Meeus nicolas (6 resultados)
Hommage à Annie Labussière: Musurgia vol 31 n°2 - 2024
Rossi, Jérôme; Dufeu, Frédéric; Jebulat, Ariane; Meeus, Nicolas; Boulan, Muriel; Verwaderde, Clotilde; Caron, Sylvain; Ceulmans, Anne-Emmanuelle
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Librería: Gallix, Gif sur Yvette, FranciaGallix
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EUR 23,00
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Condición: Neuf.
Más imágenesEditorial: Mardaga, 1985
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Añadir al carritoCouverture souple. Condición: Très bon. In 4 carré. 141 pages.
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Librería: LeLivreVert - envoi suivi, Eysines, FranciaLeLivreVert - envoi suivi
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EUR 41,68
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Condición: fine. Souligné.Photo non contractuelle. Envoi rapide et soigné.
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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EUR 121,80
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Hardback. Condición: New. Showcases the energy and diversity of the young field of music semiology, appealing to readers who want to explore the meaning of music in our lives.The Dawn of Music Semiology showcases the work of nine leading musicologists, inspired by the work of Jean-Jacques Nattiez, the founding father of music se…miology. Now entering its fifth decade as Nattiez enters his eighth,music semiology, or music semiotics, is still a young, vibrant field, and this book reflects its energy and diversity. It appeals to readers wanting to explore the meaning of music in our lives and to understand the ways of appreciating the complexities that lie behind its simple beauty and direct impact on us. Following a preface by Pierre Boulez and an introduction by the editors, nine chapters discuss the latest thinking about general considerations such as music and gesture, the psychology of music, and the role of ethnotheory. The volume offers new research on topics as diverse as modeling folk polyphony, spatialization in the Darmstadt repertoire, Schenker's theory of musical content, compositional modernism from Wagner to Boulez, current music theory terminology, and Maderna's use of folk music in serial composition. CONTRIBUTORS: Kofi Agawu, Simha Arom, Rossana Dalmonte, Irène Deliège, Jonathan Dunsby, Jonathan Goldman, Nicolas Meeùs, Jean Molino, Arnold Whittall Jonathan Dunsby is Professor of Music Theory at the Eastman School of Music, University of Rochester. Jonathan Goldman is Professor of Musicology at the University of Montreal.
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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EUR 115,02
Envío por EUR 75,82Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 4 disponibles
Hardback. Condición: New. Showcases the energy and diversity of the young field of music semiology, appealing to readers who want to explore the meaning of music in our lives.The Dawn of Music Semiology showcases the work of nine leading musicologists, inspired by the work of Jean-Jacques Nattiez, the founding father of music se…miology. Now entering its fifth decade as Nattiez enters his eighth,music semiology, or music semiotics, is still a young, vibrant field, and this book reflects its energy and diversity. It appeals to readers wanting to explore the meaning of music in our lives and to understand the ways of appreciating the complexities that lie behind its simple beauty and direct impact on us. Following a preface by Pierre Boulez and an introduction by the editors, nine chapters discuss the latest thinking about general considerations such as music and gesture, the psychology of music, and the role of ethnotheory. The volume offers new research on topics as diverse as modeling folk polyphony, spatialization in the Darmstadt repertoire, Schenker's theory of musical content, compositional modernism from Wagner to Boulez, current music theory terminology, and Maderna's use of folk music in serial composition. CONTRIBUTORS: Kofi Agawu, Simha Arom, Rossana Dalmonte, Irène Deliège, Jonathan Dunsby, Jonathan Goldman, Nicolas Meeùs, Jean Molino, Arnold Whittall Jonathan Dunsby is Professor of Music Theory at the Eastman School of Music, University of Rochester. Jonathan Goldman is Professor of Musicology at the University of Montreal.
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Librería: Untje.com, Roeselare, BelgicaUntje.com
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EUR 78,40
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Paperback. Condición: Very Good. Not present. 1. French Ce catalogue d?exposition, organisé à Bruxelles au Botanique du 4 décembre 1985 au 1?? janvier 1986, présente les instruments de musique anciens de la Région de Bruxelles et de la Wallonie du XVII? au XX? siècle [exposé par les collections du Musée instrumental du Conservat…oire royal de musique de Bruxelles]. Il décrit des instruments à vent, à cordes pincées, frottées ou frappées, des parfais pédagogiques et des ?uvres mécaniques, en examinant leur facture, les ateliers luthiers, les styles historiques et les usages musicaux locaux. Il met en valeur les collections publiques et privées, analyse les innovations techniques, les esthétiques instrumentales, et le rôle des facteurs et musiciens dans le patrimoine musical belge.
