Marco carloni (23 resultados)

Loose Leaf. Condición: New. Reproduction. Original title: Portrait of Famiano Nardini German: Porträt von Famiano Nardini French: Portrait de Famiano Nardini Spanish: Retrato de Famiano Nardini High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1661). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Condición: NEW.

Soft cover. Condición: Very Good. 1st Edition. Sm.8° - Unpaginated - B/w Photo-reproductions. Inauguration of the restoration of the church of the Madonna in Rovio. First edition, text in Italian. Original wrappers. In Very good condition.

Condición: Good. engraving on hand laid (vergé) paper. Sheet size: 20 x 26 cm. (7,9 x 10,2 inch). Image size: x cm. (0 x 0 inch).From: Bartoli, Pietro Sancto (c.1635-1700). 'Picturae Antiquissimi Virgiliani Codicis Bibliothecae .' Rome: Monaldini, 1782. This work contains 124 miniatures from two important ancient virgilian Mss. in the Vatican Library, the Vergilius Vaticanus (Vat. Lat. 3225) and the Codex Romanus (Vat. Lat. 3867). The first of these manuscrips was formerly in the posession of Pontano, Bembo and Fulvio Orsini before being deposited in the Vatican in 1602. An edition based on this manuscript was prepared by the librarian G. C. Bottari (1689-1775) and appeared in 1741, reproducing engravings of the miniatures by Pietro Sancto Bartoli and fragments of the text.This edition contains over twice as many engravings as the 1741 edition, besides engravings based on the two manuscripts mentioned earlier, it also contains illustrations taken from antique gems and sculptures. Most of the illustrations are unsigned, but artists of the others include Corvi, Lanci, Giusti and de Rossi, while the engravers include Benedetti, Giardoni, Carloni, Bombelli, Barbazza, Beheim, Morgalli and Baratti.Made by 'Marco Carloni' after 'Pietro Sancto Bartoli'. Marco Carloni, Italian engraver (1742-1796). Pietro Santo Bartoli (1635-1700) was an Italian engraver from Perugia. He was a student of the French artist Poussin. His nickname was Perugino. He was antiquarian to both the Queen Christina and Benedetto Odescalchi (1611-1689), who became Pope in 1676 under the name of Innocent XI.Condition: Good, given age. Some browning and spots mostly in the margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: CHARIOT RACING-ANCIENT ROME-PL. 96PCO-C240-18. Pietro Sancto Bartoli (ilustrador).…

Original engraving with modern bodycolour. Very good condition apart from somel light soiling and mild rippling. A fine plate from 'Vestigia delle terme di Tito e loro interne pitture' of an ancient fresco from the 'Domus Aureus', Nero's sumptuous imperial complex in Rome. Situated between the Palatine and Esquiline Hills in Rome and designed by architects Severus and Celer, the Domus Aureus (Golden House) was erected by Nero in 64 AD after the great fire in Rome. The magnitude and decadent extravagance of the impressive gold-covered, jewel bedecked palace was intended to glorify the Emperor's reign. Its rooms were filled with lavish furniture and its walls and ceilings covered with decorative late-Hellenistic murals by the renowned ancient artist Fabullus. Nero, however, died in 68 AD before the Domus was totally completed. Years later, Titus (and later Trajan) built his thermal bath over its ruins, which were used as a foundation for and were partially preserved by Titus' edifice. Successive emperors continued to erect various buildings on the site and subsequently make several renovations to the Domus substructure. In 1480, practically forgotten, the Domus was excavated, and its subterranean passages and rooms thereafter became known as 'le grotte' (cave). Many of its original frescoes survived, and their motifs and ancient style of ornamentation, called 'grotteschi' (grotesque) after 'grotte', became extremely popular during the Renaissance, influencing many prominent artists such as Raphael, Michelangelo, Ghirlandio, and Pinturicchio. Published in the late eighteenth century, 'Vestigia delle terme di Tito e loro interne pitture' is an elaborate album of engravings depicting the stunning 'al fresco' and 'al stucco' murals of Nero's Domus Aureus. Carloni's colourful and beautifully rendered plates faithfully capture the grotesque style of the ancient frescoes, which was characterized by decorative borders filled with whimsical, often comical animals and foliage taken from both nature and the artist's imagination. The ornamental borders also served the practical functions of framing the central mythological, religious, or historical subject portrayed and separating the various murals in a single decorative scheme.…

