Lucy bradnock (69 resultados)
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Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de AmericaMidtown Scholar Bookstore
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EUR 5,95
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Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
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Librería: Better World Books, Mishawaka, IN, Estados Unidos de AmericaBetter World Books
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EUR 11,31
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Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
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Librería: Goodwill of Silicon Valley, SAN JOSE, CA, Estados Unidos de AmericaGoodwill of Silicon Valley
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EUR 9,44
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Condición: good. Supports Goodwill of Silicon Valley job training programs. The cover and pages are in Good condition! Any other included accessories are also in Good condition showing use. Use can include some highlighting and writing, page and cover creases as well as other types visible wear.
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Librería: Powell's Bookstores Chicago, ABAA, Chicago, IL, Estados Unidos de AmericaPowell's Bookstores Chicago, ABAA
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EUR 11,56
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Hardcover. Condición: New. Estado de la sobrecubierta: New. 1. This comprehensive, richly illustrated book explores postwar American art from a new perspective: Southern California. The analysis of the L.A. art scene from the end of World War II until the beginning of the 1980s--the first in-depth scholarly survey of the region'…s art--demonstrates the major role Southern California artists played in the twentieth century's most influential art movements. Grounded in more than a decade of research, the five chapters augmented by lively sidebars take readers on a tour of an art world in constant formation. The story unfolds through the people, relationships, and ideas that defined the region's artistic production. Photographs and rare materials from the Getty Research Institute and other archives bring the era to life, opening a window onto the emergence of hardedge abstraction, ceramic sculpture, assemblage, pop art, conceptualism, performance art, and avant-garde practices that blurred boundaries and defied labels. The result is an indispensable resource that will fundamentally change the view of modern art in America. .
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Librería: Cassidy's Bookstore, San Marcos, CA, Estados Unidos de AmericaCassidy's Bookstore
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EUR 14,23
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Hardcover. Condición: Very Good. No Jacket. clean covers-tight binding-no marks or names-236 pages with illustrations throughout.
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Librería: Books From California, Simi Valley, CA, Estados Unidos de AmericaBooks From California
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EUR 16,04
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Hardcover. Condición: Very Good.
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Librería: ANARTIST, New York, NY, Estados Unidos de AmericaANARTIST
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EUR 17,79
Envío por EUR 4,32Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover without dustjacket as issued , 330 pages, very good condition, light scratches and edgewear to covers; no internal marks. Foreign shipping may be extra.
Idioma: Inglés
Editorial: Metropolitan Museum of Art; Yale University Press, New York and New Haven, CT, 2017
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- Primera edición
Librería: LEFT COAST BOOKS, Santa Maria, CA, Estados Unidos de AmericaLEFT COAST BOOKS
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Excelente
EUR 26,24
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Hardcover. Condición: Fine. 1st. Pictorial boards, 235 pages, illustrations (chiefly colour); 29 cm. Published in conjunction with "Delirious: Art at the Limits of Reason, 1950-1980," on view at The Metropolitan Museum of Art, New York, from September 13, 2017 through January 14, 2018. Firm binding, clean inside copy. OVERSIZE!…Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Richly illustrated with colour plates. *** "Addressing the maniacal, eccentric, and disorienting in artworks made between 1950 and 1980, Delirious situates a fascination with the absurd and irrational within the context of the violence and brutality witnessed during World War II as well as the rapid expansion of industrial capitalism in the 1950s. Skepticism of science and technology--along with fear of its capability to promote mass destruction--developed into a distrust of rationalism, which in the arts had the paradoxical result of extracting irrational effects from rational means." - Publisher. *** CONTENTS: Think crazy: the art and history of delirium, by Kelly Baum; Bite your tongue: Antonin Artaud and the neo-avant-garde, by Lucy Bradnock; Blown circuits: technology and irrationality in postwar art, by Tine Rivers Ryan; Plates. Excess; Vertigo; Twisted; Nonsense. Size: 4to. Collectible.
