Lee weng choy (17 resultados)

Paperback. Condición: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condición: Very Good.

Hardcover. Condición: Good. Ex-library copy with the usual markings/stickers/stamping present, including stamping on the page edges. Book shows shelf & handling wear, including light cover scuffing. Pages are worn on their edges, but remain intact with unmarked text & pictures. A good reading copy.

Hardcover without dustjacket as issued, 160 pages; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condición: Used-Very Good. Cloth, no dj. Minor shelf wear. Else a bright, clean copy.

Softcover. Condición: Fine. 4to 11" - 13" tall; 160 pages.

Hardcover. Condición: New. No Jacket. 1st Edition. Still in shrink wrap. Ships from California.

Paperback. Condición: NEW. 1st. 159 pages, illustrations (some colour); 26 cm. Catalogue of an exhibition held at the Museum of Contemporary Art, Los Angeles, November 12, 2000 to February 11, 2001. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. *** "Flight Patterns highlights contemporary artists primarily working in the Pacific Basin--Southern California, Canada, New Zealand, and Australia--whose work addresses the specific topographical conditions and experience of living in this geographically and geopolitically dynamic region. As its conceptual foundation, Flight Patterns rethinks topographical practices of photography since the 1970s, looking at current manifestations of the topographical impulse in landscape-oriented work. The exhibition and its accompanying catalogue include new projects, recent work from the 1990s, and historically significant works of photography, film, video, and painting by 23 artists, including Doug Aitken, Rodney Graham, Anthony Hernandez, Tracey Moffatt, Paul Outerbridge, Allan Sekula, Miles Coolidge, Simon Leung. Flight Patterns introduces the work of West Coast American artists as well as those artists working in regions where there is a parallel history of landscapes and their representation, and where similar postcolonial issues are at stake. A landmark artistic, social, and geographical document, Flight Patterns highlights a diversity of artistic approaches--both formalist and conceptual--to one of the most fascinating and complex areas of the planet." - Publisher. *** CONTENTS: In the Field/On Location: Cornelia H. Butler; Locating: Paul Outerbridge, Anthony Hernandez; Document and Intervention: Allan Sekula, Center for Land Use Interpretation, Miles Coolidge, Christina Fernandez; Migration and Movement: Roy Kiyooka, Simon Leung, Simryn Gill; Wilderness: Rodney Graham, Gavin Hipkins, Rachel Khedoori; Land : Igloolik Isuma Productions, David Lamelas, Glen Wilson; Topographies: Tim Johnson, Lee Mullican, Caryl Davis, Doug Aitken, Yuk King Tan; Periphery: Laurence Aberhart, Tracey Moffatt, Michael Parekowhai; Topographies: Francis Pound; Just What Is It That Makes The Term Global-Local So Widely Cited, Yet So Annoying?: Lee Weng Choy. Size: 4to. Collectible.…

Hardcover. Condición: Used - Very Good. 'Flight Patterns' highlights contemporary artists primarily working in the Pacific Basin--Southern California, Canada, New Zealand, and Australia--whose work addresses the specific topographical conditions and experience of living in this geographically and geopolitically dynamic region. As its conceptual foundation, 'Flight Patterns' rethinks topographical practices of photography since the 1970s, looking at current manifestations of the topographical impulse in landscape-oriented work. The exhibition and its accompanying catalogue include new projects, recent work from the 1990s, and historically significant works of photography, film, video, and painting by 23 artists, including Doug Aitken, Rodney Graham, Anthony Hernandez, Tracey Moffatt, Paul Outerbridge, Allan Sekula, Miles Coolidge, Simon Leung. 'Flight Patterns' introduces the work of West Coast American artists as well as those artists working in regions where there is a parallel history of landscapes and their representation, and where similar postcolonial issues are at stake. A landmark artistic, social, and geographical document, 'Flight Patterns' highlights a diversity of artistic approaches--both formalist and conceptual--to one of the most fascinating and complex areas of the planet. Contributors include Cornelia H. Butler, Lee Weng Choy, Francis Pound. Very nice clean, tight copy free of any marks. Spine faded.…

Hardcover. First edition. Flight Patterns highlights contemporary artists primarily working in the Pacific Basin--Southern California, Canada, New Zealand, and Australia--whose work addresses the specific topographical conditions and experience of living in this geographically and geopolitically dynamic region. Includes work by Paul Outerbridge, Anthony Hernandez, Tracy Moffit, Doug Aitken, Rodney Graham, Anthony Hernandez, Tracey Moffatt, Paul Outerbridge, Allan Sekula, Miles Coolidge, Simon Leung, among others. Exhibition catalogue. Essays by Cornelia H. Butler, Lee Weng Choy and Francis Pound. 160 pages; color and b&w images throughout; 8.5 x 10.25 inches. Errata slip laid in. Condition: Fine/As New hardcover; no dj as issued. Ships the next business day, wrapped in padding, in a box.…

Hardcover. Condición: Fine. 1st Edition. 160 Pp. Illustrated Boards. First Printing. Catalog Of The Exhibition. Fine. Photographs Throughout (ilustrador).

paperback in good condition, lightly foxed, cover faded on spine; 160 pages, colour and b/w photos.

