Laruelle francois (536 resultados)

Paperback. Condición: Like New. Clean copy. May have remainder mark.

Paperback. Condición: Good. A rigorous new thinking of the photograph in its relation to science, philosophy, and art, so as todiscover an essence of photography that precedes its historical, technological, and aesthetic conditions.If philosophy has always understood its relation to the world according to the model of the instantaneous flash of a photographic shot, how can there be a "philosophy of photography" that is not viciously self-reflexive? Challenging the assumptions made by any theory of photography that leaves its own "onto-photo-logical" conditions uninterrogated, Laruelle thinks the photograph non-philosophically, so as to discover an essence of photography that precedes its historical, technological and aesthetic conditions. The Concept of Non-Photography develops a rigorous new thinking of the photograph in its relation to science, philosophy, and art, and introduces the reader to all of the key concepts of Laruelle's "non-philosophy.".…

Paperback. Condición: Good. A rigorous new thinking of the photograph in its relation to science, philosophy, and art, so as todiscover an essence of photography that precedes its historical, technological, and aesthetic conditions.If philosophy has always understood its relation to the world according to the model of the instantaneous flash of a photographic shot, how can there be a "philosophy of photography" that is not viciously self-reflexive? Challenging the assumptions made by any theory of photography that leaves its own "onto-photo-logical" conditions uninterrogated, Laruelle thinks the photograph non-philosophically, so as to discover an essence of photography that precedes its historical, technological and aesthetic conditions. The Concept of Non-Photography develops a rigorous new thinking of the photograph in its relation to science, philosophy, and art, and introduces the reader to all of the key concepts of Laruelle's "non-philosophy.".…

Paperback. Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condición: Fair. Underlining and notes. Some pages creased at corner. A little wear on corners.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. The most accessible expression of François Laruelle's non-philosophical, or 'non-standard', thought, General Theory of Victims forges a new role for contemporary philosophers and intellectuals by rethinking their relation to victims. A key text in recent continental philosophy, it is indispensable for anyone interested in the debates surrounding materialism, philosophy of religion, and ethics.Transforming Joseph de Maistre's adage that the executioner is the cornerstone of society, General Theory of Victims instead proposes the victim as the cornerstone of humanity and the key figure for contemporary thought. Laruelle condemns philosophy for participating in and legitimating the great persecutions of the twentieth century, and lays out a new vision of victim-oriented ethics. To do this, he engages the resources of both quantum physics and theology in order to adapt a key concept of non-philosophy, Man-in-person, for a new understanding of the victim. As Man-in-person, the victim is no longer exclusively defined by suffering, but has the capacity to rise up against the world?s persecution. Based on this, Laruelle develops a new ethical role for the intellectual in which he does not merely 'represent' the victim, but imitates or 'clones' it, thereby assisting the victim?s uprising within thought.…

Paperback. Condición: New. In this important new book, the leading philosopher François Laruelle examines the role of intellectuals in our societies today, specifically with regards to criminal justice. He argues that, rather than concerning themselves with abstract philosophical notions like justice, truth and violence, intellectuals should focus on the human victims. Drawing on his influential theory of 'non-philosophy', he shows how we can submit the theorizing of intellectuals to the scrutiny of the everyday suffering of the victims of crime. In the course of a wide-ranging discussion with Philippe Petit, Laruelle suspends the presumed authority of intellectuals by challenging the image of the 'dominant intellectual' exemplified by philosophers such as Sartre, Foucault, Lyotard and Debray. In place of domination, he puts forward instead a theory of 'determination': the determined intellectual is one whose character is conditioned by his relationship to the victim, rather than one who attempts to dominate the victim's experience through a process of theorizing. While philosophy consistently takes the voice away from victims of suffering, non-philosophy is able to construct a theory of violence and crime that gives voice to the victim. This highly original book will be essential reading for all those interested in contemporary French philosophy and all those concerned with justice in the modern world.…

Condición: As New. Unread book in perfect condition.

paperback. Condición: New.

Paperback. Condición: New.

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: New. Brand New.

Condición: New. Brand New.

Condición: New. Brand New.

Condición: New. Brand New.

Condición: New. Brand New.