The Myth of Phaethon in Nero's Golden House A Spectacular Originally Hand-Colored Classical Scene From Mirri's Rare Luxury Colored Issue of the Vestigia delle Terme di Tito CARLONI, Marco (1742-1796), engraver, after SMUGLEWICZ, Franciszek (1745-1807). Scene from the Story of Phaethon. Plate 15 from Vestigia delle terme di Tito e loro interne pitture. Rome: Presso Ludovico Mirri, 1776-1778. Original etching and engraving with contemporary hand coloring in watercolor and gouache, from the rare luxury colored issue. Plate mark 18 1/4 x 14 1/8 inches (463 x 359 mm.). Beautifully matted, framed and glazed in a handsome gilt frame; overall framed size 28 x 23 3/4 inches (711 x 603 mm.). A fine example, the original colors remarkably fresh and brilliant. A spectacular originally hand-colored plate from one of the most important and visually sumptuous archaeological publications of eighteenth-century Rome, recording an ancient painted scene from the story of Phaethon discovered in the ruins of Nero's legendary Golden House. The composition presents a wonderfully animated classical scene against an intense blue ground. Four figures accompany a spirited dark horse and a small two-wheeled chariot. At the left stands a youthful nude male figure, a long red and gold mantle billowing dramatically around him; beside the horse appears a blue-robed figure crowned with foliage. A further figure in rose-red stands immediately behind the chariot, while at the right a green-robed figure carries a long staff entwined by a serpent. A slender classical column closes the composition at the right. Modern scholarship identifies Plates 13-15 of Mirri's Vestigia as illustrations of scenes from the story of Phaethon, the ill-fated son of the sun-god Helios. The Warburg/Engramma database specifically identifies the group as Carloni's engravings after drawings by Franciszek Smuglewicz and relates the sequence to Phaethon's appeal to Helios and the bringing of the horses of the Sun to Phaethon by the Horae. The central scene is enclosed within an exceptionally elaborate grotesque border. Fantastic vegetal forms, flowers, miniature figures, winged heads and peacock-like ornaments alternate against the white ground, while small classical figures appear within blue medallions at each corner. Brilliantly colored in blue, green, red, orange and gold, the border provides a remarkable demonstration of the ornamental vocabulary that so fascinated Renaissance artists when these buried Roman interiors were rediscovered. The plate comes from Vestigia delle terme di Tito e loro interne pitture, published in Rome by the antiquarian and art dealer Ludovico Mirri beginning in 1776. Mirri had obtained permission to excavate ancient rooms beneath the Esquiline Hill, then traditionally identified with the Baths of Titus, and commissioned artists to make careful records of their rapidly deteriorating painted decoration. The drawings for the series were principally made by the Polish painter Franciszek Smuglewicz, sometimes working in conjunction with the architect and designer Vincenzo Brenna, and were subsequently translated into prints by Marco Carloni. The Smithsonian confirms that the Vestigia plates were drawn by Smuglewicz and Brenna and engraved by Carloni. More detailed modern scholarship establishes Smuglewicz's predominant role, attributing thirty-four plates exclusively to him. The rooms were then believed to form part of the Baths of Titus, hence the title of Mirri's publication. They are now principally associated with Nero's Domus Aurea, or "Golden House," the immense palace complex constructed following the Great Fire of Rome in A.D. 64. Following Nero's death in A.D. 68, much of the complex was buried or incorporated into subsequent imperial construction. When its subterranean rooms were rediscovered during the Renaissance, artists descended into them as though entering caves or grotte. The fantastic painted ornament found upon their walls consequently became k.…

