Masse g c e (13 resultados)
Editorial: Payson & Clarke LTD, 1928
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Librería: A Squared Books (Don Dewhirst), South Lyon, MI, Estados Unidos de AmericaA Squared Books (Don Dewhirst)
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Bueno
EUR 13,51
Envío por EUR 5,68Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: Very Good. 1928; red cloth covered boards with black titles and illustrations; wear and discoloration around edges; corners are rounded; 8vo, 7 3/4"-9 3/4" tall; top edge is painted black; Previous owner's name on ffep; Interior is clean and unmarked; 362 pages.
Editorial: London: Jonathan Cape, 1928., 1928
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- Primera edición
Librería: David Hallinan, Bookseller, Columbus, MS, Estados Unidos de AmericaDavid Hallinan, Bookseller
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado
EUR 13,51
Envío por EUR 6,56Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
British first edition (per Cape's "First Published 1928" statement upon copyright page). 380 pages. Hardcover. No dust jacket (i.e. lacking). Green cloth rubbed with light soiling and slight mottling; spine ends bumped with minor fraying at heel. Text block edges toned; minor ink mark at upper fore-edge; deckle bottom edge. Remn…ant stub of what might have been an institutional bookplate at ffep's gutter margin (no other interior institutional markings readily apparent upon a cursory perusal); toned endpapers; ink writing on both front endpapers; some scattered minor foxing and soiling to interior leaves which otherwise remain clean. Binding slight stressed between frontispiece and title page but otherwise firm.
The Amazing Life of John Law, the Man behind the Mississippi Bubble
Oudard, M. Georges; Masse, G.E.C. (translated from the original "La Tres Curieuse Vie de Law")
Editorial: Published by Payson & Clarke, Ltd., NY
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Librería: Berry Hill Book Shop, Deansboro, NY, Estados Unidos de AmericaBerry Hill Book Shop
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Aceptable
EUR 15,77
Envío por EUR 5,25Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: Good. 1928, First American Edition, Good Plus/no dj, octavo, 362pp., maroon cloth hardcover, edges of covers & exterior hinges bumped & frayed, handsome decorated endpapers, binding tight, text unmarked.
Idioma: Inglés
Editorial: The Chelsea Publishing Co., 1923
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Librería: The Private Library, London, Reino UnidoThe Private Library
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Bueno
EUR 18,13
Envío por EUR 23,46Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: Very Good. From the Library of John Russell Taylor.
Más imágenesEditorial: The Chelsea Publishing Co., London, first edition, 1923, 1923
- Tapa dura
- Primera edición
Librería: Wykeham Books, LONDON, Reino UnidoWykeham Books
Contactar con el vendedorVendedor de 4 estrellasCondición: Usado
EUR 14,50
Envío por EUR 17,60Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Cloth-backed boards, patterned endpapers 8vo, 57, [3] pp, frontispiece portrait. 125 entries. From the preface: "This Bibliography of Books illustrated by Walter Crane, compiled by Miss Gertrude C.E.Massé, deals with a long period of production, namely, from 1863 to 1915 - During these fifty-two years the range of his artistic p…roduction was constantly enlarging. It would be difficult to name any branch of decorative art that did not bear flowers of Walter Crane's design - yet he found both time and inspiration to continue his yearly output of book illustration throughout all this span of active life. He sought a design; an ordered spacing; a pattern of graphic forms that would adorn the story to be illustrated. Balance. Weight of incidence (black against white). Intricacy. Firm line. Dotted line. Line shading, and Dot shading - such were the cards with which he graphically conjured in book illustration - and if colour was added he used it primarily as space contrast. Expressive line he emphasised by colour, and counter-changed the leading colours of his scheme - the result was gay, decorative, and instantly legible. Walter Crane at his best was masterly in his management of economy of means to produce a lavish result. The human Form, Architecture, Landscape, Animals, Birds, Trees, Flowers, Heraldry, Lettering, were compelled by his wand of graphic fantasy, and transformed by his linear representation into patterns and arrangements of beautiful line, relieved by calculated stops, by contrast or incidence." Booklabel of the bookseller Robin de Beaumont on front pastedown endpaper, with his 1962 invice from Elkin Mathews laid in. Some pencil notes, slight wear to spine-ends and some darkenng to covers, otherwise Good.
