Marter joan (215 resultados)

Hardback. Condición: Very Good. The Grove Encyclopedia of American Art is an ambitious publishing endeavor, unparalleled in its comprehensive approach to the study of art in the United States. Edited by Joan Marter, Distinguished Professor of Art History at Rutgers University, the five-volume Encyclopedia reconceptualizes American Art from the vantage point of the twenty-first century with a new methodological approach and broader scope than any such work published to date. The project takes a fresh look at what American art is, how it is defined, and who influenced it and produced it, and it offers a new foundation for scholarship for decades to come.Taking the American art content from Grove Art Online as its starting point, the Encyclopedia contains entries that were reviewed, revised, and updated as well as hundreds of new entries that comprise an up-to-date survey of this essential and ever-growing area of art history. It covers American painting, architecture, sculpture, and photography from the Pre-Columbian sources to the colonial period to the twenty-first century devoting coverage to many previously underrepresented areas of inquiry, including African American artists, Asian American artists, and Native American art, both historical and contemporary. Artists, major movements, institutions, critics, and the architecture found in major cities of the United States are covered, as are new media and methodologies, including digital art, performance art, and installation art. In addition to American artists such as John Singer Sargent, Robert Rauschenberg, Maya Lin, and Kiki Smith, attention is also paid to individuals who have had a significant impact on American art and art history through their activity in the United States, including Marcel Duchamp, Erwin Panofsky, Renzo Piano, and Max Beckmann.With an extensive illustration program totaling over 700 images, 128 color plates, a topical outline, and a detailed bibliography accompanying each of the more than 2,300 entries, The Grove Encyclopedia of American Art will be of particular interest to students, researchers, and collectors specializing in American art as well as students and researchers in art history, American history, and cultural anthropology.…

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Hardback. Condición: Very Good. The Grove Encyclopedia of American Art is an ambitious publishing endeavor, unparalleled in its comprehensive approach to the study of art in the United States. Edited by Joan Marter, Distinguished Professor of Art History at Rutgers University, the five-volume Encyclopedia reconceptualizes American Art from the vantage point of the twenty-first century with a new methodological approach and broader scope than any such work published to date. The project takes a fresh look at what American art is, how it is defined, and who influenced it and produced it, and it offers a new foundation for scholarship for decades to come.Taking the American art content from Grove Art Online as its starting point, the Encyclopedia contains entries that were reviewed, revised, and updated as well as hundreds of new entries that comprise an up-to-date survey of this essential and ever-growing area of art history. It covers American painting, architecture, sculpture, and photography from the Pre-Columbian sources to the colonial period to the twenty-first century devoting coverage to many previously underrepresented areas of inquiry, including African American artists, Asian American artists, and Native American art, both historical and contemporary. Artists, major movements, institutions, critics, and the architecture found in major cities of the United States are covered, as are new media and methodologies, including digital art, performance art, and installation art. In addition to American artists such as John Singer Sargent, Robert Rauschenberg, Maya Lin, and Kiki Smith, attention is also paid to individuals who have had a significant impact on American art and art history through their activity in the United States, including Marcel Duchamp, Erwin Panofsky, Renzo Piano, and Max Beckmann.With an extensive illustration program totaling over 700 images, 128 color plates, a topical outline, and a detailed bibliography accompanying each of the more than 2,300 entries, The Grove Encyclopedia of American Art will be of particular interest to students, researchers, and collectors specializing in American art as well as students and researchers in art history, American history, and cultural anthropology.…

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Good. Off Limits is the first examination of the Rutgers group, artists who came together on the Rutgers University, New Brunswick campus during the 1950s and revolutionized art practices and pedagogy. Based on interviews with artists, critics, and dealers from the period, the book connects the initiation of major trends such as Happenings, Pop Art, and Fluxus to the faculty, students, art curriculum, and events at the university. It is the first book to look not only at the work of individual artists, but to consider how interactions between these artists influenced their groundbreaking work.Rutgers was clearly the place to be for experimental artists during the late 1950s and early 1960s. Allan Kaprow's first Happening was presented at Rutgers. Roy Lichtenstein's first Pop paintings, George Segal's earliest figurative tableaux, Lucas Samaras's radical exploration of media, and proto-Fluxus events by Robert Watts and George Brecht all took place on and around the campus. The innovative group rejected Abstract Expressionism for art based on the immediate experience of urban and industrial life, creating startling new artforms which remain startling and provocative. Led by the theoretical writings and art practice of Kaprow, the group created a New Art--art beyond the limits of the conventional and predictable, even beyond accepted notions of progressive trends. Lichtenstein recalls in an interview, Kaprow showed us that art didn't have to look like art. Along with Lichtenstein, Kaprow, Segal, and Watts taught at Rutgers and challenged one another to take art Off Limits -- beyond the limits of the conventional, the predictable -- even beyond the progressive, as defined by Abstract Expressionist gesturalism. Their art incorporated the gritty environs, the technological, the everyday, making art radical, outrageous, disturbing, and humorous.…

Paperback. Condición: New. New copy.

Condición: Fine. 1st. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Softcover, staple-bound, 48 pages, very good condition, clean and crisp; no internal marks.

