Little wm (58 resultados)

Hardcover. Condición: Good. No Jacket. X-Library book. Standard wear to cover and typical library markings. 100% Money Back Guarantee!!.

Hardcover. Condición: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Softcovers journal; in very good condition. [ALSO INCLUDES climbing fern, Cretaceous, Wyoming; third form of curassow, genus Pauxi; systematic status of pocket gophers, esp. Thomomys monticola; osteology relationships bathypelagic fishes genus Bathylagus, notes systematic position of Leuroglossus stilbius, Therobromus callorhinus].…

Hardcover. Condición: Very Good. First Thus. First Edition Thus, First Printing. Published by Twayne, 1974. Octavo. Book is very good with some toning to the top page ends. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

Pamphlet. Condición: Very Good. Vol 55, pp. 485-609, Illus, Extracted from orig vol, begins with title page, trimmed & stapled, thus is like a pamphlet, last page in facsimile, else VG.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: Very Good. 1st Edition. Juvenile Magazines; Christmas Stories And Articles By ; Margaret Rose Wheeler, Ralph Henry Barbour, Roy J. Snell, Kitty Parsons, Emma Pierce, Clinton Scholard, A. Nealy Hall, Etc.; Colored Printed Wraps; 674-784 Clean, Unmarked Pages+Ads; Small Closed Tear On Rer Cover; Exceptionally Clean And Bright. W.M. Burger, Nat Little, Ddudley Goyne Summers, E.W. Kemble, Charles Livington Bull, Etc (ilustrador).…

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: Very Good. No Jacket. A little shelf wear. Ink gift inscription on front end paper. Otherwise a tight, unmarked volume. Index. xvi, 431 pp.

Paperback. Condición: Very Good. Oblong folio. Copyright 1987. Inscribed by the editor to Simon Preston on front wrapper. Slight wear.

Estado de la sobrecubierta: Gut. 4 Auflage. Jahr: 1985. Einband: Heft. Beschreibung: 1985 - Herausgegeben von Wm. A. Little. Mit Vorwort und Bemerkungen zu den Quellen. Umschlag fleckig. Schnitt teils leicht (braun-)fleckig. Innen sauber erhalten. Sprache: de. [VIII], 43 S. Widmung des Illustrators.

Paperback. Condición: New. Print on Demand. This book is a detailed descriptive catalogue of fruit trees, vines, and plants for sale by a commercial grower in the late 19th century. The author provides expert growing advice, including tips on pruning, cultivating, and optimal soil conditions. The author organizes varieties by summer, autumn, winter, and additional varieties. The author also provides supplementary listings tailored to specific regions and climates for maximum productivity. This book will appeal to the home gardener, the commercial orchardist, and the pomologist, and it is a valuable resource for anyone interested in growing fruit. The author's extensive knowledge of fruit cultivation shines through each recommendation. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.…

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,900grams, ISBN:0132468840.…

Condición: New. Print on Demand.

Estado de la sobrecubierta: Gut. 2 Auflage. Jahr: 1979. Einband: Heft. Beschreibung: 1979 - Herausgegeben von Wm. A. Little. Mit Vorwort und Bemerkungen zu den Quellen. Umschlag gering berieben und leicht angeschmutzt. Innen sehr gut erhalten. Sprache: de. [VIII], 43 S. Widmung des Verfassers.

hardcover. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Hardback in very good minus condition with very good minus condition dust jacket. Some pencil underlining. Name and address written in ink on 1st blank page. Dust jacket is in mylar sleeve.

Condición: Gut. Jahr: 1984. Einband: Heft. Beschreibung: Herausgegeben von Wm. A. Little. Mit Vorwort und Bemerkungen zu den Quellen. Sehr gutes Expl. Sprache: de. VIII], 43 S.

Condición: Gut. Jahr: 1988. Einband: Heft. Beschreibung: Herausgegeben von Wm. A. Little. Mit Vorwort und Bemerkungen zu den Quellen. c1977. Papier etwas wellig (keine Wasserränder u. keine zusammenklebenden Seiten). Vereinzelt Eintragungen mit Blei. Sauberes Expl. Sprache: de. VIII], 43 S.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. In English.

Hardback. Condición: New. Although Mendelssohn was most famous during his lifetime as a composer, virtuoso pianist, and conductor, he also enjoyed an enviable reputation as a highly skilled organist. The instrument had fascinated - one might almost say mesmerized - him from earliest youth, but aside from a year or so of formal training at the age of about twelve or thirteen, he was entirely self-taught. He never held a position as church organist, and he never had any organ pupils. Nevertheless, the instrument played a uniquely important role in his personal life. In the course of his many travels, whether in major cities or tiny villages, he invariably gravitated to the organ loft, where he might spend hours playing the works of Bach or simply improvising. Although the piano clearly served Mendelssohn as an eminently practical instrument, the organ seems to have been his instrument of choice. He searched out an organ loft, not because he had to, but because he wanted to, because on the organ he could find catharsis. Indeed, as he once exclaimed to his parents, after reading a portion of Schiller's Wilhelm Tell, "I must rush off to the monastery and work off my excitement on the organ!" Mendelssohn's public performance on the organ in Germany was rare, and he gave but one public recital - in the Thomas-Kirche in Leipzig in 1840. In England, however, he evidently felt more comfortable on the organ bench and played there often before large crowds. Indeed, he performed as Guest Organist twice at the Birmingham Music Festivals, in 1837 and 1842. Given Mendelssohn's profound affinity for the organ, it is remarkable that he composed but relatively little for the instrument, and assigned an Opus number to only two works - his Three Preludes and Fugues for Organ (Op. 37) and his Six Sonatas for the Organ (Op. 65). A small number of organ works, plus sketches and drafts, were scattered among his musical papers; most of these only gradually found their way into print, and it was not until the late twentieth century that an edition of his complete organ works was finally published. This volume is intended as a companion to that edition.…

