lefevre lucien (33 resultados)

Couverture souple. Condición: Bon. Encyclopédie Moderne d'Éducation. D.L. : 1er tri. 1967. In-8° (1 x 15,5 x 23,5 cm). 152 pages. 190 grammes. Broché. Par Lucien Lefèvre. Article d'occasion vérifié, envoi soigné sous protection bulle. Livraison rapide via La Poste avec N° de suivi (48 H.). Solution "éco" avec Mondial Relay ou Chronopost "Shop2shop", sur demande.

Condición: Bon. Traces de pliures sur la couverture. Traces d'usure sur la couverture. Edition 1973. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Traces of creases on the cover. Signs of wear on the cover. Edition 1973. Ammareal gives back up to 15% of this item's net price to charity organizations.

In 8 Broche. 144 pages. Tres bon etat.

stiff paper wrappers. Villeboeuf, Paul Ilustrador. 4to. stiff paper wrappers. (ix), 127+(1) pages. This is an auction catalogue (Blogie 381) of the library of Paul Villeboeuf including books dating from the sixteenth century on, illustrated and original edition books from the Romantic and modern periods, and elaborate bindings primarily by Émile Mercier (1855-1910) and his son Georges. It includes numerous black-and-white illustrations. There are some price notations in pencil in the margins. Moderately worn and soiled. A bookplate on the inside of the front wrapper indicates that this copy came from the reference library and stock of H.P. Kraus.

Couverture souple. Condición: Bon. Encyclopédie Moderne d'Éducation. D.L. : 4ème tri. 1968. In-8° (1,2 x 15,5 x 23,5 cm). 152 pages. 260 grammes. Dos partiellement insolé. Broché. Par Lucien Lefèvre. Article d'occasion vérifié, envoi soigné sous protection bulle. Livraison rapide via La Poste avec N° de suivi (48 H.). Solution "éco" avec Mondial Relay ou Chronopost "Shop2shop", sur demande.

Manuscript. Condición: Like New. POSTAL. ELECTRICINE ECLAIRAGE DE LUXE, 1895 (Lucien Lefévre) Dover Publications, Inc, Circa 1985. SIN CIRCULAR. Otros. 1 paginas mas cubiertas. 10,5x14,5 cm. (Base x Altura x Grosor). Color. NOTA: La fecha es aproximada, no se indica fecha de edición en el ejemplar consultado. Peso: 10 gramos. - - - NOTAS SOBRE EL ESTADO: Muy buen estado, artículo nuevo o como nuevo. Ver fotos y leer descripcion, las fotos se consideran parte de la descripcion.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. France: Librairie de France 150 pp. Color photo illustrations on every page. A description of the country and culture of the Ivory Coast with text in French and English. Text is clean, tight and unmarked. Red cloth boards are bright and undamaged. DJ is intact but has considerable rubbing to extremities. Now in protective mylar. Hardcover. Very Good/Good. 8vo - over 7¾" - 9¾" tall.

Couverture souple. Condición: Bon. Sous la direction de Lucien Lefevre et Richard Delchet L'éducation des enfants et des adolescents handicapés tome 2 : les handicapés psychiques les éditions ESF 1977 232p format 24x16cm dos insolé, sinon bon état général.

Condición: DISCRETO USATO. Encyclopédie moderne d'éducation Francese Volume appartenente alla collana Encyclopédie moderne d'éducation. Brossura editoriale con risvolti leggermente brunita e macchiata ai piatti e al dorso, stanca agli angoli, ai margini e alle estremità del dorso. Pagine ben salde alla cerniera, con ampio margine, leggermente brunite, così come i tagli. Presente qualche tavola ripiegata. Presente leggera fioritura i tagli. Piccola nota a matita alla controguardia superiore. Numero pagine 153.

Couverture souple. Condición: bon. RO30316193: 1977. In-8. Broché. Bon état, Couv. légèrement pliée, Dos satisfaisant, Intérieur frais. 232 pages. Tampon en page titre. . . . Classification Dewey : 370-Education.

Hardcover. Condición: Very Good. 3 Books bound as one. Cluny: 112 pages illustrated with 40 b&w illustrations and 2 plans. Limoges: 116 pages with 45 b&w illustrations and 1 fold-out color plan. Lyon: 108 pages illustrated with 56 b&w illustrations and one fold-out color plan. No date circa 1920. Marbled boards with gilt title on spine and previous owners initials in gilt on front cover. Top edge of text block gilt. Condition VERY GOOD: spine yellowed, spine ends worn, previous owners name dated 1921 on ffep. Binding is tight, text and illustrations are very clean. Text in French.

