lindley eds (29 resultados)

Condición: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:1851664386.

hardcover. Condición: Good. 259 pp. 5 x 7 . Olive green cloth covered boards, stamped in black on front and gold on spine. No dj. Edgeworn and darkened spine. Darkening of pages with pencil markings throughout. Writing in pen ifc and very slight separation of interior hinge at co.

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:1851660372.

hardback, 8vo, 214pp, owner's bookplate on endpaper, text clean and tight, Very Good / Very Good dustwrapper; ISBN: 0521652596.

Hardback. Very good in dustwrapper. 214pp.

Condición: Good. 244 pp., Hardcover, ex library, else text clean and binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition.

Condición: Good. Volume 305. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:0306440458.

Condición: Good. Volume 2. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:030644710X.

Condición: Fair. Volume 17. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1250grams, ISBN:0802052614.

Condición: Fair. Volume 14. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1200grams, ISBN:0802052614.

Hardback. Condición: Fine. Estado de la sobrecubierta: Fine DW. 1st Edition. Maroon cloth, gilt. Book and dustwrapper/dustjacket are in very fine condition with virtually no signs of wear and/or age.

Soft cover. Condición: Fine. Second Edition. This fine, new copy includes four major essays plus introduction and index into the Black Death, 202pp + 12 plates.

Softcover. Condición: Very Good. First Edition. Remember: Clean and tightly bound, A5 format paperback original, stapled spine, glossy pictorial covers, no inscriptions, appears little used. 56 pages, photos in the text. Hinckley: Published by Tempus in 2005, clean and tightly bound paperback original, spine uncreased, no inscriptions, appears unread. 128 pages, photos throughout.

Condición: Good. Volume 15. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1150grams, ISBN:0802052614.

Condición: Fair. Volume 16. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1250grams, ISBN:0802052614.

Part II only: L to Z, with supplement. Dark brown boards with gilt on front and spine, all a bit worn and bumped around edges. Both hinges cracked and repaired. Bookplate on front pastedown. Pages lightly toned with very light scattered foxing. Used - Good. Good hardback in brown cloth.

Soft cover. Condición: New. 1st Edition. Edward S. Prior and Arthur Gardner published An Account of Medieval Figure Sculpture in England with Cambridge University Press in 1912. This became the foundational book for the study of medieval figure-sculpture in England (and Wales). The authors' presuppositions about the materials they discuss, their inclusions and omissions, their focus on chronological sequencing, and analytical organisation, as well as their strongly nationalistic tone, all receive thorough scrutiny for the first time in this new study, based on a Cambridge conference celebrating the centenary of the Account. Prior and Gardner's work is contextualised within the history of scholarship devoted to medieval sculpture in France, Germany, Hungary and Ireland, revealing how European nationalism has affected (and continues to affect) both the study and the reception of the medieval past. Many of Prior and Gardner's contemporaries in Britain and Ireland also receive attention and the networks of scholars and contacts who contributed to their book are revealed. Medieval patronage and funerary sculpture, photographic recording and scientific conservation are also discussed in this striking new assessment of the context, accomplishment and legacy of Prior and Gardner's great Account. 256pp.

Paperback. Condición: Very Good. Paperback in very good condition. HCW. Used.

23 cm. original hardcover. x,288 pp. ills, diagrams. references. index. -(slightly sunned, library label on first endpaper, library stamp on title, otherwise (very) good). 777g.

Paperback. Pb. New. PRIOR and GARDNER.

1st edition hardback with dust jacket Very nice copy octavo x + 214pp., appends., index, Camden Fifth series. Volume 13. A modern and accessible edition of a manuscript journal kept by Thomas Juxon, a puritan Londoner, who produced and traded in sugar. He witnessed the latter stages of the civil war, the creation of the New Model Army, failed attempts to reach a settlement with the king, an abortive "counter-revolution" in 1647 and the army's resultant march on London.

Hardback. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. This fine, new copy emerges from the essays in this volume that secular sculpture started to become prominent from the thirteenth and fourteenth centuries. The twelve essays in this volume consider secular sculpture in Italy and Spain, France, Germany and Britain. 253pp. + 96 plates on art paper.

