mckeever ian (167 resultados)

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: new. Paperback. British artist Ian McKeever has been working on the international stage for more than five decades. This, his latest publication, documents Against Architecture an exhibition that had its first incarnation, curated by Robin Klassnik, at Matt's Gallery, London (5 February to 19 March 2017) before being reconceived and presented as Against Architecture, Remodelled at TheGallery, Arts University Bournemouth (3 November 2023 to 18 January 2024), curated by Violet M McClean as part of The Gallery's twenty-fifth anniversary celebrations. McKeever was made an AUB Honorary Fellow in 2002 and launched TheGallery's text + work programme in 2004. The exhibition was McKeever's first foray into installation art, seeking to explore the relationships between his photo/painted panels and the physical spaces in which they are presented. For this, along with a team of helpers and student volunteers, he built a structure with 3 x 2-inch stud walling timbers and sheets of plasterboard comprising myriad walls, passageways, openings, ledges and platforms, challenging the conventional white cube gallery space and bringing the viewer's body into heightened dialogue with both their surroundings and the artworks. The works, a series of the acclaimed artist's abstract paintings combined with ostensibly abstract photographs, pose formal and theoretical questions about perception, visual languages and modes of representation ideas explored in an essay by Berlin-based English arts writer Mark Prince. The publication features numerous other text contributions: an introduction by Professor Paul Gough, Principal and Vice-Chancellor, AUB; Sue Hubbard, poet, novelist and art critic; Violet M McClean, Curator at TheGallery, AUB; photography graduate Eliza Naden; interior architecture and design graduate Milly Louise Harvey; Associate Professor Dominic Shepherd, AUB; and Ian McKeever himself. Along with illustrations of the artist's past exhibitions and examples of his works of art, special attention is given to documentation of both iterations of the Against Architecture exhibition, including newly commissioned photographs of Against Architecture, Remodelled at TheGallery by Eliza Naden. The publication, which has been edited by Violet M McClean and Millie Lake, and designed by Warin Wareesangtip, has been produced in an edition of 1000 copies. Ian McKeever was born 1946, Withernsea, Yorkshire, UK. He lives and works in Hartgrove, Dorset. McKeever has received numerous awards including the prestigious DAAD scholarship in Berlin 1989/90 and was elected a Royal Academician in 2003. He has held several teaching positions including Guest Professor at the Staedel Akademie der Kunst in Frankfurt, Senior Lecturer, Slade, University of London and Visiting Professor at the University of Brighton. He has also published many texts on painting. Recent public solo exhibitions include Ian McKeever / Tony Cragg Painting and Sculpture, Skulpturenpark Waldfrieden, Wuppertal, Germany (2020); Paintings 19922018, Ferens Art Gallery, Hull, UK (2018); Hours of Darkness, Hours of Light, Kunstmuseet i Tonder, Denmark (2015); Between Darkness and Light, National Gallery of the Faroe Islands, Torshavn, Faroe Islands (2015); Hours of Darkness, Hours of Light, Kunst-Station Sankt Peter Koeln, Cologne, Germany (2014); and Hartgrove. Malerei und Fotografie, Josef Albers Museum, Bottrop, Germany (2012). McKeever's work is represented in leading international public collections, including Tate, British Museum, Royal Academy of Arts, London; Museum Moderner Kunst (mumok), Vienna; Museum of Fine Arts, Budapest; Louisiana Museum of Modern Art, Humlebaek; Glyptotek, Copenhagen; Museum of Contemporary Art, Helsinki; Brooklyn Museum of Art, New York; Metropolitan Museum of Art, New York; Boston Museum of Fine Art and Yale Center for British Art, Connecticut. A publication documen Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New. Brand New.

