Lucas suzette editor (37 resultados)

Soft cover. Condición: Fine. In fine condition; light points of rubbing along edges of pamphlet; otherwise, as new. Staple bound, 31 pages. 11 x 8.5 in. CONTENTS: Introduction; Indira Berndtson; Frank Lloyd Wright Foundation News/In Brief; Books; Taliesin Archives; Wright Sites/Events Information. Inv. EW0087. …

Soft cover. Condición: Very Good +. No Jacket. A very nice copy. Featured article: "Commemorative Issue: Architecture & Life: A Taliesin Continuum". Magazine.

Soft cover. Condición: Very Good +. No Jacket. A very nice copy. Featured articles: "The L.A. Textile Block Houses - Westcott Restoration in Ohio". Magazine.

Soft cover. Condición: Very Good +. No Jacket. A very nice copy. Featured article: "Frank Lloyd Wright in Arizona". Magazine.

Soft cover. Condición: Very Good +. No Jacket. A very nice copy. Featured articles: "Frank Lloyd Wright's Light Screens - Martin House Complex: The Art-Glass Challenge". Magazine.

Soft cover. Condición: Very Good +. No Jacket. A very nice copy. Featured article: "Tan-Y-Deri: Another View of Taliesin's Unfolding Narrative". Magazine.

Soft cover. Condición: Very Good +. No Jacket. A very nice copy. Featured article: "Up Close and Personal". Magazine.

Soft cover. Condición: Very Good +. No Jacket. A very nice copy. Featured article: "Frank Lloyd Wright in Arizona". Magazine.

Soft cover. Condición: Very Good +. No Jacket. A very nice copy. Featured article: "Time and Vision: A Fruitful Alliance". Magazine.

Soft cover. Condición: Very Good +. No Jacket. A very nice copy. Featured article: "Living Architecture. Alive in Pittsburgh". Magazine.

Soft cover. Condición: Very Good +. No Jacket. A very nice copy. Featured article: "Architecture and Music". Magazine.

Soft cover. Condición: Very Good +. No Jacket. A very nice copy. Featured article: "Frank Lloyd Wright School of Architecture: Integrating Tradition & Change". Magazine.

Soft cover. Condición: Very Good +. No Jacket. A very nice copy. Featured article: "Taliesin". Magazine.

softcover. Condición: Fine copy. 1st. 4to, 39 pp. Well-illustrated (ilustrador).

Paperback. Octavo, [20cm/8in], paperbound with pictorial covers, pp. 28 Fully illustrated with b-w halftones and color plates In exceptionally good condition.

Soft cover. Condición: Very Good. Some Wrinkling To The Front Cover. Trace Of Edge Wear.

Paperback. Condición: As New. U.S. orders are shipped from N.Y. state.

Paperback. Condición: Very Good. No Dustjacket. First Edition. ISBN . B00ALOXYUS Stapleboiund Trade Paperback Magazine Near Fine condition. Tight bright unmarked copy. No Signature.

Paperback. Condición: Very Good. No Dustjacket. First Edition. ISBN . B001N8QJCG Stapleboiund Trade Paperback Magazine Near Fine condition. Tight bright unmarked copy. No Signature.

Condición: Very Good. Very Good condition. Volume 22. Number 2. In polypropylene bag. (architecture, architects, periodicals) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Condición: Very Good. Very Good condition. Volume 23. Number 1. In polypropylene bag. (architecture, architects, periodicals) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

softcover. Condición: Fine copy. 1st. 4to, 39 pp. Well-illustrated (ilustrador).

Wraps. Condición: VG/No Dustjacket. Frank Lloyd Wright Foundation. VG/No Dustjacket. 2005. . Wraps. 4to., 31pp. .

Condición: Very Good. Very Good condition. Volume 22. Number 1. In polypropylene bag. (architecture, architects, periodicals) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Condición: As New. Like New condition. Volume 21. Number 4. In polypropylene bag. (architecture, architects, periodicals) A near perfect copy that may have very minor cosmetic defects.