Couverture rigide. Condición: Neuf. Estado de la sobrecubierta: Neuf. Edition originale. Tributes to Jean Michel Massing: Towards a Global Art History M. Stocker, P. G. Lindley (eds.) VI+374 p., 183 b/w ill. + 22 colour ill., 220 x 280 mm, 2016 ISBN: 978-1-909400-38-2 Languages: English Hardback The publication is available. Retail price: EUR 180,00 print Share/Save/Bookmark This book is a Festschrift to honour Jean Michel Massing, Professor of the History of Art at the University of Cambridge, on his retirement and contains essays from 21 of his colleagues and former students. An indispensable study for all admirers of Jean Michel Massing?s work, this publication includes essays reflecting some of the many fields of research that he has explored throughout his academic career. Twenty-one of Professor Massing?s colleagues and former students have contributed to this volume on the occasion of his retirement as Professor of Art at the University of Cambridge. The global aspect of Jean Michel Massing?s oeuvre forms the binding element between the various topics covered in this collection, paying homage to the interdisciplinary nature of his approach to the field of art history. Defying strictly linear, spatio-temporal trajectories, this volume is an ongoing conversation with Professor Massing, ambitiously taking his brilliant work as the inspiration and basis for the further development of a global history of art. Table of Contents Phillip Lindley, Introduction, Barry Bergdoll, Memento mori or Eternal Modernism? The Bauhaus at MoMA, 1938 Susanna Berger, Philander Colutius and the Visualisation of Natural Philosophy Roger Bowdler, Stefano della Bella in Shoreditch: the monument of Elizabeth Benson Jerome Feldman, Transgressions in the House of the Chief: Hilimondregeraya village in South Nias Indonesia Victoria George, Calvin in Mondrian?s Colour Theory Meredith Hale, The Production of History: Famiano Strada?s De Bello Belgico Aleksandra Koutny Jones, Preaching the Dance of Death: The Reverend Marcin Krajewski?s Cemetery Chapel at Zambrów Berthold Kress, The Block-book Biblia Pauperum as a Source for Printed Borders in France, Germany and England Phillip Lindley, The Poetics of the Tudor Beast Elizabeth Mc Grath, Ernest van Veen and the ?Black But Beautiful? bride Robin Middleton, A Cautionary Tale: The History of Eighteenth-Century Architecture in France Jennifer Montagu, The After-Life of Some Models by Alessando Algardi Temi Odumosu, Rude Encounters: The ?Jolly Nigger Bank? as a Visual Problem from America to Denmark Greg Rubinstein, Abraham Mathijs, Whale-Fisherman: Author of the First True Topographical Drawing of North America? Charles Saumarez Smith, The Rubens at King?s Giancarlo M.G. Scoditti, An Ethnographical Divertissement on Tribal Art and Picasso?s First Cubism Aya Soika, The Sale of Emil Nolde?s New Guinea Watercolours to the German Imperial Colonial Office Mark Stocker, Maori, Modernism and Monumentality: Molly Macalister?s Maori Warrior Paul Taylor, ?Mass? and ?Massing? from Karel van Mander to Roger Fry Nicholas Tromans, ?The Elements?: A Fresco Cycle by George Frederic Watts Jutta Vinzent, Austria in Die Zeitung: The Instrumentalisation of Émigré Newspapers during World War Two and the Subversive Power of Cartoons. Interest Classification: Fine Arts & Performing Arts Painting.

