Marder elissa (97 resultados)

paperback. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Softbound. Condición: Very Good. Octavo, paper covers, iv, 223 pp., Editor's preface by Burt, Marder and Newmark. Articles are "Responding To/Answering For: The Secret," Jacques Derrida, "The Infiite Taste of the Republic," Jacques Ranciere, "Daylight Specter: Baudelaire's 'The Seven Old Men,'" Ross chambers, "From Poetic Justice to Criminal 'Jouissance': Poetry by Other Means in Baudelaire," Marder, "'L'Hyperbole et l'apostrophe': Baudelaire and the Theory of the Lyric," Jonathan Culler, "Poetry in a Time of Terror," Debarati Sanyal, "'Jeter sa langue aux chiens': Collective Memoery in Baudelaire's 'Les bon chiens,'" Julien Weber, "Baudelaire's Monsters: 'Mademoiselle Bistouri' and Teratology," Anne E. Linton, "Reignng Cats or Dogs? Baudelaire's Cynicism," Anne Emmanuelle,Berger, "Baudelaire's Boulevard Spectacle: Seeing Through 'Les yeux des pauvres," Maurice Samuels, "Out of Time: 'Today' in 'Les yeux des pauvres,'" E.S. Burt, "For When the Time Comes: Poetry, Prose, Mourning," Kevin Newmark.…

Trade Paperback. Condición: VG. used trade paperback edition. lightly shelfworn, corners perhaps slightly bumped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.

Paperback. Condición: Very Good. 1. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Paperback.

Paper Back. Condición: Very Good.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. This book explores how modernity gives rise to temporal disorders when time cannot be assimilated and integrated into the realm of lived experience. Inspired by Walter Benjamin's description of the shock experience of modernity through readings of Baudelaire, the book turns to Baudelaire and Flaubert in order to derive insights into the many temporal disorders (such as trauma, addiction, and fetishism) that pervade contemporary culture. Through close readings of Baudelaire's Flowers of Evil and Flaubert's Madame Bovary, Elissa Marder argues that these nineteenth-century texts can, paradoxically, make us aware of aspects of present-day life that are not easily described or perceived. Following reflections by Benjamin, Jameson, and Lyotard, she shows that the ability to measure time increases in inverse proportion to the human ability to express it and create meaning through it. Although we have increased our ability to record events, we have become collectively less able to assimilate the experience of the very events that new technologies enable us to record. The literary articulations of addiction and fetishism in Baudelaire and Flaubert reveal that these temporal disorders can be understood structurally as expressions of an inability to live in time. At a psychic level, they can be read as attempts to ward off increased stimuli and unwanted aspects of reality by stopping time. The book also interrogates the relationship between misogyny and modernity. By revealing the privileged function assigned to feminine figures in Baudelaire and Flaubert, and engaging with contemporary writings in psychoanalysis, feminism, and cultural studies, this work shows how the experience of time-and the attempts to stop it-become inscribed on a feminine or feminized body. Dead Time provides us with a way of understanding how our own collective temporal disorders may be part of the unassimilated legacy of nineteenth-century modernity.…

paperback. Condición: Very Good. Softcover in very good condition. Covers have a matte finish and are clean with no signs of wear. Pages are crisp with no marks, stains, or tears. 222 pages. Title page is not dated. Copyright dated 2001. Please contact us with questions or if you would like to see photographs. We ship every day from a real neighborhood bookstore. This description is written by an actual person, who is holding the book in front of them to make sure it?s properly described.…

Paperback. Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: new.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: New. pp. 240.

Paperback. Condición: Good. This book analyses the relationship between the body, technology and language by focusing on the uncanny figure of the mother in psychoanalysis, photography, and literature and contends that the concept of human birth is represented through mechanical repetition and technological modes of reproduction rather than as a natural event.…

Condición: New.

Condición: New. pp. 224.

Condición: As New. Unread book in perfect condition.

Condición: New. This book explores how modernity gives rise to temporal disorders when time cannot be assimilated and integrated into the realm of lived experience. It turns to Baudelaire and Flaubert in order to derive insights into the many temporal disorders (such as trauma, addiction, and fetishism) that pervade contemporary culture. Series: Cultural Memory in the Present Series. Num Pages: 240 pages. BIC Classification: 3JH; DSA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5487 x 3556 x 13. Weight in Grams: 331. . 2002. 1st Edition. Paperback. . . . .…

Condición: New. In English.

Paperback. Condición: Good. This book analyses the relationship between the body, technology and language by focusing on the uncanny figure of the mother in psychoanalysis, photography, and literature and contends that the concept of human birth is represented through mechanical repetition and technological modes of reproduction rather than as a natural event.…

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New.

Paperback. Condición: Brand New. 1st edition. 240 pages. 9.00x6.00x0.50 inches. In Stock.

Paperback. Condición: As New. Minimal wear. Unmarked. VG+.

Condición: New. pp. 240.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. This book grows out of a longstanding fascination with the uncanny status of the mother in literature, philosophy, psychoanalysis, film, and photography. The mother haunts Freud's writings on art and literature, emerges as an obscure stumbling block in his metapsychological accounts of the psyche, and ultimately undermines his patriarchal accounts of the Oedipal complex as a foundation for human culture. The figure of the mother becomes associated with some of psychoanalysis's most unruly and enigmatic concepts (the uncanny, anxiety, the primal scene, the crypt, and magical thinking). Read in relation to deconstructive approaches to the work of mourning, this book shows how the maternal function challenges traditional psychoanalytic models of the subject, troubles existing systems of representation, and provides a fertile source for nonmimetic, nonlinear conceptions of time and space. The readings in this book examine the uncanny properties of the maternal function in psychoanalysis, technology, and literature in order to show that the event of birth is radically unthinkable and often becomes expressed through uncontrollable repetitions that exceed the bounds of any subject. The maternal body often serves as an unacknowledged reference point for modern media technologies such as photography and the telephone, which attempt to mimic its reproductive properties. To the extent that these technologies aim to usurp the maternal function, they are often deployed as a means of regulating or warding off anxieties that are provoked by the experience of loss that real separation from the mother invariably demands. As the incarnation of our first relation to the strange exile of language, the mother is inherently a literary figure, whose primal presence in literary texts opens us up to the unspeakable relation to our own birth and, in so doing, helps us give birth to new and fantasmatic images of futures that might otherwise have remained unimaginable.…