mary wigman (69 resultados)

Paperback. Condición: Very Good. No markings. Edited and translated by Walter Sorell.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. Estado de la sobrecubierta: Very Good. Edited and translated from the German by Walter Sorell. Stated first edition. Ex-library copy with a few typical markings, foxing on top edge, thus only good in a very good (age toning) dust jacket that has no library markings.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condición: As New. Estado de la sobrecubierta: Near Fine. First Trade Paperback Edition. INVALUABLE: INDISPENSABLE, ENTRALLING, AMBITIOUS: AS-NEW First Trade Paperback Edition (Orig. 1995) Fifth Printing (c. 2010): Volume 3 in the series "Weimar and Now: German Cultural Criticism" edited by Anton Kaes w/ Martin Jay & Edward Dimendberg * 6.48" x 9.74" x 1.86", 1.54 kg, xx+810 (830) pp * ABOUT THE BOOK: A laboratory for competing visions of modernity, the Weimar Republic (1918-1933) continues to haunt the imagination of the 20th century. Its political & cultural lessons retain uncanny relevance for all who seek to understand the tensions & possibilities of our age. "The Weimar Republic Sourcebook" represents the most comprehensive documentation of Weimar culture, history, & politics assembled in any language. It invites a wide community of readers to discover the richness & complexity of the turbulent years in Germany before Hitler's rise to power. Drawing from such primary sources as magazines, newspapers, manifestos, & official documents (many unknown even to specialists & most never before available in English), this book challenges the traditional boundaries between politics, culture, & social life. Its 30 chapters explore Germany's complex relationship to democracy, ideologies of "reactionary modernism," the rise of the "New Woman," Bauhaus architecture, the impact of mass media, the literary life, the tradition of cabaret & urban entertainment, & the situation of Jews, intellectuals, & workers before & during the emergence of fascism. While devoting much attention to the Republic's varied artistic & intellectual achievements (the Frankfurt School, political theater, 12-tone music, cultural criticism, photo-montage, & urban planning), the book is unique for its inclusion of many lesser-known materials on popular culture, consumerism, body culture, drugs, criminality, & sexuality; it also contains a timetable of major political events, an extensive bibliography, & capsule biographies. This will be a major resource & reference work for students & scholars in history; art; architecture; literature; social & political thought; & cultural, film, German, & women's studies. * HIGHEST PRAISE: "'The Weimar Republic Sourcebook' is an INVALUABLE resource for understanding one of the most important & resonant eras of the 20th century. SInce the Weimar debate has continued to repeat itself, albeit w/ less intellectual brilliance, this book is as much about the present as about the past. Here is the Weimar era in all its many-voiced & eloquent complexity: most of these texts, even those by the most famous names of the period, appear for the first time in English. This is an INDISPENSABLE, ENTRALLING, properly AMBITIOUS book." -Susan Sontag * ABOUT THE AUTHORS-EDITORS: ANTON KAES is Professor of German & Director of Film Studies at the University of California, Berkeley. He is author most recently of "From Hitler to Heimat: The Return of History as Film" (1989). MARTIN JAY is Sidney Hellman Ehrman Professor of History at the University of California, Berkeley. His books include "Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought" (California, 1993). EDWARD DIMENBERG is Assistant Professor of German Studies, Film & Video Studies, & Architecture at the University of Michigan.

Soft cover. Condición: Good +. Moderate edge and extremity wear, rear cover slightly stained, owner's name pencilled on half-title.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Wesleyan University Press, Middletown CT, 1975, first edition stated, 214 pages, bibliography, index, illustrated with color frontispiece (portrait by Rudolf von Laban), and 20 pages of b&w photos and drawings, maroon endpapers, 8.25" square, hardcover, blue marbled boards and maroon cloth spine with bright gilt and blue titles and decorations, lower corners slightly bumped and rubbed, spine ends very slightly rubbed, bottom of text-block shows very minor soil near fore-edge, very good dust jacket, little very slight soil, dust jacket protected in a new archival plastic cover, former owner's small faint ink name on front free endpaper, front paste-down endpaper shows small abraded and slightly darkened spot at top near hinge, otherwise contents are clean and tight, book very good- {"This book is the final testament of a truly great creative artist, whose genius as dancer and choreographer was well-nigh matched by her verbal gifts in both German and English."} (VG-/VG) 1848 [HPSS41BIB].

