mario carpo (200 resultados)

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Condición: Good. 1 Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

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Soft cover. Condición: New. Log 53 asks the simple yet provocative question "Why Italy Now?" The responses are as diverse and multifaceted as the country itself. Exploring this seemingly well-trodden ground, one discovers that because of its historic centrality and its precarity Italy remains relevant to the challenges facing architecture today. As contributor Giulia Amoresano writes: "Amid calls today to challenge the Eurocentrism of canonical histories of architecture's modernity and to work on decolonizing its theories and practices, work needs to be done on what we think canonical spaces are." Log 53 is guest edited by Alicia Imperiale in New York and Manuel Orazi in Macerata. Essays include philosopher Giorgio Agamben on a Venetian door, theorist Mario Carpo on blight in Piedmont, architect ElDante' Winston on violence in Bologna, historian Edward Eigen on the Club of Rome, architect Fabrizio Furiassi on the Mafia in Sicily, and reporter Mario Calvo-Platero on colonial architecture in Tripoli. Emilia Giorgi explores unplanned greenery in Rome, while Gabriele Mastrigli highlights the planned greenery of EUR. Iwan Strauven reviews books on Carlo Aymonino and Aldo Rossi, Britt Eversole parses the trove of untranslated Italian theory, and Ingrid D. Rowland details her translation of Vitruvius. Paulette Singley sets the place for Italian cuisine, and Giulia Amoresano sources caffè espresso in the colonization of southern Italy. An Tairan revisits an 18th-century earthquake, Daniele Profeta analyzes the impact of the 19th-century Grand Tour, and Davide Spina exposes the dark side of postwar architecture culture. Greg Lynn talks with art historian Marilyn Aronberg Lavin about her digital analysis of Piero della Francesca, and Patrick Templeton asks writer and podcaster Alex Hochuli about Italy's political legacy. Log 53 also presents projects by women building in Italy today Lina Malfona, Elisabetta Terragni, and Maria Alessandra Segantini as well as in the past overlooked Neapolitan modernist Stefania Filo Speziale.

Soft cover. Condición: New. Log 26 draws together an array of writers who offer ideas for understanding, judging, inspiring, and making architecture. Exhibiting the countless roles and meanings conferred upon architecture concurrent with contemporary prognoses for design and theory, the Fall 2012 issue presents a discursively rich picture of the present, with critical looks at recent projects around the world, cautious and hopeful approaches to digital and open-source design, as well as abstractions, aphorisms, and literary treatments of architecture.

Condición: New.

Paperback. Condición: New. Recasting computational design: a new modern agenda for a post-industrial, post-pandemic world.Mass production was the core technical logic of industrial modernity: for the last hundred years, architects and designers have tried to industrialize construction and standardize building materials and processes in the pursuit of economies of scale. But this epochal march of modernity is now over. In Beyond Digital, Mario Carpo reviews the long history of the computational mode of production, showing how the merger of robotic automation and artificial intelligence will stop and reverse the modernist quest for scale. Today's technologies already allow us to use nonstandard building materials as found, or as made, and assemble them in as many nonstandard, intelligent, adaptive ways as needed: the microfactories of our imminent future will be automated artisan shops.The post-industrial logic of computational manufacturing has been known and theorized for some time. By tracing its theoretical and technical sources, and reviewing the design theories that accompanied its rise, Carpo shows how the computational project, long under the sway of powerful antimodern ideologies, is now being recast by the urgency of the climate crisis, which has vindicated its premises-and by the global pandemic, which has tragically proven its viability. Looking at the work of a new generation of designers, technologists, and producers, Beyond Digital offers a new modern agenda for our post-industrial future.

Hardcover. translated by Sarah Benson. "Orality, Writing, Typography, and Printed Images in the History of ARchitectural Theory." 246 pages small letter "T" in ink on bottom edge of pages; 7 1/4 x 9 1/4 " Near Fine in Near Fine dust jacket.