Editorial: The Chelsea Publishing Co., London, first edition, 1923, 1923
- Tapa dura
- Primera edición
Librería: Wykeham Books, LONDON, Reino UnidoWykeham Books
Contactar con el vendedorVendedor de 4 estrellasCondición: Usado
EUR 24,17
Envío por EUR 17,60Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Cloth-backed boards, patterned endpapers 8vo, 57, [3] pp, frontispiece portrait. 125 entries. From the preface: "This Bibliography of Books illustrated by Walter Crane, compiled by Miss Gertrude C.E.Massé, deals with a long period of production, namely, from 1863 to 1915 - During these fifty-two years the range of his artistic p…roduction was constantly enlarging. It would be difficult to name any branch of decorative art that did not bear flowers of Walter Crane's design - yet he found both time and inspiration to continue his yearly output of book illustration throughout all this span of active life. He sought a design; an ordered spacing; a pattern of graphic forms that would adorn the story to be illustrated. Balance. Weight of incidence (black against white). Intricacy. Firm line. Dotted line. Line shading, and Dot shading - such were the cards with which he graphically conjured in book illustration - and if colour was added he used it primarily as space contrast. Expressive line he emphasised by colour, and counter-changed the leading colours of his scheme - the result was gay, decorative, and instantly legible. Walter Crane at his best was masterly in his management of economy of means to produce a lavish result. The human Form, Architecture, Landscape, Animals, Birds, Trees, Flowers, Heraldry, Lettering, were compelled by his wand of graphic fantasy, and transformed by his linear representation into patterns and arrangements of beautiful line, relieved by calculated stops, by contrast or incidence." Small sticker taped around spine, boards slightly rubbed front board slightly marked at lower fore-edge corner, a Good unopened copy.
Editorial: The Chelsea Publishing Co., London, first edition, 1923, 1923
- Tapa dura
- Primera edición
Librería: Wykeham Books, LONDON, Reino UnidoWykeham Books
Contactar con el vendedorVendedor de 4 estrellasCondición: Usado
EUR 29,00
Envío por EUR 17,60Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Cloth-backed boards, patterned endpapers 8vo, 57, [3] pp, frontispiece portrait. 125 entries. From the preface: "This Bibliography of Books illustrated by Walter Crane, compiled by Miss Gertrude C.E.Massé, deals with a long period of production, namely, from 1863 to 1915 - During these fifty-two years the range of his artistic p…roduction was constantly enlarging. It would be difficult to name any branch of decorative art that did not bear flowers of Walter Crane's design - yet he found both time and inspiration to continue his yearly output of book illustration throughout all this span of active life. He sought a design; an ordered spacing; a pattern of graphic forms that would adorn the story to be illustrated. Balance. Weight of incidence (black against white). Intricacy. Firm line. Dotted line. Line shading, and Dot shading - such were the cards with which he graphically conjured in book illustration - and if colour was added he used it primarily as space contrast. Expressive line he emphasised by colour, and counter-changed the leading colours of his scheme - the result was gay, decorative, and instantly legible. Walter Crane at his best was masterly in his management of economy of means to produce a lavish result. The human Form, Architecture, Landscape, Animals, Birds, Trees, Flowers, Heraldry, Lettering, were compelled by his wand of graphic fantasy, and transformed by his linear representation into patterns and arrangements of beautiful line, relieved by calculated stops, by contrast or incidence." Name on one front free endpaper and signature (of the Earl of Belmore) on another front free endpaper, Good.
Editorial: The Chelsea Publishing, London. 1923., 1923
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Librería: Sainsbury's Books Pty. Ltd., Camberwell, VIC, AustraliaSainsbury's Books Pty. Ltd.
Contactar con el vendedorVendedor de 4 estrellasCondición: Usado
EUR 25,02
Envío por EUR 20,99Se envía de Australia a Estados Unidos de AmericaCantidad disponible: 1 disponibles
8vo, 60pp, with black and white portrait frontispiece. A very good hardback copy in two-colour boards with minimal wear. Foxing to fore edges and lightly scattered throughout. Decorated endpapers.
Editorial: Chelsea Publishing Co., 1923
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- Primera edición
Librería: Stella & Rose's Books, PBFA, Tintern, MON, Reino UnidoStella & Rose's Books, PBFA
Contactar con el vendedorVendedor de 5 estrellasMiembro de asociación: PBFA
Condición: Usado - Bueno
EUR 30,46
Envío por EUR 18,77Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardback. Condición: Very Good. No Jacket. First edition. 1st 1923. Very good condition with no wrapper. A bibliography of first editions of books illustrated by Walter Crane. Brown cloth spine with gilt title, darker brown boards with black title to front. Orange and white decorated endpapers. 59 numbered pages, edges untrimmed…. Spine and corners slightly bumped and rubbed. Some light foxing to contents else clean. Packaged with care and promptly dispatched.
