Lawrence peter ray (22 resultados)

Soft cover. Condición: Near Fine. 1st Edition. First Edition, First Printing of this Collection of 12 Short Stories. Featured are Headaches and Bad Dreams by Lawrence Block, How Things Are by Barbara Owens, Disposing of Mrs. Cronk by Peter Lovesey, Emperor of the Gypsies by Edward D Hoch, Night Train to Babylon by Ray Bradbury, Meyer and me by Gerald Tomlinson, The Lord of the Book by Michael Gilbert, Family Plot by Ralph McInerny, Last Will and Testament by Patricia Hall, Act of Kindness by Martin Edwards, At the Tent of Holofernes by Peter Tremayne and The Jury Box by Jon L Breen. In Near Fine Condition.…

Soft cover. Condición: Fine. 1st Edition. First Edition, First Printing of this Collection of 13 Short Stories. Featured are A Moment of Wrong Thinking by Lawrence Block, Big City by Bill James, The Path to the Shroud by Robert Barnard, Old Eyes by Nancy Pickard, Wasted Youth by Scott Mackay, Gunfighter's Honeymoon by Edward D Hoch, The Last Romantic by Raymond Steiber, The Rat House by Ray Nayler, Lifeline by Peter Usher, Heroics by Kristine Kathryn Rusch, Nor Any Thing That Is His by David Williams, Crime of Fashion by Deborah M Lee and Shirley, I Been Thinkin' by Broek Wolften. In Fine Condition. …

Softcover. Condición: Very Good. Very good.; 8vo.

Soft cover. Condición: Very Good. vg/1 sm. tear on frnt. wrap. form. owner sig. endsheet. Screenplay for award winning visionary Australian film. 27 b&w stills,storyboards & notes. Binding is wraps. Book.

dvd. Condición: Used - Good.

dvd. Condición: Used - Good.

Paperback. Condición: Very Good. Publisher: Faber & Faber, London, 1986. First Softcover Edition, First Printing. NEAR FINE softcover book in pictorial/illustrated wraps, as issued. A previous owner's signature on front free end paper. Not remainder marked. Not a book club edition. Not an ex-library copy.…

Condición: Good. - Octavo, color pictorial wraps. Lightly rubbed & creased with bottom corner of front wrap chipped; rear wrap lightly soiled with price-sticker partially removed. 142 pp. Stain to front wrap, inside wrap & first 3 leaves. Page edges very slightly darkened. Illustrated with some of Lawrence's story board drawings & with B&W stills from the film. Good. First edition.…

Softcover. Condición: Near Fine. No Jacket. First Edition. The published screenplay of Carey's 1981 novel. Bliss won three awards from the Australian Film Institute -- that country's equivalent to the Oscars -- for Best Film, Best Director (Ray Lawrence), and Best Screenplay (Lawrence and Carey). Owner name; creasing at spine fold; near fine in wrappers. Unless otherwise noted, our first editions are first printings. …

Pictorial Wraps. Condición: Very Good. First Edition. Bliss: The Film. Based on the novel by Peter Carey. Introduction by Don Anderson. Illustrated with b&w photographs. Includes a section on the storyboards. Bliss won the Best Film, Best Screenplay and Best Director Awards at the 1985 Australian Film Festival. Printed in Great Britain. Slight handling wear, mild marginal toning, otherwise a nice clean tight solid softcover copy. 142pp. SB-46.…

Pictorial Wraps. Condición: Very Good. First Edition. Bliss: The Film. Based on the novel by Peter Carey. Introduction by Don Anderson. Illustrated with b&w photographs. Includes a section on the storyboards. Bliss won the Best Film, Best Screenplay and Best Director Awards at the 1985 Australian Film Festival. Printed in Great Britain. Slight handling wear, mild marginal toning, otherwise a nice clean tight solid softcover copy. 142pp. SB-44.…

Pictorial Wraps. Condición: Very Good. First Edition. Bliss: The Film. Based on the novel by Peter Carey. Introduction by Don Anderson. Illustrated with b&w photographs. Includes a section on the storyboards. Bliss won the Best Film, Best Screenplay and Best Director Awards at the 1985 Australian Film Festival. Printed in Great Britain. Slight marginal toning, mild handling wear, otherwise a nice clean tight solid softcover copy. 142pp. SB-58.…

Soft Cover. Condición: VG+. First Edition. 8vo. original printed paper wraps (a trifle rubbed and creased, internally clean); pp. 142, with illustrations. A very good copy.

142pp. Tall 8vo. Original wrappers. First UK edition. Script of the film with b/w illustrations.

Trade Paperback. Condición: Like New. First Edition. First Edition, First Printing. Not price-clipped (£4.95 price intact). Published by Faber and Faber, 1986. Octavo. Paperback. Signed on title page (flat). Book is like new. An excellent copy of this screenplay of Peter Carey's landmark first novel. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

Condición: new.

cells (S. A. Europ. J. of Cell Biolog. 36) 1985. S. 24 - 31. gr8. m. zahlr. Abb. Kopie. geklammert -3) -Sonderabdruck-.

Condición: Very Good. Original double-sided triptych flyer exhibition programme. 8½'' x 4'' opening to 8½'' x 11½''. In Very Good condition. Member of the P.B.F.A. ART [British].

Boards with Dustjacket. First British Edition. SIGNED BY PETER CAREY. Novel based on the beloved Australian outlaw Ned Kelly. A film was made in 2003 called Ned Kelly which starred the late fine actor Heath Ledger but was not based on this book. Map of Australia loosly laid in. Jacket design by the design firm Pentagram. Fine/fine. Book.…

Soft cover. Condición: Fine. 1st Edition. Signed by Peter Carey. Note: The film won the Australian Film Institute's Best Film, Best Director and Best Original Screenplay awards of 1985. Illustrated with stills from the film. (ilustrador). Signed by Author(s).

Soft cover. Condición: Fine. Paperback. 9 1/2 x 6 1/2 inches. 68 pages with many black/white photos. VERY FINE. Binding tight, without stress creases and square. All corners pointed. Without tears, creases, bumps or chips. With some tanning from age and paper quality. Not marked in any way and very clean and bright. All books carefully wrapped and sent boxed.…

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.…