Mark w scala (122 resultados)

Condición: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Condición: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

paperback. Condición: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

Condición: good. Book is sealed in original packaging and is in great condition. Fast shipping.

Paperback. Condición: Very Good. Fifty paintings, reproduced in color, by an international array of contemporary artists, show the aptness and relevance of painting in an era of uncertainty.In an age of global instability, the threat of chaos looms. Or is the threat more spectral than real? The fear of chaos may simply be our response to living in a world controlled by powerful forces beyond our understanding. Chaos and Awe demonstrates the aptness and relevance of painting as a medium for expressing the uncertainty of our era. It presents more than fifty paintings, by an international array of contemporary artists, that induce sensations of disturbance, curiosity, and expansiveness--the new sublime, derived not from the unfathomable mystery of nature but from the hidden and often insidious forces of culture. Essays by art historians and painters who write offer context and illumination.Chaos and Awe, which accompanies a major exhibition at the Frist Art Museum in Nashville, shows that painting's capacity to represent the liminal space between the real and the virtual allows it to portray the shifting ground of today's social imaginary. With suggestions of fragmentation, instability, and murkiness, these paintings enclose what seems to be (as Simon Morley writes in his essay) wholly unenclosable. The paintings presented offer visions of interconnected forces invisibly shaping contemporary global experience; portray theintractability of veiled racial animus and the phantoms of the past that continue to haunt the present; suggest, through semi-abstract languages, long-term conflicts played out through nationalism and extremism; depict the conjunction of cultures not as flashpoints but in terms of cross-fertilization and a new hybridity; convey the role of digital technology in intertwining knowledge and doubt; express the elusive nature of perception through floating forms, liquid, gas, flame, and light; and cast instability and chaos as opportunities to expand our perceptions of the connectedness of knowledge, intuition, and spirituality.PaintersFranz Ackermann, Ahmed Alsoudani, Ghada Amer, Korakrit Arunanondchai, Radcliffe Bailey, Ali Banisadr, Pedro Barbeito, Jeremy Blake, Matti Braun, Dean Byington, Hamlett Dobbins, Nogah Engler, Anoka Faruqee, Barnaby Furnas, Ellen Gallagher, Adrian Ghenie, Wayne Gonzales, Wade Guyton, Rokni Haerizadeh, Peter Halley, Eddy Kamuanga Ilunga, Rashid Johnson, Guillermo Kuitca, Heather Gwen Martin, Julie Mehretu, Jiha Moon, Wangechi Mutu, James Perrin, Neo Rauch, Matthew Ritchie, Rachel Rossin, Pat Steir, Barbara Takenaga, Dannielle Tegeder, Kazuki Umezawa, Charline von Heyl, Sarah Walker, Corinne Wasmuht, Sue WilliamsContributorsMedia Farzin Media Farzin is a writer, editor, and educator. Her writings have appeared in Bidoun, Artforum, Afterimage, and Art-Agenda online. She is a faculty member at the School of Visual Arts and the Sotheby's Institute of Art, New York.Simon Morley is an artist and Professor at Dankook University in Korea. He is the author of Writing on the Wall: Word and Image in Modern Art and editor of The Sublime (MIT Press/Whitechapel Gallery).Matthew Ritchie's work is regularly exhibited worldwide and is in the collections of the Museum of Modern Art (New York), the San Francisco Museum of Modern Art, the Guggenheim, the Whitney Museum of American Art. He has written for Artforum, Flash Art, Art & Text, October, and the Contemporary Arts Journal. He lectures widely and is currently a Mentor Professor in the Graduate Visual Arts Program at Columbia University.Copublished with the Frist Art Museum, Nashville.…

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good.

Soft cover. Condición: Fine. Shelf 1085 A Clean and tight; published in conjuction with exhibit in the Fall of 2004; 52 pp; over-sized ( not appropriate for international shipping ); Not a book club (BC) copy. No previous owner name, not ex library, not price clipped, not a remainder.

Soft cover. Condición: As New. No Jacket. 1st Edition. (GR) R Still shrink wrapped. NEW.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condición: Very Good. Cover has edge wear, minor creases, minor scratches, small bent/rubbed cover/page corners, rubbed spine. No writing. Book.

Soft cover. Condición: Fine. No Jacket. Soft cover. Square book, 9 inches. Minimal wear, looks near new. Tight, square, sharp edges. Crisp, bright and unmarked pages. A very attractive book in Fine condition.