Condición: Gut. Einband mit Gebrauchsspuren, kleiner handschriftlicher Vermerk im Inhaltsverzeichnis, sonst sauber und in gutem Zustand. Cover with signs of wear, small handwritten note in the table of contents, otherwise clean and in good condition. --- Space, Spaces and Spacing was a conference held in 1995 as part of a series of annual conferences organised by The Substation. This former power station was often the de facto site for not only the arts and counterculture, but civil society. A meeting place for artists, academics, and activists, the seminal conferences went beyond a common platform. They carved out a new understanding and practice of public and civic space in Singapore. 25 years on, in the wake of change to the arts and culture in Singapore due to both local and global trends, The Substation re-presents Space, Spaces, and Spacing 2020, to reopen the conversation around public space and the public sphere. How have notions of spacein physical, virtual, and socio-political spheresevolved? And who are the individuals and institutions that grapple with this? In contending with the 1995 event, the conference provides a reentry into conversations that remain just as pertinent today. Retaining the themes from the four original panels, with new ideas and attitudes to create space not only for reflexive scholarship, but also representation for the arts community. A re/publication will be commissioned after the conference, combining transcripts from the 1995 event, alongside its contemporary iteration 25 years on. --- CONTENTS: OPENING ADDRESS FOR "SPACE, SPACES AND SPACING" by the Guest-of-Honour, Mr Owyang Hsuan - - WELCOME ADDRESS - - by Chew Kheng Chuan - - INTRODUCTION - - by T K Sabapathy - - Session 1 - - THE MAKING OF SPACES - - CHAIR: T K Sabapathy - - Political Space: Has it shrunk since the '60s? by Chua Beng Huat - - Space in The Straits Times for the arts by Richard Lim - - There is no place like home: space and the uncanny moloau by Yao Souchou - - Commentary - - by Francis Low Pooi Fong - - Commentary - - ellivine sill yabyneve bine siqoad viamino - - by Professor Eddie Kuo - - Session 2 - - ARTICULATING ART PRACTICES - - CHAIR: Philip Jeyaretnam - - Don't let the children down: the challenge of Theatre-In-Educatio by Rani Moorthy - - Art here: what price space? by T Sasitharan - - Across the South China Sea: A personal journey by Susie Wong - - Commentary by Goh Kasan - - Commentary by Lee Tzu Pheng - - Session 3 - - SOCIALISING THE SPACE - - CHAIR: Professor Koh Tai Ann - - Tada arit sonlanudeas - - tu edt voi somit zie - - Remarks on Art Museology in Singapore model by Kwok Kian Chow - - Provision, Mediation and Protection: three institutional roles in a by Soh Kay Cheng - - Everyday spaces, ordinary people and everyday life activities by Lai Ah Eng - - Commentary by Tay Kheng Soon - - Commentary by Teo Eng Seng - - Me-Owyang teren, Cherman of the - - Session 4 COMPLEXITIES AND CONTRADICTIONS CHAIR: Kuo Pao Kun - - Looking Back at Brother Cane: Performance Art and State Performance by Ray Langenbach - - Creating Real and Imagined Spaces by Toh Han Shih - - The city, the body by Lee Weng Choy - - Commentary by Ng Sek Chow - - Commentary by Zai Kuning - - Open Discussion. ISBN 9810076894 Sprache: Englisch Gewicht in Gramm: 550.…

Soft cover. Condición: Very Good. 1st Edition. Very Good. Eric Chan (ilustrador).

Condición: Good. 4to, 159 pp. Very Good. Soft Covers. Printed stiff paper wraps. Color and B&W plates throughout. Flight Patterns highlights contemporary artists primarily working in the Pacific Basin--Southern California, Canada, New Zealand, and Australia--whose work addresses the specific topographical conditions and experience of living in this geographically and geopolitically dynamic region. Includes work by Paul Outerbridge, Anthony Hernandez, Tracy Moffit, Doug Aitken, Rodney Graham, Anthony Hernandez, Tracey Moffatt, Paul Outerbridge, Allan Sekula, Miles Coolidge, Simon Leung, among others. The theme of the exhibition was to "rethink the topographic tradition and the land as subject-bringing together a long history of artists working primarily with photography in the American West with that of artists usings similar practices to address landscapes that have parallel histories of post-coloniality".…

Condición: Very Good.