madeline benedict (9 resultados)

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. First Edition. Signed by the author on the front free end paper with inscription the previous owner, a fellow poet. Octavo, 7 3/4" tall, 64 pages. A fine, clean, hardcover with minor shelf wear, small foxing stain at fore-edge, hinges and binding tight, paper cream white. In a very good+, price-clipped dust jacket with slight edge wear, some darkening to the the back strip.

Hard Cover. Condición: Collectible-Good. Estado de la sobrecubierta: Collectible-Good. This book of poetry has a white dj with gray scroll patterns, blue lettering. Dj has some stains at spine and edges. Inscribed by the author on front endpaper "To Margaret--with love and best wishes always--Madeline Benedict, V.C. 1917" and dated June 1967. 64 pages; approx. 5"x7". By Author.

Hardcover. Condición: Very Good. Hardcover with dust jacket. Pages are clean and unmarked. Covers show very minor shelving wear. Binding is tight, hinges strong. Dust jacket shows light edge wear. Note to previous owner and signed by author.; 100% Satisfaction Guaranteed! Ships same or next business day!

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. First Edition. DJ spine has slight staining to the lower portion and a small tear to the upper end. ; Inscribed by the author on the front free endpaper.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: good +. VG hardcover in Good+ jacket. Previous owner's gift inscription on FFEP. Pages all clean. Mild edgewear/scuffing. Binding solid. Jacket clipped with short tear to corner fold and top edge. Light soiling. Solid. 78 pp.

Hard Cover. Condición: Near Fine. Estado de la sobrecubierta: Very Good+. No Additional Printings Indicated. 64 pgs. Near Fine hardcover in Very Good+ condition jacket. Blue cloth boards, white leather spine with gilt lettering and decoration. Very slight rubbing to bottom corners. White dustwrapper with uncut front flap, blue decoration and lettering. Upper edge of jacket has a tiny closed tear and corner chip. SIGNED and inscribed "Cordially ever, Madeline Benedict" on front endpaper. Clean and unmarked. By the author of "Spring Will Not Fail" and "Fleet as the Swallow's Dip". #542. Size: 12mo - over 6¾" - 7¾" tall. Signed by Author.

Hardcover. Condición: Good. No Jacket. Harry Herrick Ilustrador. First Edition. Gift presentation written inside on front free end paper. Inscribed by Author(s).

Soft Cover. Condición: Very Good. Vol. CVIII, No. 754, Jan. 1966. 54 pp. Over-Sized/Over Weight Book. Please note that large or heavy items may incur an additional shipping charge. Solidly bound copy with moderate external wear, crisp pages and clean text. Damage to lower spine.

[1] pp.; 28 x 21.6 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Flyer / announcement published to promote events held between 13th and 14th Streets and 6th and 5th Avenues, New York City, on April 18, 1969. Participating artists included Vito Hannibal Acconci, Terence Anderson, Arakawa, Gregory Battcock, Matthew Benedict, Michael Brownstein, Scott Burton, James Lee Byars, Rosemarie Castoro, Eduardo Costa, Bill Creston, Larry Fagin, Madeline Gins, John Giorno, Bobbi Gormley, Tom Gormley, Dan Graham, Katherine Greef, Stephen Kaltenbach, Joseph Kosuth, Leandro Katz, Alcides Lanzy, Lucy Lippard, Rosemary Mayer, Ben Patterson, John Perreault, Lil Picard, Adrian Piper, H Alexander Roberts, Marjorie Strider, Mr. T., Bernar Venet, Frank Lincoln Viner, Anne Waldman, Lewis Warsh, Luis Wells, Hannah Weiner and Lawrence Weiner. These organized street works can be understood as extensions of both the Pop art Happenings of the earlier 1960s and the street protests taking place in New York City and throughout the country during the 1968 elections, the Civil Rights Movement, and the Vietnam War. Whereas the Pop happenings usually took place in galleries and performance spaces, the street works were unconfined by physically walled-in spaces. Enacted in open environments, comingled with the natural flow of pedestrians, these performances created unlimited possibilities for happenstance with the sidewalk as the stage and the city as backdrop, the inhabitants of New York became active participants with the artists, willingly or not. Fair / Good. Folded in three and two tape stains. Name of recipient on verso in ink.