Emperor Nero's Golden House A Magnificent Originally Hand-Colored Plate from the Domus Aurea From Mirri's Rare Luxury Colored Issue of the Vestigia delle Terme di Tito CARLONI, Marco (1742-1796), engraver, after SMUGLEWICZ, Franciszek (1745-1807) and BRENNA, Vincenzo (1747-1818?). Architectural Decoration from the Domus Aurea. Plate 9 from Vestigia delle terme di Tito e loro interne pitture. Rome: Presso Ludovico Mirri, 1776-1778. Original etching and engraving with contemporary hand coloring in watercolor and gouache, from the rare luxury colored issue. Plate mark 22 7/8 x 12 1/4 inches (581 x 311 mm.). Beautifully matted, framed and glazed in a gilt frame; overall framed size 31 1/2 x 21 inches (800 x 533 mm.). A fine example, the original colors remarkably fresh and brilliant. A superb originally hand-colored plate from one of the most spectacular archaeological publications of eighteenth-century Rome, recording the extraordinary painted decoration discovered in the ruins of Nero's legendary Golden House. The composition reproduces an elaborate semicircular architectural decoration from the Domus Aurea, the enormous palace complex constructed for the Emperor Nero following the Great Fire of Rome in A.D. 64. Against a dramatic black and golden ground rises a fantastic symmetrical architectural structure of columns, pediments and painted panels. Classical figures occupy niches and elevated platforms; small mythological scenes appear within framed panels; delicate scrolling vegetation ornaments the walls; and two robed male figures stand within the lower architectural recesses. The whole is enclosed beneath an enormous semicircular arch, its coffered interior picked out in brilliant red, gold, white and black. The exceptionally rich hand coloring transforms Carloni's engraved architecture into a remarkably vivid evocation of the ancient painted interior. The plate comes from Vestigia delle terme di Tito e loro interne pitture, published in Rome by the antiquarian and art dealer Ludovico Mirri from 1776. Mirri had obtained permission in 1774 to excavate the ancient rooms beneath the Esquiline Hill, then traditionally identified with the Baths of Titus. He financed the excavations and commissioned artists to record the surviving decorations, principally the Polish painter Franciszek Smuglewicz and the architect and designer Vincenzo Brenna; their drawings were subsequently translated into etchings and engravings by Marco Carloni. Contemporary and institutional catalogues confirm the collaboration of Smuglewicz, Brenna and Carloni. The remains recorded were principally those of Nero's Domus Aurea, or "Golden House." After Nero's death in A.D. 68, much of the vast complex was buried or incorporated into subsequent imperial building projects. When its subterranean chambers were rediscovered during the Renaissance, artists descended into the grotte to study their surviving Roman wall paintings. Their fantastic combinations of architecture, foliage, animals, mythological figures and ornamental devices became known as grottesche, or grotesques, and exercised a profound influence upon Renaissance and later European decorative art. By the eighteenth century many of these ancient paintings were deteriorating rapidly, giving Mirri's undertaking an importance far beyond its considerable decorative appeal. Smuglewicz and Brenna recorded the interiors at a time when substantially more of their painted decoration remained visible than survives today. Of particular importance, the present plate belongs to Mirri's rare luxury hand-colored issue. The Vestigia was produced in two forms: a conventional monochrome version and a special version printed in outline and intended to be finished by hand in watercolor and gouache. Recent scholarship records Mirri's projected production of only thirty hand-colored sets and notes that subscribers were asked to reserve the colored version in advance. It has been suggested that these outline impressions may h.…