Wayne Thiebaud : American Still Life -Language: french
Wright, Barnaby; Serres, Karen; Teagle, Rachel (CON); Shiff, Richard (CON); Bradnock, Lucy (CON)
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 26,95
Envío por EUR 2,28Se envía dentro de Estados Unidos de AmericaCantidad disponible: 10 disponibles
Condición: New.
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Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de AmericaMullen Books, ABAA
Contactar con el vendedorVendedor de 4 estrellasCondición: Usado
EUR 17,79
Envío por EUR 11,22Se envía dentro de Estados Unidos de AmericaCantidad disponible: 2 disponibles
Hardcover. Color-illustrated boards with white vertical lettering. 235 pp. Color and BW illustrations. Catalogue of an exhibition at The Met from September 13, 2017- January 14, 2018. New, but one copy not in shrinkwrap.
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Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de AmericaMullen Books, ABAA
Contactar con el vendedorVendedor de 4 estrellasCondición: Usado
EUR 17,79
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Hardcover. Silver boards, 330 pp., BW & color illus. Issued in conjunction with several 2011-2012 exhibitions of this California art. With essays by Rebecca Peabody, Andrew Perchuk, Glenn Phillips, Rani Singh, Catherine Taft, Lucy Bradnock. Ken D. Allan, Lisa Turvey, Donna Conwell, and Jane McFadden. Includes many examples of ar…twork. "This comprehensive, richly illustrated book explores postwar American art from a new perspective: Southern California. Grounded in more than a decade of research, Pacific Standard Time analyzes L.A.'s art scene from the end of World War II to the beginning of the 1980s, demonstrating the pioneering role Southern California artists played in the twentieth century's most influential art movements."--Page 4 of cover. Contents as follows: Introduction : shifting the standard : reappraising art in Los Angeles / Rebecca Peabody et al. -- 1. Floating structures : building the modern in postwar Los Angeles / Andrew Perchuk and Catherine Taft -- Case study houses / Lyra Kilston -- The Morder Institute of Art / Catherine Taft -- Collaborative couples / Catherine Taft -- The Post-Surrealists / Catherine Taft -- Zen in the studio / Catherine Taft -- The Anti-Square Merry-Go-round Show ; action and politics in Los Angeles / Serge Guilbaut -- 2. Papa's got a brand new bag : crafting an art scene / Lucy Bradnock and Rani Singh -- In the shadow of the spotlight / Rani Singh -- Name games / Lucy Bradnock -- Tap City Circus / Nancy Perloff -- Brittin by Baza / Ken D. Allen -- Instant theatre / Lucy Bradnock -- Clickin' with Clax / Rani Singh -- Roxy's / Alex Potts -- 3. For people who know the difference : defining the pop art sixties / Ken D. Allan, Lucy Bradnock, and Lisa Turvey -- Tooth / Annette Leddy -- Duchamp in Pasadena / Ken D. Allan -- Gemini G.E.L. / Lucy Bradnock -- The Artists' Protest Committee / Ken D. Allan -- The Golden State Mutual Art Collection / Lucy Bradnock -- Riko Mizuno / John Tain -- "Los Angeles Meant boys" : David Hockney, Bob Mizer, and the lure of physique photography / Richard Meyer -- 4. Duration piece : rethinking sculpture in Los Angeles / Donna Conwell and Glenn Phillips -- Jack Brogan : fabricator / Margaret Honda -- Protesting art and technology / Donna Conwell -- First National Symposium on Habitability / Donna Conwell -- Process painting / Glenn Phillips -- L.A. air / Donna Conwell -- Postmodernism between art and film : Jack Goldstein's Portrait of Père Tanguy / Michael Lobel -- 5. Here, here or there: on the whereabouts of art in the seventies / Jane McFadden -- Performing among us : ritual and witness / Irene Tsatsos -- Hermann Nitsch visits Los Angeles / Jane McFadden -- The Estrada Courts murals / Dianna Marisol Santillano -- Video at the Long Beach Museum of Art / Catherine Taft -- Close radio / Jane McFadden -- Making the scene : fashioning an artistic identity. VG (Few marks from previous gallery owner.).
