Idioma: Lenguajes múltiples
Publicado por Outsider Art Museum, 2016
ISBN 10: 9080604437 ISBN 13: 9789080604438
Librería: Klondyke, Almere, Holanda
EUR 16,50
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: Good. Peerdeman, Kees Ilustrador. Paperback, numerous (full page) illustrations in colour and b/w, text in Dutch and English, 8vo.; Shelfwear along edges and corners.
Librería: Mooney's bookstore, Den Helder, Holanda
EUR 36,58
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: Very good. Peerdeman, Kees Ilustrador.
Idioma: Holandés
Publicado por Museum het Dolhuys: Geen plaats, 2017, 2017
ISBN 10: 9080604453 ISBN 13: 9789080604452
Librería: Antiquariaat Fenix, Amsterdam, Holanda
EUR 40,00
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: Good. Peerdeman, Kees Ilustrador. Geïllustreerd karton 124 pp. Lichte gebruikssporen aan omslag. 32.2x 21.5x1.9 cm. In zeer goede staat.
Librería: Mooney's bookstore, Den Helder, Holanda
EUR 72,18
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: Very good. Peerdeman, Kees Ilustrador.
Publicado por Het Dolhuys, 2012
Librería: Anywhere Out of the World, Manchester, Reino Unido
EUR 77,37
Cantidad disponible: 1 disponibles
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Idioma: Lenguajes múltiples
Publicado por Amsterdam Outsider Art Museum, 2019
ISBN 10: 9080604496 ISBN 13: 9789080604490
Librería: Antiquariaat Digitalis, Amsterdam, Holanda
Original o primera edición
EUR 75,00
Cantidad disponible: 1 disponibles
Añadir al carritoSoft cover. Condición: Very Good. 1st Edition. Folded softcover, 255p : illustrations (chiefly color), facsimiles ; 24 cm. Very good, light edge-wear to delicate paper wrappers. Text in Dutch and English. Immediately after the Second World War the artist and collector Jean Dubuffet embarked on his search for new, pure and spontaneous works of art, remote from the established order. On his journey he visited psychiatric institutions and prisons, created a networks of intellectuals, poets, painters and collectors. During his various encounters he collected works which in his opinion were the proof that this art form, the one produced by people with no specific education to art, deserved a place in the art world. Established assumptions, academic views and standards must be cast aside in favour of a new, pure and spontaneous art. This exhibition provides a reconstruction of the basic ideas of Art Brut, with reference to the works assembled by Dubuffet. Why did he purchase some works but not others? Which criteria did he use when collection work, and what information did he collect? And what became of the artists whose work he collected for his Compagnie de l'Art Brut?