Manuel cirauqui (39 resultados)

paperback. Condición: Fair.

Paperback. Condición: Good. In English and Spanish. Pages unmarked, moderate wear.

hardcover. Condición: Good.

Hardcover. Condición: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark - NICE! Oversized.

Trade Paperback. Condición: Fine. Estado de la sobrecubierta: wraps. First Edition. With previous owner's name, otherwise a fine, as new, first paperback exhibition catalog, black spine. German & English text. MEDIA SHIPPING ONLY, extra for airmail or international shipping.

Softcover, 184 pages; in English and German; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condición: New. 1st Edition. Qto., 174 pages, colour illustrated. The text is in both Spanish and English. A New copy.

Unpaginiert. Kartoniert. Mehrsprachig: deutsch, englisch. Sauberes Exemplar ohne Stempel oder Anstreichungen. Einige Abbildungen. Sehr gut erhalten. Sprache: deu.

Condición: New.

Condición: As New. Unread book in perfect condition.

[26] pp.; 21.6 x 13.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition guide published in conjunction with show held at Dia:Beacon, Beacon, NY, May 5, 2014 - March 2, 2015. Guide includes biography, selected bibliography, text by Yasmil Raymond and Manuel Cirauqui, gallery maps and a checklist of the exhibition. Very Good. Three-hole punched as issued. Light dinging of bottom edge of verso. Contents clean and unmarked.…

Condición: New.

Condición: New.

Hardcover. 400 pages. Features text contributions by Manuel Cirauqui, Christophe Cherix, Brooke Holmes, Vincent Katz, Marjorie Perloff, Arnauld Pierre, Alistair Rider, Anne Rorimer, Phyllis Tuchman and Mika Yoshitake. Includes 48 color and 352 black and white illustrations. A fine copy in boards. No dust jacket as issued. As new and still in the publisher's shrinkwrap.…

Hardcover. Condición: New. The classic book on the art and history of weaving--now expanded and in full colorWritten by one of the twentieth century's leading textile artists, this splendidly illustrated book is a luminous meditation on the art of weaving, its history, its tools and techniques, and its implications for modern design. First published in 1965, On Weaving bridges the transition between handcraft and the machine-made, highlighting the essential importance of material awareness and the creative leaps that can occur when design problems are tackled by hand.With her focus on materials and handlooms, Anni Albers discusses how technology and mass production place limits on creativity and problem solving, and makes the case for a renewed embrace of human ingenuity that is particularly important today. Her lucid and engaging prose is illustrated with a wealth of rare and extraordinary images showing the history of the medium, from hand-drawn diagrams and close-ups of pre-Columbian textiles to material studies with corn, paper, and the typewriter, as well as illuminating examples of her own work.Now available for a new generation of readers, this expanded edition of On Weaving updates the book's original black-and-white illustrations with full-color photos, and features an afterword by Nicholas Fox Weber and essays by Manuel Cirauqui and T'ai Smith that shed critical light on Albers and her career. 'With enviable clarity, Albers reviews the basics of weaving materials and techniques while threading the history of weaving from Peru and Persia to China, Europe, and beyond. Her emphasis on tactility seems especially urgent today, as she offers the next generation a profound corrective to an increasingly digital monoculture.'--Jenny Anger, author of Paul Klee and the Decorative in Modern Art'On Weaving is a book that one reads again and again for the insightful logic about the meaning of art, and the reasons and methods governing the creation of good design. Anni Albers is perhaps more relevant today than she was during her lifetime.'--Virginia Gardner Troy, author of Anni Albers and Ancient American Textiles: From Bauhaus to Black Mountain.…

Condición: New.

66 (7) pp. Soft cover. New from publisher. (MANUAL) Editor Liam Sprod. Co-directed by Johanna Gustafsson Fürst and Asier Mendizabal.

Hardcover. Condición: Brand New. new exp edition. 256 pages. 11.50x9.00x1.00 inches. In Stock.

