marr bill (23 resultados)

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condición: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Condición: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Good. No Jacket. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.

Condición: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Soft Cover. Condición: Very Good. Bill Marr (Design) Ilustrador. Collector's Edition. 87 pp. Solidly bound copy with moderate external wear, crisp pages and clean text.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Marr, Bill (jacket design) Ilustrador. 1st Edition. Fine unread condition black boards, black cloth spine, and gold spine lettering contained in a fine condition non price-clipped color illustrated dust jacket. Includes Author Dedication; Defining Time Periods; Foreword by Bart D. Ehrman; Who's Who in the Lost Gospel; Prologue; Epilogue; Publisher's Note; Author's Note; Acknowledgments and About the Author. Illustrated with a section of color photographic plates plus a preliminary page map and timeline. A small former owner name and date is neatly scripted at the blank upper right corner of the first free front endpaper. "This codex - one of the greatest discoveries in Judeo-Christian archaeology - did not head straight to a museum, or even to the library of a rich collector. The gospel's removal from its burial place was just the beginning of a bizarre cloak-and-dagger journey. The Gospel of Judas, treated like a piece of merchandise, would be shopped around on three continents over the course of the next twenty-five years, its contents glimpsed only a few times between long periods of inactivity in far from ideal storage conditions. Every step of the way the precious document would deteriorate, until much of it was reduced to fragments of papyrus fibers." - from The Lost Gospel and the rear outer jacket. "Judas Iscariot. He's been hated and reviled through the ages as Jesus Christ's betrayer - the close friend who sells him out for 30 pieces of silver. But history also records other information about Judas Iscariot. One such reference was written in 180 by an influential Church Father named St. Irenaeus who railed against the Gospel of Judas for depicting the last days of Jesus from the perspective of the disgraced apostle. In its pages, Judas is Christ's favorite. It's a startlingly different story than the one handed down through the ages. Once it was denounced as heresy, the Gospel of Judas faded from sight. It became one of history's forgotten manuscripts. Until now. In this compelling and exhaustively researched account, Herbert Krosney unravels how the Gospel of Judas was found and its meaning painstakingly teased from the ancient Coptic script that had hid its message for centuries. With all the skills of an investigative journalist and master storyteller, Krosney traces the forgotten gospel's improbable journey across three continents, a trek that would take it through the netherworld of the international antiquities trade, until the crumbling papyrus is finally made to give up its secrets. The race to discover the Gospel of Judas will go down as one of the great detective stories of biblical archaeology." - from the inner front jacket flap.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: new.

Hardcover. First Edition; First Printing. Very Good+ in boards. Large scratch on front panel. ; From the personal collection of notable photojournalist Ted Spiegel, known for his work with National Geographic and his portrait of John F. Kennedy. ; 190 pages.

Hardback. Condición: New. Native modern studio art represents a critical yet often overlooked history. The publication sheds light on the remarkable, inter-generational story of modern Indigenous painters and sculptors who first developed and then revolutionised the movement for Native American fine art. Native Studio Art Since the 1920s reproduces an outstanding group of works from the William P. Healey Collection at the Saint Louis Art Museum. The selection includes sixty-three Indigenous artists across a range of media, with a focus on the Western United States. The book's comprehensive breadth conveys major narratives and key figures of twentieth century Native American art. Advancing multi-vocal knowledge, this collection catalogue features essays by art historians, conservators, and artists' relations. List of featured artists: Tony Abeyta, Awa Tsireh, Rick Bartow, Fred Beaver, Charlie Begay, Shonto Begay, Dennis Belindo, Earl Biss, Archie Blackowl, Acee Blue Eagle, Blackbear Bosin, David Bradley, T. C. Cannon, Robert Chee, Chiu-tah (Vicente Mirabal), Woody Crumbo, Dawakema (Milland Lomakema), Degadoga (Cecil Dick), Bob Haozous, Haskay Yahne Yah (Harrison Begay), Ha So De (Narciso Abeyta), Joe Herrera, Valjean Hessing, Joan Hill, John Hoover, Allan Houser, Fred Kabotie, Glen La Fontaine, Jerry Lee, Linda Lomahaftewa, Lomawywesa (Michael Kabotie), Ma Pe Wi (Velino Shije Herrera), Julian Martinez, Solomon McCombs, Rafael Medina, Stephen Mopope, George Morrison, Gerald Nailor, Dan Namingha, Dennis Numkena, Diane O'Leary, Otis Polelonema, Pop Chalee, Quah Ah (Tonita Peña), Kevin Red Star, J. D. Roybal, C. Terry Saul, Fritz Scholder, Soqween (José Encarnación Peña), Willard Stone, Carl Sweezy, Quincy Tahoma, Jerome Tiger, Tos-que (David Williams), Tsa-sah-wee-eh (Helen Hardin), Andrew Tshinahjinnie, Donald Vann, Pablita Velarde, Wah-pah-nay-yah (Dick West), Beatian Yazz (Jimmy Toddy), James Wayne Yazzie.

Condición: As New. Unread book in perfect condition.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condición: Brand New. 240 pages. 11.42x10.04x11.38 inches. In Stock.

Hardcover. Condición: Brand New. 240 pages. 11.42x10.04x11.38 inches. In Stock.

Hardback. Condición: New. Native modern studio art represents a critical yet often overlooked history. The publication sheds light on the remarkable, inter-generational story of modern Indigenous painters and sculptors who first developed and then revolutionised the movement for Native American fine art. Native Studio Art Since the 1920s reproduces an outstanding group of works from the William P. Healey Collection at the Saint Louis Art Museum. The selection includes sixty-three Indigenous artists across a range of media, with a focus on the Western United States. The book's comprehensive breadth conveys major narratives and key figures of twentieth century Native American art. Advancing multi-vocal knowledge, this collection catalogue features essays by art historians, conservators, and artists' relations. List of featured artists: Tony Abeyta, Awa Tsireh, Rick Bartow, Fred Beaver, Charlie Begay, Shonto Begay, Dennis Belindo, Earl Biss, Archie Blackowl, Acee Blue Eagle, Blackbear Bosin, David Bradley, T. C. Cannon, Robert Chee, Chiu-tah (Vicente Mirabal), Woody Crumbo, Dawakema (Milland Lomakema), Degadoga (Cecil Dick), Bob Haozous, Haskay Yahne Yah (Harrison Begay), Ha So De (Narciso Abeyta), Joe Herrera, Valjean Hessing, Joan Hill, John Hoover, Allan Houser, Fred Kabotie, Glen La Fontaine, Jerry Lee, Linda Lomahaftewa, Lomawywesa (Michael Kabotie), Ma Pe Wi (Velino Shije Herrera), Julian Martinez, Solomon McCombs, Rafael Medina, Stephen Mopope, George Morrison, Gerald Nailor, Dan Namingha, Dennis Numkena, Diane O'Leary, Otis Polelonema, Pop Chalee, Quah Ah (Tonita Peña), Kevin Red Star, J. D. Roybal, C. Terry Saul, Fritz Scholder, Soqween (José Encarnación Peña), Willard Stone, Carl Sweezy, Quincy Tahoma, Jerome Tiger, Tos-que (David Williams), Tsa-sah-wee-eh (Helen Hardin), Andrew Tshinahjinnie, Donald Vann, Pablita Velarde, Wah-pah-nay-yah (Dick West), Beatian Yazz (Jimmy Toddy), James Wayne Yazzie.