lee watt (82 resultados)

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: Used: Very Good. Minor shelf/edge wear. Uncreased spine,binding tight.Text appears clean & unmarked.

Paperback. Condición: Very Good. Estado de la sobrecubierta: None as issued. 3rd. Clean, solid paperback copy with unmarked text. Cover has mild surface and edge wear. Binding is tight and square; no creases to spine or cover. We are unable to ship oversize books and multi-volume sets internationally.

Soft cover. Condición: Fine. 1st Edition. First edition, first printing of this collection of 24 short stories by various authors. All the stories were written for this collection. Featured are A Fear of Dead Things by Andrew Klavan, Snakes by Jane Yolen, Housebound by George Alec Effinger, Hot Water by Kristine Kathryn Rusch, Silent Pace by Jerry Ahern and Sharon Ahern, The Ugliest Woman in the World by Valerie Frankel, Heaven Scent by J.M. Morgan, The Worst Part by Lawrence Watt-Evans, Slime by Jon a. Harrold, Last Things First by Jack C. Halderman II, Hair by Kathryn Placek, The Hungry Sky by Brad Strickland, After You've Gone by Charles Grant, Mr. Death's Blue-Eyed Boy by S.P. Somtow, Next Door by Nancy A. Collins, The Granny by Richard Lee Byers, The Shape of Its Absence by Billie Sue Mosiman, Cankerman by Peter Crowther, Endure the Night by Robert Weinberg, The Old Steel-Faced Blues by Dean Wesley Smith, Passages by Karl Edward Wagner, Bird on a Ledge by Nancy Holder, Matters of Substance by Robert Sampson, Bridging by Rick Wilber. Introduction by Robert Bloch. Paperback original. In fine unread condition.

Condición: very_good. Item may have minor cosmetic defects marks, wears, cuts, bends, crushes on the cover, spine, pages or dust cover. Shrink wrap, dust covers, or boxed set case may be missing. Item may contain remainder marks on outside edges, which should be noted in Product Details. Item may be missing bundled media.

paperback. Condición: Very Good.

Various Ilustrador. The North American Review Vol. 228 No. 4 October 1929.

Condición: very_good. Fast Free Shipping â"Very good condition with a sturdy cover and clean pages. Lightly read and well cared for, showing only minimal shelf wear. May contain a few small marks but remains a solid copy to enjoy. Supplemental items like CDs or access codes may not be included.

Hardcover. Condición: Very Good. No Jacket. A few scratches and dents on the boards, lower rear corner bumped. Text clean.

Paperback. Condición: Brand New. 72 pages. 7.81x5.06x0.17 inches. In Stock.

Soft cover. Condición: Good. Packed in a BOX with cardboard backing and padding. (See Photos)! Pages: not written on, clean, bright, odor free. Cover: clean, bright, light rubbing and curl to corner tips. Ships from California. Ships same or next day (weekdays and Saturdays)! ABOUT: The Black Horn: The Story of Classical French Hornist Robert Lee Watt tells the story of the first African American French Hornist hired by a major symphony in the United States. Today, few African Americans hold chairs in major American symphony orchestras, and Watt is the first in many years to write about this uniquely exhilaratingand at times painfulexperience. The Black Horn chronicles the upbringing of a young boy fascinated by the sound of the French horn. Watt walks readers through the many obstacles of the racial climate in the United States, both on and off stage, and his efforts to learn and eventually master an instrument little considered in the African American community. Even the author's own father, who played trumpet, sought to dissuade the young classical musician in the making. He faced opposition from within the communitywhere the instrument was deemed by Watt's father a "middle instrument suited only for thin-lipped white boys"and from without. Watt also documented his struggles as a student at a nearly all-white major music conservatory, as well as his first job in a major symphony orchestra after the conservatory canceled his scholarship. Watt subsequently chronicles his triumphs and travails as a musician when confronting the realities of race in America and the world of classical music. This book will surely interest any classical musician and student, particularly those of color, seeking to grasp the sometimes troubled history of being the only "black horn.".

Hardcover. Condición: Very Good. Hardcover. Illustrated paper over boards with silver and white lettering. Title page not dated. Copyright page dated 2007. 333 pages. Very good condition. Corners bumped. Covers and pages clean. Binding stiff. Guide for role playing game Scion. Please e-mail us with questions or to request photos. This is an oversized (and overweight) book. Extra shipping charges may be required for international or priority delivery.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback or Softback. Condición: New. Tales from the Symphony: Perspectives from African American Musicians. Book.

Soft cover. Condición: As New. 3rd Revised Edition. 324pp., Pictorial full colour illustrated covers, illust. title-pages, foreword by Dr Wee Kim Wee, ack. by author, publisher's note, preface by author, col. & b/w plts. & illust. & text, documents. This is the true story of Tan Chong Tee, born and raised in Singapore, who gave up his studies in Chungking to join a mission, codenamed Operation Gustavus, to liberate his homeland from the Japanese invaders. Size: Octavo. Book.