paperback. Condición: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Paperback. Condición: new. Paperback. With a career spanning more than five decades, Ian McKeever is one of Britain's most senior artists working on the international stage. This publication documents the Henge paintings - a series started in 2017 and completed over the course of five years, inspired by prehistoric standing stones in the county of Wiltshire, England, and continuing the artist's long-standing investigation into the languages and possibilities of abstract painting. Comprising thirty paintings along with numerous works on paper, the genesis of the series was a visit by McKeever to the world-famous neolithic site in the village of Avebury in 2016, where he took black and white photographs of the large stones that form three discrete circles: two smaller ones contained within the largest. Erected some 4500 years ago, Avebury is the largest stone circle in Britain, and forms part of what English Heritage asserts to be 'a set of neolithic and Bronze Age ceremonial sites that seemingly formed a vast sacred landscape.' Art historian and curator Paul Moorhouse, in his essay commissioned for the publication, describes how McKeever 'framed each megalith in close-up, their edges visible at the extremity of the resulting images,' explaining how 'the experience of moving around Avebury and responding to the huge stones' monumental presence made an abiding impression that resonated with deep-seated preoccupations.' McKeever's resulting body of work is an earnest and considered exploration into how paint can convey universal forces and properties such as mass, gravity and time, and how colour, texture and abstraction can converse with three-dimensional space, form and materiality. The relationship between painting and sculpture in McKeever's work is discussed by means of an in-conversation between the artist and Dr Jon Wood. 'My interest in alluding to early megalithic sites in titling the group of paintings Henge paintings,' says McKeever, 'was in touching that deeper sense of time, time's weight, so to speak. How to imbue a painting with its own weight of time, forsake the immediacy of the here and now.' AUTHORS: Ian McKeever (b.1946, Withernsea, Yorkshire) is an artist living and working in Dorset, UK. His work is represented in collections including Tate, British Museum, Royal Academy of Arts, London; Museum Moderner Kunst, Vienna; Museum of Contemporary Art, Helsinki; Metropolitan Museum of Art, New York; and Yale Center for British Art, Connecticut. Paul Moorhouse is an art historian and curator. He was Senior Curator at the National Portrait Gallery, London (200517) and Senior Curator at Tate, London (19852005). Publications include Bridget Riley: A Very Very Person (2022), Cindy Sherman (2014), Gerhard Richter: Painting Appearances (2009), and Richard Long: Walking the Line (2003). Jon Wood is a writer and curator specialising in modern and contemporary sculpture. Recent publications include: William Turnbull (2022), Bill Woodrow & Richard Deacon A Democratic Process (2021), Sean Scully (2020), Contemporary Sculpture: Artists' Writings and Interviews (2020), and Sculpture and Film (2018). He is a trustee of the Gabo Trust. 43 illustrations A publication of British artist Ian McKeevers Henge paintings (201722) abstract works inspired by neolithic standing stones in Wiltshire, England. Featuring an essay by Paul Moorhouse and a conversation with Jon Wood, the publication accompanies shows at Galleri Susanne Ottesen, Copenhagen, and Heather Gaudio Fine Art, New Canaan, Connecticut. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New. Brand New.

paperback. Condición: New. *Brand new* Ships from USA.

Paperback. Condición: New. British artist Ian McKeever has been working on the international stage for more than five decades. This, his latest publication, documents Against Architecture - an exhibition that had its first incarnation, curated by Robin Klassnik, at Matt's Gallery, London (5 February to 19 March 2017) before being reconceived and presented as Against Architecture, Remodelled at TheGallery, Arts University Bournemouth (3 November 2023 to 18 January 2024), curated by Violet M McClean as part of TheGallery's twenty-fifth anniversary celebrations. McKeever was made an AUB Honorary Fellow in 2002 and launched TheGallery's text + work programme in 2004.The exhibition was McKeever's first foray into installation art, seeking to explore the relationships between his photo/painted panels and the physical spaces in which they are presented. For this, along with a team of helpers and student volunteers, he built a structure with 3 x 2-inch stud walling timbers and sheets of plasterboard comprising myriad walls, passageways, openings, ledges and platforms, challenging the conventional white cube gallery space and bringing the viewer's body into heightened dialogue with both their surroundings and the artworks. The works, a series of the acclaimed artist's abstract paintings combined with ostensibly abstract photographs, pose formal and theoretical questions about perception, visual languages and modes of representation - ideas explored in an essay by Berlin-based English arts writer Mark Prince.The publication features numerous other text contributions: an introduction by Professor Paul Gough, Principal and Vice-Chancellor, AUB; Sue Hubbard, poet, novelist and art critic; Violet M McClean, Curator at TheGallery, AUB; photography graduate Eliza Naden; interior architecture and design graduate Milly Louise Harvey; Associate Professor Dominic Shepherd, AUB; and Ian McKeever himself. Along with illustrations of the artist's past exhibitions and examples of his works of art, special attention is given to documentation of both iterations of the Against Architecture exhibition, including newly commissioned photographs of Against Architecture, Remodelled at TheGallery by Eliza Naden. The publication, which has been edited by Violet M McClean and Millie Lake, and designed by Warin Wareesangtip, has been produced in an edition of 1000 copies.Ian McKeever was born 1946, Withernsea, Yorkshire, UK. He lives and works in Hartgrove, Dorset. McKeever has received numerous awards including the prestigious DAAD scholarship in Berlin 1989/90 and was elected a Royal Academician in 2003\. He has held several teaching positions including Guest Professor at the Städel Akademie der Kunst in Frankfurt, Senior Lecturer, Slade, University of London and Visiting Professor at the University of Brighton. He has also published many texts on painting.Recent public solo exhibitions include Ian McKeever / Tony Cragg - Painting and Sculpture, Skulpturenpark Waldfrieden, Wuppertal, Germany (2020); Painti.