Wayne Thiebaud : American Still Life -Language: french
Wright, Barnaby; Serres, Karen; Teagle, Rachel (CON); Shiff, Richard (CON); Bradnock, Lucy (CON)
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Como Nuevo
EUR 29,36
Envío por EUR 2,28Se envía dentro de Estados Unidos de AmericaCantidad disponible: 10 disponibles
Condición: As New. Unread book in perfect condition.
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- Primera edición
Librería: Manitou Books, Manitou Springs, CO, Estados Unidos de AmericaManitou Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Bueno
EUR 32,02
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Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. 1st Edition. First Printing with full number line 1-10. Inside is clean and unmarked. Some nudging to corners. Small tears at the edges of dust jacket. Waving on top and bottom back of dust jacket (see photos 6-8). Puncture tear on spine of dust jacket (see photo…s 9 and 10). Stain on back of dust jacket (see photos 8 and 11). See photos.
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Librería: Browsing Is Arousing, Middlebury, VT, Estados Unidos de AmericaBrowsing Is Arousing
Contactar con el vendedorVendedor de 4 estrellasCondición: Usado - Bueno
EUR 26,68
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Condición: Very Good. 352 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Like new in publisher's shrink-wrap. Documents the burgeoning Southern Californian post-war art scene, with several essays following a more or less chronological order, and hundreds of illustrations of artworks,… but also of art people (a wonderful 1963 photograph of Marcel Duchamp playing chess with a naked Eve Babitz in front of a replica of his Large Glass in Pasadena, photographs of artists working in their studios, etc). Some names are well known, others less so, but it is the versatility, the creativity and, above all, the richness and depth of this LA art scene that strike the reader-viewer through these richly illustrated pages. The birth of a genuine pop art in California (thanks to some of the most gifted artdealers in the US), of conceptual art, the creation of a new way of making sculpture, all those aspects are tackled in an informative and erudite (sometimes too erudite, though.)text that makes this book a more than valuable addition to the literature on post-war American art. Record # 352750.
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- Primera edición
Librería: LEFT COAST BOOKS, Santa Maria, CA, Estados Unidos de AmericaLEFT COAST BOOKS
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Excelente
EUR 35,13
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Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st. Cloth, vii, 232 pages, illustrations (some colour); 26 cm. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. *** "Proposing an original reassessment of art from the 1950s to the 1970s, No More Masterpieces reveals how artistic practice in p…ostwar America was profoundly shaped by the work of the rebellious French poet and dramatist Antonin Artaud. A generation of artists mobilized Artaud's countercultural ideas to imagine new forms of representation and to redefine the relationship between artist and audience. The book shows how Artaud's radical writings inspired the experimental theatrical work of John Cage, Rachel Rosenthal, and Allan Kaprow; the attack on artistic and social conventions launched by assemblage artists Wallace Berman and Bruce Conner; and the feminist work of Carolee Schneemann and Nancy Spero. Lucy Bradnock traces the dissemination of Artaud's writings in America and demonstrates how his interest in political and cultural disorder, the dangers of authority, and the unreliability of representation found fertile ground in the context of the Cold War, disillusionment with the ideals of Abstract Expressionism, and the early years of identity politics." - Publisher. Size: 4to. Collectible.