Condición: New.

Paperback. Condición: new. Paperback. This book contains conversations with nineteen African American classical musicians currently performingor who have previously performedin Americas major symphony orchestras. Each chapter focuses on the story of one musician and sheds light on the realities of African American musicians playing in a musical environment that absolutely forbade their membership over half a century ago.These conversations explore the deeply ingrained prejudices that some hold against African American people in symphony orchestras, conservatories, and other musical institutions. By amplifying these voices, the book provides a variety of perspectives on the almost cloistered world of these beloved institutions. The stories and lessons shared in this book will be invaluable to music students, teachers, and orchestral professionals. This book contains conversations with over a dozen African American musicians currently performingor who have previously performedin Americas major symphony orchestras. These conversations shed light on the realities of African American musicians playing in a musical environment that forbade their membership over half a century ago. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New. In.

Paperback. Condición: New. Each John Wick film has earned more money and recognition than its predecessor, defying the conventional wisdom about the box office's action movie landscape, normally dominated by superhero movies and science fiction epics. As The Worlds of John Wick explores, the worldbuilding of John Wick offers thrills that you simply can't find anywhere else. The franchise's plot combines familiar elements of the revenge thriller and crime film with seamlessly coordinated action. One of its most distinctive appeals, however, is the detailed and multifaceted fictional world-or rather, worlds-it constructs. The contributors to this volume consider everything from fight sequences, action aesthetics, and stunts to grief, cinematic space and time, and gender performance to map these worlds and explore how their range and depth make John Wick a hit. A deep dive into this popular neo-noir franchise, The Worlds of John Wick celebrates and complicates the cult phenomenon that is John Wick.

Trade Paperback. Condición: Fine. First Edition, First Printing. The book is signed, dated (Singapore,1998) and stamped by the author Tan Chong Tee on the half title page. Signed by Author(s).

Condición: New.

Paperback or Softback. Condición: New. The Black Horn: The Story of Classical French Hornist Robert Lee Watt. Book.

Condición: New.

First edition. Softcover. [12 pages.] Exhibition catalog for a show that ran December 3, 1989 through January 28, 1990. Features a preface and acknowledgements by Craig Allen Subler, a foreword by Nigel Rolfe, and a poem by Martin Watt. Includes 5 color and 4 black and white illustrations, biographical information, list of previous exhibitions, bibliography and list of selected collections. A clean near fine copy in stapled wrappers. Scarce, with only 3 copies listed in OCLC.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. The Black Horn: The Story of Classical French Hornist Robert Lee Watt tells the story of the first African American French Hornist hired by a major symphony in the United States. Today, few African Americans hold chairs in major American symphony orchestras, and Watt is the first in many years to write about this uniquely exhilarating-and at times painful-experience. The Black Horn chronicles the upbringing of a young boy fascinated by the sound of the French horn. Watt walks readers through the many obstacles of the racial climate in the United States, both on and off stage, and his efforts to learn and eventually master an instrument little considered in the African American community. Even the author's own father, who played trumpet, sought to dissuade the young classical musician in the making. He faced opposition from within the community-where the instrument was deemed by Watt's father a "middle instrument suited only for thin-lipped white boys"-and from without. Watt also documented his struggles as a student at a nearly all-white major music conservatory, as well as his first job in a major symphony orchestra after the conservatory canceled his scholarship.Watt subsequently chronicles his triumphs and travails as a musician when confronting the realities of race in America and the world of classical music. This book will surely interest any classical musician and student, particularly those of color, seeking to grasp the sometimes troubled history of being the only "black horn.".

Condición: New. In.

Paperback. Condición: new. Paperback. The Black Horn: The Story of Classical French Hornist Robert Lee Watt tells the story of the first African American French Hornist hired by a major symphony in the United States. Today, few African Americans hold chairs in major American symphony orchestras, and Watt is the first in many years to write about this uniquely exhilaratingand at times painfulexperience.The Black Horn chronicles the upbringing of a young boy fascinated by the sound of the French horn. Watt walks readers through the many obstacles of the racial climate in the United States, both on and off stage, and his efforts to learn and eventually master an instrument little considered in the African American community. Even the authors own father, who played trumpet, sought to dissuade the young classical musician in the making. He faced opposition from within the communitywhere the instrument was deemed by Watts father a middle instrument suited only for thin-lipped white boysand from without. Watt also documented his struggles as a student at a nearly all-white major music conservatory, as well as his first job in a major symphony orchestra after the conservatory canceled his scholarship.Watt subsequently chronicles his triumphs and travails as a musician when confronting the realities of race in America and the world of classical music. This book will surely interest any classical musician and student, particularly those of color, seeking to grasp the sometimes troubled history of being the only black horn. Today, the number of African Americans who hold chairs in major American symphony orchestras are few and far between, and Watt is the first in many years to write about this uniquely exhilaratingand at times painfulexperience. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.