Lieberman william s ed (32 resultados)

Paperback. Condición: Very Good. Nice copy with just minor wear. Pages of text are clean, lightly age toned and free of markings. Binding is tight and secure. ***Shipped within 24 hours from the beautiful Baltimore inner harbor area. First class service; accurate descriptions. Most items packed in boxes, not envelopes.***.…

Soft cover. Condición: Good. No Jacket. Max Ernst. Lieberman, William S. (ed.) Museum of Modern Art, New York, New York, 1961. 63p. trade pb, covers bumped/scuffed, CLEAN text, solid binding, paint fingerprints on covers, name inked front fly--2.00.

Small softcover exhibition catalog, 32 pages, very good condition except museum library stamps on inside covers and 1 page; no other internal marks.

Softcover exhibition catalog, 240 pages, good condition: some marks to covers; a few stains to edges of pages opposite spine; no internal marks, with color and b/w reproductions.

paperback. Condición: Good.

Soft cover. Condición: Very Good. 1st Edition, Special Edition. An exhibition organized under the auspices of the International Council of the Museum of Modern Art.

Hardcover with dustjacket, 240 pages, good condition; dj chipped and yellowed; pages yellowed edges; no internal marks. Foreign shipping may be extra.

Condición: Good. Good condition. (lyonel feininger, exhibitions) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Condición: Fine. As Issued, No Dustjacket. In gold wraps decorated with artist's name in large white letters; covers are clean, bright and flat; corners are sharp; illustrated in black-and-white; color frontispiece present; 8vo; 63 pages; museum exhibition catalogue.

Condición: Good. Good condition. (Ruins, Art) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Trade Paperback. Condición: Very Good. First Edition. Museum catalog for exhibit. Trade paperback, 63 pages, minor foxing, mostly to edges of title page. Otherwise, clean and tight, near fine. Book.

Horizontal 8vo, pp. 142. Chronology, list of illlustrations. Illustrated in black and white. Paper wraps. Cover little scuffed, creased and chipped, o/w VG.

Softcover, 356 pages; good condition bump and light tears to top of spine; gift inscription on first page; no other internal marks. Foreign shipping may be extra.

Softcover. Condición: Good with no dust jacket. Sound binding. Clean, tanned pages. Wrappers have edge rubbing, handling wear, spine creasing. Contents: Lieberman, Printmaking and the American woodcut today. Kirstein, The position of Balanchine. Jones, Geographical thought in the United States. Menotti, Notes on opera as basic theater. Grau, Joshua. Poetry by William Burford, Arthur Gregor, Anthony Hecht, Daniel G. Hoffman, Laurence Josephs, James Merrill, W. S. Merwin, Howard Moss, Hy Sobiloff, May Swenson. Hofstadter, The pseudo-conservative revolt. Berger, Notes on recordings of contemporary American music. Dupee, Letter from New York. Reviews by Hayden Carruth, Richard Chase, Gerald Sykes. Cover Art; 9.0" tall; 176 pages. Illustrated by Rudolph de Harak (ilustrador). …

Softcover. Condición: Very Good. First Edition. First edition. Very good in wrappers. Book has light rub of spine, light fading of cover, yellowing of pages.

Softcover. Condición: Near Fine. First edition. Light fading on the spine else fine in wrappers.

Softcover. Condición: Very Good. Exhibitioncatalogue. 6.5 x 7.5 inches, 32 pp, with illustrations (6 in color). Light handling wear, name on inside front cover; else clean and sound. From the Introduction: "There is no question that Dine's irreverent, uninhibited designs were appropriate to this black comedy of anti-romantic love. The shock of pure color and modern costumes erased decades of clichés and plummeted Hancock's production into the world of hippies and happenings.".…

Condición: Good. 8vo. 232 pp. White cloth-covered boards with gilt spine and printed red brodart dust jacket. Very good with marginal creasing along bottom corners., light toning to pages and rubbing to brodart jacket. Blue endpapers. Black and white and colored plates. Previous owner's (Pasquale Iannetti) stamp and lending card on inside front cover.…

paperback. Condición: Near Fine. Illustrated. Small oblong 4to. NY (MOMA) 1961. Wraps. About fine.