Paperback. Condición: Good. Off Limits is the first examination of the Rutgers group, artists who came together on the Rutgers University, New Brunswick campus during the 1950s and revolutionized art practices and pedagogy. Based on interviews with artists, critics, and dealers from the period, the book connects the initiation of major trends such as Happenings, Pop Art, and Fluxus to the faculty, students, art curriculum, and events at the university. It is the first book to look not only at the work of individual artists, but to consider how interactions between these artists influenced their groundbreaking work.Rutgers was clearly the place to be for experimental artists during the late 1950s and early 1960s. Allan Kaprow's first Happening was presented at Rutgers. Roy Lichtenstein's first Pop paintings, George Segal's earliest figurative tableaux, Lucas Samaras's radical exploration of media, and proto-Fluxus events by Robert Watts and George Brecht all took place on and around the campus. The innovative group rejected Abstract Expressionism for art based on the immediate experience of urban and industrial life, creating startling new artforms which remain startling and provocative. Led by the theoretical writings and art practice of Kaprow, the group created a New Art--art beyond the limits of the conventional and predictable, even beyond accepted notions of progressive trends. Lichtenstein recalls in an interview, Kaprow showed us that art didn't have to look like art. Along with Lichtenstein, Kaprow, Segal, and Watts taught at Rutgers and challenged one another to take art Off Limits -- beyond the limits of the conventional, the predictable -- even beyond the progressive, as defined by Abstract Expressionist gesturalism. Their art incorporated the gritty environs, the technological, the everyday, making art radical, outrageous, disturbing, and humorous.…

Condición: New. 1999. paperback. . . . . . Books ship from the US and Ireland.

Condición: New. 1999. paperback. . . . . .

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Soft cover. Condición: Good. 1st Edition. Minor edge and corner wear; lightly scuffed and scratched; spine is gently creased; some light shelf wear; ex-library with the usual library markings; overall a nice used copy! Color illustrated tan wrapper with blue lettering. 95 historical and artistic pages nicely enhanced by black and white and full-color photographs and illustrations! "Theodore Roszak: The Drawings marks the re-establishment of The Drawing Society's exhibition program. The purpose of this program is to bring to light the work of significant contemporary artists as well as historic figures. The Society's most recent exhibition, based on a Society publication entitled American Master Drawings and Watercolors: A History of Works on Paper from Colonial Times to the Present by Theodore E. Stebbins, Jr., (Harper & Row, 1976), was co-organized and traveled nationwide under the auspices of the American Federation of Arts. The field of drawing in America is far richer and more developed than is generally thought, yet few monographic surveys of American artists' drawings exist." ---- from the Foreword.…

Softcover. Condición: Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.

hardcover. Condición: Good. **This is Volume 1: A-C only** Ex-library hardcover. No dust jacket. Library stickers, labels and stamps on cover and inside. Cover is in good condition. Spine is tight. Pages are clean, free of markings, notes or stains. Ships from Friends bookstore to benefit Beaverton (Oregon) library.…

hardcover. Condición: Very Good. **This is Volume 5: T-Z only** Ex-library hardcover. No dust jacket. Library stickers, labels and stamps on cover and inside. Cover is in good condition. Spine is tight. Pages are clean, free of markings, notes or stains. Ships from Friends bookstore to benefit Beaverton (Oregon) library.…

Paperback. Condición: Very Good. No Jacket. This book is in very good condition with tight binding and clean text. There is general wear and some sticker residue on the front cover. Size: 4to - over 9¾" - 12" tall.

Softcover, 194 pages, very good condition; clean and crisp; no internal marks. Includes: George Brecht, Robert Watts, Allan Kaprow, Geoffrey Hendricks, Roy Lichtenstein, Lucas Samaras, George Segal, Robert Whitman. Foreign shipping may be extra.

Hardcover. Condición: Good. no dj, some wear, still nice! - may have remainder mark or previous owner's name Oversized.

Paperback. Condición: VG+. Paperback in Very Good+ condition. 4to 11" - 13" tall. 95 pages. Remainder mark on top edge. Quick shipping, excellent customer service. All books carefully packaged in boxes and ship with tracking information.

Softcover. Condición: VG. Pictorial stapled wraps. 49 pp. 31 color plates. Introduction by D. Frederick Baker, essay by Joan Marter, and lavish illustrations. Catalogue from the gallery show held September 25 to October 25, 2003, co-curated by Vivian Bullaudy and D. Frederick Baker. Includes bibliographical references (page 17).…

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover, staple-bound, 16 pages, good condition; some creases around spine and a few stress creases to pages; no internal marks.

Softcover staple bound exhibition catalog, 12 pages, very good condition except name in pen on front cover; no internal marks, with color reproductions.

paperback. Condición: Very Good. Softcover exhibition catalog. Clean, unmarked, tightly bound. Light wear. Photos available. We ship daily. Expedited shipping available! (Heavy books & sets may require extra shipping charges.).

Softcover. Condición: Very Good. Very Good condition paperback scholarly monograph. The front cover shows minor handling wear with slight surface shine/glare. The interior pages are clean and white with no writing, highlighting, creases, or stains, and both the black-and-white illustrations and color plates are clean and undamaged. The binding is intact and square. Book.…

Soft cover. Condición: Near Fine. 1st Edition. Xi, 161 Pp. Large Format Soft Cover. First Printing. Slight Usage, Near Fine, No Marks.

Paperback. Condición: Very Good. White stapled wraps with grey endpapers, pages and reproductions clean and unmarked throughout. Catalogs; 4to 11" - 13" tall; 19 pages.

paperback. Condición: Very Good. Book has minor wear from reading or handling, mostly around the edges. No markings, tears, corner creases or other defects noted. Providing superior service since 2001. Dropshippers heartily welcomed.

paperback. Condición: fine. Illustrations in color and black and white. 96 pages. Small 4to, pictorial wrappers (lightly edge worn). New York: The Drawing Society, Inc., (1992). A near fine copy. Theodore Roszak (ilustrador).