Soft Cover Pamphlet. Condición: Fine (Book Condition). As new. [ Our rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair ] Size: 8vo. Book.

Paperback. Condición: New. British artist Ian McKeever has been working on the international stage for more than five decades. This, his latest publication, documents Against Architecture - an exhibition that had its first incarnation, curated by Robin Klassnik, at Matt's Gallery, London (5 February to 19 March 2017) before being reconceived and presented as Against Architecture, Remodelled at TheGallery, Arts University Bournemouth (3 November 2023 to 18 January 2024), curated by Violet M McClean as part of TheGallery's twenty-fifth anniversary celebrations. McKeever was made an AUB Honorary Fellow in 2002 and launched TheGallery's text + work programme in 2004.The exhibition was McKeever's first foray into installation art, seeking to explore the relationships between his photo/painted panels and the physical spaces in which they are presented. For this, along with a team of helpers and student volunteers, he built a structure with 3 x 2-inch stud walling timbers and sheets of plasterboard comprising myriad walls, passageways, openings, ledges and platforms, challenging the conventional white cube gallery space and bringing the viewer's body into heightened dialogue with both their surroundings and the artworks. The works, a series of the acclaimed artist's abstract paintings combined with ostensibly abstract photographs, pose formal and theoretical questions about perception, visual languages and modes of representation - ideas explored in an essay by Berlin-based English arts writer Mark Prince.The publication features numerous other text contributions: an introduction by Professor Paul Gough, Principal and Vice-Chancellor, AUB; Sue Hubbard, poet, novelist and art critic; Violet M McClean, Curator at TheGallery, AUB; photography graduate Eliza Naden; interior architecture and design graduate Milly Louise Harvey; Associate Professor Dominic Shepherd, AUB; and Ian McKeever himself. Along with illustrations of the artist's past exhibitions and examples of his works of art, special attention is given to documentation of both iterations of the Against Architecture exhibition, including newly commissioned photographs of Against Architecture, Remodelled at TheGallery by Eliza Naden. The publication, which has been edited by Violet M McClean and Millie Lake, and designed by Warin Wareesangtip, has been produced in an edition of 1000 copies.Ian McKeever was born 1946, Withernsea, Yorkshire, UK. He lives and works in Hartgrove, Dorset. McKeever has received numerous awards including the prestigious DAAD scholarship in Berlin 1989/90 and was elected a Royal Academician in 2003\. He has held several teaching positions including Guest Professor at the Städel Akademie der Kunst in Frankfurt, Senior Lecturer, Slade, University of London and Visiting Professor at the University of Brighton. He has also published many texts on painting.Recent public solo exhibitions include Ian McKeever / Tony Cragg - Painting and Sculpture, Skulpturenpark Waldfrieden, Wuppertal, Germany (2020); Painti.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Paperback. Condición: New. *Brand new* Ships from USA.

Soft Cover Pamphlet. Condición: Fine (Book Condition). As new. [ Our rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair ] Size: 8vo. Book.

Softcover staple bound, 16 pages, very good condition, light rubbing to covers; no internal marks, clean and crisp, with tipped-in color plates.

Condición: As New. Unread book in perfect condition.

Condición: Very Good. 2007. Paperback. Good clean copy with some minor shelf wear. . . . . Books ship from the US and Ireland.

Condición: NEW.