Paperback. Condición: Very Good. First Edition. Nashville, Tennessee: Frist Center for the Visual Arts, 2001. First edition, 2001. Color illustrated. Softcover in near fine condition with minimal shelfwear, firm binding, clean pages with no names or other markings. First Edition. Soft Cover. Very Good. Squared 8vo.…

Softbound. Condición: VG. Color illustrated black wraps with yellow lettering. 375 pp. 276 color plates. Published in conjunction with a large museum exhibition held in 2003-2004, this wonderful reference contains numerous articles and essays by noted scholars. It includes paintings, decorative and furniture arts, indian and prehistoric artifacts, maps, books, you name it. This will be the standard reference for years to come. Contents as follows: Introduction -- Banjamin H. Caldwell Jr., Robert Hicks, and Mark W. Scala -- Prehistoric Native American art in Tennessee -- Jefferson Chapman -- Young Tennessee and the spirit of America -- Wendell Garrett -- Tennessee Maps -- Ann Harwell Wells -- The material culture of nineteenth-century Tennessee -- Jonathan Leo Fairbanks -- Antebellum furniture -- Robert Hicks -- Sugar chests -- Benjamin H. Caldwell Jr. and Robert Hicks -- William Winchester Jr., cabinetmaker -- C. Tracey Parks -- Richard "Dick" Poynor -- Rick Warwick -- Silver production and importation in Tennessee -- Benjamin H. Caldwell Jr. -- Pottery -- Stephen T. Rogers and Samuel D. Smith -- Nineteenth-century quiltmaking in Tennessee -- Bets Ramsey -- Textile art in Tennessee through the early twentieth century -- Candace J. Adelson -- Antebellum painting -- James A. Hoobler -- Ralph E.W. Earl -- Estill Curtis Pennington -- Tennesseans on the national stage -- James C. Kelly -- Decorative arts at the Hermitage -- Marsha Mullin -- "Holding the line" : William Gilbert Gaul as a military artist -- Dan E. Pomeroy -- Painting in Tennessee, 1865-1920 -- Jack Becker -- Twentieth-century figurative and narrative art -- Celia Walker -- Celebrating the human spirit : Nashville murals by Aaron Douglas, Ben Shahn, and Thomas Hart Benton -- Katie Delmez Welborn -- Structures of recollection : Tennessee photography as document and art -- John Wood -- Tennessee folk art -- Michael Hall -- William Edmondson, sculptor -- Leslie King-Hammond -- Modern art for modern times -- Susan W. Knowles -- Aaron Douglas's Building more stately mansions -- Amy Kirschke -- Contemporary craft -- Lynn Jones Ennis -- New directions : contemporary art in Tennessee -- Mark W. Scala.…

Hardcover. Condición: Fine. No Dust Jacket. First Thus. A Good Read ships from Toronto and Niagara Falls, NY - customers outside of North America please allow two to three weeks for delivery. ; 8vo - over 7¾" - 9¾" tall.

Paperback. Condición: Good +. First Edition. First Edition. Paperback. 11" X 9 1/2". xi, 119pp. Mild toning and shelf wear to covers, corners, and edges of paper wraps. Pages are clean and unmarked. Binding is firm and sound. ABOUT THIS BOOK: This catalog explores the psychological and social implications contained in the hybrid creatures and fantastic scenarios created by contemporary artists whose works will appear in the exhibition Fairy Tales, Monsters, and the Genetic Imagination, which opens at Nashville's Frist Center for the Visual Arts in February 2012. Curator Mark Scala's introductory essay focuses on anthropomorphism in the mythology, folklore, and art of many cultures as it contrasts with the dominant Western view of human exceptionalism. Scala also provides an art historical context, linking the visual fabulists of today to artists of the Romantic, Symbolist, and Surrealist periods who sought to transcend oppositions such as rationality and intuition, fear and desire, the physical and the spiritual. Discussing how artists adapt traditional stories to give mythic form to the very real dilemmas of contemporary life, Jack Zipes's "Fairy-Tale Collisions" centers on Paula Rego, Kiki Smith, and Cindy Sherman. From a generation of women who have attained prominence since the 1980s, these artists alter fairy-tale imagery to subvert or rewrite social roles and codes. In "Metamorphosis of the Monstrous," Marina Warner discusses works in the exhibition in the context of historical conceptions of monsters as expressions of alterity, bestiality, or sinfulness. Her reminder that contemporary monster images offer "a promise and a warning about the variety, heterogeneity, and possible combinations and recombinations in the order of things" sets the stage for Suzanne Anker's essay, punningly titled "The Extant Vamp (or the) Ire of It All: Fairy Tales and Genetic Engineering." Considering representations of hybrid bodies by Patricia Piccinini, Janaina Tschape, Saya Woolfalk, and others, which evoke imagined beings of the past as a way to envision the recombinant creatures that may lie in the future, Anker shows how artists explore the social, ethical, and future implications of biological design and enhanced evolution. Accompanying an exhibition of contemporary art in which depictions of marvelous creatures and fantastic narratives provide both chills and delights, the essays in Fairy Tales, Monsters, and the Genetic Imagination explore the meaning of this fabulist revival through the lenses of social and art history, literature, feminism, animal studies, and science.(Publisher).…

Condición: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover. Condición: As new. Frist Center for the Visual Arts, 2001. 167pp., color illustrations throughout. sq. 8vo. As new unread hardcover.

