions (probably Windows-based) and he becomes a psychotic killer. When Mike Kaplan, a Warner Brothers international marketing executive, attempted to override Warner Bros' decision not to release the film in Britain, he sought Kubrick's help. After explaining the situation, and how the film required a different marketing campaign, Kubrick interrupted with, "I've already seen it and it's terrific." The director Terrence Malick wrote to Hodges expressing how much he loved watching The Terminal Man, saying "I have just come from seeing The Terminal Man and want you to know what a magnificent, overwhelming picture it is. You achieve moods that I've never experienced in the movies before, though it's only in hope of finding them that I keep going. Your images make me understand what an image is, not a pretty picture but something that should pierce one through like an arrow and speak in a language all its own." Mustard yellow titled wrappers, stamped FINAL on the front wrapper, and dated May 9, 1973. Distribution page present, with receipt intact. Title page present, with a credit for screenwriter Hodges. 108 leaves, mechanical duplication, eye-rest green stock. Pages Near Fine, wrapper Very Good plus with a diagonal crease on the front panel, internally bound with two gold brads.…

Revised Draft script for the 1993 film. Based on the 1992 novel by Michael Crichton. Sean Connery and Wesley Snipes star as two LAPD detectives called in to assist in an investigation of the murder of a call girl in a boardroom of a large Japanese company, and act as a liason between the Japanese executives and the investigating officer, played by Harvey Keitel. Set in and shot on location in Los Angeles. Yellow titled wrappers, dated April 21, 1992. Title page present, dated April 21, 1992, noted as REVISED, with credits for screenwriter Philip Kaufman and author Michael Crichton. 132 leaves, with last page of text numbered 131. Xerographic duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads.…

Collection of 43 vintage studio still photographs from the 1974 film. An unusual and prescient sci-fi thriller that was poorly distributed in the US, but over time counted Stanley Kubrick and Terrence Malick among its admirers. Actor George Segal, in a serious against-type role, is a scientist who agrees to an experimental treatment wherein a tiny computer is implanted in his head to help control violent tendencies. The computer malfunctions (probably Windows-based) and he becomes a psychotic killer. When Mike Kaplan, a Warner Bros international marketing executive, attempted to override Warner Bros' decision not to release the film in Britain, he sought Kubrick's help. After explaining the situation, and how the film required a different marketing campaign, Kubrick interrupted with, "I've already seen it and it's terrific." The director Terrence Malick wrote to Hodges expressing how much he loved watching the film, saying "I have just come from seeing The Terminal Man and want you to know what a magnificent, overwhelming picture it is. You achieve moods that I've never experienced in the movies before, though it's only in hope of finding them that I keep going. Your images make me understand what an image is, not a pretty picture but something that should pierce one through like an arrow and speak in a language all its own." 10 x 8 inches. Very Good plus, lightly curled at the edges, and some with light creasing and wear to the finish.…

Seven borderless black-and-white reference photographs from the set of the film, shot in April 1960. Five of the six remarkable photographs show Wise both in the desert and in the midst of the elaborate sets designed to simulate the film's massive underground laboratory. With printed snipes on the verso of each photograph. 7.25 x 9.5 inches. Near Fine. Vogel, Film as a Subversive Art.…