Condición: Très bon. In-12 de 142 pp.; broché. Nouvelle encyclopédie pédagogique. La librairie offre aux clients d'AbeBooks 20% de réduction sur l'ensemble de son catalogue. Prix d'origine : 10 EUR.

12 x 19, 143 pp., tableaux, broché, Bon état - non coupé, édition originale La classe nouvelle: esprit et méthode - Observation psychologique et connaissance de l'enfant - Personnalité des enfants de 11 à 12 ans - Crise de croissance: âges psycho-scolaires et âges mentaux - Conditions générales detravail dans les classes nouvelle.

Condición: BE. Paris, broché, couverture illustr; in-8, 153 pp.

broché. l'observation personnelle du maître, analyse des travaux écrits, la détection des aptitudes, l'observation active en classe, les soources d'information complémentaires, les parents, les éducateurs, les instruments de travail collectifs, étude de cas particuliers, in-8 153 exemplaire de bibliothèque, bon état, usage.

Agrafé. Condición: Etat moyen. in-8 Description :Couverture salie. Langue : Français.

Couverture souple. Condición: bon. RO60136621: 1949. In-12. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Non coupé. 142 pages. 1er plat très légèrement sali. . . . Classification Dewey : 155.4-Psychologie de l'enfant.

Couverture souple. Condición: bon. R260124007: 1949. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos fané, Intérieur frais. 142 pages. . . . Classification Dewey : 370-Education.

1968, Buenos aires, Editorial ruy diaz, 18x13, 174 paginas con despegables, tapa rustica impresa a 1 tintas, 200 gramos, buen estado.

Couverture rigide. Condición: bon. RO40181921: Non daté. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Env. 150 pages. Illustré de nombreuses photos (et cartes) en couleur. Texte en français et en anglais. Etiquette de code sur le dos (jaquette). Tampon et annotations de bibliothèque en page de titre. Jaquette abîmée. Avec Jaquette. . . Classification Dewey : 966-Afrique occidentale.

Couverture rigide. Condición: bon. R240167009: Non daté. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 200 pages environ - nombreuses photos en couleurs dans et hors texte. Papier glacé. Jaquette légèrement abîmée et déchirée en coiffe en tête. Non daté. Avec Jaquette. . . Classification Dewey : 960-Histoire générale de l'Afrique.

Couverture rigide. Condición: bon. RO40035419: Non daté. In-8. Relié toilé. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 150 pages. Illustré de nombreuses photos (et cartes) en couleur. Texte en français et en anglais. Jaquette légèrement passée. Avec Jaquette. . . Classification Dewey : 966-Afrique occidentale.

Couverture rigide. Condición: bon. R260166488: NON DATE. In-4. Cartonnage d'éditeurs. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 140 pages. Toile beige, titres verts. Jaquette illustrée en couleurs, légèrement abîmée. Très nombreuses photos en couleurs. Carte en couleurs. Avec Jaquette. . . Classification Dewey : 960-Histoire générale de l'Afrique.

Couverture souple. Condición: bon. ROD0129104: 1949. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 142 pages - un accroc sur le 1er plat. . . . Classification Dewey : 150-Psychologie.

Original Farblithographie aus dem Werk "Les Maitres de l'Affiche" von 1899. Blatt-Maße: ca. 39 x 30 cm. gut erhalten. || Original first edition lithograph out of "Les Maitres de l'Affiche" from 1899. With the blind embossed stamp designed by J. Cheret. in good condition. || Lithographie originale en couleurs de l'ouvrage "Les Maîtres de l'Affiche" de 1899. || "Les Maitres de l'Affiche" was published by Imprimerie Chaix, under the direction of Jules Cheret between the years 1896 and 1900, as a monthly subscription. It features designs by artists such as: Alphonse Mucha, Henri de Toulouse-Lautrec, Theophile-Alexandre Steinlen, Bonnard, Forain, Eugene Grasset, Georges Meunier, Louis Rhead, Dudley Hardy, etc. Special issues included plates with original designes by renowed artists. Among the most sought-after posters from the series are "Job" by A. Mucha which helped establish Mucha as a creator of beautiful Art Nouveau popular images, and has been used widely all over the world, in various variants - and "Moulin Rouge" by Toulouse Lautrec. With more than one thousand poster designs, Jules Cheret was considered the father of poster art. Many of the posters from Les Maitres de l'Affiche have been designed by Charet himself. In 1866, he opened his own print shop in Paris and from 1881 on, he operated as part of the Chaix Imprimerie which published "Les Maitres de l'Affiche". This work was created during La Belle Epoque in France, a great time for advertising and part of the French Great Poster Movement which started at the end of the 19th century. At that time, the streets of all large cities in the world were full of large-format, colorful, lively poster images. Advertising posters began to be regarded as works of art, and published as fine prints. Imprimerie Chaix played a great part in popularizing poster designs, as well as in keeping record of the artistic movement as a whole. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch.

