Lori emerson (137 resultados)

Paperback. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Paperback. Condición: Fine.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condición: New. Floppy Disk Fever explores the curious afterlives of the floppy disk in the twenty-first century by interviewing those involved with the medium today. The book reflects on notions of obsolescence, media preservation and nostalgia, and challenges these by showing the endurance and versatility of this familiar piece of technology. From floppy filmmakers to floppy painters and beyond; what drives people to continue working with the medium that is typically deemed obsolete? What challenges and affordances does it provide? And what does the future hold in store for the familiar black square? By looking at the current presence of past technology we can assess our present-day situation and speculate on the future developments of our media minded landscape. After all, the technology of the past is also part of our future!Includes a preface by Lori Emerson (Media Archeology Lab) and interviews with Jason Scott (archive. org), Tom Persky (floppydisk. com), Florian Cramer, Jason Curtis (Museum of Obsolete Media), Adam Frankiewicz (Pionierska Records), Foone Turing, Clint Basinger (Lazy Game Reviews), Nick Gentry, Joerg Droege and AJ Heller (Scene World) and Bart van den Akker (HelmondComputerMuseum). EditorsNiek Hilkmann (NL) is a Rotterdam based artist, musician, and researcher with a background in Art History, Media Design and Visual Culture. He has a particular interest in the abstruse technological condition we are currently living in and the insufficient intellectual methodologies that seek to justify, or explain it. Besides being resposible for various floppy-centered events under the moniker of Floppy Totaal, he is also a member of Varia, the center of everyday technology. Thomas Walskaar (NO) is a graphic designer and researcher. He has a Masters in Media Design and Communication from The PietZwart Institute in Rotterdam and a BA (Hons) in Graphic Design from Ravensbourne in London. His personal interests revolve around frailty of storage technology and the importance of the individual to store with caution. One of his better known projects is "My Hard-Drive Died Along With My Heart". Contributors Lori Emerson (CA/US) is an Associate Professor in the Department of English and the Intermedia Arts, Writing and Performance Program at the University of Colorado, Boulder. She is also the Founding Director of the Media Archaeology Lab. Emerson writes about media poetics and the history of computing, media archaeology, media theory, and digital humanities. Jason Scott (US) is a free-spirited archivist, filmmaker, performer, and historian of technology. He is known under the online pseudonyms Sketch, SketchCow, and the Slipped Disk, and has been called a 'figurehead of the digital archiving world'. He works for Internet Archive and has given numerous presentations at technology related conferences on the topics of digital history, software, and website preservation. Tom Persky (US) is the 'last man standing in the floppy disk business'. He is the.…

Paperback. Condición: New. Floppy Disk Fever explores the curious afterlives of the floppy disk in the twenty-first century by interviewing those involved with the medium today. The book reflects on notions of obsolescence, media preservation and nostalgia, and challenges these by showing the endurance and versatility of this familiar piece of technology. From floppy filmmakers to floppy painters and beyond; what drives people to continue working with the medium that is typically deemed obsolete? What challenges and affordances does it provide? And what does the future hold in store for the familiar black square? By looking at the current presence of past technology we can assess our present-day situation and speculate on the future developments of our media minded landscape. After all, the technology of the past is also part of our future!Includes a preface by Lori Emerson (Media Archeology Lab) and interviews with Jason Scott (archive. org), Tom Persky (floppydisk. com), Florian Cramer, Jason Curtis (Museum of Obsolete Media), Adam Frankiewicz (Pionierska Records), Foone Turing, Clint Basinger (Lazy Game Reviews), Nick Gentry, Joerg Droege and AJ Heller (Scene World) and Bart van den Akker (HelmondComputerMuseum). EditorsNiek Hilkmann (NL) is a Rotterdam based artist, musician, and researcher with a background in Art History, Media Design and Visual Culture. He has a particular interest in the abstruse technological condition we are currently living in and the insufficient intellectual methodologies that seek to justify, or explain it. Besides being resposible for various floppy-centered events under the moniker of Floppy Totaal, he is also a member of Varia, the center of everyday technology. Thomas Walskaar (NO) is a graphic designer and researcher. He has a Masters in Media Design and Communication from The PietZwart Institute in Rotterdam and a BA (Hons) in Graphic Design from Ravensbourne in London. His personal interests revolve around frailty of storage technology and the importance of the individual to store with caution. One of his better known projects is "My Hard-Drive Died Along With My Heart". Contributors Lori Emerson (CA/US) is an Associate Professor in the Department of English and the Intermedia Arts, Writing and Performance Program at the University of Colorado, Boulder. She is also the Founding Director of the Media Archaeology Lab. Emerson writes about media poetics and the history of computing, media archaeology, media theory, and digital humanities. Jason Scott (US) is a free-spirited archivist, filmmaker, performer, and historian of technology. He is known under the online pseudonyms Sketch, SketchCow, and the Slipped Disk, and has been called a 'figurehead of the digital archiving world'. He works for Internet Archive and has given numerous presentations at technology related conferences on the topics of digital history, software, and website preservation. Tom Persky (US) is the 'last man standing in the floppy disk business'. He is the.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: new. Paperback. Floppy Disk Fever explores the curious afterlives of the floppy disk in the twenty-first century by interviewing those involved with the medium today.The book reflects on notions of obsolescence, media preservation and nostalgia, and challenges these by showing the endurance and versatility of this familiar piece of technology. From floppy filmmakers to floppy painters and beyond; what drives people to continue working with the medium that is typically deemed obsolete? What challenges and affordances does it provide? And what does the future hold in store for the familiar black square? By looking at the current presence of past technology we can assess our present-day situation and speculate on the future developments of our media minded landscape. After all, the technology of the past is also part of our future!Includes a preface by Lori Emerson (Media Archeology Lab) and interviews with Jason Scott (archive. org), Tom Persky (floppydisk. com), Florian Cramer, Jason Curtis (Museum of Obsolete Media), Adam Frankiewicz (Pionierska Records), Foone Turing, Clint Basinger (Lazy Game Reviews), Nick Gentry, Joerg Droege and AJ Heller (Scene World) and Bart van den Akker (HelmondComputerMuseum). EditorsNiek Hilkmann (NL) is a Rotterdam based artist, musician, and researcher with a background in Art History, Media Design and Visual Culture. He has a particular interest in the abstruse technological condition we are currently living in and the insufficient intellectual methodologies that seek to justify, or explain it. Besides being resposible for various floppy-centered events under the moniker of Floppy Totaal, he is also a member of Varia, the center of everyday technology. Thomas Walskaar (NO) is a graphic designer and researcher. He has a Masters in Media Design and Communication from The PietZwart Institute in Rotterdam and a BA (Hons) in Graphic Design from Ravensbourne in London. His personal interests revolve around frailty of storage technology and the importance of the individual to store with caution. One of his better known projects is My Hard-Drive Died Along With My Heart.Contributors Lori Emerson (CA/US) is an Associate Professor in the Department of English and the Intermedia Arts, Writing and Performance Program at the University of Colorado, Boulder. She is also the Founding Director of the Media Archaeology Lab. Emerson writes about media poetics and the history of computing, media archaeology, media theory, and digital humanities. Jason Scott (US) is a free-spirited archivist, filmmaker, performer, and historian of technology. He is known under the online pseudonyms Sketch, SketchCow, and the Slipped Disk, and has been called a figurehead of the digital archiving world. He works for Internet Archive and has given numerous presentations at technology related conferences on the topics of digital history, software, and website preservation.Tom Persky (US) is the last man standing in the floppy disk business. He is the founder of floppydisk. com, a US-based company, dedicated to the selling and recycling of floppy disks. Other services the company provides include disk transfers, a recycling program, and selling used and/or broken floppy disks to artists worldwide. All this makes floppydisk. com a key player in the contemporary floppy scene.Florian Cramer (NL) is a practice-oriented research professor in 21st Century Visual Culture at the Willem de Kooning Academy in Rotterdam, the Netherlands. Since 2009, he has developed a habit for creating and distributing films using floppy disks and has conducted multiple workshops on the subject. By employing extreme measures of compression he is able to squeeze entire movies onto the 1. 44 MB provided by the medium. The floppy disk also stood at the center of several of his collaborative film projects as a vehicle for collective constrai Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New.