Emperor Nero's Golden House A Spectacular Originally Hand-Colored Figural Decoration From Mirri's Rare Luxury Colored Issue of the Vestigia delle Terme di Tito CARLONI, Marco (1742-1796), engraver, after SMUGLEWICZ, Franciszek (1745-1807) and BRENNA, Vincenzo (1745-1820). Figural Decoration from the Domus Aurea. Plate 16 from Vestigia delle terme di Tito e loro interne pitture. Rome: Presso Ludovico Mirri, 1776-1778. Original etching and engraving with contemporary hand coloring in watercolor and gouache, from the rare luxury colored issue. Plate mark 18 x 14 inches (457 x 356 mm.). Beautifully matted, framed and glazed in a handsome gilt frame; overall framed size 27 1/4 x 23 1/2 inches (692 x 597 mm.). A fine example, the original colors remarkably fresh and brilliant. A spectacular originally hand-colored plate from one of the most important and visually sumptuous archaeological publications of eighteenth-century Rome, recording the extraordinary painted decoration discovered in the ruins of Nero's legendary Golden House. Unlike the predominantly architectural compositions of Plates 9 and 41, the present plate is dominated by a striking figural scene set against an intense blue ground. Four classical figures stand between a solitary column and a leafless tree. Two elegantly draped female figures, one in rose-red and the other in blue-green, each carry an infant; between them appear a partially draped female figure in golden-yellow and a nude male figure wearing a distinctive winged helmet. The central scene is surrounded by a wonderfully elaborate ornamental border. Against a white ground are arranged fantastic floral and vegetal forms, fan-shaped ornaments, miniature human figures and small figural medallions, all brilliantly heightened in blue, green, red, orange and gold. The combination of classical figures, fantastic vegetation and ornamental invention provides a particularly beautiful example of the ancient Roman decorative vocabulary that became known after the Renaissance rediscovery of these buried interiors as grottesche, or grotesques. The plate comes from Vestigia delle terme di Tito e loro interne pitture, published in Rome by the antiquarian and art dealer Ludovico Mirri beginning in 1776. The monumental atlas was based upon drawings principally by the Polish painter Franciszek Smuglewicz and the architect and designer Vincenzo Brenna, subsequently translated into etchings and engravings by Marco Carloni. The Smithsonian catalogue confirms Smuglewicz and Brenna as the draughtsmen and Carloni as engraver. Mirri had obtained permission in 1774 to excavate the ancient rooms beneath the Esquiline Hill, then traditionally identified with the Baths of Titus. He financed the excavations and commissioned artists to make careful records of the surviving painted decorations before further deterioration destroyed them. The ruins recorded by these artists are now principally associated with Nero's Domus Aurea, or "Golden House," the vast imperial palace begun following the Great Fire of Rome in A.D. 64. Following Nero's death in A.D. 68, much of the complex was buried or incorporated into subsequent imperial building projects. Its rediscovery during the Renaissance profoundly affected European art. Artists descended into the buried chambers-as though entering underground grotte-to study the surviving Roman wall paintings. Their fantastic combinations of architecture, foliage, animals, human and mythological figures and ornamental devices consequently became known as grottesche, or grotesques, and exercised an enormous influence upon Renaissance and later European decorative art. By the eighteenth century many of these ancient paintings were deteriorating rapidly, giving Mirri's undertaking an importance far beyond its immediate decorative appeal. Smuglewicz and Brenna recorded the interiors at a moment when substantially more of their painted decoration remained visible than survives today. Of particular importance, the p.…

The Painted Splendor of Nero's Golden House A Magnificent Originally Hand-Colored Architectural Decoration From Mirri's Rare Luxury Colored Issue of the Vestigia delle Terme di Tito CARLONI, Marco (1742-1796), engraver, after BRENNA, Vincenzo (1745-1820). Architectural Decoration from the Domus Aurea. Plate 41 from Vestigia delle terme di Tito e loro interne pitture. Rome: Presso Ludovico Mirri, 1776-1778. Original etching and engraving with contemporary hand coloring in watercolor and gouache, from the rare luxury colored issue. Plate mark 23 1/2 x 12 1/2 inches (597 x 317 mm.). Finely matted and housed in a handsome gilt frame; overall framed size 32 x 21 inches (813 x 533 mm.). A fine example, the original colors remarkably fresh and brilliant. A superb originally hand-colored plate from one of the most spectacular archaeological publications of eighteenth-century Rome, recording the extraordinary painted decoration discovered in the ruins of Nero's legendary Golden House. The composition presents an elaborate architectural decoration beneath a great semicircular arch. Against a dramatic black ground rises a perfectly balanced arrangement of slender columns, pediments, niches and architectural panels in terracotta, ochre, green and white. A classical female figure occupies the central niche, while two further figures stand upon elevated platforms at either side. Delicate candelabra, garlands, urns and fantastical ornamental motifs complete the design. The extraordinary contrast between the deep black ground and the brilliant terracotta, gold, green and white of the architecture gives this plate an especially striking decorative presence. Its elaborate combination of imaginary architecture, classical figures and delicate ornament epitomizes the ancient Roman decorative vocabulary that became known in Renaissance Italy as the grottesche, or grotesques. The subject can be identified more precisely as the decorative scheme of the lunette of a room in the so-called Baths of Titus. Modern scholarship reproduces this very plate as Partiti decorativi della lunetta di una sala nelle Terme di Tito and identifies it specifically as "V. Brenna disegno, Carloni incise"-Vincenzo Brenna responsible for the drawing and Marco Carloni for its engraved translation. The plate comes from Vestigia delle terme di Tito e loro interne pitture, published in Rome by the antiquarian and art dealer Ludovico Mirri beginning in 1776. Mirri had obtained permission to excavate the ancient rooms beneath the Esquiline Hill, then traditionally identified with the Baths of Titus. He commissioned Vincenzo Brenna and the Polish painter Franciszek Smuglewicz to make painstaking records of the surviving decorations, which Marco Carloni subsequently translated into etchings and engravings. Contemporary documentation quoted by Treccani records that Brenna was specifically responsible for the ornament, architecture and internal plans-an attribution particularly appropriate to the present architectural plate. The ancient rooms were at the time believed to form part of the Baths of Titus, hence the title of Mirri's publication. They are now principally associated with the Domus Aurea, or Golden House, the immense palace complex constructed for the Emperor Nero following the Great Fire of Rome in A.D. 64. Following Nero's death in A.D. 68, much of the complex was deliberately buried or incorporated into subsequent imperial construction. When its subterranean rooms were rediscovered during the Renaissance, artists descended into them as though entering caves or grotte. The fantastic painted ornament found upon their walls consequently became known as grottesche-the origin of the term "grotesque"-and exercised a profound influence upon Renaissance and later European decorative art. By the eighteenth century many of the ancient paintings were deteriorating rapidly. Mirri's excavations and the resulting Vestigia therefore preserved a visual record of decorations at a time w.…

