lyrics leonard (37 resultados)

First edition Oversize decorative stapled wraps. Fine. With clean bright text throughout.

Softcover. Condición: Good. Cooke, Leonard (lyrics) Lilian Ray (music). THE SUNSHINE OF YOUR SMILE. New York: T. B. Harms and Francls, Day & Hunter (1915). Sheetmusic. Words and music. 6 pages. Elephant folio (10 3/4" wide x 13 3/4" tall) softcover sheet music. Paperclip residues midway down spine. SpinesplitToned. Worn, chipped, small tears, etc. Unmarked. Protected in a clear envelope with a backing board. Generally about good.

Soft cover. Condición: As New. Music/Lyrics Ilustrador. Piano Vocal Guitar. NEW 79 fresh pages with fresh glossy covers. Light markings on edges not bothering bright clean text. 30 Songs Music and Lyric.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condición: As New. Music + Lyrics Ilustrador. 3rd Edition. THIRD edition NEW. Recent publication . 384 pages. Clean tight fresh strong bright PAPERBACK. No remainder or other markings. Not used.

Hardcover. Condición: Very Good+. Estado de la sobrecubierta: Very Good+ dj. First Edition. [slight damage to lower corners (both book and jacket), but otherwise a nice copy, with the usual age-toning to the jacket (most pronounced on the spine)]. (3 B&W photographs) The book and lyrics (no music) to this modern classic, the only musical play (OK, operetta) that Hellman ever wrote -- although (per Wikipedia) "since 1974 it has been generally performed with a book by Hugh Wheeler, which is more faithful to Voltaire's novel." (Bernstein's music, thankfully, endures.).

Softcover. Condición: As New. The complete vocal score to one of the most beloved American musicals of all time. Includes complete cast list, vocal ranges, instrumentation list plus an introduction about the famous collaboration that worked together on this Leonard Bernstein, Stephen Sondheim, Arthur Laurents, and Jerome Robbins. * Manufacturer M051970209 103 pages. GIFT QUALITY. Quantity Available: 1. Shipped Weight: 2-3 kilos. Category: Music::Sheet Music; Music Sheets & Scores; Music::Sheet Music::Musical. ISBN/EAN: 9790051970209. Inventory No: 268330.

Condición: Good. Good condition. (Music, Sheet music, Songbook) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Condición: Good. 3pp printed papers covers sheet music.Good.

Soft cover. Condición: Very Good. All the songs in the show. Clean cover, slightly cuffed; 112pp well bound, private inscription inside front cover, pages look clean and neat throughout.

Soft cover. Condición: Good. Illustrated colour cover with no creases and just a few tiny numbers in ink. 36pp.

Softcover. Condición: Good. Contents; Tonight; Cool; I Feel Pretty; Maria; One Hand, One Heart; Somewhere; America; Something's Coming Photographs from the film starring Natalie Wood, Richard Beymer, Russ Tamblyn, Rita Moreno 36 pages. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Music::Sheet Music; Music Sheets & Scores; Music::Sheet Music::Musical. Inventory No: 268335.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st Edition. 1st edition (first printing stated) Near fine/very good plus (not price-clipped; dj spine slightly browned; this is a review copy, with a review slip laid in).

Sheet Music. Condición: Good. Good condition with wear and markings.

Sheet Music. Condición: Good. Good condition with wear and markings.

Condición: Very Good. Original wire stitched souvenir theatre brochure programme. 8'' x 5¼''. Contains 8 pages. In Very Good condition. Member of the P.B.F.A. THEATRE PROGRAMMES.

VHS TAPE. Condición: VG. RUNNING TIME: 107 MINUTES.

Encuadernación de tapa blanda. Condición: Bien. Chapell and Co., UK, 1958. Texto en inglés. Teatro. Música. 62 pp. 25 x 18. Tapa blanda de editorial ilustrada. Sin subrayados. Buen estado de conservación.