Hardcover. Condición: Brand New. 244 pages. 12.80x0.98x9.65 inches. In Stock.

hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Softcover, 228 pages; in Spanish; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: As New. Unread book in perfect condition.

Condición: New.

Tapa blanda. Condición: New. Libro nuevo.

Hardcover. Condición: Brand New. new exp edition. 256 pages. 11.50x9.00x1.00 inches. In Stock.

Condición: New. In association with The Josef and Anni Albers Foundation. Written by one of the twentieth century s leading textile artists, this splendidly illustrated book is a luminous meditation on the art of weaving, its history, its tools and techniques, and its.

Condición: Good.

Hardcover. Condición: Sehr gut. 1. Auflage. Z : 228 Seiten/pages, 184 color & 27 b/w illustrations - The publication Conflicting Tales: Subjectivity is the first in a cohesive four-part project, and presents a fresh approach to the curating of a private collection, the Hong Kong-based Burger Collection. Explicitly engaging with the dynamic between works, aesthetic discourses, and curatorial concerns, this book interweaves the works of more than 35 artists (including Fernando Bryce, Atul Dodiya, Verne Dawson, Wim Delvoye, Urs Fischer, Bharti Kher, Muntean / Rosenblum, Jaume Plensa, and Steven Shearer), with the editorial ambition to provide new essays about the issue of contemporary subjectivity by a young generation of writers and researchers.…

Rústica. Condición: New. Estado de la sobrecubierta: Nuevo. 01. La práctica escultórica de June Crespo se sitúa voluntariamente en la encrucijada de múltiples caminos y líneas de investigación contemporáneas. Por un lado, establece un diálogo transformador con los conceptos que han marcado el arte vasco de las últimas décadas, ?pares móviles? como la abstracción y el gesto, lo trágico y lo opaco, la ligereza y la extrañeza. Igualmente se hace cargo de cuestiones cuya urgencia estaba ausente de los grandes debates hasta hace relativamente poco, particularmente en lo que respecta a la sensibilidad feminista y los ciclos de producción y reproducción industrial y posindustrial. El carácter vivo y activo de la materialidad ha acompañado la práctica de Crespo hasta hoy y se encuentra en la base del proyecto Vascular, su exposición en el Museo Guggenheim Bilbao, que este libro cataloga, planteando, además, su propio despliegue de materiales. Destaca entre ellos el conjunto de anotaciones del ?Diario Vascular? de la artista, un documento inédito en el que da cuenta de su metodología y del recorrido (personal y artístico) de los dos últimos años en los que ha concebido y produc. LIBRO.…

Couverture rigide. Condición: Comme neuf. really HIGH FARE FOR SHIPPING TO USA for id more than 2 kilos120 euros/// more than 5 kilos 190 euros/// neuf,new,tracking with signature,delai entre 14 et 30 jours,/// PLEASE READ CAREFULLY DUE TO NEW CUSTOMS CONDITIONS PLEASE allow between 14 and 30 days for france and UE and 20 to 50 DAYS for WORLDWIDE,specifically USA, for delivery,no shipping to po box or similar,EXTRA pour expedition internationale a cout reel ,EXTRA COST at real cost for internationalexemple, for Id.America north and south,asia,Australialess than 2 kilos total shipping cost 50 euros,lees than 5 kilos 75,less than 10 kilos 135 euros ,less than 15 kilos 199 ASK me before for details Editions Manuel Cirauqui, 2nd edition, 2017 ISBN 978-2-917515-28-0 Hardcover, 28 x 30 cm 288 pages,ENGLISH/SPANISH TEXTS Includes CD and biographical diagram. Born in 1972 in Santiago, Iván Navarro grew up under the Pinochet dictatorship. He has lived and worked in New York since 1997. Iván Navarro uses light as his raw material, turning objects into electric sculptures and transforming the exhibition space by means of visual interplay. His work is certainly playful, but is also haunted by questions of power, control and imprisonment. The act of usurping the minimalist aesthetic is an ever-present undercurrent, becoming the pretext for understated political and social criticism. PAS DE RETOUR.…