men segolene (126 resultados)

paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Softcover. Condición: Bon. Ancien livre de bibliothèque avec équipements. Edition 2012. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 2012. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Condición: Bon. Ancien livre de bibliothèque avec équipements. Edition 2014. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 2014. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condición: New.

Hardcover. Condición: new. Hardcover. Collectors played an essential yet misunderstood role in the success of Impressionism. Even though they were not immune to economic and social woes, they were often engaged in defending this artistic movement that they had helped come to life, establish itself or make known, each according to their times. It is this group of committed collectors that the present work seeks to examine. From assembling a collection to donating it to a museum, from supporting artists within the borders of France to publicising the movement internationally, from the first intimate private showings to the questions raised by the presentation of these works in museums, collectors were present at every stage of the development of Impressionism, from the dawn of the movement to the middle of the 20th century. This volume aims to re-examine and reassess the importance of these collectors in the political, social and economic contexts of their times through the contributions of 16 international specialists. Depeaux, De Nittis, the Palmers, OHara, Buehrle, Caillebotte, Fayet: whether they are the subjects of dedicated case studies or part of a broader discourse, the multiplicity of profiles of these collectors and the paths they followed will allow readers to gain a better understanding of their importance in the history of the Impressionist movement. This volume aims to re-examine and reassess the importance of Impressionist collectors in the political, social and economic contexts of their times through the contributions of 16 international specialists. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: Used-Very Good. 4to. Dec. cloth, no d.j. (as issued). Text in French. Some shelf-wear. Else clean copy.

Hardback. Condición: New. Collectors played an essential yet misunderstood role in the success of Impressionism. Even though they were not immune to economic and social woes, they were often engaged in defending this artistic movement that they had helped come to life, establish itself or make known, each according to their times. It is this group of committed collectors that the present work seeks to examine. From assembling a collection to donating it to a museum, from supporting artists within the borders of France to publicising the movement internationally, from the first intimate private showings to the questions raised by the presentation of these works in museums, collectors were present at every stage of the development of Impressionism, from the dawn of the movement to the middle of the 20th century. This volume aims to re-examine and reassess the importance of these collectors in the political, social and economic contexts of their times through the contributions of 16 international specialists. Depeaux, De Nittis, the Palmers, O'Hara, Bührle, Caillebotte, Fayet: whether they are the subjects of dedicated case studies or part of a broader discourse, the multiplicity of profiles of these collectors and the paths they followed will allow readers to gain a better understanding of their importance in the history of the Impressionist movement.

Hardback. Condición: New. Collectors played an essential yet misunderstood role in the success of Impressionism. Even though they were not immune to economic and social woes, they were often engaged in defending this artistic movement that they had helped come to life, establish itself or make known, each according to their times. It is this group of committed collectors that the present work seeks to examine. From assembling a collection to donating it to a museum, from supporting artists within the borders of France to publicising the movement internationally, from the first intimate private showings to the questions raised by the presentation of these works in museums, collectors were present at every stage of the development of Impressionism, from the dawn of the movement to the middle of the 20th century. This volume aims to re-examine and reassess the importance of these collectors in the political, social and economic contexts of their times through the contributions of 16 international specialists. Depeaux, De Nittis, the Palmers, O'Hara, Bührle, Caillebotte, Fayet: whether they are the subjects of dedicated case studies or part of a broader discourse, the multiplicity of profiles of these collectors and the paths they followed will allow readers to gain a better understanding of their importance in the history of the Impressionist movement.

Paperback. Condición: Very Good+. First Edition. In French. Previous owner's name on half-title page, otherwise appears unmarked and clean. Exterior looks great. Spine is uncreased, binding tight and strong. From a private home collection. Scarce. Ships same or next business day from Dinkytown in Minneapolis, Minnesota. Due to the size/weight of this book extra charges may apply for international shipping.

Hardcover. Condición: Bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. Condición: very good/very good. Quarto. 598pp. Exhibition catalogue. Very nice copy in dust jacket. Light edge rubbing to dust jacket.