Paperback. Condición: Very Good. Ian McKeever Ilustrador. Book published to accompany an exhibition at the Alan Cristea Gallery in May-June 1998, featuring woodcut monoprints by the British artist Ian McKeever. Large 4to Bound in thick card wrappers with white lettering to front panel and spine. 48pp. Text by Jill Lloyd. illustrated throughout with colour reproductions. Print details at rear, plus biography and exhibition list. Fine copy. Size 30.5 x 24 (12 x 9.5 inches).

Condición: Very Good. 2007. Paperback. Good clean copy with some minor shelf wear. . . . .

Paperback. Condición: New. With a career spanning more than five decades, Ian McKeever is one of Britain's most senior artists working on the international stage. This publication documents the Henge paintings - a series started in 2017 and completed over the course of five years, inspired by prehistoric standing stones in the county of Wiltshire, England, and continuing the artist's long-standing investigation into the languages and possibilities of abstract painting.Comprising thirty paintings along with numerous works on paper, the genesis of the series was a visit by McKeever to the world-famous neolithic site in the village of Avebury in 2016, where he took black and white photographs of the large stones that form three discrete circles: two smaller ones contained within the largest. Erected some 4500 years ago, Avebury is the largest stone circle in Britain, and forms part of what English Heritage asserts to be 'a set of neolithic and Bronze Age ceremonial sites that seemingly formed a vast sacred landscape.'Art historian and curator Paul Moorhouse, in his essay commissioned for the publication, describes how McKeever 'framed each megalith in close-up, their edges visible at the extremity of the resulting images,' explaining how 'the experience of moving around Avebury and responding to the huge stones' monumental presence made an abiding impression that resonated with deep-seated preoccupations.' McKeever's resulting body of work is an earnest and considered exploration into how paint can convey universal forces and properties such as mass, gravity and time, and how colour, texture and abstraction can converse with three-dimensional space, form and materiality. The relationship between painting and sculpture in McKeever's work is discussed by means of an in-conversation between the artist and Dr Jon Wood. 'My interest in alluding to early megalithic sites in titling the group of paintings Henge paintings,' says McKeever, 'was in touching that deeper sense of time, time's weight, so to speak. How to imbue a painting with its own weight of time, forsake the immediacy of the here and now.'Designed and produced by Tim Harvey, the publication has been printed by Narayana Press in Odder, Denmark. It is published by Anomie, London, with support from Galleri Susanne Ottesen, Copenhagen, and Heather Gaudio Fine Art, New Canaan, Connecticut. The publication accompanies exhibitions of selected works from the Henge paintings at both galleries in 2022.Ian McKeever was born 1946, Withernsea, Yorkshire, UK. He lives and works in Hartgrove, Dorset. McKeever has received numerous awards including the prestigious DAAD scholarship in Berlin 1989/90 and was elected a Royal Academician in 2003. He has held several teaching positions including Guest Professor at the Städel Akademie der Kunst in Frankfurt, Senior Lecturer, Slade, University of London and Visiting Professor at the University of Brighton. He has also published many texts on painting.Recent public solo exhibitions include Ia.

Condición: New.

Paperback. Condición: Very Good. Estado de la sobrecubierta: Very Good. Paperback with jacket. Published for Ian McKeever's exhibition 'the Marianne North Paintings' at Matt's Gallery, London from 20th October to 10th December 1995. Jacket and paperback have some light edge wear. Pages are clean and contents are clear throughout. Binding is sound. HJW. Used.

Paperback. Condición: Very Good. Estado de la sobrecubierta: Very Good. Paperback with jacket. Published for Ian McKeever's exhibition 'the Marianne North Paintings' at Matt's Gallery, London from 20th October to 10th December 1995. Jacket and paperback have some light edge wear. Pages are clean and contents are clear throughout. Binding is sound. HJW. Used.

Paperback. Condición: Very Good. Paperback in wraps, both in excellent condition. All content is clear. Published for the exhibition at Matt's, 20 October - 10 December 1995. TS. Used.

Soft cover. Condición: Near Fine. 1st Edition. 30pp. Illustrated throughout - full page plates. Interesting art reference literature. The book is in excellent condition - very clean and bright. It presents nicely on the shelf. PARROTT BOOKS - established for over 20 years offering a prompt friendly and efficient service.

Condición: New. 2024. paperback. . . . . .