Cloth(Hrdcvr). Condición: G/G. New York, NY: Museum of Modern Art. G/G. (1957). Cloth(Hrdcvr). 8vo., 240 pp., Yellowing, Dj frayed, marker on endpaper . Photographs (Color, B&W) (ilustrador).

Condición: Sehr gut. 142 S. Einband berieben. - During the decade, in the visual and performing arts and in literature, modernism became established as a philosophy and a creed. In architecture, an International Style was born. Today, however, it is the jazz age, the roaring twenties, the crazy years, and the golden ones that are nostalgically recalled. The economic disasters and political unrest of the period are easily forgotten. It was the best and the worst of times. The period, it must be remembered, also sustained several contradictory movements, for instance, Dada and Purism. The decade begins with the founding of the Bauhaus in Weimar in 1919. With its artists of several nationalities, the Bauhaus achieved a successful integration of all the arts. This junction became a focal synthesis, an environment that combined craft and the machine, the fine as well as the applied arts. Opposites abound in the arts of the twenties. For the theater, early in the decade, a Czech writer invented the word "robot." The term swiftly achieved universal acceptance, and the robot became one symbol of the age. But this was still the time of Diaghilev, who died in 1929; and in the same year, Mickey Mouse was born. The Museum of Modern Art opened its doors to the public in November 1929 with its first loan exhibition, "Cézanne, Gauguin, Seurat, van Gogh." Save for a single drawing and a few prints, the Museum itself owned nothing. Its chief asset was, and remained, its founding director, Alfred H. Barr, Jr. More than any other person in the twentieth century, he influenced the way we look at the art of our time. His concept of modernism as an integration of all the arts had evolved during the 1920s. Sprache: Englisch Gewicht in Gramm: 550 Mit zahlr. Abb. Originalbroschur.…

Paperback. Condición: VG. 1st Edition. Large format illustrated paperback. Book is in very good condition with minor signs of wear and/or age. Top right hand corner a bit dog-eared.

12mo (19x20.5cm), paperback, 93pp. Good condition. Light wear, edges rubbed & lightly chipped. B&w illustrations. Possibly a presentation copy, with editor's name and gallery crossed out at title page, and penned notes made instead. Pictures available on request.

First Edition. Good, tight paperback copy; wrappers slightly creased and edgeworn, with rear panel somewhat dust-dulled. Faint surface abrasion to front fore-edge. Remains well-preserved overall. Physical description; 368 pages : illustrations (some colour) ; 24 cm. Notes; Exhibition catalogue for the Metropolitan Museum of Art, New York, Jun 18 - Nov 1 1994. Bilingual version of the catalogue, with text in French and English. Subjects; Gelman, Jacques--Art collections--Exhibitions. Gelman, Natasha--Art collections--Exhibitions. Art, Modern--20th century--Exhibitions. 1 Kg.…

First Edition. Good, tight paperback copy; wrappers slightly creased and edgeworn, with rear panel somewhat dust-dulled. Faint surface abrasion to front fore-edge. Remains well-preserved overall. Physical description; 368 pages : illustrations (some colour) ; 24 cm. Notes; Exhibition catalogue for the Metropolitan Museum of Art, New York, Jun 18 - Nov 1 1994. Bilingual version of the catalogue, with text in French and English. Subjects; Gelman, Jacques--Art collections--Exhibitions. Gelman, Natasha--Art collections--Exhibitions. Art, Modern--20th century--Exhibitions. 1 Kg.…

Condición: Good. 12mo. Soft Cover [ca. 150 pp.] B&W Plates. Very Good. Ex-Library, Creasing, Abrasions, Sunning.Provenance: From the library of the San Francisco Gallerist Pasquale Iannetti.

The Metropolitan Museum of Modern Art / Harry N. Abrams, New York 2000. 4to. Illustrations in b/w and colour. Orig. softcover. Very light edge wear. Very good.

Encuadernación de tapa dura. Condición: Muy bien. 1ª Edición. 151p. 31x 23 cm. Prólogo de Octavio Paz. Ilust. a color. 1070 grs.(GR).

63 S. mit 1 Farbtafeln u. sehr zahlreichen s/w Abbildungen. Orig.-Karton. Frisches Exemplar.