Meiling cheng (83 resultados)

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Condición: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Soft Cover. softcover, Near Fine. Book.

Paperback. Condición: Fine. 1st. xxxiv, 407 pages, illustrations; 24 cm. Tight, clean copy. *** "Performance art and Los Angeles, two subjects spectacularly resistant to definitions, illuminate each other in this searching study by Meiling Cheng. A marginal artistic pursuit by choice as well as necessity, performance art has flourished in and about 'multicentric' Los Angeles for nearly four decades, finding its own centers of activity, moving and changing as the margins have reconstituted themselves. The notion of multicentricity serves, somewhat paradoxically, as the unifying motif in Cheng's imaginative views of center and periphery, self and other, and 'mainstream' and 'marginal' cultures. She analyzes individual artists and performances in detail, bringing her own 'center' gracefully and unmistakably into contact with all those others. Without suggesting that her approach is definitive, she offers a way of thinking and talking coherently about particularly elusive, ephemeral artwork. Cheng describes performance art as 'an intermedia visual art form that uses theatrical elements in presentation.' Performance art, which uses the living body as its central medium, occurs only 'here' and only 'now.' Because it is intentionally volatile, highly adaptable, and often site-specific, with emphasis on audience interaction, context is inseparable from the work itself. When Cheng writes about Suzanne Lacy or Tim Miller, Johanna Went or Oguri and Renzoku, Sacred Naked Nature Girls or osseus labyrint, she is conscious of her role in extending their creative expression. As members of the 'virtual audience,' readers and viewers of other documentation concerning performance art are arrayed outside the center represented by a given artist and the circle represented by the immediate witnesses to a performance, but all may entertain what Cheng calls a conceptual ownership of the work. A person who reads about a performance, she says, may feel more affected by this virtual encounter than a person who has seen it live, and may reimagine it as a 'prosthetic performance.' Cheng's writing draws us into the many centers where a vibrant contemporary art phenomenon and a fascinating urban environment interact. / Meiling Cheng is Associate Professor and Director of Critical Studies at School of Theatre, University of Southern California." - Publisher. *** CONTENTS: Illustrations; Preface; Acknowledgments; 1: Inscribing Multicentricity: Performing Other Los Angeleses; 2: Out of Order: Reading, Writing, Performing (in) L.A.; 3: Engendering Other/Selves: Suzanne Lacy; 4: Elia Arce: A Skin Test and a Tongue Transplant; 5: A Hetero-locus in Process: Self Performances at Highways; 6: What's in a Name?: Marking Sacred Naked Nature Girls; 7: Kinesthetic Transmutation of Theatricality: Consuming Art Performances; Epilogue; Notes; Index. Size: 8vo. Collectible.…

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condición: Very Good.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Very Good. No Jacket. This book is in very good condition with tight binding and clean text. Size: 8vo - over 7¾" - 9¾" tall.

Trade Paperback. Condición: Very Good. A clean, unmarked book with a tight binding. Light wear to cover and small tear at top of spine. 408 pages. The author discusses Suzanee Lacy, Tim Miller, Johanna Went, Oguri and Renzoku, Sacred Naked Nature Girls, Osseus Labyrint and others. Keywords: Performance art, Los Angeles, Meiling Cheng, Center, Periphery, Marginal cultures, Mainstream, Art Criticism, Suzanee Lacy, Tim Miller, Johanna Went, Oguri and Renzoku, Sacred Naked Nature Girls, Osseus Labyrint, Southern California. …

Condición: New. Brand New.

Soft cover. Condición: New. ISBN:9780857420879,512pp.

Condición: New.

Hardcover. Slate grey cloth/boards; silver lettering. xxxiv + 407 pp. with 52 bw illustrations. No dust jacket. Performance art and Los Angeles, two subjects spectacularly resistant to definitions, illuminate each other in this searching study by Meiling Cheng. A marginal artistic pursuit by choice as well as necessity, performance art has flourished in and about "multicentric" Los Angeles for nearly four decades, finding its own centers of activity, moving and changing as the margins have reconstituted themselves. VG, clean, tight copy but with art school ex-lib. marks.…

Condición: New. pp. 510.

Soft cover. Condición: Very Good. 1st Edition. SIGNED by author on half-title page and inscribed to Mary. 1st Printing. Pages clean and unmarked with no rips. Binding tight. Covers clean and bright. Moderate corner bumping. Quick, secure shipping with free delivery confirmation from Los Angeles bookstore. Photos available upon request. International shipping may be extra due to weight. Signed by Author(s).…

Paperback. Condición: New. Performance art and Los Angeles, two subjects spectacularly resistant to definitions, illuminate each other in this searching study by Meiling Cheng. A marginal artistic pursuit by choice as well as necessity, performance art has flourished in and about 'multicentric' Los Angeles for nearly four decades, finding its own centers of activity, moving and changing as the margins have reconstituted themselves. The notion of multicentricity serves, somewhat paradoxically, as the unifying motif in Cheng's imaginative views of center and periphery, self and other, and 'mainstream' and 'marginal' cultures. She analyzes individual artists and performances in detail, bringing her own 'center' gracefully and unmistakably into contact with all those others. Without suggesting that her approach is definitive, she offers a way of thinking and talking coherently about particularly elusive, ephemeral artwork. Cheng describes performance art as 'an intermedia visual art form that uses theatrical elements in presentation'. Performance art, which uses the living body as its central medium, occurs only 'here' and only 'now'.Because it is intentionally volatile, highly adaptable, and often site-specific, with emphasis on audience interaction, context is inseparable from the work itself. When Cheng writes about Suzanne Lacy or Tim Miller, Johanna Went or Oguri and Renzoku, Sacred Naked Nature Girls or osseus labyrint, she is conscious of her role in extending their creative expression. As members of the 'virtual audience', readers and viewers of other documentation concerning performance art are arrayed outside the center represented by a given artist and the circle represented by the immediate witnesses to a performance, but all may entertain what Cheng calls a conceptual ownership of the work. A person who reads about a performance, she says, may feel more affected by this virtual encounter than a person who has seen it live, and may reimagine it as a 'prosthetic performance'. Cheng's writing draws us into the many centers where a vibrant contemporary art phenomenon and a fascinating urban environment interact. This work is published in association with the Southern California Studies Center at the University of Southern California.…

Softcover, 408 pages; very good condition, clean and crisp; inscribed and signed by author on first page; no other internal marks. Foreign shipping may be extra.