Hardback. Condición: New. Although Mendelssohn was most famous during his lifetime as a composer, virtuoso pianist, and conductor, he also enjoyed an enviable reputation as a highly skilled organist. The instrument had fascinated - one might almost say mesmerized - him from earliest youth, but aside from a year or so of formal training at the age of about twelve or thirteen, he was entirely self-taught. He never held a position as church organist, and he never had any organ pupils. Nevertheless, the instrument played a uniquely important role in his personal life. In the course of his many travels, whether in major cities or tiny villages, he invariably gravitated to the organ loft, where he might spend hours playing the works of Bach or simply improvising. Although the piano clearly served Mendelssohn as an eminently practical instrument, the organ seems to have been his instrument of choice. He searched out an organ loft, not because he had to, but because he wanted to, because on the organ he could find catharsis. Indeed, as he once exclaimed to his parents, after reading a portion of Schiller's Wilhelm Tell, "I must rush off to the monastery and work off my excitement on the organ!" Mendelssohn's public performance on the organ in Germany was rare, and he gave but one public recital - in the Thomas-Kirche in Leipzig in 1840. In England, however, he evidently felt more comfortable on the organ bench and played there often before large crowds. Indeed, he performed as Guest Organist twice at the Birmingham Music Festivals, in 1837 and 1842. Given Mendelssohn's profound affinity for the organ, it is remarkable that he composed but relatively little for the instrument, and assigned an Opus number to only two works - his Three Preludes and Fugues for Organ (Op. 37) and his Six Sonatas for the Organ (Op. 65). A small number of organ works, plus sketches and drafts, were scattered among his musical papers; most of these only gradually found their way into print, and it was not until the late twentieth century that an edition of his complete organ works was finally published. This volume is intended as a companion to that edition.…

brossura. Condición: Perfetto (Mint). Book.

Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Paperback. Condición: Good. First Edition. Pages 193-224. Features: The first church in Dover, and its Pastor - with illustration of Rev. George B. Spalding; Ancient institutions in Concord - The New Hampshire Patriot, The New Hampshire Statesman, The New Hampshire Historical Society; Did John Lovewell of Old Dunstable live to be 120 years old?; Hydrophobia, or Rabies; The Old Farm - a story in three chapters; New Hampshire men at Bunker Hill and Bennington; Chohass - the name of the great invervals on the Connecticut River at Haverhill, New Hampshire, and vicinity - with journal entries of Deacon robert Walker's and Matthew Patten's journey from Bedford to up Peezumsuch River in October and November 1764; The rationale of free government; History of Education in Nashua; Ad inside back cover for the patented Standard Broiler for beefsteak, made by D.Arthur Brown & Co. in Fisherville, NH. Average wear. Unmarked. Binding intact. A sound copy of this early issue.; Magazine; 8vo - over 7¾" - 9¾" tall; The Granite Monthly, A New Hampshire Magazine, Devoted to Literature, History, and State Progress, November 1877, Vol. I, No. 7 first church in Dover, and its Pastor - with illustration of Rev. George B. Spalding; Ancient institutions in Concord - The Ne.…

