mark holborn edited (8 resultados)

Hardcover First Printing. First Edition. Cloth boards. Fine.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. 395 Pp. Illustrated Boards. First Printing Indicated. Fine In Fine Dust Jacket Priced $85.

Rilegato. Condición: ottimo. Estado de la sobrecubierta: ottimo. Photographs by Eric Payson. Beginning with Bobcats, depicting the rites of passage of a girls' softball team, and moving to Gladiators, displaying basketball in a combative pit of racial divide, photographer Eric Payson has gone one step further in his exploration of the media and America's obsession with sports as entertainment, voyeurism, and violence with Ghostplay. In Payson's electrifying new work, college football's raw beauty rises to the surface in photographs taken directly from the television screen; images morph into each other and expressions are magnified as they are frozen in time. Ghostplay examines the media that transmits it all, as the broadcasters and corporate sponsors appear as much a part of the game as the athletes and coaches. Interspersed with intrusive news bulletins, overeager cheerleaders, anxious spectators, and seemingly malicious data on the athletes' injuries, college football appears to be a forum for adolescent violence and pervasive adult greed. In these images, the game dissolves as the ghost in the machine of the American media is captured by Payson's camera. Ghostplay reveals the suspicion and intrigue lurking between the stadium seats, played out in the television control rooms, and hovering in the lower levels of our consciousness. Eric Payson is a photographer and performance artist. Solo exhibitions of his photographs have been mounted at Galerie Bodo Niemann, Berlin and Rene Fotouhi, East Hampton, New York. As the third piece in a trilogy of books by Eric Payson, Ghostplay follows Gladiators and Bobcats (powerHouse Books, 2004 and 2002 respectively). He lives in New York and Tucson, Arizona. Mark Holborn is an editor and author working between London and New York. He has produced books with artists and photographers including William Eggleston, Lee Friedlander, Irving Penn, and Robert Mapplethorpe. Holborn is the author of several books on Japan and Japanese art, including Beyond Japan (Jonathan Cape, 1991) and Black Sun: The Eyes of Four (Aperture, 1986). He has also written for and edited books such as Gladiators and Bobcats by Eric Payson and The Babies by Polly Borland (powerHouse Books, 2004, 2002, and 2001 respectively). Ustao ottime condizioni lievi segni del tempo. (T-CA) Autore/i edited by Mark Holborn Editore Powerhouse Books Luogo New York Anno 2006 Pagine 156 Dimensioni 23x17 (cm) Illustrazioni ill. colori n.t. - colors ills Legatura cart. edit. con sovracc. ill. colori - Hardcover with dustjacket Conservazione Usato ottime condizioni - used very good Lingua Inglese - English text Peso 900 (gr) ISBN 1576872718 EAN-13 9781576872710.

Hardcover. Condición: New. Estado de la sobrecubierta: New. Susan Meiselas Ilustrador. 1st Edition. 1st. Edition, 1st. Printing 2017, Light green cloth hardcover with the dust band, 246 page book. This copy is signed and dated only by Susan Meiselas on the first title page. Ms. Miselas is one of the most influential photographers of our time and an important contributor to the evolution of documentary photo journalism. Illustrated with color and black & white images of her missions around the world. Condition : NEW Size: 8vo - over 7¾ - 9¾" tall. Signed by Author(s). Book.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. First Edition. First impression of the true first edition - a very large format hardcover monograph. Published in collaboration with the Robert Mapplethorpe Foundation - this is the definitive collection of Mapplethorpe's monochrome photographs, drawing on the full range of his work. Edited and designed by Mark Holborn and Dimitri Levas, with an essay entitled "Playing with the Edge - The Photographic Achievement of Robert Mapplethorpe" by Arthur C. Danto. ***Near fine in light-grey cloth-covered boards with silver titles to the spine and blind-embossed titles to the front board. The boards are beautifully clean and unmarked, with just a small scuff at the bottom edge of the front board. Head and tail of spine slightly creased, but no serious creases or bumps. Corners sharp. Page block clean. Internally also near fine with no inscriptions or annotations. No creases or tears. No foxing to the interior pages. Pages clean and bright. Black endpapers. No reading lean to the binding which is straight. Spine tight. ***In a near fine black and white illustrated dustwrapper, which retains the original publisher's printed price of £60.00 net. The dustwrapper has folding top and bottom edge flaps to prevent any edge tears or chipping. Extremities of dustwrapper just slightly rubbed and creased, but with no chips or tears. The dustwrapper is just slightly marked, and perhaps a little yellowed at the spine, but with no fading. Dustwrapper bright. ***300mm x 315mm. 382 pages. ***Contents: Polaroids 1972-1975, Photographs 1972-1989, Playing with the Edge (essay), Chronology, Exhibitions, Bibliography, List of Plates, Editor's Note, Acknowledgments. ***'Robert Mapplethorpe began taking photographs in 1970 with a Polaroid camera given to him by a friend. Nearly twenty years later, when Mapplethorpe died at the age of forty-two, he was considered one of the most important photographers of his time. This is the definitive collection of Mapplethorpe's black-and-white photographs, drawing on the full range of his work, from the early Polaroids to the haunting self-portraits taken shortly before he died. It has been prepared in collaboration with the Robert Mapplethorpe Foundation, which was established by the artist to provide funds for AIDS research and photographic projects. ' (Quote taken from the front flap of the dustwrapper) ***First impression of the true first edition, printed on nice photographic quality paper, sumptuously illustrated with Robert Mapplethorpe's monochrome photographs, complete in the original dustwrapper, in very nice, clean bright collectable condition. Of interest to collectors of the work of the renowned photographer Robert Mapplethorpe, and the New York avant-garde art scene. A beautifully produced book. ***For all our books, postage is charged at cost, allowing for packaging: any shipping rates indicated on ABE are an average only: we will reduce the P & P charge where appropriate - please contact us for postal rates for heavier books and sets etc. ***Please note that this is a VERY LARGE and HEAVY book, and will incur extra shipping charges if sold outside the UK.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. First edition. Number line beginning with 1. Near fine plus, if not fine hardback in near fine plus, if not fine dust jacket (U.S. $40.00 Can. $45.00 U.K. £26.99). Only trivial signs of age/wear/previous use to book and dust jacket. Appears to be inscribed by author on title page: "To XXXX Olivia Harrison". Inscribed by Author(s).