Idioma: Inglés
Editorial: Getty Research Institute and the J. Paul Getty Museum, Los Angeles, 2011
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- Primera edición
Librería: LEFT COAST BOOKS, Santa Maria, CA, Estados Unidos de AmericaLEFT COAST BOOKS
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Excelente
EUR 35,13
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Hardcover. Condición: Fine. 1st. Pictorial boards, xxi, 330 pages, illustrations (some colour); 30 cm. Published on the occasion of Pacific Standard Time: Art in L.A. 1945-1980, an initiative of the Getty with arts institutions across Southern California, and accompanies the Getty Research Institute's exhibition held at the J. P…aul Getty Museum, Los Angeles, from 1 October 2011 through 5 February 2012 and at the Martin-Gropius-Bau, Berlin, from 15 March through 10 June 2012. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Richly illustrated with colour plates. *** "This comprehensive, richly illustrated book explores postwar American art from a new perspective: Southern California. Grounded in more than a decade of research, Pacific Standard Time analyzes L.A.'s art scene from the end of World War II to the beginning of the 1980s, demonstrating the pioneering role Southern California artists played in the twentieth century's most influential art movements." - Publisher. *** CONTENTS: Introduction: shifting the standard: reappraising art in Los Angeles, by Rebecca Peabody et al.; 1. Floating structures: building the modern in postwar Los Angeles, by Andrew Perchuk and Catherine Taft; Case study houses, by Lyra Kilston; The Morder Institute of Art, by Catherine Taft; Collaborative couples, by Catherine Taft; The Post-Surrealists, by Catherine Taft; Zen in the studio, by Catherine Taft; The Anti-Square Merry-Go-round Show; action and politics in Los Angeles, by Serge Guilbaut; 2. Papa's got a brand new bag: crafting an art scene, by Lucy Bradnock and Rani Singh; In the shadow of the spotlight, by Rani Singh; Name games, by Lucy Bradnock; Tap City Circus, by Nancy Perloff; Brittin by Baza, by Ken D. Allen; Instant theatre, by Lucy Bradnock; Clickin' with Clax, by Rani Singh; Roxy's, by Alex Potts; 3. For people who know the difference: defining the pop art sixties, by Ken D. Allan, Lucy Bradnock, and Lisa Turvey; Tooth, by Annette Leddy; Duchamp in Pasadena, by Ken D. Allan; Gemini G.E.L., by Lucy Bradnock; The Artists' Protest Committee, by Ken D. Allan; The Golden State Mutual Art Collection, by Lucy Bradnock; Riko Mizuno, by John Tain; "Los Angeles Meant boys": David Hockney, Bob Mizer, and the lure of physique photography, by Richard Meyer; 4. Duration piece: rethinking sculpture in Los Angeles, by Donna Conwell and Glenn Phillips; Jack Brogan: fabricator, by Margaret Honda; Protesting art and technology, by Donna Conwell; First National Symposium on Habitability, by Donna Conwell; Process painting, by Glenn Phillips; L.A. air, by Donna Conwell; Postmodernism between art and film: Jack Goldstein's Portrait of Pere Tanguy, by Michael Lobel; 5. Here, here or there: on the whereabouts of art in the seventies, by Jane McFadden; Performing among us: ritual and witness, by Irene Tsatsos; Hermann Nitsch visits Los Angeles, by Jane McFadden; The Estrada Courts murals, by Dianna Marisol Santillano; Video at the Long Beach Museum of Art, by Catherine Taft; Close radio, by Jane McFadden; Making the scene: fashioning an artistic identity. Size: 4to. Collectible.
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- Primera edición
Librería: Dymphna's Archive, Sheffield, Reino UnidoDymphna's Archive
Contactar con el vendedorVendedor de 2 estrellasCondición: Usado - Bueno
EUR 13,24
Envío por EUR 21,03Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: Very Good. 1st Edition. Title: Delirious: Art at the Limits of Reason, 1950-1980 Description: New York: The Metropolitan Museum of Art / Yale University Press, 2017. First edition hardback, 235 pp., 29 x 24 cm, ~150 colour illustrations. Exhibition catalogue for the Met Breuer show (Sept 2017-Jan 2018), cur…ated by Kelly Baum, exploring postwar "delirious" art—absurdity, excess, disorientation—in response to Cold War anxiety and technological dread. Features 62 artists (Nauman, Guston, Birnbaum, Spero, Ferrari) across painting, sculpture, video; essays on Artaud's influence and irrationality. ISBN 9781588396334. Condition: Very good. Clean tight copy with minimal shelfwear to pictorial boards, no ownership marks, plates vivid. Major Met survey of conceptual and neo-avant-garde art.
