Mette stausland (7 resultados)

First Edition. First edition. Oblong softcover. [20 pages.] Text in English and German. Features an essay by Annelise Zwez. Includes 9 illustrations, biographical information, list of previous exhibitions, and a checklist. A fine copy in stapled wrappers. Uncommon.

Kartoniert / Broschiert. Condición: New.

Taschenbuch. Condición: Neu. Codetta | Dt/engl | Mette/Boesch, Ina Stausland | Taschenbuch | 79 S. | Deutsch | 2013 | Verlag Schwabe AG | EAN 9783796532337 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

Hardcover. Condición: Gut. 1. 79 S. Das Buchcover ist leict fleckig! Gutes Exemplar, geringe Gebrauchsspuren, Cover/SU berieben/bestoßen, Lesefalze am Rücken des Buches, innen alles in Ordnung; Good copy, light signs of previous use, cover/dust jacket shows some rubbing/wear, creases on the spine, interior in good condition. D250124axm82 ISBN: 9783796532337 Sprache: Englisch Gewicht in Gramm: 513. …

Hardcover. Condición: Gut bis sehr gut. 1. Auflage. Z : 80 Seiten/pages, zahlreiche Abbildungen - Subtiles Zwiegespräch von Zeichnung und Text Die norwegische Künstlerin Mette Stausland begann 2006 mit einer Serie von Zeichnungen, der sie den Titel «Coda» gab. Nicht von ungefähr: Die Coda ist in der Musik der ausklingende Teil eines Musikstücks, der Kernmotive nochmals aufgreift. Tatsächlich steht die «Coda»Serie beispielhaft für Stauslands Schaffen als Zeichnerin, ist sozusagen Kondensat ihres künstlerischen Ausdrucks in diesem Medium. «Codetta» ist das Diminutiv von Coda und bildet den Titel der vorliegenden Publikation, die eine Auswahl von Zeichnungen aus der Serie «Coda» präsentiert. Die Abbildungen werden begleitet von Texten der Autorin Ina Boesch. Es sind poetische Vignetten, fiktionalisierte Geschichten zur Biografie und zum Werk von Mette Stausland, die auf ausführlichen Gesprächen mit der Künstlerin basieren. Zeichnungen und Texte treten im Buch in einen subtilen Austausch und behaupten gleichzeitig ihre Eigenständigkeit. Die reduzierte und klare Sprache der Künstlerin wie der Autorin findet eine kongeniale Entsprechung in der raffinierten Buchgestaltung von Marco und Theodora Müller.…

No Binding. Condición: Very Good. Original exhibition poster by Bard Breivik and Mette Stausland. 66 x 31,5 cm poster, in very good condition. Bård Breivik (23 November 1948 10 January 2016) was a Norwegian sculptor and art instructor. He was born in Bergen, Norway. He was the son of Thomas Breivik and Sissel Søyland. His father Thomas Breivik (1923-1999) was a notable painter, graphics artist and art instructor. Following his parents divorce in 1951, he was raised by his mother in Laksevåg. He was educated at the Bergen Academy of Art and Design (Bergen Kunsthåndverkskole and Vestlandets Kunstakademi) and St. Martin's School of Art in London. Breivik held a professorship at the Royal Institute of Art in Stockholm from 1982 to 1985 and worked actively as an artist throughout his life. In the autumn 1981, the Fibre exhibition opened with great success. At the same time, he did the scenography for the performance Pyramider at the Henie-Onstad Art Centre. Following year Breivik took part in the group exhibition The Sleeping Beauty Art Now, Scandinavia Today , at the Guggenheim Museum in New York. In 1984, Breivik took part in an international group exhibition at the Toyama Modern Art Museum in Tokyo, and he exhibited at the Nordic pavilion during the biennale in Venice in 1985. The exhibition at the Nordic pavilion was curated by Mats B. In 1991 he was invited to exhibit at The São Paulo Art Biennial. The following year he completed the decoration with stone and water called Kunsthagen outside the newly opened art museum in Lillehammer, designed by the architects office Snøhetta. One of his most high-profile projects was the erection of new decorative columns at Torgallmenningen square in his hometown of Bergen, unveiled on 17 May 1999. Klosterenga Sculpture Park (Klosterenga Sculpturpark) in Oslo was created by Bård Breivik over several years, as an alternative to Vigeland park, and a common place for people coming from distant cultures, where they can meet and merge into one peaceful neighborhood. The intention of the multicultural space is to provide a global culture image, consisting of stone traditions from different parts of the world. Gulatinget Millennium Park Monumental (Tusenaarsstaden Gulatinget) was erected during August 2005 in commemoration of the Millennium anniversity of the Gulating at Gulen in Sogn og Fjordane. Gulating was one of the oldest and largest parliamentary assemblies in medieval Norway. //////Mette Stausland (1956) works exclusively within the tradition of drawing. She described her early experience through drawing, when she was a girl growing up on the southern coast of Norway. After training as a dancer she transferred her interests to visual art following an injury that halted her career in dance. Stausland studied Fine Art at Vestlandets Kunstakademi, Bergen, Norway and at the Kunstakademiet Stockholm, followed by the Jan van Eyck Academie, Maastricht, Holland.…

Det Grafiske Værksted, Hjørring 2007. Lille folio. Illustreret med originale litografier i flere farver. Upagineret. Heftet med orig. litografisk omslag. I original trykt kassette. * Et af 250 eksemplarer signeret af både Klaus Rifbjerg og Mette Stausland. ** Meget vellykket samarbejde mellem digteren Rifbjerg og grafikeren Mette Stausland.…