Lawler ian (2 resultados)

Soft cover. Condición: Fine. 1st Edition. "The Lusitania was the largest and fastest ocean-going liner in the world when launched in 1906 - a wonder of the age. On the afternoon of 7 May 1915, a German U-boat torpedoed Lusitania 18km off the southern coast of Ireland inside the declared war zone. The liner sank in 18 minutes, killing 1,197 passengers and crew. The sinking was a contributing factor in the United States declaring war on Germany two years later. Given the dramatic circumstances of its loss, the wreck has been the subject of much investigation, research and survey work since its loss over 100 years ago and was protected by Underwater Heritage Order in 1995. Ongoing collaboration between the National Monuments Service (DCHG) and INFOMAR (Geological Survey Ireland and the Marine Institute) has furthered research into the wreck leading to the production of this new book which not only tells the story of the ship itself but also of the World War I losses generally off Ireland's coast. Images from newspapers, postcards, paintings, photographic collections and a variety of other sources show the impact the sinking of the Lusitania had globally. Recent acquisition of detailed high resolution scans of the wreck carried out by INFOMAR (INtegrated Mapping FOr the Sustainable Development of Ireland's Marine Resource) provides new imagery of how the shipwreck looks on the sea-floor today. As well as drawing on expertise from the National Monuments Service's Underwater Archaeology Unit, the Geological Survey of Ireland, The Marine Institute and the National Museum of Ireland, there are contributions in the publication from independent researchers, divers and specialists.( Government Press Service media release, December 2019). Clean, bright, tightly bound copy of a well produced, generously illustrated book which contains much new information. In pictorial card covers. …

[44] pp.; 27.5 x 10.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with joint presentation by Art Metropole and Printed Matter at Art Basel, Basel, Switerzland, June 12 - 17, 1991. Cover artwork by Richard Prince and Lawrence Weiner. Curated by AA Bronson, John Goodwin. Artists include Carl Andre, David Antin, Eleanor Antin, Ida Applebroog, John Armleder, Art & Language, John Baldessari, Robert Barry, Lothar Baumgarten, Iain Baxter, Ingrid Baxter, Joseph Beuys, Barbara Bloom, Mel Bochner, Alighiero E. Boetti, Christian Boltanski, George Brecht, Marcel Broodthaers, Stanley Brouwn, David Buchan, Chris Burden, Daniel Buren, Michael Buthe, James Lee Byars, Genevieve Cadieux, Guiseppe Chiari, Christo, Francesco Clemente, Robert Cumming, Jan Dibbets, Marcel Duchamp, Hans-Peter Feldmann, File, Robert Filliou, Ian Hamilton Finlay, Fluxus, Robert Fones, Katharina Fritsch, Hamish Fulton, General Idea, Gilbert & George, Dan Graham, Rodney Graham, Jenny Holzer, Douglas Huebler, Image Bank, International Situationist, Joe Jones, Allan Kaprow, Anselm Kiefer, Martin Kippenberger, Michael Kirby, Yves Klein, Bengt af Klintberg, Joseph Kosuth, Barbara Kruger, Louise Lawler, Sol LeWitt, George Maciunas, Allan MacKay, Jackson Mac Low, Liz Magor, Christian Marclay, Lise Melhorn-Boe, Mario Merz, Robert Morris, Multiples Inc., Ian Murray, Maurizio Nannucci, Bruce Nauman, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Meret Oppenheim, Nam June Paik, Robert Rauschenberg, Steve Reich, Dieter Rot [Dieter Roth], Jerome Rothenberg, Edward Ruscha, Carolee Schneemann, Becky Singleton, Robert Smithson, SMS [Shit Must Stop], Michael Snow, Valerie Solanis, Jesus Raphael Soto, Jana Sterbak, Rosemarie Trockel, Ben Vautier, Bernar Venet, Andy Warhol, Robert Watts, Krzysztof Wodiczko, Wolf Vostell, La Monte Young and Zaj. "An Exhibition of Artists' Books and Multiples from the Permanent Collection of Art Metropole. LEARN TO READ ART is an exhibition of 287 published works by artists from the postwar period to the present. Although the contemporary artist's book emerged early in the twentieth century, it was not until the sixties that it came into its own as a medium ideally suited to the needs of Fluxus and Conceptual artists of the period thus our exhibition picks up this thread of history in the postwar years and follows it into that period of intense evolution which was the sixties and early seventies." ?- AA Bronson, General Idea, from introduction. Reference : No. 54 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 35. Very Good. Yellowing of recto edges with 6 cm. of yellowing across top of verso. Dust soiling to covers with light wear to corners including a 2 cm. dog-ear to top left of verso. Contents clean and unmarked.…