Taschenbuch. Condición: Neu. Neuware - This excellent resource for Gospel titles features 449 songs, including: Amazing Grace \* At the Cross \* Because He Lives \* Behold the Lamb \* Blessed Assurance \* Church in the Wildwood \* The Day He Wore My Crown \* Give Me That Old Time Religion \* He Looked Beyond My Fault \* He Touched Me \* Heavenly Sunlight \* His Eye Is on the Sparrow \* Holy Ground \* How Great Thou Art \* I Bowed on My Knees and Cried Holy \* I Saw the Light \* I'd Rather Have Jesus \* In the Garden \* Joshua (Fit the Battle of Jericho) \* Just a Little Talk with Jesus \* Lord, I'm Coming Home \* Midnight Cry \* Morning Has Broken \* My Tribute \* Near the Cross \* The Old Rugged Cross \* Precious Memories \* Rock of Ages \* Shall We Gather at the River \* There Is Power in the Blood \* We Shall Wear a Crown \* What a Friend We Have in Jesus \* and hundreds more!

Wraps. Condición: Good. Philip Trachtman (cover) Ilustrador. 12 pages, plus covers. Illustrations (some color inside). The original production was directed and choreographed by Jerome Robbins. This production was directed by Jed Horner. West Side Story is a musical conceived by Jerome Robbins with music by Leonard Bernstein, lyrics by Stephen Sondheim, and a book by Arthur Laurents. Inspired by William Shakespeare's play Romeo and Juliet, the story is set in the mid-1950s in the Upper West Side of Manhattan in New York City, then a multiracial, blue-collar neighborhood. The musical explores the rivalry between the Jets and the Sharks, two teenage street gangs of different ethnic backgrounds. The members of the Sharks, from Puerto Rico, are taunted by the Jets, a white gang. The young protagonist, Tony, a former member of the Jets and best friend of the gang's leader, Riff, falls in love with Maria, the sister of Bernardo, the leader of the Sharks. The dark theme, sophisticated music, extended dance scenes, and focus on social problems marked a turning point in musical theatre. As in Romeo and Juliet, the love between members of two rival groups in West Side Story leads to violent confrontations "and a tragic ending with an underlying message: Violence breeds violence, so make peace and learn to share turf." Among the social themes explored in the musical are "bigotry, cultural misunderstanding and the social failure to fully integrate and empower young people in constructive ways". This program includes The History of the Show, including a photograph of Lucille Ball performing on the New York Stage. In addition to narratives on the principal cast members, the authors, producers, director, choreographer, musical director, and musical supervisor, there is a synopsis of the show. The last page and inside the back cover are photographs of the General Manager, Lighting director, and a very large ensemble cast. This production may have toured: Valley Forge Music Fair, Devon, Pa; Camden County Music Fair, Haddonfield, NJ; Westbury Music Fair, Westbury, L.I.; Storrowton Music Fair, West Springfield, Mass.; and Painters Mill Music Fair, Owings Mills, Md. The principal cast members were Bob Kole, Joy Clements, Wisa D'Orso, Lenny Dale, Harold DaSilva, Richard Kuss, Maurice Shrog, Cherry Davis and Herman Schwenk. Joy Clements (née Joyce Marie Albrecht; April 29, 1932 October 24, 2005) was an American lyric coloratura soprano who had a substantial opera and concert career from 1956 through the late 1970s. She notably sang regularly with both the New York City Opera and the Metropolitan Opera during the 1960s through the early 1970s. Wisa D'Orso became an Assistant Choreographer on The Dean Martin Show who periodically danced on-screen with Dean and his guest stars during her years with the series from 1966 to 1968. A native of Hawaii born Eloise Orso, Wisa also had a long career in the theater, and worked, as well, on other television variety shows, including those hosted by Steve Allen, Perry Como, Sid Caesar, Garry Moore, and Andy Williams. In production numbers on Dean's program, she served as dance partner to Van Johnson, Buddy Ebsen, Gene Barry, Jonathan Winters and Arthur Godfrey. In her final DMS appearance, on the last show of the third season, she was given her own solo song-and-dance spot, followed by a duet with Dean. In the 1960s, D'Orso choreographed summer musicals produced by Herb Rogers, including "Gypsy," "The King and I," "Bye Bye Birdie," "South Pacific" and "West Side Story" at the Blaisdell Concert Hall. She also appeared as Rose in "Birdie" and Anita in "West Side Story". Lainie Kazan was in the ensemble cast! This is NOT among her credited stage work in her Wikipedia article. Also in the ensemble cast is Phyllis Ford, believed to later becoming Phyllis Ford Frick, an accomplished performer and sometime associate of Frank Sinatra. Presumed First Edition, First printing thus [presumably for a Summer Stock tour].