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- Primera edición
Librería: Southampton Books, Sag Harbor, NY, Estados Unidos de AmericaSouthampton Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Como Nuevo
EUR 31,13
Envío por EUR 4,31Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: Like New. First Edition. First Edition, First Printing. Published by Getty Research Institute, 2011. Folio. Hardcover. Book is like new.
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Librería: Daedalus Books, Portland, OR, Estados Unidos de AmericaDaedalus Books
Contactar con el vendedorVendedor de 4 estrellasMiembro de asociación: CBA
Condición: Usado - Muy bueno
EUR 30,01
Envío por EUR 5,61Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: Near Fine. Near Fine. A nice, clean copy. ; Color Plates; 10.3 X 7.4 X 0.8 inches; 240 pages.
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Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de AmericaMidtown Scholar Bookstore
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Aceptable
EUR 32,34
Envío por EUR 5,18Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.
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Librería: Anybook.com, Lincoln, Reino UnidoAnybook.com
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EUR 17,10
Envío por EUR 20,59Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2200grams, ISBN:9781606060728.
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Librería: INDOO, Avenel, NJ, Estados Unidos de AmericaINDOO
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 41,23
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: New. Brand New.
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Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de AmericaMullen Books, ABAA
Contactar con el vendedorVendedor de 4 estrellasCondición: Usado
EUR 31,13
Envío por EUR 11,22Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Softcover. Condición: VG+. Close to new. Black and red and illus. wraps, 204 pp., BW & color illus. A collection of 9 essays. "Lawrence Alloway (1926-90) was a key figure in the development of modern art in Europe and America from the 1950s to the 1980s. Credited with coining the term 'pop art,' he also championed conceptual art… and feminist artists in America. His interests as a critic and as a curator at the Solomon R. Guggenheim Museum in New York ranged widely, including architecture, design, earthworks, film, neorealism, science fiction, and public sculpture. Largely self-taught, Alloway was a noted educator and a prolific writer who sought to escape the conventions of art historical discourse. The essays in this volume illuminate Alloway's crucial role in shaping the field and anticipating approaches such as social art history and visual and cultural studies." (back cover) Essays are: Lawrence Alloway: pedagogy, practice, and the recognition of audience, 1948-1959 / Victoria Walsh -- Science fiction as muse: Lawrence Alloway and the art of speculative criticism / Rebecca Peabody -- Criticism at the frontier: Lawrence Alloway at the movies / Lucy Bradnock -- "Spacial disorientation patterns": Lawrence Alloway, curating, and the global turn / Michael Lobel -- Lawrence Alloway's systems / Courtney J. Martin -- Lawrence Alloway, Robert Smithson, and earthworks / Joy Sleeman -- Teaching art criticism: Lawrence Alloway at Stony Brook / Jennifer Mundy -- The art world as multiple: Lawrence Alloway and artists and photographs / Beatrice von Bismarck -- The present complex: Lawrence Alloway and the currency of museums / Julia Bryan-Wilson.
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- Primera edición
Librería: Rick's Books NYC, New York, NY, Estados Unidos de AmericaRick's Books NYC
Contactar con el vendedorVendedor de 4 estrellasCondición: Usado - Muy bueno
EUR 42,87
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: Near Fine. No Jacket. 1st Edition.
