mascolo marco (25 resultados)

Softcover, 336 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New. This book addresses a phenomenon that pervades the field of art history: the fact that English has become a widely adopted language. Art history employs language in a very particular way, one of its most basic aims being the verbal reconstruction of the visual past. The book seeks to shed light on the particular issues that English's rise to prominence poses for art history by investigating the history of the discipline itself: specifically, the extent to which the European tradition of art historical writing has always been shaped by the presence of dominant languages on the continent. What artistic, intellectual, and historical dynamics drove the pattern of linguistic ascendance and diffusion in the art historical writing of past centuries? How have the immediate, practical ends of writing in a common language had unintended, long-term consequences for the discipline? Were art historical concepts transformed or left behind with the onset of a new lingua franca, or did they often remain intact beneath a shifting veneer of new words?Includes 10 essays in English, four in Italian, and one in German. Text in English, German and Italian.

Condición: NEW.

Condición: New. In English.

Paperback. Condición: Brand New. multilingual edition. 335 pages. 9.00x6.50x1.00 inches. In Stock.

Paperback. Condición: new. Paperback. AUSTRALIAN AUTHOR This book addresses a phenomenon that pervades the field of art history: the fact that English has become a widely adopted language. Art history employs language in a very particular way, one of its most basic aims being the verbal reconstruction of the visual past. The book seeks to shed light on the particular issues that English's rise to prominence poses for art history by investigating the history of the discipline itself: specifically, the extent to which the European tradition of art historical writing has always been shaped by the presence of dominant languages on the continent. What artistic, intellectual, and historical dynamics drove the pattern of linguistic ascendance and diffusion in the art historical writing of past centuries? How have the immediate, practical ends of writing in a common language had unintended, long-term consequences for the discipline? Were art historical concepts transformed or left behind with the onset of a new lingua franca, or did they often remain intact beneath a shifting veneer of new words? Includes 10 essays in English, four in Italian, and one in German. Text in English, German and Italian. AUTHORS: Robert Brennan is a postdoctoral fellow at the University of Sydney. His first book, Painting as a Modern Art in Early Renaissance Italy, was published by Harvey Miller in 2019. Marco M. Mascolo is a postdoctoral fellow at the Scuola Normale Superiore, Pisa. In 2017 he published a book on the German-American connoisseur Wilhelm R. Valentiner (1880-1958). Alessandro Nova is director of the Kunsthistorisches Institut in Florenz Max-Planck-Institut. His research focuses primarily on early modern Italian art. C. Oliver O'Donnell is a Research Associate at the Warburg Institute, University of London. His publications include Meyer Schapiro's Critical Debates: Art through a Modern American Mind (Penn State University Press, 2019) SELLING POINTS: . An important reflection on the status of the discipline of Art history in a changing, globalised world where English has become the lingua franca 14 colour, 60 b/w illustrations This book addresses the rise of English as the most widely adopted language in art history and the unintended, long-term consequences for the discipline. Text in English, German and Italian. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: As New. Unread book in perfect condition.

Brossura. Condición: new. Testo Italiano e Inglese.Milano, 2021; br., pp. 334, ill. b/n, cm 16x24. I saggi di questo libro sono centrati su una questione fondamentale per tutte le discipline umanistiche: qual è il rapporto tra la lingua predominante in una disciplina di studi e lo sviluppo della disciplina stessa. La storia dell'arte, per esempio, ha come prima lingua il latino (a partire da Plinio il Vecchio), ma presto vede l'affermazione del volgare (prima e dopo Vasari) per poi approdare al francese e al tedesco, soprattutto per la teoria estetica. Quali dinamiche artistiche, intellettuali e storiche hanno guidato la diffusione e la preminenza di una particolare lingua nelle pubblicazioni storico artistiche nei secoli? Nel mondo globalizzato contemporaneo è l'inglese che si è affermato come la lingua principale degli studi storico-artistici. L'utilizzo di una nuova lingua franca ha modificato i principi e i concetti storico-artistici, oppure questi sono rimasti invariati sotto la veste di nuovi termini? Quali conseguenze ha avuto e ha l'utilizzo di un linguaggio condiviso, con finalità pratiche di immediatezza comunicativa? A queste domande fondamentali per lo status della storia dell'arte si tenta di dare risposta nei saggi di importanti specialisti contenuti nel volume. Libro.