Condición: As New. Like New condition. Volume 16. Number 1. In polypropylene bag. (architecture, architects, periodicals) A near perfect copy that may have very minor cosmetic defects.

Condición: Very Good. Very Good condition. Volume 22. Number 4. In polypropylene bag. (architecture, architects, periodicals) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Soft cover. Condición: Near Fine. Trace Of Edge Wear. How The Robie House Was Saved.

Soft cover. Condición: Fine. Appears New And Unread.

Wraps. Condición: Very good. 32 pages counting covers. Decorative front cover. Illustrations (some in color). Cover has slight wear and soiling. The Vision of the Frank Lloyd Wright foundation is: In the words of Frank Lloyd Wright, "to make life more beautiful, the world a better one for living in, and to give reason, rhyme, and meaning to life." Its mission is stated as The Frank Lloyd Wright Foundation inspires people to discover and embrace an architecture for better living through meaningful connections to nature, the arts, and each other. The Frank Lloyd Wright Quarterly is the membership publication of the Frank Lloyd Wright Foundation, offering an innovative look into Wright. The contents of this issue includes Wright Conservancy to Host Event in Lakeland, Florida; The Frank Lloyd Wright Campus at Florida Southern College: A Child of the Sun; Taliesin Architects, and Indiana Exhibit Features John Christian House "Samara". Samara, also known as the John E. Christian House, is a house designed by Frank Lloyd Wright located in West Lafayette, Indiana. The home is an example of the Usonian homes that Wright designed. Samara was built from 1954 to 1956 and was still occupied by the original owner, John E. Christian, until he died on July 12, 2015. In 1950 John and Kay Christian decided to build a home near Purdue University where they both worked, John as a pharmaceutical chemistry professor and Kay as the social director for the university. After much discussion, they decided that Wright was the architect who suited the ideals for their home. Not knowing how to proceed, John phoned Wright directly at his office and was surprisingly able to speak directly to the famed architect. Over the next six years they worked together both with meetings in West Lafayette, Indiana and at Taliesin, Wright's summer home in Spring Green, Wisconsin. The home was named after the samara, which Wright spotted on the property during his first visit. He worked a stylized design of chevron-shaped leaves throughout the design of the home including the clerestory windows, dining chairs and the living room rug. These designs, nicknamed The Winged Seed, are located on the perforated upper windows and were also used on the Bachman-Wilson Usonian home. The house was built to entertain the family's college students; the living room was designed for 50 people. It featured a long couch and room for sitting on the stairs. The Christian family maintains the home according to the exacting specifications of its architect. As in many of the homes he designed, Wright specified or designed the entire environment, including the furniture, linens and landscaping. The Christians were not initially able to purchase all of the specified custom details; however, they made an agreement with Wright to continue adding to the home as their budget allowed. The color palette of furniture and design details is brighter and more saturated than other examples of Wright's architecture. This was prompted by Kay Christian who requested brighter colors against Wright's wishes. Wright was finally convinced by his wife, Olgivanna Lloyd Wright, who insisted that she would help the Christians with the color design. The result was a palette of vibrant lime green, magenta, and purple combined with more subdued shades of orange, yellow, and beige. The home was designated as a National Historic Landmark in 2015. It was featured in a mid-2015 exhibit at the Portsmouth Art and Cultural Center. Repeatedly called out as one of America's most beautiful campuses, Florida Southern College is the largest single-site collection of Wright architecture in the world. Wright sought to create a "truly American campus" and designed an 80-acre network of buildings and covered walkways radiating from a central hub. Beginning in 1938 with the Annie Pfeiffer Chapelâ"the angular focal point of the Methodist school's campusâ"Wright would see 12 of his 18 envisioned structures take shape over the next 20 years. Uniformly constructed of. …