Condición: Very Good. Vintage piano sheet music in white paper covers. 14'' x 10½''. Contains 12 pages including the covers. Scored for voice and piano with lyrics. Old brown paper repair down the spine and in Very Good condition. Member of the P.B.F.A. SHEET MUSIC.

Wraps. Condición: Good. Philip Trachtman (cover) Ilustrador. 12 pages, plus covers. Illustrations (some color inside). This production was staged and directed by Jerome Eskow. A rare item of either of Monique van Vooren and Jimmy Dean stage and musical careers. This may be their only joint appearance. Destry Rides Again is a 1959 musical comedy with music and lyrics by Harold Rome and a book by Leonard Gershe. Leonard Gershe (June 10, 1922 March 9, 2002) was an American playwright, screenwriter, and lyricist. Gershe made his Broadway debut as a lyricist for the 1950 revue Alive and Kicking. He wrote the book for Harold Rome's musical stage adaptation of Destry Rides Again in 1959 and the play Butterflies Are Free in 1969. In the 1950s, Gershe wrote 10 scripts for the Ann Sothern sitcom Private Secretary. He also wrote episodes of The Lucy Show. His movie credits include Funny Face, 40 Carats, and Butterflies Are Free. The play is based on the 1939 film of the same name. This program includes a narrative on Monique van Vooren, The History of the Show. With narratives on key cast members, authors, the producers, director, choreographer, musical director, and scenic designer, and there is a synopsis of the show. The last page and inside the back cover are photographs of the General Manager, Lighting Director, and a large ensemble cast. This production toured: Valley Forge Music Fair, Devon, Pa; Camden County Music Fair, Haddonfield, NJ; Westbury Music Fair, Westbury, L.I.; Storrowton Music Fair, West Springfield, Mass.; and Painters Mill Music Fair, Owings Mills, Md. Monique van Vooren (March 25, 1927 January 25, 2020) was a Belgian-American actress and dancer. Born in Brussels to George Bronz (or Bronze) and Louise van Vooren, Monique was a champion skater and a beauty queen in Belgium. Her first visit to the United States apparently took place in 1946 at age 19, with the married name "Jakobson" and listed as a "housewife". Her second husband was Kurt (or Curt) Henry Pfenniger. Her third husband was New York businessman Gerard Walter Purcell. The couple were married from 1958 until Purcell's death in 2002. On Broadway, Van Vooren played in John Murray Anderson's Almanac (195354) and Man on the Moon (1975). In the 1960s, Van Vooren starred in summer stock theatre productions in the United States. Van Vooren recorded an album, Mink for RCA Victor. In 1956, she signed a contract with Request Records. In 1983, Signet published Night Sanctuary, written by Van Vooren. She described the book as being about "the dark side of people. Jimmy Ray Dean (August 10, 1928 June 13, 2010) was an American country music singer, television host, actor and businessman. He was the creator of the Jimmy Dean sausage brand as well as the spokesman for its TV commercials. He was a distant cousin of actor James Dean. He became a national television personality starting on CBS in 1957. He rose to fame for his 1961 country music crossover hit into rock and roll with "Big Bad John" and his 1963 television series The Jimmy Dean Show, which gave puppeteer Jim Henson his first national media exposure. His acting career included appearing in the Daniel Boone TV series as the sidekick of the famous frontiersman played by star Fess Parker. Later he was on the big screen in a supporting role as billionaire Willard Whyte in the James Bond movie Diamonds Are Forever starring Sean Connery. He was nominated for the Country Music Hall of Fame in 2010, though died before his induction that year. Erwin Saul Hamburger (June 16, 1921 May 19, 2002), known professionally as Earl Hammond, was an American actor, who has appeared in several films and television series. Eulabelle Moore (1903 - 1964) was an American actress who had roles in Broadway productions and had a role in the film The Horror of Party Beach. Moore had roles in 15 Broadway productions including A Streetcar Named Desire, The Male Animal, and Great Day in the Morning. Moore has received other positive reception from her Broadway roles. Presumed First Edition, Fir.

Condición: Very Good. Vintage piano sheet music in colour illustrated printed paper covers. 12'' x 9''. Contains 6 pages folded sheet music including the covers. Scored for piano and solo voice with lyrics. Without any tears to the covers and in Very Good condition. Member of the P.B.F.A. SHEET MUSIC.