Condición: Near Fine. Jonathan Cape in association with Imperial War Museums. London. 2012. First edition. Deluxe edition with matching cloth slipcase. Hardback, large square quarto; beige cloth-bound boards with image pasted to front board, matching slipcase with images pasted to boards. 360 pages. Over 200 b&w full-page plates. English. 320x300mm. 3.5kg. Fine, in near fine slipcase; slight shelf wear to slipcase, very small knock to corner at head of spine. A survey of Cecil Beaton's war photographs housed in the Imperial War Museum, London. The Second World War saw a change in direction for Beaton, society portraits made way for propaganda images for home and aboard. There are visual chapters on The Home Front, The Middle East, Production, India and Burma, and China. The photographs are reproduced to generous dimensions and with fine quality. Beaux Books specialises in fine and rare books on art and culture in the 20th and 21st centuries. We welcome questions about our books and we are happy to provide any extra images. Buy with confidence from an experienced bookseller. 2012. First edition. Deluxe edition with matching cloth slipcase.

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. 1st Edition. Los Alamos Revisited contains the definitive edit of William Eggleston's celebrated Los Alamos series, and closes a fascinating photographic story that began in the mid-1960s. Between 1965 and 1974 William Eggleston and Walter Hopps drove together through the USA, Eggleston taking photographs, Hopps at the wheel. During these travels the title Los Alamos was born. More than thirty years later Eggleston, Hopps, Caldecot Chubb and the photographer's son Winston Eggleston edited the photographs into a set of five portfolio boxes of dye-transfer prints. Hopps's original vision was to create a vast Los Alamos exhibition, but the negatives became separated, with Hopps retaining only about half. He later returned what was thought to be the remaining negatives to the Eggleston Artistic Trust in Memphis where they were catalogued as Box #17. Yet after Hopps's death in 2005 another long-lost box of negatives was discovered. These were catalogued as Box #83 and documented in a hand-made reference book called Lost and Found Los Alamos. In 2011, the photographer's son William Eggleston III and Mark Holborn reviewed the now complete set of negatives, finalizing the sequence with Winston Eggleston at Steidl in 2012. Los Alamos Revisited presents this sequence in its entirety, and updates the 2003 Scalo book Los Alamos., Los Alamos Revisited contains the definitive edit of William Eggleston's celebrated Los Alamos series, and closes a fascinating photographic story that began in the mid-1960s. Between 1965 and 1974, William Eggleston and Walter Hopps drove together through the USA, Eggleston taking photographs, Hopps at the wheel. During these travels the title Los Alamos was born. More than 30 years later Eggleston, Hopps, Caldecot Chubb and the photographer's son Winston Eggleston edited the photographs into a set of five portfolio boxes of dye-transfer prints. Hopps' original vision was to create a vast Los Alamos exhibition, but the negatives became separated, with Hopps retaining only about half. He later returned what was thought to be the remaining negatives to the Eggleston Artistic Trust in Memphis where they were catalogued as Box #17. After Hopps' death in 2005, another long-lost box of negatives was discovered. These were catalogued as Box #83 and documented in a handmade reference book called Lost and Found Los Alamos . In 2011, the photographer's son William Eggleston III and Mark Holborn reviewed the now complete set of negatives, finalizing the sequence with Winston Eggleston at Steidl in 2012. Los Alamos Revisited presents this sequence in its entirety, and updates the 2003 Scalo book Los.