Soft cover. Condición: As New. Condition as new, still shrink wrapped. This publication documents Jules Cheret's career by means of a wide selection of commercial posters and advertising art.

Hard cover. Condición: Very good. Estado de la sobrecubierta: Good. Text is in French. Jacket spine and edges are sunned, but readability is not impacted.Jacket edges are worn. Upper front jacket edge has closed tear. Upper front jacket edge is scratched. Back jacket edge is torn. Spine is shaken. Spine edges are worn and sunned. Text block and inside edges are tanned, but legibility is not affected. Pages are unmarked.

Hardcover. Condición: Very Good.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. FINE in NEAR FINE little edge worn jacket, single short closed tear to the rear panel.

Soft cover. Condición: As New.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: VG/VG. Yellow boards with green lettering green matte dustjacket 599 pp.; 369 mostly color plates. Text is in English. A very nice copy, and wonderful book. Contents as follows: Plates from Le Boulevard and Souvenirs d'artistes -- Lithographs published under the Authoritarian Empire -- Collectors and art-lovers (the 1860s) -- The theatre (the 1860s) -- Public transport -- Lawyers (1865-1868) -- Men singing, relaxing, drinking . -- Saltimbanques -- The last allegorical and political lithographs (1869-1871) -- Late works -- Don Quixote -- Chronology / Dominique Lobstein -- Collectors, dealers, and admirers / Dominique Lobstein with Catherine L. Blais. Essays. Situating Daumier / Henri Loyrette -- "Son rêve, en effet, a été la peinture" / Michael Pantazzi -- Daumier and printmaking / Ségolène Le Men -- "He also does sculpture / Édouard Papet -- Daumier, art, and politics / Michel Melot -- Catalogue. Daumier's beginnings -- Political caricature (1830-1835) -- Portrait-caricatures -- Men of the people -- Philipon versus Philippe -- Illustration, social caricature, and parody (1835-1848) -- The physiology of the bourgeoisie as depicted in the Charivari series -- Paintings from the 1840s -- 1848 and Second Republic -- Major projects and the salons of 1848-1852 -- Ratapoil -- Fugitives -- Quai d'Anjou -- Croquis d'artistes from the 1850s -- Paintings from the 1850s -- Molière and the theatre -- Lawyers (1861-1862) -- Plates from Le Boulevard and Souvenirs d'artistes -- Lithographs published under the Authoritarian Empire -- Collectors and art-lovers (the 1860s) -- The theatre (the 1860s) -- Public transport -- Lawyers (1865-1868) -- Men singing, relaxing, drinking . -- Saltimbanques -- The last allegorical and political lithographs (1869-1871) -- Late works -- Don Quixote -- Appendices. Chronology / Dominique Lobstein -- Collectors, dealers, and admirers / Dominique Lobstein with Catherine L. Blais. Published to accompany the exhibition held in Ottawa, Canada: Musée des Beaux-Arts du Canada, June 11 to Sept. 6, 1999, two other dates.

Condición: New. In.

Soft cover. Condición: Fine. Large format stiff pictorial card covers FINE condition.

paperback. Condición: New. Special order direct from the distributor.

Condición: Neuf.

Couverture rigide. Condición: Comme neuf.

Softcover. Condición: Bon. Ancien livre de bibliothèque avec équipements. Edition 1995. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 1995. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Folio, text in French, numerous black and white with a few color photographic illustrations, publisher's terrecotta cloth stamped in blue and gilt at spine (bump at upper corner, else a clean tight copy, very good). Pictorial dust jacket (similar bumped top corner, additional edgewear and creases, very good).

Softcover. Small quarto. Softcover. Illustrated wraps. 55 pages : illustrations ; 26 cm. "This exhibition presented at the Musée d'Orsay from May 25 to August 30, 1987 ."--Title page verso./ Includes bibliographical references (pages 44-45) and indexes. VG-. Light wear and toning to wraps. Else clean and unmarked.

Hardcover. Condición: Brand New. 280 pages. 9.50x6.75x1.06 inches. In Stock.