Mark d director (20 resultados)

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. Clean, unmarked, sharp corners. firm hinges with DJ in NF condition. KRM/Art Collections/Museums.

HC. 256pp ISBN 0810915286 This volume reproduces two hundred of the finest objects in the Museum. Short essays prepared by the curators accompany the reproductions. very good+ w/very good+ dustjacket (hardcover). B&W and color illustrations (ilustrador).

Paperback. Condición: Very Good. Why has the Eurozone ended up with an unemployment rate more than twice that of the United States more than six years after the collapse of Lehman Brothers? Why did the vast majority of low- and middle-income countries suffer a prolonged economic slowdown in the last two decades of the 20th century? What was the role of the International Monetary Fund in these economic failures? Why was Latin America able to achieve substantial poverty reduction in the 21st century after more than two decades without any progress? Failed analyzes these questions, explaining why these important economic developments of recent years have been widely misunderstood and in some cases almost completely ignored. First, in the Eurozone, Mark Weisbrot argues that the European authorities' political agenda, which included shrinking the welfare state, reducing health care, pension, and other social spending, and reducing the bargaining power of labor played a very important role in prolonging the Eurozone's financial crisis and pushing it into years of recession and mass unemployment. This conclusion is based not only on public statements of European officials, but also on thousands of pages of documentation from consultations between the IMF and European governments after 2008. The second central theme of Failed is that there are always practical alternatives to prolonged economic failure. Drawing on the history of other financial crises, recessions, and recoveries, Weisbrot argues that regardless of initial conditions, there have been and remain economically feasible choices for governments of the Eurozone to greatly reduce unemployment-including the hardest hit, crisis-ridden country of Greece. The long-term economic failure of developing countries, its social consequences, as well as the subsequent recovery in the first decade of the 21st century, constitute the third part of the book's narrative, one that has previously gotten too little attention. We see why the International Monetary Fund has lost influence in middle income countries. Failed also examines the economic causes and consequences of Latin America's "second independence" and rebound in the twenty-first century, as well as the challenges that lie ahead. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Two vintage studio still photographs from the 1953 film, showing actors Blanche Yurka and Dan Dailey. Loosely based on Jean-Paul Le Chanois' 1951 French film "Without Leaving an Address." An ill-tempered New York cabbie helps an Irish immigrant with an infant son locate her missing husband. Set and shot on location in New York. 8 x 10 inches. Near Fine.…

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

Condición: New. Satisfaction Guaranteed or your money back.

4°, 254 S. 1 Bl., mit 189 meist farbigen Abbildungen, Orig.-Leinen und illustrierter Orig.-Umschlag. Erste Ausgabe.- Gutes Exemplar. PLEASE NOTE: Additional shipping costs to destinations outside of the EU are required for this item beyond our standard rates due to its weight and value - we will inform you of the applicable amount at time of purchase.…

Hardcover. Condición: Good. 2nd Edition. xlviii, 657 pp. (American Casebook Series.) Original hardbound. [Douglas H. Ginsburg: Judge, United States Court of Appeals for the District of Columbia Circuit. / Michael H. Botein: Professor of Law, New York Law School. / Mark D. Director: Fields & Director, Washington, D.C., Adjunct Professor of Law, New York Law School.]. …

Four vintage black-and-white studio still photographs from the 1967 film. Based on D. H. Lawrence's 1922 novella of the same name. Mark Rydell's summer-of-love film was adapted from D.H. Lawrence's novella of the same name, about a lesbian couple living on a rural farm, whose existence is disrupted by the arrival of a seaman whose grandfather used to own the farm. One of only a handful of films to address the subject of lesbian life in the 1960s. Set in rural Canada, shot on location in Ontario, Canada. 10 x 8 inches. Very Good plus. Image FOX-58 is slightly creased with two pin holes to the top margin.…

Kartoniert / Broschiert. Condición: New. Covers the field of strategic supply chain management. This book enables the reader to: understand the different types of supply chain and trading relationships plan a business development strategy for boosting profitability across the supply chain and cl.