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Librería: Powell's Bookstores Chicago, ABAA, Chicago, IL, Estados Unidos de AmericaPowell's Bookstores Chicago, ABAA
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Bueno
EUR 38,24
Envío por EUR 6,48Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Cloth, dj. Minor shelf wear. Else a bright, clean copy. This groundbreaking account of postwar American art traces the profound influence of Antonin Artaud Proposing an original reassessment of art from the 1950s to the 1970s, No More Masterpieces reveals ho…w artistic practice in postwar America was profoundly shaped by the work of the rebellious French poet and dramatist Antonin Artaud (1896-1948). A generation of artists mobilized Artaud's countercultural ideas to imagine new forms of representation and to redefine the relationship between artist and audience. The book shows how Artaud's radical writings inspired the experimental theatrical work of John Cage, Rachel Rosenthal, and Allan Kaprow; the attack on artistic and social conventions launched by assemblage artists Wallace Berman and Bruce Conner; and the feminist work of Carolee Schneemann and Nancy Spero. Lucy Bradnock traces the dissemination of Artaud's writings in America and demonstrates how his interest in political and cultural disorder, the dangers of authority, and the unreliability of representation found fertile ground in the context of the Cold War, disillusionment with the ideals of Abstract Expressionism, and the early years of identity politics. .
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Librería: Powell's Bookstores Chicago, ABAA, Chicago, IL, Estados Unidos de AmericaPowell's Bookstores Chicago, ABAA
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Bueno
EUR 38,24
Envío por EUR 6,48Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Cloth, dj. Minor shelf wear. Else a bright, clean copy. This groundbreaking account of postwar American art traces the profound influence of Antonin Artaud. Proposing an original reassessment of art from the 1950s to the 1970s, No More Masterpieces reveals h…ow artistic practice in postwar America was profoundly shaped by the work of the rebellious French poet and dramatist Antonin Artaud (1896-1948). A generation of artists mobilized Artaud's countercultural ideas to imagine new forms of representation and to redefine the relationship between artist and audience. The book shows how Artaud's radical writings inspired the experimental theatrical work of John Cage, Rachel Rosenthal, and Allan Kaprow; the attack on artistic and social conventions launched by assemblage artists Wallace Berman and Bruce Conner; and the feminist work of Carolee Schneemann and Nancy Spero. Lucy Bradnock traces the dissemination of Artaud's writings in America and demonstrates how his interest in political and cultural disorder, the dangers of authority, and the unreliability of representation found fertile ground in the context of the Cold War, disillusionment with the ideals of Abstract Expressionism, and the early years of identity politics.
PACIFIC STANDARD TIME; Los Angeles Art, 1945-1980
Singh, Rani & Rebecca Peabody & Lucy Bradnock & Andrew Perchuk & Glenn Phillips
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Librería: Books on the Boulevard, Sherman Oaks, CA, Estados Unidos de AmericaBooks on the Boulevard
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EUR 40,02
Envío por EUR 5,17Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: Near Fine. No Dust Jacket. 9 X 1.5 X 11.5 inches; 330 pages.
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Librería: GoldBooks, Denver, CO, Estados Unidos de AmericaGoldBooks
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 42,05
Envío por EUR 4,75Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: new. New Copy. Customer Service Guaranteed.
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 47,43
Gastos de envío gratisSe envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 15 disponibles
Paperback. Condición: New. This incisive book offers a revealing glimpse into the life and thought of a seminal art critic. Lawrence Alloway (1926-1990) was a key figure in the development of modern art in Europe and America from the 1950s to the 1980s. He is credited with coining the term pop art and with championing conceptual… art and feminist artists in America. His interests as a critic and as a curator at the Solomon R Guggenheim Museum in New York were wide-ranging, however, and included architecture, design, earthworks, film, neo-realism, science fiction, and public sculpture. Early in his career he was associated with the Independent Group in London and although he was largely self-taught, he was a noted educator and lecturer. A prolific writer, Alloway sought to escape the conventions of art-historical discourse. This volume illuminates how he often shaped the field and anticipated approaches such as social art history and visual and cultural studies. Lawrence Alloway: Critic and Curator provides the first critical analysis of the multiple facets of Alloway's life and career, exploring his formative influence on the disciplines of art history, art criticism, and museum studies.The nine essays in this volume depend on primary archival research, much of it conducted in the Lawrence Alloway Papers held by the Getty Research Institute.Each author addresses a distinct aspect of Alloway's eclectic professional interests and endeavors.
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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 41,03
Envío por EUR 5,87Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 15 disponibles
PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
