Max ernst artist (7 resultados)

Condición: Good. 14.5 x 21 cm. 6 page fold-out Original wraps. 33 works priced and offered for sale including 4 reproductions in black and white.

Softcover/Paperback. Condición: Good. In goede staat. Softcover. Rijkelijk geà llustreerd. Groot boek. Italiaans & Engels.

Hardcover. Quarto, unpaged. In Very Good condition in clear plastic sleeve. Spine is blue with black print. Boards in illustrated paper, white print; light edge wear, to plastic sleeve. Text block has silver edges. Illustrated: b&w and color plates. Exhibition catalog: Helly Nahmad Gallery, 6 November-31 January 2007, New York. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex Area, Netdesk Column QB (ND-QB). 1408730. FP New Rockville Stock.…

Hardcover. Condición: Very Good. LIMITED EDITION. 4to. LIMITED SIGNED EDITIONS, one of 25 copies. All 3 issues of L'Usage de la Parole bound in one volume. SIGNED by Georges Hugnet on versos of all 3 title pages in pencil. Issue #1 cover illustration enhanced in magenta pink by Man Ray. Issue #2 cover illustrated by Max Ernst. Issue #3 cover illustration by Joan Miro heightened with colored pencil. Issue #3 includes a melody score by Virgil Thomson contained in a red Annonay paper cover with reproduction of a drawing by Picasso and verso of rear cover SIGNED by Hugnet and Virgil Thomson in ink. Lacking Miro etching. T.e.g. Bound in half-leather covers. Tiny chip to upper fore edge of page 13. Slightest offsetting from Picasso cover drawing to adjacent page. Contents otherwise clean and bright. Uneven sun fading to faintly scratched covers with small patches of rubbing to extremities of surface. Wear to fore corners and some scraping to edges of covers. Scraping along joints and some cracking/tearing approx 1/4-inch long to lower joint ends. Light chipping to spine ends and joint ends of covers. Dampstaining to spine head of covers and spot of dampstaining to upper fore corner of rear cover. VG. Author.…

Hardcover. Condición: Fine. No Jacket. (Oscar Dominguez, Max Ernst, Espinoza, Rene Magritte, Andre Masson, Matta Echaurren, Joan Miro, [Wolfgang] Paalen , Man Ray, [Kurt] Seligmann, [Yves] Tanguy. Une table analytique. Des documents. Repercussions.) Binding: 5 3/4 x 7 3/4" (original book size: 14.3 x 19.1 mm.); 415pp., plus Table Generale: (4)pp.+ colophon leaf. Includes 12 full-page, bound-in black & white illustrations by Surrealist artists. In a special handcrafted inlaid & overlaid leather binding by book artist Tim Ely. Bound in full orange/brown morocco leather with inlays or overlays of black, gray, red, blue/gray, violet & orange/brown leather & applied areas of "textured" or "puckered" leather in red/brown, orange/brown, tan & gray; black inked lines; lines, dots, circles, curves, "horse shoes", etc. stamped in gold, silver, copper or iridescent toned metallic foils to form an overall design spanning both covers & spine. Label area on lower spine reading: Comte De Lautremont. Double headbands sewn in many colored threads echoing binding colors. Top edge gilt & toned with a red wash. Dark brown endpapers & extra flyleaves bound in. Fore & bottom edges untrimmed; original front paper cover & spine removed & included loose in the clamshell case. Binding design executed with great skill but undated; it uses elements of some of the great Surrealist painters' illustrations in this book as Matta, Miro, Tanguy, Masson (those who mainly worked in a more "abstract" style). In a sturdy clamshell case (box) covered in gray cloth with title in black on spine; inner section lined with gray felt. Book shows some age spotting to fore edge; else, text, plates, binding & case in fine condition. This illustrated & bound book is both the quintessential surrealist & neo-surrealist object. No better title than the 1938 GLM edition of Lautreamont could have been found for this project & Timothy C. Ely's mildly unusual binding does this still very unusual work justice. Les Editions G. L. M. 190. (French text).…

Condición: Good. Large 4to. 24 x 32.5cm. Original 2 color cloth and boards, dust-jacket and blue slipcase.One of 79 numbered copies with 2 impressions of the original lithograph. one signed and numbered. The original lithograph from 1973 is Leppien, 247A (signed and numbered) and 247C (unsigned.).Illustrated in b&w throughout from the graphic works of Max Ernst. Cloth-backed boards, paper spine label, jacket, publisher's slipcase. No. 44 of an edition limited to 79 copies.Catalogue raisonné of Ernst's graphic works.Foreward and Glossary in English, German and French. 299 portfolios and prints catalogued 312 pages/Seiten mit 707 illustrations/Abbildungen; 3 languages/ dreisprachigem.…

4to. 2 pp. Enclosed is one handwritten envelope. To Jean Leymarie of the Musée National d'Art Moderne in Paris.1.6.1969 (ALS with signature Max Ernst"):Autograph letter to Monsieur Jean Leymarie of the Musée National d'Art Moderne: [] Vous me faites grand plaisir de consentir à preter Capricorne' pour Stockholm et Amsterdam et je vous remercie. Voici en change de bons procédés" le No. de ma retraite: le 41 à Seillans. Je vous prie de recommander aux emballeurs de prendre bons soins du con de Mme Capricorne. []" Max Ernst agrees to send his painting Capricorn to Amsterdam and to Stockholm. He asks the packers to take good care of Mrs. Capricorn as she is very fragile.Capricorn was Max Ernst's sculptural masterpiece, which he finished while living in Sedona, Arizona, where he lived with his wife Dorothea Tanning (1910-2012) from 1946 till 1953. They built the small, secluded house in the desert that they called Capricorn Hill. The plastic Capricorn came about when they got electricity and running water a year after they moved there. The concrete mixer they purchased was not only used to build houses. Max Ernst came into contact with the indigenous people, the Hopi, and studied their art. He was particularly interested in the kachina dolls and the ceremonial masks. He created a larger-than-life cement sculpture in 1948, inspired by folk art. When Chagall moved back to Europe in 1953 he took a copy of his work, which was the base for Capricorn.8.3.1971 (typed letter with signature Max Ernst"):[] J'étais enchanté de l'avant-propos que vous avez fait pour l'Orangerie. Je vous verrai surement dans cet endroit aux environs du 2 avril. Je me réjouis d'avance, de vous remercier de vive voix. []" Max Ernst writes that he was delighted with Jean Leymarie's foreword for the Orangerie, he is looking forward seeing him in April to thank him in person.A retrospective of 104 works spanning the years 19201968, drawn entirely from the Menil Collection, toured Europe from 1970 to 1972 and also were shown at Musée de l'Orangerie. The opening of the exhibition in Paris was augmented with 44 pieces from various collations and opened on 2 April 1971, Max Ernst's 80th birthday. …