Condición: New.

Condición: new.

Condición: NEW.

Condición: Neuf.

Condición: Sehr gut. Multilingual. 335 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Leichte Gebrauchsspuren. Sprache: Englisch Gewicht in Gramm: 950 Taschenbuch, Maße: 17.25 cm x 2.72 cm x 24.23 cm.

Condición: Sehr gut. Multilingual. 335 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Leichte Gebrauchsspuren. Copyright: 2021. Sprache: Englisch Gewicht in Gramm: 1050 Taschenbuch, Maße: 17.25 cm x 2.72 cm x 24.23 cm.

Condición: new.

Condición: New. This book addresses the rise of English as the most widely adopted language in art history an the unintended, long-term consequences for the discipline. Text in English, German and Italian.&Uumlber den AutorRobert Brennan is a pos.

Paperback. Condición: new. Paperback. AUSTRALIAN AUTHOR This book addresses a phenomenon that pervades the field of art history: the fact that English has become a widely adopted language. Art history employs language in a very particular way, one of its most basic aims being the verbal reconstruction of the visual past. The book seeks to shed light on the particular issues that English's rise to prominence poses for art history by investigating the history of the discipline itself: specifically, the extent to which the European tradition of art historical writing has always been shaped by the presence of dominant languages on the continent. What artistic, intellectual, and historical dynamics drove the pattern of linguistic ascendance and diffusion in the art historical writing of past centuries? How have the immediate, practical ends of writing in a common language had unintended, long-term consequences for the discipline? Were art historical concepts transformed or left behind with the onset of a new lingua franca, or did they often remain intact beneath a shifting veneer of new words? Includes 10 essays in English, four in Italian, and one in German. Text in English, German and Italian. AUTHORS: Robert Brennan is a postdoctoral fellow at the University of Sydney. His first book, Painting as a Modern Art in Early Renaissance Italy, was published by Harvey Miller in 2019. Marco M. Mascolo is a postdoctoral fellow at the Scuola Normale Superiore, Pisa. In 2017 he published a book on the German-American connoisseur Wilhelm R. Valentiner (1880-1958). Alessandro Nova is director of the Kunsthistorisches Institut in Florenz Max-Planck-Institut. His research focuses primarily on early modern Italian art. C. Oliver O'Donnell is a Research Associate at the Warburg Institute, University of London. His publications include Meyer Schapiro's Critical Debates: Art through a Modern American Mind (Penn State University Press, 2019) SELLING POINTS: . An important reflection on the status of the discipline of Art history in a changing, globalised world where English has become the lingua franca 14 colour, 60 b/w illustrations This book addresses the rise of English as the most widely adopted language in art history and the unintended, long-term consequences for the discipline. Text in English, German and Italian. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Condición: Neu. Neuware - Revised and enlarged papers presented at a conference held at the Kunsthistorisches Institut in Florenz, Florence, Italy, March 8-10, 2018.

Paperback. Condición: New. This book addresses a phenomenon that pervades the field of art history: the fact that English has become a widely adopted language. Art history employs language in a very particular way, one of its most basic aims being the verbal reconstruction of the visual past. The book seeks to shed light on the particular issues that English's rise to prominence poses for art history by investigating the history of the discipline itself: specifically, the extent to which the European tradition of art historical writing has always been shaped by the presence of dominant languages on the continent. What artistic, intellectual, and historical dynamics drove the pattern of linguistic ascendance and diffusion in the art historical writing of past centuries? How have the immediate, practical ends of writing in a common language had unintended, long-term consequences for the discipline? Were art historical concepts transformed or left behind with the onset of a new lingua franca, or did they often remain intact beneath a shifting veneer of new words?Includes 10 essays in English, four in Italian, and one in German. Text in English, German and Italian.