Paperback. Condición: new. Paperback. A rigorous new thinking of the photograph in its relation to science, philosophy, and art, so as todiscover an essence of photography that precedes its historical, technological, and aesthetic conditions.If philosophy has always understood its relation to the world according to the model of the instantaneous flash of a photographic shot, how can there be a "philosophy of photography" that is not viciously self-reflexive?Challenging the assumptions made by any theory of photography that leaves its own "onto-photo-logical" conditions uninterrogated, Laruelle thinks the photograph non-philosophically, so as to discover an essence of photography that precedes its historical, technological and aesthetic conditions.The Concept of Non-Photography develops a rigorous new thinking of the photograph in its relation to science, philosophy, and art, and introduces the reader to all of the key concepts of Laruelle's "non-philosophy." A rigorous new thinking of the photograph in its relation to science, philosophy, and art, so as to discover an essence of photography that precedes its historical, technological, and aesthetic conditions. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: new. Paperback. Introductory collection of writings by a creative and subversive thinker, ranging from the origins of "non-philosophy" to its evolution into what Laruelle now calls "non-standard philosophy."The question "What is non-philosophy?" must be replaced by the question about what it can and cannot do. To ask what it can do is already to acknowledge that its capacities are not unlimited. This question is partly Spinozist: no-one knows what a body can do. It is partly Kantian: circumscribe philosophy's illusory power, the power of reason or the faculties, and do not extend its sufficiency in the shape of by way of another philosophy. It is also partly Marxist: how much of philosophy can be transformed through practice, how much of it can be withdrawn from its "ideological" use? And finally, it is also partly Wittgensteinian: how can one limit philosophical language through its proper use?This introductory collection of writings by creative and subversive thinker Fran ois Laruelle opens with an introduction based upon an in-depth interview that traces the abiding concerns of his prolific output. The eleven newly translated essays that follow, dating from 1985 to the present, range from the origins of "non-philosophy" to its evolution into what Laruelle now calls "non-standard philosophy." Two appendices present a number of Laruelle's experimental texts, which have not previously appeared in English translation, and a transcript of an early intervention and discussion on his "transvaluation" of Kant's transcendental method. Introductory collection of writings by a creative and subversive thinker, ranging from the origins of non-philosophy to its evolution into what Laruelle now calls non-standard philosophy. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: Very Good. A nice, crisp copy. ; 4.56 X 1.07 X 6.88 inches; 496 pages.

Condición: New.

Paperback. Condición: New. In shrink wrap.

Paperback. Condición: New. Following the collapse of the communist states it was assumed that Marxist philosophy had collapsed with it. In Introduction to Non-Marxism, François Laruelle aims to recover Marxism along with its failure by asking the question "What is to be done with Marxism itself?" To answer, Laruelle resists the temptation to make Marxism more palatable after the death of metaphysics by transforming Marxism into a mere social science or by simply embracing with evangelical fervor the idea of communism. Instead Laruelle proposes a heretical science of Marxism that will investigate Marxism in both its failure and power so as to fashion new theoretical tools. In the course of engaging with the material of Marxism, Laruelle takes on the philosophy of Marx along with important philosophers who have extended that philosophy including Althusser, Balibar, Negri as well as the attempt at a phenomenological Marxism found in the work of Michel Henry. Through this engagement Laruelle develops with great precision the history and function of his concept of determination-in-the-last-instance. In the midst of the assumed failure of Marxism and the defections and resentment that followed, Laruelle's non-Marxism responds with the bold declaration: "Do not give up on theory!".…

Paperback. Condición: New. Twenty years after cultivating a new orientation for aesthetics via the concept of non-photography, François Laruelle returns, having further developed his notion of a non-standard aesthetics. Published for the first time in a bilingual edition, Photo-Fiction, a Non-Standard Aesthetics expounds on Laruelle's current explorations into a photographic thinking as an alternative to the worn-out notions of aesthetics based on an assumed domination of philosophy over art. He proposes a new philosophical photo-fictional apparatus, or philo-fiction, that strives for a discursive mimesis of the photographic apparatus and the flash of the Real entailed in its process of image making. "A bit like if an artisan, to use a Socratic example, instead of making a camera based off of diagrams found in manuals, on the contrary had as his or her project the designing of a completely new apparatus of philo-fiction, thus capable of producing not simply photos, but photo-fictions." One must enter into a space for seeing the vectorial and the imaginary number. Laruelle's philo-fictions become not art installations, but "theoretical installations" calling for the consideration of the possibility of a non-standard aesthetics being of an equal or superior power to art and philosophy, an aesthetics in-the-last-instance that is itself an inventive and creative act of the most contemporary kind.…

Condición: New.