Trade Paperback. Condición: NEAR FINE. SIGNED and INSCRIBED by Richard Wilbur on title 'Inscribed with pleasure for Stathis Orphanos.' Stathis Orphanos was a noted photographer and half of the Los Angeles-based fine-press publishing duo Sylvester and Orphanos. First Paperback edition. 156pp. Pages are toned, some light shelf wear. Based on the theater production first performed in 1956 with score by Leonard Bernstein; the libretto was first drafted by Lillian Hellman and then developed by Richard Wilbur with additional input from Dorothy Parker, John Latouche, Stephen Sondheim, John Mauceri, John Wells, as well as Leonard Bernstein. Signed.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. First edition. Slightly cocked spine, slight toning, and faint offsetting on the front endpapers thus very good in a very good spine-faded dust jacket with shallow chips on the spine head, rubbing, and internal toning. Sondheim's first Broadway musical, a breathtaking update of Shakespeare's *Romeo and Juliet* to contemporary New York street-gangs. That the achievement could further be translated so successfully to film, winning ten Academy Awards, is without precedent. It is also the only film for which two directors received Oscars (Jerome Robbins and Robert Wise).

Hardcover. First Edition, First Printing. Octavo, 143 pages. In Very Good minus condition with Good minus dust jacket. Beige spine with white and black text. Dust jacket is protected by mylar covering and has chipping to corners and edges, spine edges chipped off, creasing to rear cover, scratching to spine, and foxing to covers and front flap. Boards have rubbing and bumping to corners, rubbing to spine edges, and discoloration to tail edge of spine. Textblock has foxing to some pages. Shelved in Case 13. 1374555. Shelved Dupont Bookstore.

Hardcover with Dust Jacket. Condición: NEAR FINE. Estado de la sobrecubierta: Very Good. First Edition. SIGNED and INSCRIBED by Wilbur on FFEP 'For Stathis' d. 1987 in Cummington. Stathis Orphanos was a noted photographer and half of the Los Angeles-based fine-press publishing duo Sylvester and Orphanos. 143pp. Brown buckram, pasted on plate of an actor to front cover, gilt lettering to front cover and spine title-blocked in black, b/w plate title of a performance of the play, black topstain, b/w plate of performance to page 140pp. Some light offsetting to endpapers, otherwise clean and crisp. Dust jacket has some light stains to front cover, spine a bit toned. First book appearance of the theater production first performed in 1956 with score by Leonard Bernstein; the libretto was first drafted by Lillian Hellman and then developed by Richard Wilbur with additional input from Dorothy Parker, John Latouche, Stephen Sondheim, John Mauceri, John Wells, as well as Leonard Bernstein. Signed By Author.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. First edition. Slight toning, spotting, and a bump on the top board edge else near fine in a very good spine-faded dust jacket with some creasing and tiny tears. Sondheim's first Broadway musical, a breathtaking update of Shakespeare's *Romeo and Juliet* to contemporary New York street-gangs. That the achievement could further be translated so successfully to film, winning ten Academy Awards, is without precedent. It is also the only film for which two directors received Oscars (Jerome Robbins and Robert Wise).