Paperback. pp. xi, 119. 4to. Colour photographs and illustrations. Corners thumbed, light soiling to covers; very good-.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

hardcover. Condición: As New. Frist Art Museum, 2022. Hard cover, first edition. Fine condition in Fine dust jacket; 175 pages.

Condición: New.

Paperback. Condición: new. Paperback. Fifty paintings, reproduced in color, by an international array of contemporary artists, show the aptness and relevance of painting in an era of uncertainty.In an age of global instability, the threat of chaos looms. Or is the threat more spectral than real? The fear of chaos may simply be our response to living in a world controlled by powerful forces beyond our understanding. Chaos and Awe demonstrates the aptness and relevance of painting as a medium for expressing the uncertainty of our era. It presents more than fifty paintings, by an international array of contemporary artists, that induce sensations of disturbance, curiosity, and expansiveness-the new sublime, derived not from the unfathomable mystery of nature but from the hidden and often insidious forces of culture. Essays by art historians and "painters who write" offer context and illumination.Chaos and Awe, which accompanies a major exhibition at the Frist Art Museum in Nashville, shows that painting's capacity to represent the liminal space between the real and the virtual allows it to portray the shifting ground of today's social imaginary. With suggestions of fragmentation, instability, and murkiness, these paintings enclose what seems to be (as Simon Morley writes in his essay) "wholly unenclosable." The paintings presented offer visions of interconnected forces invisibly shaping contemporary global experience; portray the intractability of veiled racial animus and the phantoms of the past that continue to haunt the present; suggest, through semi-abstract languages, long-term conflicts played out through nationalism and extremism; depict the conjunction of cultures not as flashpoints but in terms of cross-fertilization and a new hybridity; convey the role of digital technology in intertwining knowledge and doubt; express the elusive nature of perception through floating forms, liquid, gas, flame, and light; and cast instability and chaos as opportunities to expand our perceptions of the connectedness of knowledge, intuition, and spirituality.PaintersFranz Ackermann, Ahmed Alsoudani, Ghada Amer, Korakrit Arunanondchai, Radcliffe Bailey, Ali Banisadr, Pedro Barbeito, Jeremy Blake, Matti Braun, Dean Byington, Hamlett Dobbins, Nogah Engler, Anoka Faruqee, Barnaby Furnas, Ellen Gallagher, Adrian Ghenie, Wayne Gonzales, Wade Guyton, Rokni Haerizadeh, Peter Halley, Eddy Kamuanga Ilunga, Rashid Johnson, Guillermo Kuitca, Heather Gwen Martin, Julie Mehretu, Jiha Moon, Wangechi Mutu, James Perrin, Neo Rauch, Matthew Ritchie, Rachel Rossin, Pat Steir, Barbara Takenaga, Dannielle Tegeder, Kazuki Umezawa, Charline von Heyl, Sarah Walker, Corinne Wasmuht, Sue WilliamsContributorsMedia Farzin Media Farzin is a writer, editor, and educator. Her writings have appeared in Bidoun, Artforum, Afterimage,and Art-Agenda online. She is a faculty member at the School of Visual Arts and the Sotheby's Institute of Art, New York.Simon Morley is an artist and Professor at Dankook University in Korea. He is the author of Writing on the Wall: Word and Image in Modern Art and editor of The Sublime (MIT Press/Whitechapel Gallery).Matthew Ritchie's work is regularly exhibited worldwide and is in the collections of the Museum of Modern Art (New York), the San Francisco Museum of Modern Art, the Guggenheim, the Whitney Museum of American Art. He has written for Artforum, Flash Art, Art & Text, October, and the Contemporary Arts Journal. He lectures widely and is currently a Mentor Professor in the Graduate Visual Arts Program at Columbia University.Copublished with the Frist Art Museum, Nashville Fifty paintings, reproduced in color, by an international array of contemporary artists, show the aptness and relevance of painting in an era of uncertainty. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: New.

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover; 376 pages; very good condition, light wear to covers; no internal marks, Foreign shipping may be extra.