Hardcover. Condición: Fine. Lucien Lefevre Ilustrador. This first edition, folio lithograph after a poster is from "Les Maitres de l'Affiche". The work was published by Imprimerie Chaix under the direction of Jules Cheret in Paris between 1896 and 1900. The prints were published as a monthly subscription, with 4 sent each month to subscribers. On 16 occasions "bonus" plates of original designs by noted artists were also included. Each lithograph features the blind embossed stamp of Maitres de l'Affiche designed by Cheret. Celebrated artists of the time contributed to the work including Steinlen, Mucha, Toulouse-Lautrec, Bonnard, Forain, Grasset, Meunier, Louis Rhead, Dudley Hardy, Beggarstaff, Edward Penfield et al. --- Jules Cheret was considered the father of poster art. "He dominated the series, with one in every four Maitres by him, the first in each monthly instalment, and 7 of the Special plates, a total of 67. With over 1000 poster designs to his credit, his large representation in the series is justified, although some critics have pointed out that, as the artistic director, he may have been biased towards selecting his own work." (Appelbaum p.iii) Cheret demonstrated a unique combination of artistic, technical, and entrepreneurial talent that spearheaded the poster industry. He opened his own print shop in 1866 in Paris and from 1881 on his shop operated as part of the Chaix firm which gave us "Les Maitres de l'Affiche". --- Among the most sought after plates in the work are the "Job" and "Moulin Rouge" by Toulouse Lautrec. Rennert noted of the "Job" by Mucha that "more than any other work of Mucha's, this beauty established him as the master of convoluted hair and the creator of unforgettable popular images; the poster was used for years in many variants all over the world, sometimes with marginal text in various languages. A classic by any standard." (Rennert, PAI-XLIX 389) "Jane Abdy called it "a secular icon," and indeed it is a magnificent production, considering that it advertises cigarette paper. "The background, in a dull imperial purple is a perfect foil for the golden curls of the smoking girl, whose locks are spread over the poster like the delicate filigree work of an Indian bracelet"(Abdy, p.136) --- This art subscription was created during the Belle Epoque period in France. "There was nothing exclusive about the 'joie de vivre' that swept Paris, at a delirious pace, out of the 19th century into the 20th. As Victor Hugo had observed, the city lived by, and for, the whole human race. Haussman's great boulevards had opened up a spacious stage where Paris made a spectacle of herself by day and night. Outdoors and indoors the walls of buildings flowered with posters that took their themes from the passing show of 'La Vie Parisenne.' Advertising never knew happier days. The most ephemeral of the arts has left us with a vision of the 'good old days' that vanished forever in the gunsmoke of 1914. Those gay nineties and naughty noughts that will always be remembered as 'La Belle Epoque.'(The beautiful era)" (Horizon p. 97) --- "By the 1890s the streets of every great metropolis were enlivened by large colourful posters (see The Great Poster Movement). The poster had not only caught the fancy of the broad public, but its best examples were already being regarded as works of art (specifically, as fine prints) to be exhibited, reviewed in journals, collected and reprinted in a manageable form. In the last five years of the century, the Imprimerie Chaix was to play great part in codifying, hallowing and perpetuating the ebullient period of 'La Belle Epoque.' It was in those years that the firm published "Les Maitres de l'Affiche" (Masters of the Poster) reduced lithographic versions, in authentic colours, of the best posters of Europe and America, by more than 90 great artists, posters that bring the period to life." (Appelbaum p.iii) --- The work is in very good to excellent condition. There may be a few minor imperfections to be expected with age. Please review the ima.