First edition of this classic musical. Octavo, original half cloth. Boldly signed by Arthur Laurents, Leonard Bernstein on the half-title page and inscribed by Stephen Sondheim on the front free endpaper. Review copy, with the slip laid in, fine in a very good dust jacket. Housed in a custom half morocco clamshell box by the Harcourt Bindery. Rare and desirable signed by these three contributors. In 1947, Jerome Robbins approached Leonard Bernstein and Arthur Laurents about collaborating on a contemporary musical adaptation of Romeo and Juliet. He proposed that the plot focus on the conflict between an Irish Catholic family and a Jewish family living on the Lower East Side of Manhattan, during the Easterâ"Passover season. The girl has survived the Holocaust and emigrated from Israel; the conflict was to be centered around anti-Semitism of the Catholic "Jets" towards the Jewish "Emeralds" (a name that made its way into the script as a reference). Eager to write his first musical, Laurents immediately agreed. Bernstein wanted to present the material in operatic form, but Robbins and Laurents resisted the suggestion. They described the project as "lyric theater", and Laurents wrote a first draft he called East Side Story. Only after he completed it did the group realize it was little more than a musicalization of themes that had already been covered in plays like Abie's Irish Rose. When he opted to drop out, the three men went their separate ways, and the piece was shelved for almost five years. In 1955, theatrical producer Martin Gabel was working on a stage adaptation of the James M. Cain novel Serenade, about an opera singer who comes to the realization he is homosexual, and he invited Laurents to write the book. Laurents accepted and suggested Bernstein and Robbins join the creative team. Robbins felt if the three were going to join forces, they should return to East Side Story, and Bernstein agreed. Laurents, however, was committed to Gabel, who introduced him to the young composer/lyricist Stephen Sondheim. Sondheim auditioned by playing the score for Saturday Night, his musical that was scheduled to open in the fall. Laurents liked the lyrics but was not impressed with the music. Sondheim did not care for Laurents' opinion. Serenade ultimately was shelved. Laurents was soon hired to write the screenplay for a remake of the 1934 Greta Garbo film The Painted Veil for Ava Gardner. While in Hollywood, he contacted Bernstein, who was in town conducting at the Hollywood Bowl. The two met at The Beverly Hills Hotel, and the conversation turned to juvenile delinquent gangs, a fairly recent social phenomenon that had received major coverage on the front pages of the morning newspapers due to a Chicano turf war. Bernstein suggested they rework East Side Story and set it in Los Angeles, but Laurents felt he was more familiar with Puerto Rican immigrants and Harlem than he was with Mexican Americans and Olvera Street. The two contacted Robbins, who was enthusiastic about a musical with a Latin beat. He arrived in Hollywood to choreograph the dance sequences for The King and I, and he and Laurents began developing the musical while working on their respective projects, keeping in touch with Bernstein, who had returned to New York. When the producer of The Painted Veil replaced Gardner with Eleanor Parker and asked Laurents to revise his script with her in mind, he backed out of the film, freeing him to devote all his time to the stage musical. West Side Story is set in the Upper West Side neighborhood in New York City in the mid 1950s, an ethnic, blue-collar neighborhood (in the early 1960s, much of the neighborhood was cleared in an urban renewal project for the Lincoln Center, which changed the neighborhood's character). The musical explores the rivalry between the Jets and the Sharks, two teenage street gangs of different ethnic backgrounds. The members of the Sharks, from Puerto Rico, are taunted by the Jets, a white gang. The young protagonist, Tony, a former member of the Jets and best friend of the gang's leader, Riff, falls in love with Maria, the sister of Bernardo, the leader of the Sharks. The dark theme, sophisticated music, extended dance scenes, and focus on social problems marked a turning point in American musical theatre. Bernstein's score for the musical includes "Something's Coming", "Maria", "America", "Somewhere", "Tonight", "Jet Song", "I Feel Pretty", "A Boy Like That", "One Hand, One Heart", "Gee, Officer Krupke", and "Cool". The original 1957 Broadway production, directed and choreographed by Jerome Robbins and produced by Robert E. Griffith and Harold Prince, marked Sondheim's Broadway debut. It ran for 732 performances before going on tour. The production was nominated for six Tony Awards including Best Musical in 1957, but the award for Best Musical went to Meredith Willson's The Music Man. Robbins won the Tony Award for his choreography and Oliver Smith won for his scenic designs. The show had an even longer-running London production, a number of revivals and international productions. A 1961 musical film of the same name, directed by Robert Wise and Robbins, starred Natalie Wood, Richard Beymer, Rita Moreno, George Chakiris and Russ Tamblyn. The film was nominated for eleven Academy Awards and won ten, including George Chakiris for Supporting Actor, Rita Moreno for Supporting Actress, and Best Picture.

Vintage reference photograph of actress Natalie Wood and the real "Gypsy Rose Lee," Rose Louise Hovick, on the set of the 1962 film. With a printed mimeo snipe affixed to the verso, along with manuscript ink and pencil annotations regarding layout. From the archive of film historian and author Joel Finler. Based on the 1959 Broadway musical. The rise to fame of burlesque dancer Gypsy Rose Lee, aided by her ambitious mother, Mama Rose. Set in New York. 8 x 10 inches. Very Good plus, with old cello tape on the top edge.