Lichtenstein l (73 resultados)

Condición: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Fine. 1st.

116 pp.; 24.5 x 16.5 cm.; black-and-white & color; edition size 3000; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at University Art Museum, California State University, Long Beach, CA, August 26 - October 26, 1997. Traveled to The Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ, November 22, 1997 - February 22, 1998; The Baltimore Museum of Art, Baltimore, MD, March 25 - May 31, 1998; Montgomery Museum of Fine Arts, Montgomery, AL, June 27 - August 23, 1998; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, MN, October 3 - December 6, 1998; Marion Koogler McNay Art Museum, San Antonio, TX, January 18 - Marh 14, 1999; Wichita Art Museum, Wichita, KS, April 11 - June 6, 1999; Muskegon Museum of Art, Muskegon, MI, July 29 - September 12, 1999; Joslyn Art Museum, Omaha, NB, October 23, 1999 - January 9, 2000; Lowe Art Museum, University of Miami, Coral Gables, FL, February 3 - March 26, 2000 and The Toledo Museum of Art, Toledo, OH, June 4 - August 13, 2000. Curated and with text by Constance W. Glenn. Additional contributions by Linda Albright-Tomb, Dorothy Lichtenstein, and Karen L. Kleinfelder. Artists include Allan D''Arcangelo, Jim Dine, Robert Indiana, Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, Larry Rivers, James Rosenquist, Edward Ruscha, Lucas Samaras, George Segal, Wayne Thiebaud, Ernest Trova, Andy Warhol, Roberty Watts, and Tom Wesselmann. Includes exhibition checklist and annotated bibliography. Very Good / Fine. Light rubbing of cover edges. Contents clean and unmarked.…

116 pp.; 24.5 x 16.5 cm.; black-and-white & color; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at University Art Museum, California State University, Long Beach, CA, August 26 - October 26, 1997. Traveled to The Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ, November 22, 1997 - February 22, 1998; The Baltimore Museum of Art, Baltimore, MD, March 25 - May 31, 1998; Montgomery Museum of Fine Arts, Montgomery, AL, June 27 - August 23, 1998; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, MN, October 3 - December 6, 1998; Marion Koogler McNay Art Museum, San Antonio, TX, January 18 - Marh 14, 1999; Wichita Art Museum, Wichita, KS, April 11 - June 6, 1999; Muskegon Museum of Art, Muskegon, MI, July 29 - September 12, 1999; Joslyn Art Museum, Omaha, NB, October 23, 1999 - January 9, 2000; Lowe Art Museum, University of Miami, Coral Gables, FL, February 3 - March 26, 2000 and The Toledo Museum of Art, Toledo, OH, June 4 - August 13, 2000. Curated and with text by Constance W. Glenn. Additional contributions by Linda Albright-Tomb, Dorothy Lichtenstein, and Karen L. Kleinfelder. Artists include Allan D'Arcangelo, Jim Dine, Robert Indiana, Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, Larry Rivers, James Rosenquist, Edward Ruscha, Lucas Samaras, George Segal, Wayne Thiebaud, Ernest Trova, Andy Warhol, Roberty Watts, and Tom Wesselmann. Includes exhibition checklist and annotated bibliography. Very Good / Fine. Light rubbing of cover edges. "Carley 3/2000" written in black ink on title page. Contents otherwise clean and unmarked.…

Softcover. First Edition Thus; Second Printing. Book condition is Very Good in wraps. Crease to top corner of front panel, with some minor foxing at that location inside front cover. Text is clean and unmarked. ; 9 X 6 X 0.51 inches; 204 pages.

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Good. Estado de la sobrecubierta: Poor. First Edition. Heavy book extra postage may be required. The dust jacket is a worn, chipped pieces and a large piece missing on the front cover (110 x70mm). The boards are in good condition. The pages are slightly wavy on the front free end paper page. Internally there are no markings or inscriptions. Presented in cellophane. The binding is excellent. GK. Our orders are shipped using tracked courier delivery services.…

Condición: New.

Hardcover. Condición: New.