Revised Draft script for Season 7 Episode 1 of the 1984-1991 television series, here with indication of the previous working title, "Wild Card." Originally aired September 19, 1990 on NBC. Series following two rule-breaking cops forced together as partners by their superiors. In this episode, one of the officers works with officers from a different local precinct to locate money left by a dead man. Set in and shot on location in Los Angeles. Blue titled self wrappers, lacking rear wrapper, production No. 5701, dated July 23, 1990, with credits for uncredited screenwriter Mark Lisson and director Winrich Kolbe. Title page integral with front wrapper. 33 leaves, with last page of text numbered 57. Xerographic duplication, rectos only, with revision pages throughout, dated 07/23/90. Pages Near Fine, wrapper Very Good plus, with tape affixed at the hole punches and some tears at the hole punches., bound with two gold brads.…

Vintage one sheet poster for the 1973 film. Based on the 1956 novel by screenwriter Mark Harris, about a developmentally disabled baseball catcher with a terminal illness, and his friendship with the team's star pitcher. Shot on location in New York, Washington DC, and Florida. 27 x 41 inches. Very Good plus, folded as issued, with light wear and creasing.…

Shooting script for the 2006 film. Based on the 1992 novel by P.D. James. In a dystopian world where humans have become infertile, a civil servant agrees to help a mysteriously pregnant woman travel to a remote location in the Azores to have her child. Nominated for three Academy Awards. Set in London in 2027, shot on location in London, Hampshire, Hertfordshire, and Hampshire, England, in Montevideo, Uruguay, and in Buenos Aires, Argentina. Self wrappers. Title page present, dated 23rd August 2005, noted as SHOOTING SCRIPT, with credits for screenwriters Alfonso Cuaron and Timothy J. Sexton, and novelist P.D. James. 118 leaves, with last page of text numbered 117. Xerographic duplication, rectos only. Pages Very Good plus, bound with a silver prong, with title page lightly foxed on the edges and moderate rusting around the binding.…

Vintage US lobby card for the 1953 film. Loosely based on Jean-Paul Le Chanois' 1951 French film "Without Leaving an Address." An ill-tempered New York cabbie helps an Irish immigrant with an infant son locate her missing husband. Set and shot on location in New York. 14 x 11 inches. Very Good plus, with light soil and light toning to the edges. …

Vintage insert poster for the 1953 film. Loosely based on chapters 9 through 11 of Mark Twain's semi-autobiographical "Roughing It." Mark Stevens is lawman and killer Jack Slade, who's committed himself to ridding society of outlaws after seeing his father gunned down at age thirteen. Followed by the 1955 sequel "The Return of Jack Slade," directed by Harold D. Schuster and starring John Ericson and Mari Blanchard. 14 x 35.75 inches, folded as issued. Very Good plus, with a faint crease to the top right corner, some light rubbing and tiny chipping to the lower left margin.…

Vintage reference photograph from the 1970 film, showing actors Mark Frechette and Daria Halprin talking with director Michelangelo Antonioni while on location in the desert. Annotations in manuscript pencil on the verso, identifying subjects and crediting photographer Bruce Davidson with Magnum Photos. Antonioni's great American experiment, and the only film the director ever made in the United States, written for the screen by a young Sam Shepard. Though made from an Italian's perspective, the film stands today as a great visual statement on the American West in the late 1960s, rampant consumerism, and the hippie zeitgeist. 8 x 10 inches, with wide top and bottom margins. Fine. Godard, Histoire(s) du cinema. Rosenbaum 1000.…

Vintage banner poster for the 1973 film. Based on the 1956 novel by screenwriter Mark Harris, about a developmentally disabled baseball catcher with a terminal illness, and his friendship with the team's star pitcher. Shot on location in New York, Washington DC, and Florida. 81 x 24 inches. Very Good plus, with light rubbing and faint creasing overall, with several closed tears to the margins and a half inch chip in the top center margin, otherwise bright and unfaded.…

Vintage studio still photograph, of Daria Halprin, seemingly trapped in the middle of a mid-century modern glass vestibule, from the 1970 film. Mimeo snipe on the verso. Antonioni's great American experiment, and the only film the director ever made in the United States, written for the screen by a young Sam Shepard. Though made from an Italian's perspective, the film stands today as a great visual statement on the American West in the late 1960s, rampant consumerism, and the hippie zeitgeist. 8 x 10 inches, with wide horizontal margins. Near Fine. Rosenbaum 1000. Godard, Histoire(s) du cinema.…