Leather Bound. Condición: New. Language: Italian. {Size: 14.60 x 22.86 cms} Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2018, utilizing the invaluable guidance of the original edition published many years ago in 1776. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Vol:- Volume 1st, Pages:- 67, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 1st 67.…

Leather Bound. Condición: New. Language: Italian. {Size: 14.60 x 22.86 cms} Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2018, utilizing the invaluable guidance of the original edition published many years ago in 1776. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Vol:- Volume 2nd, Pages:- 69, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 2nd 69.…

LeatherBound. Condición: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1785 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 40 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: Italian.…

Softcover. Condición: New. Reprint. Langue : Français. Environ 118 pages. Français : Réimpression à la demande. Édition originale : 1787. Étude savante consacrée à la pyramide de Caius Cestius à Rome, à son contexte archéologique et historique, accompagnée d?une dissertation sur le sacerdoce des sept virs épulons. L?ouvrage relève de l?érudition antiquaire du XVIIIe siècle et présente un intérêt particulier pour l?histoire de l?archéologie, l?antiquité romaine et l?érudition classique. Images du livre non contractuelles English : Print-on-demand reprint. Original edition : 1787. Scholarly study devoted to the Pyramid of Caius Cestius in Rome, its archaeological and historical context, together with a dissertation on the priesthood of the seven virs epulons. The work belongs to eighteenth-century antiquarian scholarship and is of particular interest for the history of archaeology, Roman antiquity, and classical erudition. Book images are non-contractual. Cet article est imprimé à la demande et expédié depuis l'atelier de nos partenaires d'impression le plus proche de la destination. Ces ateliers se trouvent principalement aux États-Unis, au Royaume-Uni et au Canada.…

LeatherBound. Condición: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 128. A perfect gift for your loved ones. Reprinted from 1776 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Volume 1 Language: Italian Pages: 128 Volume 1.…

LeatherBound. Condición: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 132. A perfect gift for your loved ones. Reprinted from 1776 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Volume 2 Language: Italian Pages: 132 Volume 2.…

Softcover. Condición: New. Reprint. Lingua: Italiano. Circa 182 pagine. Italiano : Ristampa su richiesta. Edizione originale : 1776. Atlante dedicato alle terme di Tito e alle loro pitture interne, con grandi tavole incise e apparato grafico di notevole interesse per lo studio dell'archeologia romana e della decorazione antica. L'opera documenta con precisione i resti, gli ambienti e le pitture, ed è particolarmente ricercata per la qualità dell'illustrazione e per il suo valore nella storia della documentazione antiquaria. Immagini del libro non contrattuali English : Print-on-demand reprint. Original edition : 1776. Atlas devoted to the Baths of Titus and their interior paintings, with large engraved plates and a graphic apparatus of notable interest for the study of Roman archaeology and ancient decoration. The work records the remains, rooms, and painted surfaces with precision, and is especially sought after for the quality of its illustrations and its value in the history of antiquarian documentation. Book images are non-contractual. Questo articolo è stampato su ordinazione e spedito dallo stabilimento dei nostri partner di stampa più vicino alla destinazione. Questi stabilimenti si trovano principalmente negli Stati Uniti, nel Regno Unito e in Canada.…