Rilegato. Condición: nuovo. Estado de la sobrecubierta: nuovo. prima edizione. Tributes to Jean Michel Massing: Towards a Global Art History Mark Stocker, Phillip G. Lindley (eds) Pages: 374 p. Size:210 x 275 mm Illustrations:183 b/w, 22 col. Language(s):English Publication Year:2016 Buy print version ? 200,00 EXCL. VAT RETAIL PRICE ISBN: 978-1-909400-38-2 Hardback Available This book is a Festschrift to honour Jean Michel Massing, Professor of the History of Art at the University of Cambridge, on his retirement and contains essays from 21 of his colleagues and former students. REVIEW(S) "Tributes goes far beyond the remit of a Festschrift by delivering significant contributions across many fields." (Elizabeth Savage, in: The Burlington Magazine, January 2018, CLX, p. 74) SUMMARY An indispensable study for all admirers of Jean Michel Massing's work, this publication includes essays reflecting some of the many fields of research that he has explored throughout his academic career. Twenty-one of Professor Massing's colleagues and former students have contributed to this volume on the occasion of his retirement as Professor of Art at the University of Cambridge. The global aspect of Jean Michel Massing's oeuvre forms the binding element between the various topics covered in this collection, paying homage to the interdisciplinary nature of his approach to the field of art history. Defying strictly linear, spatio-temporal trajectories, this volume is an ongoing conversation with Professor Massing, ambitiously taking his brilliant work as the inspiration and basis for the further development of a global history of art. TABLE OF CONTENTS Phillip Lindley, Introduction, Barry Bergdoll, Memento mori or Eternal Modernism? The Bauhaus at MoMA, 1938 Susanna Berger, Philander Colutius and the Visualisation of Natural Philosophy Roger Bowdler, Stefano della Bella in Shoreditch: the monument of Elizabeth Benson Jerome Feldman, Transgressions in the House of the Chief: Hilimondregeraya village in South Nias Indonesia Victoria George, Calvin in Mondrian's Colour Theory Meredith Hale, The Production of History: Famiano Strada's De Bello Belgico Aleksandra Koutny Jones, Preaching the Dance of Death: The Reverend Marcin Krajewski's Cemetery Chapel at Zambrów Berthold Kress, The Block-book Biblia Pauperum as a Source for Printed Borders in France, Germany and England Phillip Lindley, The Poetics of the Tudor Beast Elizabeth Mc Grath, Ernest van Veen and the "Black But Beautiful" bride Robin Middleton, A Cautionary Tale: The History of Eighteenth-Century Architecture in France Jennifer Montagu, The After-Life of Some Models by Alessando Algardi Temi Odumosu, Rude Encounters: The "Jolly Nigger Bank" as a Visual Problem from America to Denmark Greg Rubinstein, Abraham Mathijs, Whale-Fisherman: Author of the First True Topographical Drawing of North America? Charles Saumarez Smith, The Rubens at King's Giancarlo M.G. Scoditti, An Ethnographical Divertissement on Tribal Art and Picasso's First Cubism Aya Soika, The Sale of Emil Nolde's New Guinea Watercolours to the German Imperial Colonial Office Mark Stocker, Maori, Modernism and Monumentality: Molly Macalister's Maori Warrior Paul Taylor, 'Mass' and 'Massing' from Karel van Mander to Roger Fry Nicholas Tromans, "The Elements": A Fresco Cycle by George Frederic Watts Jutta Vinzent, Austria in Die Zeitung: The Instrumentalisation of Émigré Newspapers during World War Two and the Subversive Power of Cartoons. Language : English text.

Condición: Good. xx, 652 + 3-12-ads; [iv], 653-1352, 20 plates, woodcuts to text. . HB. 2 vols, small 8vo (173x110mm), rebound in buckram, leather title pieces to spines. Page margins slightly browned. Withdrawn from an institutional library with a few neat ink stamps. New and revised edition, with supplement. Illustrated by numerous woodcuts by Fitch and Branston, and steel engravings by Adlard. Part I. A-K, Part II, L-Z.

Condición: Fair. Parts 1 and 2 in 2 volumes. Ex-library books and may have the usual library/used-book markings inside. Hardback covers. In fair condition, suitable as a study copy. Cloth covers scuffed and a little edgeworn, gold text on spine and front covers. Binding a little loose. "Illustrated by Numerous Woodcuts by Fitch and Branston and Steel Engravings by Adlard". Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1200grams, ISBN:

Hardback, XXX+430 p., 155 b/w ill. + 26 colour ill., 160 x 240 mm. ISBN 9782503511559. This important collection of essays represents a wide variety of new approaches to the deployment of images by historians. Methodological debates and historiographical concerns are explored by distinguished international scholars. Ground-breaking technological innovations in the last two decades of the twentieth century have led to the development of huge image databases, offering outstanding new opportunities for comparison, analysis and interrogation. This was apparent from the database demonstrations at the congress on History and Images in Copenhagen in 1999, part of the University of Copenhagen's Visual Construction of Realities research programme. Several of the papers included here summarise recent research or disclose the potential of the new technologies for posing - and answering - novel types of question. A common concern of many contributors to this volume has been the reconfiguring of Art History to encompass areas which have often been viewed as marginal - geographically, physically or intellectually, for example. As each of the nineteen essays demonstrates, approaches to the employment and interpretation of the visual image by historians have been increasingly rendered obsolete or inappropriate by postmodern intellectual diversity and by the dramatic development of technology. The subtitle of the book ('Towards a New Iconology') reveals that a potent new dialogue between historian and image and between contemporary and historical constructions of reality, is in the process of construction. Languages : English. 0 g.

1986, Ed. Elsevier Applied science. 4º, 288 pp. Very good condition. Scanned pictures available. \ TECHNICAL BOOK 10118.