Hardcover. Condición: Used - Good.

Softcover/Paperback. Condición: Gut. XXVII, 240 S.; Ill.; 23 cm Good. Ex-library with usual markings. Clean pages. Sprache: Englisch Gewicht in Gramm: 430.

Condición: New. Idioma/Language: Español. Este libro es un ensayo coreográfico. Un libro de arte. Un libro de imágenes, de experiencias. Un diario en el que Mary Wigman expone enérgicamente su necesidad de mover el espacio creando danzas. Mary Wigman, a quien se ha llamado la sacerdotisa de la danza moderna y que ha inspirado a tantas bailarinas y artistas en el mundo, alcanzó una extraña sabiduría, nacida de una fe apasionada y de una obstinada búsqueda. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Rustica (tapa blanda). Condición: New. Estado de la sobrecubierta: Nuevo. 01. LIBRO.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condición: Nuevo. COLECCIÓN: EDICIONES DEL AGUADULCE EDICIONES DEL AGUADULCE - BAILE DE SALON | PRESTIDIGITACION Y MAGIA.

Condición: Nuevo. El lenguaje de la danza editado por Del serbal.

paperback, Condición: Good, Wesleyan University Press, c.1974, 1st.paperbk.prtg., 8"x10-1/4", oblong, 118pp., many photos., G $.

Trade Paperback. 214 pages. 8 by 8 inches. Letters, poems, and essays by the German dancer and choreographer. A near fine copy in wrappers (paperback).

Hardcover. Condición: Very Good. 1st Edition. Oblong format glossy pictorial hardcover ex-library with a few of the usual treatments, internally clean and unmarked; publisher information and date from colophon ir back of book.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Originalbroschur. Condición: Gut. 214 S. Einband leicht berieben. REMINISCENCES Ascona, 1913 -- Steps in the Right Direction: My Teacher Laban -- Kuranstalt Monte Verità -- First Public Appearances -- The Twenties: Choreographing for Berthold Viertel -- Dresden, 1919-1920 -- Annaberg, 1920 -- The Wigman School-Dresden (1920-1943) -- A Final Note on Dresden (1946) -- STATEMENTS ON THE DANCE A Dance Poem: The Seven Dances of Life (1921) -- We Are Standing at the Beginning (1925) -- Composition (1925) -- Excerpts from Weltwoche Interview (1926) -- Dance of Death (1926) -- The Dance and Modern Woman (1927) -- Stage Dance-Stage Dancer (1927) -- How I Feel about Albert Talhoff's Totenmal (1930) -- The Dancer (1930) -- Composition-Dance and Music-The Mask-The School. Group Dance/Choreography (1933) -- ON TOUR IN AMERICA Prelude (1930) -- First American Experiences (December 1930-March 1931) -- Notes, Reports, and Interviews (1930-1931) -- Paris Interlude (1931) -- From Coast to Coast (November 1931-April 1932) -- Notes, Reports, and Interviews (1931-1932) -- California Intermezzo (1932) -- Notes, Reports, and Interviews (1932-1933) -- THE YEARS OF THE SWASTIKA Letters to Ann Port Bennett (1935-1936) -- Hanya Holm and the Mary Wigman School in New York (1935-1936) -- Mary Wigman During the Hitler Era (1933-1945) -- THE POST-WAR YEARS Lecture in Zurich (1949) -- Correspondence (1950-1958) -- Pasadena Speech (1958) -- Further Correspondence and Diary Notes (1958-1973) -- A TOUCH OF THE POET (1957-1961) -- CODA (1971-1973). ISBN 081954079X Sprache: Englisch Gewicht in Gramm: 550.

