Max kozloff essay (12 resultados)

Paperback. Condición: Fine. 1st. 79 pages, illustrations; 31 cm. Firm binding, clean inside copy. Stated First Edition. *** "George Woodman's thought-provoking photographs lie at the intersection of nature and culture. These densely layered images recall the mythological, and evoke important truths from art history, but above all, they exist firmly in the present. Essay by Max Kozloff. Dimension: 9 x 12 inches, 55 duotone reproductions." - Publisher. *** CONTENTS: Shades of sculpture, by Max Kozloff; Museum pieces, by George Woodman; Notes on sculpture and photography, by George Woodman; Artist's biography. Size: 4to. Collectible.…

Soft cover. Condición: Very Good. Exhibition catalogue. 12 x 9 inches. 56 pp. b/w photographic illustrations throughout. Photographic wraps. Faint damp stain along front wrap joint, extremities rubbed, no internal markings. Very Good.

Soft cover. Condición: Near Fine. 158pp. Just a little wear, near fine.

Hardcover. Light gray cloth over boards, salmon-colored pictorial dj.; 158 pp.; 167 bw photos. Fascinating photos depicting life across America in the 1930s. VG / Good (Spine of dj. sunned. Sticker residue at back of dj.).

Soft cover. Condición: Good. Good Condition. Minor wear. Binding tight, pages clean. Pictures available upon request.

Paperback. Condición: Fine. 1st. 56 pages, illustrations; 31 cm. Exhibition held at the Laurence Miller Gallery, New York, January 3 to February 15, 1992. Firm binding, clean inside copy. Size: Folio. Collectible.

First edition. 4to., 56 pp., chiefly illustrated from b&w photographs. Photo-illustrated stiff wrappers. Fine. The exhibition was held at the Laurence Miller Gallery, New York, January 3 - February 15, 1992.

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. Bright, clean & tight copy, unread, in AS NEW condition. 168pp. "In 1967, when Diane Arbus, Lee Friedlander, and Garry Winogrand were still relatively unknown, curator John Szarkowski linked their work indelibly in the groundbreaking exhibition NEW DOCUMENTS at The Museum of Modern Art. Although few at the time could have predicted it, NEW DOCUMENTS signaled a watershed moment in the history of American photography. What Szarkowski recognized in the three artists was a shared fascination with the commonplace and a novel application of a documentary language to personal expression. 'They like the real world,' Szarkowski wrote, 'in spite of its terrors, as the source of all wonder and fascination and value--no less precious for being irrational.' Their conviction that life's frailties and imperfections are worth examining remains today a premise as vital as when they were first starting out. [] Despite the importance of NEW DOCUMENTS for posterity, no catalogue was produced at the time. ARBUS FRIEDLANDER WINOGRAND marks the exhibition's fiftieth anniversary and presents for the first time, in full-page reproductions, the ninety-four photographs that hung on the walls of MoMA, freshly contextualized with an abundance of archival material. Essays by curator Sarah Hermanson Meister and photographer and critic Max Kozloff, who originally reviewed the exhibition for the Nation in 1967, shed new light on the enduring significance of the exhibition and on the legacy of these three essential artists." [jacket back copy] "Curator John Szarkowski wrote in his introductory wall text for the 1967 exhibition NEW DOCUMENTS that 'what unites [these three artists] is not style or sensibility; each has a distinct and personal sense of the uses of photography and the meanings of the world. What they hold in common is the belief that the commonplace is really worth looking at, and the courage to look at it with a minimum of theorizing. [] The portraits of Diane Arbus show that all of us--the most ordinary and the most exotic of us--are on closer scrutiny remarkable. The honesty of her vision is of an order belonging only to those of truly generous spirit. [] Lee Friedlander, standing at a greater emotional distance from his subjects, reconstructs our world in precise and elegant metaphors, showing its people in and through their most valued environments: their homes and offices and shops and pageant grounds. [] Garry Winogrand's jokes, like those of Rabelais, are no less serious for being funny, and, in the best sense, vulgar. His taste for life, being stronger than his regard for art, makes him equal even to the task of confronting the comedy of his own time. [] These three photographers would prefer that their pictures be regarded not as art, but as life. This is not quite possible, for a picture is, after all, only a picture. But these pictures might well change our sense of what life is like." [jacket flap copy] "It's hard to overestimate the influence that these modest, slice-of-life scenes would have on subsequent generations of photographers."--The New Yorker. Pristine hardcover w/brilliant corners & crisp edges, a square & tight binding, wrapped in a bright-as-new jacket covered in archival mylar. Quite presentable.…

Condición: fine. 1980, 126 blz. Paperback, restant van een prijssticker op de voorkant (zie foto), wat slijtage aan de kaft.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Large quarto, approx 11 1/4 inches tall, 119 numbered pages, reproductions of black and white photographs, in publisher's black cloth lettered in blind at front cover, lettered in gilt at spine, gold endpapers (minor marginal toning within, slight wear to extremities, very good or better). Pictorial dust jacket (rubbing, minor creases and wear to edges with curling to top edge, VG-).…

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. 1st. Edition, 1st.Printing by powerHouse Books 2001 . From the later Aperture Printing 1984 edition, Hardcover with the dust jacket . 128 page book. Signed & inscribed by Larry Fink ( 1941 - 2023 ) on the blank page before the title page. Illustrated with his amazing black & white full page plates. Condition : FINE , paper clip mark on the first few pages, not taking away from any images or text. Dust Jacket has very light edge rubs. Size: 4to - over 9¾ - 12" tall. Larry Fink (ilustrador). Inscribed by Illustrator(s). Book.…

Hardcover. Condición: Near Fine. Near Fine. 1st Edition. 1st. Edition 1st. Printing 2001 by powerHouse Books, from the early edition by Aperture 1984. Hardcover with the dust jacket, 128 page book. Signed only by Larry Fink ( 1941 - 2023 ) on the title page. Illustrated with his amazing toned black & white images all full plates. Condition : FINE , Dust Jacket is Near Fine with some very small spine corn cresses. Size: 4to - over 9¾ - 12" tall. Larry Fink (ilustrador). Book.…