mayer max (363 resultados)

Hardcover. Condición: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Trade Paperback. Condición: USED Good.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780080357225.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Pamphlet. Condición: Good. Also includes: Observations on Seminal specimens following vasectomy." 15 p. This is a Pamphlet, an offprint/reprint. Archive number on the upper left of the cover. Good to VG condition overall. No marks. The year of publication noted is that of the publication year of the essay when it was origninally published: Journal of Contraception.

Broschiert; Condición: Gut. 104 Seiten; Einband leicht staubschmutzig, Seiten alters-/papierbedingt angebräunt; ansonsten sehr guter Erhaltungszustand. ALTSCHRIFT; Sprache: Deutsch Gewicht in Gramm: 200.

Paperback. Condición: New. Rosemary Mayer (1943-2014) was a prolific artist, writer, and critic, who entered the New York art scene in the late 1960s. By the early 1970s, she became known both for her large-scale fabric sculptures-inspired by the lives of historical women-and her involvement in the feminist art movement. As the decade progressed, Mayer gravitated away from sculpture as a fixed form and the gallery as the primary setting for experiencing art. In 1977, she began to create ephemeral outdoor installations using materials such as balloons, snow, paper, and fabric. Mayer called these projects "temporary monuments," and she intended for them to celebrate and memorialize individuals and communities through their connections to place, time, and nature. Temporary Monuments: Work by Rosemary Mayer, 1977­-1982 is the first comprehensive presentation of this body of work and includes Mayer's documentation of these impermanent artworks. Mayer created photographs, writings, artists' books, and drawings that expand the realm of these projects and reflect her interest in exploring ideas through a variety of media. An introductory essay by Gillian Sneed situates Mayer within the New York art world of the 1970s and '80s and argues that Mayer's public art anticipated more recent practices of site-specific and socially engaged art.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condición: New. Rosemary Mayer (1943-2014) was a prolific artist, writer, and critic, who entered the New York art scene in the late 1960s. By the early 1970s, she became known both for her large-scale fabric sculptures-inspired by the lives of historical women-and her involvement in the feminist art movement. As the decade progressed, Mayer gravitated away from sculpture as a fixed form and the gallery as the primary setting for experiencing art. In 1977, she began to create ephemeral outdoor installations using materials such as balloons, snow, paper, and fabric. Mayer called these projects "temporary monuments," and she intended for them to celebrate and memorialize individuals and communities through their connections to place, time, and nature. Temporary Monuments: Work by Rosemary Mayer, 1977­-1982 is the first comprehensive presentation of this body of work and includes Mayer's documentation of these impermanent artworks. Mayer created photographs, writings, artists' books, and drawings that expand the realm of these projects and reflect her interest in exploring ideas through a variety of media. An introductory essay by Gillian Sneed situates Mayer within the New York art world of the 1970s and '80s and argues that Mayer's public art anticipated more recent practices of site-specific and socially engaged art.

Broschiert. Condición: Gut. 59 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten wissenschaftlichen Bibliothek und trägt die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel.). Schnitt und Einband sind etwas staubschmutzig; Einbandkanten sind leicht bestossen; der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. ALTDEUTSCHE SCHRIFT. Sprache: Deutsch Gewicht in Gramm: 100.

hardcover. Condición: Very Good.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condición: New. In.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condición: as new. Wie neu/Like new.

Paperback. Condición: new. Paperback. Rosemary Mayer (19432014) was a prolific artist, writer, and critic, who entered the New York art scene in the late 1960s. By the early 1970s, she became known both for her large-scale fabric sculpturesinspired by the lives of historical womenand her involvement in the feminist art movement. As the decade progressed, Mayer gravitated away from sculpture as a fixed form and the gallery as the primary setting for experiencing art. In 1977, she began to create ephemeral outdoor installations using materials such as balloons, snow, paper, and fabric. Mayer called these projects "temporary monuments," and she intended for them to celebrate and memorialize individuals and communities through their connections to place, time, and nature. Temporary Monuments: Work by Rosemary Mayer, 19771982 is the first comprehensive presentation of this body of work and includes Mayer's documentation of these impermanent artworks. Mayer created photographs, writings, artists' books, and drawings that expand the realm of these projects and reflect her interest in exploring ideas through a variety of media. An introductory essay by Gillian Sneed situates Mayer within the New York art world of the 1970s and 80s and argues that Mayer's public art anticipated more recent practices of site-specific and socially engaged art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

EA in 400 Ex. sehr guter Zustand, 228 S., kart. Interviewbuch in interessanter Gestaltung, in Kleinauflage erschienen. Entstanden im freien Projekt White Label, betreut von Ricarda Löser und Peter Gamper, Weimar 2005/ 2006. Gramm 600.

Broschiert. Condición: Gut. 210 Seiten Das Buch ist ordentlich erhalten und kann altersbedingte Gebrauchsspuren aufweisen. Sprache: Deutsch Gewicht in Gramm: 295.

Broschiert. Condición: Gut. 210 Seiten Das hier angebotene Buch stammt aus einer teilaufgelösten wissenschaftlichen Bibliothek und trägt die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. Starke altersbedingte Anbräunung des Papiers. Einbandkanten sind leicht bestoßen. Sprache: Deutsch Gewicht in Gramm: 300.

Broschüre. Condición: New. 1.

Hardcover. Condición: gut. IV, 72 S. : mit Abb., 2 Taf., 23 cm, Bibliotheksexemplar, Lichtrand, Einband leicht fleckig, wenige Bleistiftmarkierungen. Sprache: deu.

Broschur. Condición: gut. 14 S., 23 cm, Bibliotheksexemplar, sekundär gebunden, gebräunt. Sprache: deu.