Condición: New.

Condición: New. pp. 510.

Condición: New. Brand New. Soft Cover International Edition. Different ISBN and Cover Image. Priced lower than the standard editions which is usually intended to make them more affordable for students abroad. The core content of the book is generally the same as the standard edition. The country selling restrictions may be printed on the book but is no problem for the self-use. This Item maybe shipped from US or any other country as we have multiple locations worldwide.…

Condición: New. pp. 510.

Condición: New. Brand New, Softcover edition. This item may ship from the US or our Overseas warehouse depending on your location and stock availability.

Paperback. Condición: Fine. 1st. xxxiv, 407 pages, illustrations; 24 cm. SIGNED. Boldly signed by the author on the title page in the year of publication, no dedication. *** "Performance art and Los Angeles, two subjects spectacularly resistant to definitions, illuminate each other in this searching study by Meiling Cheng. A marginal artistic pursuit by choice as well as necessity, performance art has flourished in and about 'multicentric' Los Angeles for nearly four decades, finding its own centers of activity, moving and changing as the margins have reconstituted themselves. The notion of multicentricity serves, somewhat paradoxically, as the unifying motif in Cheng's imaginative views of center and periphery, self and other, and 'mainstream' and 'marginal' cultures. She analyzes individual artists and performances in detail, bringing her own 'center' gracefully and unmistakably into contact with all those others. Without suggesting that her approach is definitive, she offers a way of thinking and talking coherently about particularly elusive, ephemeral artwork. Cheng describes performance art as 'an intermedia visual art form that uses theatrical elements in presentation.' Performance art, which uses the living body as its central medium, occurs only 'here' and only 'now.' Because it is intentionally volatile, highly adaptable, and often site-specific, with emphasis on audience interaction, context is inseparable from the work itself. When Cheng writes about Suzanne Lacy or Tim Miller, Johanna Went or Oguri and Renzoku, Sacred Naked Nature Girls or osseus labyrint, she is conscious of her role in extending their creative expression. As members of the 'virtual audience,' readers and viewers of other documentation concerning performance art are arrayed outside the center represented by a given artist and the circle represented by the immediate witnesses to a performance, but all may entertain what Cheng calls a conceptual ownership of the work. A person who reads about a performance, she says, may feel more affected by this virtual encounter than a person who has seen it live, and may reimagine it as a 'prosthetic performance.' Cheng's writing draws us into the many centers where a vibrant contemporary art phenomenon and a fascinating urban environment interact. / Meiling Cheng is Associate Professor and Director of Critical Studies at School of Theatre, University of Southern California." - Publisher. *** CONTENTS: Illustrations; Preface; Acknowledgments; 1: Inscribing Multicentricity: Performing Other Los Angeleses; 2: Out of Order: Reading, Writing, Performing (in) L.A.; 3: Engendering Other/Selves: Suzanne Lacy; 4: Elia Arce: A Skin Test and a Tongue Transplant; 5: A Hetero-locus in Process: Self Performances at Highways; 6: What's in a Name?: Marking Sacred Naked Nature Girls; 7: Kinesthetic Transmutation of Theatricality: Consuming Art Performances; Epilogue; Notes; Index. Size: 8vo. SIGNED. Collectible.…

Condición: New. From cannibalism to light calligraphy, from self-harming to animal sacrifice, from meat entwined with sex toys to a commodity-embedded ice wall, the idiosyncratic output of Chinese time-based art over the years has invigorated contemporary global art movements. The author shows us how art can reflect, construct, confound, and enrich us. Series: SB - Enactments. Num Pages: 420 pages, 100 colour plates, 50 halftones. BIC Classification: 1FPC; ACBP; ACX. Category: (G) General (US: Trade). Dimension: 235 x 196 x 24. Weight in Grams: 1130. . 2014. Paperback. . . . .…

Condición: new.

Condición: As New. Unread book in perfect condition.

Super octavo softcover (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage cost.…

Paperback. Condición: new. Paperback. From cannibalism to light-calligraphy, from self-harming to animal sacrifice, from meat entwined with sex toys to a commodity-embedded ice wall, the idiosyncratic output of Chinese time-based art over the past twenty-five years has invigorated contemporary global art movements and conversation. In Beijing Xingwei, Meiling Cheng engages with such artworks created to mark China's rapid social, economical, cultural, intellectual, and environmental transformations in its post-Deng era.Beijing Xingwei-itself a critical artwork with text and images unfolding through the author's experiences with the mutable medium-contemplates the conundrum of creating site-specific ephemeral and performance-based artworks for global consumption. Here, Cheng shows us how art can reflect, construct, confound, and enrich us. And at a moment when time is explicitly linked with speed and profit, Beijing Xingwei provides multiple alternative possibilities for how people with imagination can spend, recycle, and invent their own time. From cannibalism to light calligraphy, from self-harming to animal sacrifice, from meat entwined with sex toys to a commodity-embedded ice wall, the idiosyncratic output of Chinese time-based art over the years has invigorated contemporary global art movements. The author shows us how art can reflect, construct, confound, and enrich us. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…