Condición: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:081954079X.

Hardcover. 8°. Original-Ganzleinenband. 462 Seiten. Gut erhalten. Auf dem ersten Blatt eigenhändige ganzseitige Zueignung des Autors: Berlin 29. Sept 1957 / Der Hochverehrten / lieben Meisterin / diesen Gruss / aus unserer / gemeinsamen / Heimat! / Ludwig Berger - wohl anlässlich der Uraufführung von Le Sacre du Printemps an der Städtischen Oper Berlin, die von Ihr choreographiert wurde. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Ob Sonnenschein oder warmer Regen: mit einem interessanten Buch kommen Sie immer gut durch den Tag. -- Wir kaufen Ihre werthaltigen Bücher! Widm.

Visitenkarte (blanko,16°, mit aufgezogenem Porträt) in Tinte eigenhändig signiert (1942).

2. Auflage. Quer-4°. 107 S. Illustrierter Orig.-Pappband.

Rústica. Condición: New. Estado de la sobrecubierta: Nuevo. 01. LIBRO.

Condición: Gut. 1. Aufl. 287 S. : überwiegend Ill. (z.T. farb.) Dietrich Steinbeck. [Hrsg. Akad. d. Künste, Berlin] / Lese- und Lagerspuren, Schutzumschlag lädiert / Gutes Exemplar / H194 54014 194 ISBN 9783926175038 Sprache: Deutsch Gewicht in Gramm: 2286 34 cm, Pappband mit Schutzumschlag.

Copertina rigida. Condición: discrete. Testo tedesco. Cm.20,4x13. Pg.80. Legatura in tela editoriale con titoli al dorso. Manca la sovracoperta. Con 60 illustrazioni. 400 gr.

Pictorial wrapper in colour, rear wrapper dog-eared. Provenance: Gunilla Palmstierna-Weiss (1928-2022), neatly stamped in 2023. Weinheim und Berlin, Quadriga Verlag / Akademie der Künste, 1986. 4to. 324 pp. Richly illustrated. With indexes.

4 62 S. Oln Gr.8° Einband fleckig und an den Kapitalen aufgerieben). 80 Abb., mit Fig. Innen gutes Exemplar des fotografisch und drucktechnisch bemerkenswerten Tanzbuches. KMEX Fotografie Tanz Ausdruckstanz.

Soft cover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine DJ. First Edition. #96 Of 500 Copies, Numbered And Signed By The Artist Elise [Armitage] On The Frontispiece Lithograph. Grey Printed Wrappers Printed In Black With Plain Flaps, Attached At Spine, With Additional Similar Outer Grey Dj Printed In Red On Outside Panels And Printed In Black On Flaps. 24 Different Photographs. This Copy Inscribed On The Colophon To Artist And Illustrator Pasquale G. Napolitano "Inscribed For Giovanni Napolitano On The 17Th Day Of October 1935 With Luck Merle Armitage Lynton R. Kistler"; Armitage Wrote, And Kisler Printed, A Book On Napolitano That Same Year. On The Following Autographs Page Are Pasted In The Autographs Of Mary Wigman, Paul Love, Martha Graham, Doris Humphrey, Charles Weidman, Hanya Holm, Palucca, Artur Michel, And Hanns Hastings. Near Fine, In Near Fine Dj. Laid In Loosely Are 15 Of The Original Photographs That Armitage Reproduced For The Book; These Are Well Printed On 8 X 10 Paper[Except A Smaller Photograph Of Holm Which Is Signed On The Reverse]; They Show More Detail And Clarity Than The Reproduced Photographs, And The Photographs By Charles Rudolph, Ralph Samuels And Ben Pinchot Are Annotated With Printed Or Written Credits On The Reverse. Near Fine Book And Cover, In Lightly Worn Outer Dj With Some Short Tears At Corners. Signed by Author(s).