Paperback. Condición: New. BRAND NEW, Perfect Shape, No Black Remainder Mark,Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction.…

Paperback Edition. Condición: Fine Condition. 116 pages 75 illustrations 46 in color. Illustrated wraps. Introduction by Linda Albright-Tomb. Published on the occasion of the exhibition from the University Art Museum, College of the Arts California State University, Long Beach CA August 26-October 26, 1997. Annotated Bibliography.…

318 pp. A collection of short stories - contributors include Leslie A. Fiedler, Thomas Williams, Philip Roth, Herbert Wilner, George P. Elliot, John Barth, Vance Bourjaily, Ivan Gold, Alfred Chester, Jesse Bier. A little foxing on preliminaries. Overall condition VG.

Condición: New.

Condición: Gut. Seite 177-377 Das Buch befindet sich in einem ordentlich erhaltenen Zustand. Starke altersbedingte Anbräunung des Papiers. Kaffeeflecken auf den ersten fünf Seiten. Einbandkanten sind leicht bestoßen. Einige Einrisse am Buchrücken. Sprache: Deutsch Gewicht in Gramm: 300 Softcover/Paperback, Broschiert.…

Condición: As New. Unread book in perfect condition.

Soft cover. Condición: Very Good. 1st Edition. Soft-cover 12mo. Machmadim Art Editions, 1949. 1st Edition. Signed by Lichtenstein. Signed by Author(s).

9054 1953 315PP. ILLUSTRATED HARD COVER NO DUST JACKET ISSUED VERY GOOD CONDITION. STE 291.

cloth, gilt. 316 pp. 155 ills. 777g.

Condición: New. pp. 204.

Hardcover. Condición: GOOD. Second Edition. 252 pp. Illustrated in-text throughout with black and white drawings. Laminant wrinkled, spine punctured and taped over, sharp and clean otherwise.

Trade paperback. Condición: Very good. Format is approximately 6 inches by 9 inches. xv, [1], 185, [3] pages. Figures. Illustrations. Tables. References. Additional Readings. Index. Signed by Fischhoff on the title page. Baruch Fischhoff (born April 21, 1946, Detroit, Michigan) is an American academic who is the Howard Heinz University Professor in the Institute for Politics and Strategy and the Department of Engineering and Public Policy at Carnegie Mellon University. He is an elected member of the (US) National Academy of Sciences and National Academy of Medicine. His research focuses on judgment and decision making, including risk perception and risk Analysis. He has numerous academic books and articles. Fischhoff completed his graduate education at the Hebrew University of Jerusalem under the supervision of Daniel Kahneman and Amos Tversky. He has been honored with a 'Distinguished Achievement Award' by the Society for Risk Analysis, a Distinguished Scientific Award for an Early Career Contribution to Psychology by the American Psychological Association, an Andrew Carnegie Fellowship, and a Doctorate of Humanities by Lund University. He has chaired committees of the U.S. Food and Drug Administration, National Academy of Sciences, and Environmental Protection Agency. He is a past president of the Society for Risk Analysis and Society for Judgment and Decision Making. He is a fellow of the American Psychological Association, Association for Psychological Science, Society of Experimental Psychologists and Society for Risk Analysis. He won the William Proctor Prize for Scientific Achievement in 2021. The common denominator of a growing number of hard decisions facing modern societies is the need to determine 'how safe is safe enough?'. The authors begin by defining acceptable-risk problems and analyzing why they are so difficult to resolve, considering such issues as uncertainty about their definition, lack of relevant facts, conflicting and conflicted social values, and disagreements between technical experts and the lay public. Drawing on their own experience in risk management as well as the relevant research literatures, they identify and characterize the variety of methods that have been proposed for resolving acceptable-risk problems. They subject these methods to a rigorous critique in terms of philosophical presuppositions, technical feasibility, political acceptability, and validity of underlying assumptions about human behavior. The authors construct a framework for deciding how to make decisions about risks, and offer recommendations for research, public policy, and practice. Although their principal focus is on technological hazards, their analysis applies to many risks, such as those from new medical treatments or innovative programs in criminal justice. The necessity of balancing risks and benefits impinges on most people's lives, and a broad audience will find this book thought-provoking and useful. First paperback edition [stated] Sixth printing [stated].…

Condición: Good. Condizioni dettagliate: più che buone, bordi ammaccati, scritta sul frontespizio, copertina rigida.

Condición: Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Leggere tracce d'umidita'.

brossura. Condición: Buono (Good). XIX, 266 p. con una tavola ripiegata; 19,5 x 16,5 cm. Brossura editoriale. Etichetta con i nomi degli autori applicata al dorso con nastro adesivo. Interno molto buono. Buono (Good).