Paperback. Condición: new. Paperback. Recasting computational design- a new modern agenda for a post-industrial, post-pandemic world.Recasting computational design- a new modern agenda for a post-industrial, post-pandemic world.Mass production was the core technical logic of industrial modernity- for the last hundred years, architects and designers have tried to industrialize construction and standardize building materials and processes in the pursuit of economies of scale. But this epochal march of modernity is now over. In Beyond Digital, Mario Carpo reviews the long history of the computational mode of production, showing how the merger of robotic automation and artificial intelligence will stop and reverse the modernist quest for scale. Today's technologies already allow us to use nonstandard building materials as found, or as made, and assemble them in as many nonstandard, intelligent, adaptive ways as needed- the microfactories of our imminent future will be automated artisan shops.The post-industrial logic of computational manufacturing has been known and theorized for some time. By tracing its theoretical and technical sources, and reviewing the design theories that accompanied its rise, Carpo shows how the computational project, long under the sway of powerful antimodern ideologies, is now being recast by the urgency of the climate crisis, which has vindicated its premises-and by the global pandemic, which has tragically proven its viability. Looking at the work of a new generation of designers, technologists, and producers, Beyond Digital offers a new modern agenda for our post-industrial future. "An analysis of recent developments in computer-based design and production in architecture"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New.

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condición: Used-Good. Illustrated. Pap. Minor wear to wraps. Infrequent pencil notes and marginalia in pencil, primarily at beginning of volume. Else a nice reader's copy.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: Very Good. The first digital turn in architecture changed our ways of making; the second changes our ways of thinking.Almost a generation ago, the early software for computer aided design and manufacturing (CAD/CAM) spawned a style of smooth and curving lines and surfaces that gave visible form to the first digital age, and left an indelible mark on contemporary architecture.But today's digitally intelligent architecture no longer looks that way.In The Second Digital Turn, Mario Carpo explains that this is because the design professions are now coming to terms with a new kind of digital tools they have adoptedno longer tools for making but tools for thinking.In the early 1990s the design professions were the first to intuit and interpret the new technical logic of the digital age: digital mass-customization (the use of digital tools to mass-produce variations at no extra cost) has already changed the way we produce and consume almost everything, and the same technology applied to commerce at large is now heralding a new society without scalea flat marginal cost society where bigger markets will not make anything cheaper.But today, the unprecedented power of computation also favors a new kind of science where prediction can be based on sheer information retrieval, and form finding by simulation and optimization can replace deduction from mathematical formulas.Designers have been toying with machine thinking and machine learning for some time, and the apparently unfathomable complexity of the physical shapes they are now creating already expresses a new form of artificial intelligence, outside the tradition of modern science and alien to the organic logic of our mind. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread copy in mint condition.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread copy in mint condition.

Paperback. Condición: new. Paperback. The rise and fall of identical copies- digital technologies and form-making from mass customization to mass collaboration.Digital technologies have changed architecture-the way it is taught, practiced, managed, and regulated. But if the digital has created a "paradigm shift" for architecture, which paradigm is shifting? In The Alphabet and the Algorithm, Mario Carpo points to one key practice of modernity- the making of identical copies. Carpo highlights two examples of identicality crucial to the shaping of architectural modernity- in the fifteenth century, Leon Battista Alberti's invention of architectural design, according to which a building is an identical copy of the architect's design; and, in the nineteenth and twentieth centuries, the mass production of identical copies from mechanical master models, matrixes, imprints, or molds. The modern power of the identical, Carpo argues, came to an end with the rise of digital technologies. Everything digital is variable. In architecture, this means the end of notational limitations, of mechanical standardization, and of the Albertian, authorial way of building by design. Charting the rise and fall of the paradigm of identicality, Carpo compares new forms of postindustrial digital craftsmanship to hand-making and the cultures and technologies of variations that existed before the coming of machine-made, identical copies. Carpo reviews the unfolding of digitally based design and construction from the early 1990s to the present, and suggests a new agenda for architecture in an age of variable objects and of generic and participatory authorship. The rise and fall of identical copies: digital technologies and form-making from mass customization to mass collaboration. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.