Paperback / Pamphlet. Condición: Good +. Seventeenth Edition. [17th Edition]. 64 pp. 15 cm. Saddle-stapled in pink (faded from red?) printed wraps. IWW's circular emblem printed on the front. Frontis portrait of Joe Hill on page [2]; this edition features twelve of his songs. Staples (binding) are beginning to rust. Sporadic staining and dust soiling to covers. Minor signs of age-toning, internally clean. The IWW's famous "Little Red Songbook" which was originally published in 1909 and has never gone out of print. Fifty-two songs are printed here (pages 5-64) in this Seventeenth Edition from 1922. Some tune designations are given. Some short lyrical explanations are given. Musical notation is not printed. Includes an index of song titles at the front (pages [3-4]). IWW's "Preamble" is printed on the front inside cover. "We Are Going to Find Out" (six paragraphs of text raising awareness and support for imprisoned Wobblies) by the IWW's General Defense Committee is printed on the rear inside cover. An advertisement for future versions of the songbook, with the promise of printed musical notation to be included, is printed on the rear cover. IWW's address of "1001 W. MADISON ST. CHICAGO, ILL" is printed on the front cover, title page [1], and rear cover, which was the IWW's General Headquarters from July 1917 - March 1925. About The Little Red Songbook, Historian Philip Taft noted. "By far the most popular work produced by the Industrial Workers of the World, the Song Book has gone through many editions. In fact, some of its "Songs," especially one by Joe Hill, are known by many who are scarcely acquainted with the I.W.W. itself. [.] What first attracted me to the I.W.W. was its songs and the gusto with which its members sang them." Contains the following songs (in the order printed): The Rebel Girl; The Internationale; We Will Sing One Song; Workers of the World, Awaken!; One Big Industrial Union; The Red Flag; The Workers of the World Are Now Awaking [sic Awakening]; Harvest War Song; Workers of the World; John Golden and the Lawrence Strike; Scissor Bill; Dump the Bosses off Your Back; All Hell Can't Stop Us!; Up from Your Knees; The Tramp; Whadda Ya Want to Break Your Back for the Boss For?; The White Slave; The Big Question; Solidarity Forever!; The Dollar Alarm Clock; We Have Fed You All for a Thousand Years; I'm Too Old to Be a Scab; Mr. Block; The Industrial Workers of the World; The Workers' Marseillaise; "Remember"; Industrial Unionism Speaks to the Toilers of the Sea; The Preacher and the Slave; "The Popular Wobbly"; "Renunciation"; Don't Take My Papa Away from Me; When You Wear That Button; My Wandering Boy; The Everett County Jail; I Wanna Free Miss Liberty; May Day Song; They'll Soon Ring Out; Onward, "One Big Union"; Count Your WorkersCount Them!; Fifty Thousand Lumberjacks; Tie 'Em Up!; Joe Hill's Last Will; The Mysteries of a Hobo's Life; Workers' Memorial Song; Farewell, Frank!; The Commonwealth of Toil; A Worker's Plea; Organize!; There Is Power in a Union; Harvest Land; Hold the Fort; and Workingmen, Unite.…

Paperback / Pamphlet. Condición: Very Good +. Seventeenth Edition. [17th Edition]. 64 pp. 15 cm. Saddle-stapled in red printed wraps. IWW's circular emblem printed on the front. Frontis portrait of Joe Hill on page [2]; this edition features twelve of his songs. A previous owner's 3" x 5" index/notecard is laid-in with a paragraph of cursive text written in black ink. A nice, clean copy with just a bit of wear to the covers. The IWW's famous "Little Red Songbook" which was originally published in 1909 and has never gone out of print. Fifty-two songs are printed here (pages 5-64) in this Seventeenth Edition from 1922. Some tune designations are given. Some short lyrical explanations are given. Musical notation is not printed. Includes an index of song titles at the front (pages [3-4]). IWW's "Preamble" is printed on the front inside cover. "We Are Going to Find Out" (six paragraphs of text raising awareness and support for imprisoned Wobblies) by the IWW's General Defense Committee is printed on the rear inside cover. An advertisement for future versions of the songbook, with the promise of printed musical notation to be included, is printed on the rear cover. IWW's address of "1001 W. MADISON ST. CHICAGO, ILL" is printed on the front cover, title page [1], and rear cover, which was the IWW's General Headquarters from July 1917 - March 1925. About The Little Red Songbook, Historian Philip Taft noted. "By far the most popular work produced by the Industrial Workers of the World, the Song Book has gone through many editions. In fact, some of its "Songs," especially one by Joe Hill, are known by many who are scarcely acquainted with the I.W.W. itself. [.] What first attracted me to the I.W.W. was its songs and the gusto with which its members sang them." Contains the following songs (in the order printed): The Rebel Girl; The Internationale; We Will Sing One Song; Workers of the World, Awaken!; One Big Industrial Union; The Red Flag; The Workers of the World Are Now Awaking [sic Awakening]; Harvest War Song; Workers of the World; John Golden and the Lawrence Strike; Scissor Bill; Dump the Bosses off Your Back; All Hell Can't Stop Us!; Up from Your Knees; The Tramp; Whadda Ya Want to Break Your Back for the Boss For?; The White Slave; The Big Question; Solidarity Forever!; The Dollar Alarm Clock; We Have Fed You All for a Thousand Years; I'm Too Old to Be a Scab; Mr. Block; The Industrial Workers of the World; The Workers' Marseillaise; "Remember"; Industrial Unionism Speaks to the Toilers of the Sea; The Preacher and the Slave; "The Popular Wobbly"; "Renunciation"; Don't Take My Papa Away from Me; When You Wear That Button; My Wandering Boy; The Everett County Jail; I Wanna Free Miss Liberty; May Day Song; They'll Soon Ring Out; Onward, "One Big Union"; Count Your WorkersCount Them!; Fifty Thousand Lumberjacks; Tie 'Em Up!; Joe Hill's Last Will; The Mysteries of a Hobo's Life; Workers' Memorial Song; Farewell, Frank!; The Commonwealth of Toil; A Worker's Plea; Organize!; There Is Power in a Union; Harvest Land; Hold the Fort; and Workingmen, Unite. …