Brossura. Condición: new. Roma, 2017; br., pp. 282, ill. b/n, cm 17x24.(La Storia. Temi). Il volume ripercorre le vicende di Wilhelm Reinhold Valentiner (1880-1958), storico dell'arte tedesco formatosi nella Germania di inizio Novecento, dal 1908 a capo di una sezione del Metropolitan Museum di New York. A partire da quel cruciale momento, si ricostruiscono gli anni che Valentiner trascorse nella Germania di Weimar (1914-1921) dove, a Berlino, fu al fianco degli artisti espressionisti, per seguire poi i primi anni in cui lo studioso diresse il Detroit Institute of Arts. Attraverso queste pagine, oltre alla vicenda di Valentiner, si propone anche una ricostruzione del dialogo tra due culture (quella europea e quella statunitense) attorno al tema del valore del museo e sui metodi della Storia dell'arte in quella irripetibile stagione culturale che ancora ci influenza. Libro.

Brossura. Condición: new. Roma, 2021; br., pp. 400, cm 15,5x23.(Frecce). Rembrandt Harmenszoon van Rijn è uno degli artisti più amati di tutti i tempi e il suo mito, cresciuto fra Ottocento e Novecento, di fatto non è mai tramontato. Il libro ricostruisce in modo approfondito, e aggiornato sulla base della più recente bibliografia, la sua lunga attività e, attraverso un'analisi ravvicinata delle opere - dipinti, incisioni e disegni -, fa emergere tutta l'originalità di questo grande pittore. Rembrandt ha saputo dar vita a un linguaggio artistico straordinario, in cui il dialogo con la grande tradizione del Rinascimento - soprattutto italiano, ma non solo - si unisce a una nuova sensibilità per l'osservazione della natura. Geniale sperimentatore, sempre alla ricerca di soluzioni tecniche originali, ha creato capolavori universali, come la Ronda di notte, la Danae e i molti autoritratti. Il volume segue la carriera dell'artista dal periodo giovanile a Leida, attraverso i "ruggenti" anni Trenta ad Amsterdam, sino alle vicende della cosiddetta bancarotta del 1656, offrendo un'immagine di Rembrandt in parte nuova e, forse, anche inaspettata. Libro.

Condición: NEW. Roma: Viella, 2017 9788867288120 La storia dell'arte. Temi 2 505 281 p. : ill. col. b/n, indice, biografia, bibliografia ; 21 cm. Il volume ripercorre le vicende di Wilhelm Reinhold Valentiner (1880-1958), storico dell'arte tedesco formatosi nella Germania di inizio Novecento, dal 1908 a capo di una sezione del Metropolitan Museum di New York. A partire da quel cruciale momento, si ricostruiscono gli anni che Valentiner trascorse nella Germania di Weimar (1914-1921) dove, a Berlino, fu al fianco degli artisti espressionisti, per seguire poi i primi anni in cui lo studioso diresse il Detroit Institute of Arts. Attraverso queste pagine, oltre alla vicenda di Valentiner, si propone anche una ricostruzione del dialogo tra due culture (quella europea e quella statunitense) attorno al tema del valore del museo e sui metodi della Storia dell'arte in quella irripetibile stagione culturale che ancora ci influenza.

Couverture souple. Condición: Neuf. Estado de la sobrecubierta: Neuf. Edition originale. >Wilhelm R.Valentiner ( 1880-1958 ) storico dell'arte tra Germania e Stati Uniti,a cvura di Marco M.Mascolo.Roma 2017 Viella Pagine 281 ills. brossura - Language : Italian text codice della libreria 101883 Size: 150 X210 Mm.