Paperback or Softback. Condición: New. Writing Surfaces: Selected Fiction of John Riddell. Book.

paperback. Condición: Good. softcover book light wear to cover and book edges, has some light reader wear.

Condición: New. Brand New.

Soft cover. Condición: Fine. 1st.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New. Lori Emerson examines how interfaces-from today's multitouch devices to yesterday's desktops, from typewriters to Emily Dickinson's self-bound fascicle volumes-mediate between writer and text as well as between writer and reader. Following the threads of experimental writing from the present into the past, she shows how writers have long tested and transgressed technological boundaries. Reading the means of production as well as the creative works they produce, Emerson demonstrates that technologies are more than mere tools and that the interface is not a neutral border between writer and machine but is in fact a collaborative creative space. Reading Writing Interfaces begins with digital literature's defiance of the alleged invisibility of ubiquitous computing and multitouch in the early twenty-first century and then looks back at the ideology of the user-friendly graphical user interface that emerged along with the Apple Macintosh computer of the 1980s. She considers poetic experiments with and against the strictures of the typewriter in the 1960s and 1970s and takes a fresh look at Emily Dickinson's self-printing projects as a challenge to the coherence of the book. Through archival research, Emerson offers examples of how literary engagements with screen-based and print-based technologies have transformed reading and writing. She reveals the ways in which writers-from Emily Dickinson to Jason Nelson and Judd Morrissey-work with and against media interfaces to undermine the assumed transparency of conventional literary practice.…

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Soft cover. Condición: Fine. Cover image of letter H has been hand stamped by Dan Waber with what appears to be acrylic paint. Dan Waber (cover image) (ilustrador).

Condición: New.

Paperback. Condición: New. An important new approach to the study of laboratories, presenting a practical method for understanding labs in all walks of life From the "Big Science" of Bell Laboratories to the esoteric world of sÉance chambers to university media labs to neighborhood makerspaces, places we call "labs" are everywhere-but how exactly do we account for the wide variety of ways that they produce knowledge? More than imitations of science and engineering labs, many contemporary labs are hybrid forms that require a new methodological and theoretical toolkit to describe. The Lab Book investigates these vital, creative spaces, presenting readers with the concept of the "hybrid lab" and offering an extended-and rare-critical investigation of how labs have proliferated throughout culture.Organized by interpretive categories such as space, infrastructure, and imaginaries, The Lab Book uses both historical and contemporary examples to show how laboratories have become fundamentally connected to changes in the contemporary university. Its wide reach includes institutions like the MIT Media Lab, the Tuskegee Institute's Jesup Wagon, ACTLab, and the Media Archaeological Fundus. The authors cover topics such as the evolution and delineation of lab-based communities, how labs' tools and technologies contribute to defining their space, and a glossary of key hybrid lab techniques.Providing rich historical breadth and depth, The Lab Book brings into focus a critical, but often misunderstood, aspect of the contemporary arts and humanities. …

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.