Editorial: The Chelsea Publishing Co, 1923 Edition, 1923
- Tapa dura
- Primera edición
Librería: KULTURAs books, Los Angeles, CA, Estados Unidos de AmericaKULTURAs books
Contactar con el vendedorVendedor de 4 estrellasCondición: Usado - Bueno
EUR 47,30
Envío por EUR 3,94Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: Very Good+. First Edition. Hardcover, no dustjacket. First edition. Brown buckram spine on brown boards, mild shelf wear to edges, sharp and clean, ex-library with usual markings, including a sticker on spine and pocket on rear pastedown; retired from Occidental College Library, plate on front paste down. B…ook is firm in binding, deckled pages, decorated endpapers; clean interior. With a preface by Heywood Summer and a frontispiece by G. F. Watts. Else Free of any markings. ; 8vo 8" - 9" tall; 60 pages. Illustrated by Walter Crane (ilustrador).
Editorial: The Chelsea Publishing Co., London, first edition, 1923, 1923
- Tapa dura
- Primera edición
Librería: Wykeham Books, LONDON, Reino UnidoWykeham Books
Contactar con el vendedorVendedor de 4 estrellasCondición: Usado
EUR 36,25
Envío por EUR 17,60Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Cloth-backed boards, patterned endpapers 8vo, 57, [3] pp, frontispiece portrait. 125 entries. From the preface: "This Bibliography of Books illustrated by Walter Crane, compiled by Miss Gertrude C.E.Massé, deals with a long period of production, namely, from 1863 to 1915 - During these fifty-two years the range of his artistic p…roduction was constantly enlarging. It would be difficult to name any branch of decorative art that did not bear flowers of Walter Crane's design - yet he found both time and inspiration to continue his yearly output of book illustration throughout all this span of active life. He sought a design; an ordered spacing; a pattern of graphic forms that would adorn the story to be illustrated. Balance. Weight of incidence (black against white). Intricacy. Firm line. Dotted line. Line shading, and Dot shading - such were the cards with which he graphically conjured in book illustration - and if colour was added he used it primarily as space contrast. Expressive line he emphasised by colour, and counter-changed the leading colours of his scheme - the result was gay, decorative, and instantly legible. Walter Crane at his best was masterly in his management of economy of means to produce a lavish result. The human Form, Architecture, Landscape, Animals, Birds, Trees, Flowers, Heraldry, Lettering, were compelled by his wand of graphic fantasy, and transformed by his linear representation into patterns and arrangements of beautiful line, relieved by calculated stops, by contrast or incidence." Good in a dustwrapper which is torn with loss of the top inch of the spine and slight loss at the foot.
Más imágenesEditorial: The Chelsea Publishing Co., London, first edition, 1923, 1923
- Tapa dura
- Primera edición
Librería: Wykeham Books, LONDON, Reino UnidoWykeham Books
Contactar con el vendedorVendedor de 4 estrellasCondición: Usado
EUR 48,33
Envío por EUR 17,60Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Cloth-backed boards, patterned endpapers 8vo, 57, [3] pp, frontispiece portrait. 125 entries. From the preface: "This Bibliography of Books illustrated by Walter Crane, compiled by Miss Gertrude C.E.Massé, deals with a long period of production, namely, from 1863 to 1915 - During these fifty-two years the range of his artistic p…roduction was constantly enlarging. It would be difficult to name any branch of decorative art that did not bear flowers of Walter Crane's design - yet he found both time and inspiration to continue his yearly output of book illustration throughout all this span of active life. He sought a design; an ordered spacing; a pattern of graphic forms that would adorn the story to be illustrated. Balance. Weight of incidence (black against white). Intricacy. Firm line. Dotted line. Line shading, and Dot shading - such were the cards with which he graphically conjured in book illustration - and if colour was added he used it primarily as space contrast. Expressive line he emphasised by colour, and counter-changed the leading colours of his scheme - the result was gay, decorative, and instantly legible. Walter Crane at his best was masterly in his management of economy of means to produce a lavish result. The human Form, Architecture, Landscape, Animals, Birds, Trees, Flowers, Heraldry, Lettering, were compelled by his wand of graphic fantasy, and transformed by his linear representation into patterns and arrangements of beautiful line, relieved by calculated stops, by contrast or incidence." Bookplate of the eminent bibliographer Theodore Besterman on front pastedown endpaper, slightly rubbed and top edge duststained, otherwise Good in a duststained dustwrapper which is edgeworn with minor loss.
Editorial: New York Payson & Clarke 1928, 1928
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Librería: Librairie Vignes Online, Paris, FranciaLibrairie Vignes Online
Contactar con el vendedorVendedor de 5 estrellasMiembro de asociación: ILAB
Condición: Usado - Muy bueno
EUR 35,00
Envío por EUR 40,00Se envía de Francia a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Bon état. bradel toile rouge éditeur, 362 pp., portrait-frontispice. Première édition américaine issue de la traduction de "La très curieuse vie de Law" par Georges Oudard. Monographie en anglais sur les inventions de John Law inventeur en France du billet de banque, de la Bourse et de la Compagnie du Mississippi, une… des première sociétés à avoir une quotation en Bourse. Cartonnage très légèrement sali, sinon bonne condition.
