marks geoffrey j (10 resultados)

Condición: As New. Unread book in perfect condition.

Condición: New.

hardback. Condición: Good. No Jacket. hardback, octavo, green cloth lettered gilt, damp stained fading to the cloth but not penetrating beyond and with a good tight binding & clean and unmarked text, coloured frontis and b&w plates, 207pp.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: Near Fine. Philadelphia 1930 first edition. Lippincott. Hardcover octavo. 207p. Color frontispiece and 12 illus from drawings done on the spot by Frank A Wallis. Ivory cloth with blue picture of 3 men in a canoe going under a bridge on front cover panel and blue spine lettering. Near Fine. no owner marks. Good dust jacket - dj toned, inch-size chip from rear panel , light soiling. price clipped.

Hardcover. Condición: Very Good+. Estado de la sobrecubierta: Very Good+. Frank A. Wallis, Illustrator Ilustrador. Stated First Edition. Philadelphia / London: J. B. Lippincott, 1930. Stated First Edition. Very Good+/Very Good+. Frank A. Wallis, Illustrator. "First Edition" stated on copyright page, in original unclipped jacket. Clean light beige cloth boards with blue and black illustration on cover, black lettering on cover and spine. No fraying or wear-through; binding is tight & square, no cracking. Pages and edges are clean, with blue top-stained page edges. Clean endpapers; no names, writing or bookplates. 207 pp. with index. Color frontispiece, 12 illustrations from drawings by Frank A. Wallis. Jacket is quite clean (slight age-toning), not price clipped (3.00 on front inside flap), unchipped, with very slight wear at top and bottom spine edges. Enclosed in new archival quality removable mylar cover. Adventures of three men in a black rubber canoe, seven feet long by three feet wide, as they paddle, carry, or are swept by rapids down the Tiber 195 miles to Rome.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good +. 1st Edition. First edition, a clean unmarked copy in an edge rubbed and slightly dulled dust wrapper, some offsetting to the end papers.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. First edition stated. Date on title page. Fine hardback in fine price-clipped dust jacket. Book has a very light, if notbarely noticeable bump to rear cover at spine. A barely noticeable darkening to spine of dust jacket. Only trivial additional signs of age/wear/previous use to book and dust jacket, .

251 pp.; 30.7 x 24.1 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; May 1974 issue of Studio International edited by Peter Townsend. Contents include: "The Complete Artist," by John McEwen; "2 Fisherman: 1. An Appreciation of C.M. Wells," by J.W. Chance and "2. Ivan Marks: fishing as a profession;" "Correspondence;" "Acanthonemus Lubaurus Fossil;" "The Fish as a Symbol," by Cara Montgomery; "Multiple Exercise," by William Allan; "Sea Grant second narrative and two precedent works," by Newton Harrison; "Char and char fishing," by Geoffrey White; "Feuilleton," by Marcel Broodthaers; "The paintings of Joseph Raffael," by William S. Wilson; "A/S Mowi: industrial fish farming;" "Man's Impact on life in inland waters," by H.A. Hawkes; "Recipes," by Henri de Toulouse-Lautrec, Marcello Salvadori; and X-ray of a flounder" and reviews by Clive Phillpot, Malcolm LeGrice, John Walker, Liesbeth Corstius, Keith Albarn, Günther Wirth, R.C. Kenedy, David Troostwyck, Tony Rothon, Judy Marle, Paul Rosenbloom, Fenella Crichton, Christopher Fox, James Faure Walker, Robert Corbett, and Frank Whitford. Cover specifically designed for this issue by James Sneath. Also includes a ten page artist project by Hamish Fulton presented by Robert Self, presumably paid for as an advertisement in the magazine and not presented as editorial content. Good. Bumping of corners with creasing. 5.7 cm. area of writing in pencil on recto. 4 mm. tear to bottom right corner of verso and two 8 mm. tears across spine. Yellowing of pages. Contents clean and unmarked.