Leather Bound. Condición: New. Language: Italian. Language: Italian. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1773. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Pages: : - 80, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 80 80.…

Leather Bound. Condición: New. Language: French. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1787. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages: - 119, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 119 119.…

Leather Bound. Condición: New. Language: Italian. Language: Italian. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2018, utilizing the invaluable guidance of the original edition published many years ago in 1776. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Vol:- Volume v.1, Pages:- 128, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume v.1 128 128.…

Leather Bound. Condición: New. Language: Italian. Language: Italian. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2018, utilizing the invaluable guidance of the original edition published many years ago in 1776. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Vol:- Volume v.2, Pages:- 132, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume v.2 132 132.…

Leather Bound. Condición: New. Language: Italian. Language: Italian. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1776. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Pages: - 182, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 182 182.…

Full Leather Bound. Condición: New. Language: Italian. {Size: 14.60 x 22.86 cms} A Unique Premium Leather-Bound book for elite readers/collectors of old rare books. An Original Leather is being used for binding this book with Golden Leaf Printing and designing on Spine, front and Back of the book with edge gilding. WE HAVE MULTIPLE OPTIONS IN COLOR OF LEATHER RED, GREEN, BLUE, MAGENTA, TAN, PURPLE DEEP BROWN, BLACK AND WITH DIFFERENT COLOR LABELS. YOU MAY CHOOSE ANY COLOR OF YOUR CHOICE AND MAIL US. This service is chargeable. Original edition was published in [1776] and this unique edition is Reprinted in 2018 with the help of original edition. Black & white printing on high quality natural shade paper with sewing binding for longer life, professionally processed without changing its contents. As these are old books, we processed each page manually on computer and make them readable. We give our best to give you the best book but in some cases we have to adjust few pages which are blur or missing or black spots. We hope that you understand these issues in these old treasure. This is an important book for the readers who want to know more about our old treasure. Our dedicated team is trying to bring these rare books back to the shelves. We are also giving service of printing the hard-to-find books which are not listed in our store. Hope you will like it and give your comments and suggestions. Lang: - Italian, Vol: - Volume 1st, Pages 67, Print on Demand. Product Disclaimer: Please be aware that because leather is a natural material, slight discoloration or change in texture may be visible. {FOLIO EDITION (Size 12x19 Inches) IS ALSO AVAILABLE ON REQUEST}. Volume 1st 67.…

Full Leather Bound. Condición: New. Language: Italian. {Size: 14.60 x 22.86 cms} A Unique Premium Leather-Bound book for elite readers/collectors of old rare books. An Original Leather is being used for binding this book with Golden Leaf Printing and designing on Spine, front and Back of the book with edge gilding. WE HAVE MULTIPLE OPTIONS IN COLOR OF LEATHER RED, GREEN, BLUE, MAGENTA, TAN, PURPLE DEEP BROWN, BLACK AND WITH DIFFERENT COLOR LABELS. YOU MAY CHOOSE ANY COLOR OF YOUR CHOICE AND MAIL US. This service is chargeable. Original edition was published in [1776] and this unique edition is Reprinted in 2018 with the help of original edition. Black & white printing on high quality natural shade paper with sewing binding for longer life, professionally processed without changing its contents. As these are old books, we processed each page manually on computer and make them readable. We give our best to give you the best book but in some cases we have to adjust few pages which are blur or missing or black spots. We hope that you understand these issues in these old treasure. This is an important book for the readers who want to know more about our old treasure. Our dedicated team is trying to bring these rare books back to the shelves. We are also giving service of printing the hard-to-find books which are not listed in our store. Hope you will like it and give your comments and suggestions. Lang: - Italian, Vol: - Volume 2nd, Pages 69, Print on Demand. Product Disclaimer: Please be aware that because leather is a natural material, slight discoloration or change in texture may be visible. {FOLIO EDITION (Size 12x19 Inches) IS ALSO AVAILABLE ON REQUEST}. Volume 2nd 69.…