Hardcover. Condición: Fine. Lucien Lefevre Ilustrador. This first edition, folio lithograph after a poster is from "Les Maitres de l'Affiche". The work was published by Imprimerie Chaix under the direction of Jules Cheret in Paris between 1896 and 1900. The prints were published as a monthly subscription, with 4 sent each month to subscribers. On 16 occasions "bonus" plates of original designs by noted artists were also included. Each lithograph features the blind embossed stamp of Maitres de l'Affiche designed by Cheret. Celebrated artists of the time contributed to the work including Steinlen, Mucha, Toulouse-Lautrec, Bonnard, Forain, Grasset, Meunier, Louis Rhead, Dudley Hardy, Beggarstaff, Edward Penfield et al. --- Jules Cheret was considered the father of poster art. "He dominated the series, with one in every four Maitres by him, the first in each monthly instalment, and 7 of the Special plates, a total of 67. With over 1000 poster designs to his credit, his large representation in the series is justified, although some critics have pointed out that, as the artistic director, he may have been biased towards selecting his own work." (Appelbaum p.iii) Cheret demonstrated a unique combination of artistic, technical, and entrepreneurial talent that spearheaded the poster industry. He opened his own print shop in 1866 in Paris and from 1881 on his shop operated as part of the Chaix firm which gave us "Les Maitres de l'Affiche". --- Among the most sought after plates in the work are the "Job" and "Moulin Rouge" by Toulouse Lautrec. Rennert noted of the "Job" by Mucha that "more than any other work of Mucha's, this beauty established him as the master of convoluted hair and the creator of unforgettable popular images; the poster was used for years in many variants all over the world, sometimes with marginal text in various languages. A classic by any standard." (Rennert, PAI-XLIX 389) "Jane Abdy called it "a secular icon," and indeed it is a magnificent production, considering that it advertises cigarette paper. "The background, in a dull imperial purple is a perfect foil for the golden curls of the smoking girl, whose locks are spread over the poster like the delicate filigree work of an Indian bracelet"(Abdy, p.136) --- This art subscription was created during the Belle Epoque period in France. "There was nothing exclusive about the 'joie de vivre' that swept Paris, at a delirious pace, out of the 19th century into the 20th. As Victor Hugo had observed, the city lived by, and for, the whole human race. Haussman's great boulevards had opened up a spacious stage where Paris made a spectacle of herself by day and night. Outdoors and indoors the walls of buildings flowered with posters that took their themes from the passing show of 'La Vie Parisenne.' Advertising never knew happier days. The most ephemeral of the arts has left us with a vision of the 'good old days' that vanished forever in the gunsmoke of 1914. Those gay nineties and naughty noughts that will always be remembered as 'La Belle Epoque.'(The beautiful era)" (Horizon p. 97) --- "By the 1890s the streets of every great metropolis were enlivened by large colourful posters (see The Great Poster Movement). The poster had not only caught the fancy of the broad public, but its best examples were already being regarded as works of art (specifically, as fine prints) to be exhibited, reviewed in journals, collected and reprinted in a manageable form. In the last five years of the century, the Imprimerie Chaix was to play great part in codifying, hallowing and perpetuating the ebullient period of 'La Belle Epoque.' It was in those years that the firm published "Les Maitres de l'Affiche" (Masters of the Poster) reduced lithographic versions, in authentic colours, of the best posters of Europe and America, by more than 90 great artists, posters that bring the period to life." (Appelbaum p.iii) --- The work is in very good to excellent condition. There may be a few minor imperfections to be expected with age. Please review the ima.

Condición: molto buono. Litografia originale a colori affiche (179x123 cm), supporto in lino, piccoli difetti (segni di pieghe centrali). Due clown hanno finito il carboncino, un artista-clown sostituisce il lucido da scarpe Cirage Jacquot & Cie con la vernice per il viso. Il terzo clown ride della divertente situazione. Lucien Lefèvre (1862-1895) fu allievo di Jules Chéret, inizialmente influenzato da lui, iniziò a praticare l'arte della litografia a Chaix, acquisendo poi una certa fama come cartellonista a partire dal 1890. Alcune sue opere sono riprodotte in tre numeri della rivista "Les Maîtres de l'Affiche" (pl. 11, 55, 90). È stato a lungo celebrato per la sua arguzia, il suo fascino e la sua tecnica. Manifesto con qualche difetto dovuto al grande formato, di non facile reperibilità. . Book.

Ed.Instituto Cubano del Libro,La Habana 1971.Primera edición en castellano.19,5 cm.326 pag.Enc.rústica editorial con solapas y cubiertta ilustrada.En buen estado. Literatura y sociedad.

1st Ed., with a preface by Capitaine L. Lacroix. No pagination, 80 PP with 8 b/w illustrations (portrait of M. Prentout, shipowner of France II, and 7 photos of windjammers / cape horners). Stiff covers, illustrated front. Staples removed. Back cover reinforced and the last 8 pages with repairs and the first word of 19 lines handwritten where print is missing. Front cover soiled and with foxing spots. Still a very good copy of a rare book. French text. 21.2 x 13.8. 5 Informal Talks/Papers presented in 1949 (4: 02/03, 10/04, 15/10 & 15/12) and 1950 (1: 01/02) at the Institut Français d'Océanie. Capitaine Lefèvre was one of the last Cape Horners.