kroiz (68 resultados)

Condición: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Condición: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Standard-sized.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Hardbound in dust jacket.

Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condición: As New. In turn-of-the-century New York, the photographer and modern art impresario Alfred Stieglitz and his allies embraced a racialized aesthetic discourse in their expressions of identity in the modern era. This book examines the often-neglected role played by immigrant artists and critics in the Stieglitz circle. Series: The Phillips Book Prize Series. Num Pages: 271 pages, 10 color illustrations, 92 b/w photographs. BIC Classification: 1KBB; ACX. Category: (P) Professional & Vocational. Dimension: 187 x 256 x 21. Weight in Grams: 898. . 2012. hardcover. Not a first edition copy. . . . Books ship from the US and Ireland.

Condición: As New. In turn-of-the-century New York, the photographer and modern art impresario Alfred Stieglitz and his allies embraced a racialized aesthetic discourse in their expressions of identity in the modern era. This book examines the often-neglected role played by immigrant artists and critics in the Stieglitz circle. Series: The Phillips Book Prize Series. Num Pages: 271 pages, 10 color illustrations, 92 b/w photographs. BIC Classification: 1KBB; ACX. Category: (P) Professional & Vocational. Dimension: 187 x 256 x 21. Weight in Grams: 898. . 2012. hardcover. Not a first edition copy. . . .

hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

hardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Paperback. Condición: Used; Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Paperback. Condición: Used; Good. **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Paperback. Condición: Used; Very Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.

Paperback. Condición: Used; Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.

Soft cover. Condición: Very Good. 1st Edition. Binding has wear and light soil; top of outer fore edge has small area of minor soil; top corner of title page has a red heart stamp; tight, text clean. 190 p., illustrated. Contents: mantegna's paper things -- titian's ecce homo on slate -- zurbaran's cartellini -- gerome's reception of siamese ambassadors -- anemic cinemas of marcel duchamp -- katharina sieverding, kraftwerk, and glam -- reviews. Oversize [br 18].

Hardcover. Condición: Used. Top edge of the cover shows some fraying. All else fine.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: New.

Hard Cover. Condición: Very good. Estado de la sobrecubierta: Very good. Dust jacket and fabric cover are crisp. Inside is clean, bright, and unmarked.

Paperback. Condición: Very Good. No Jacket. Reprint. 8vo, 276 pages, illustrated.

Paperback. Condición: Very Good. Minimal wear.

Condición: Very Good. Hardcover, 267 pages, b&w photos. Clean, unmarked copy with only minor wear to dust jacket. This book examines the often-neglected role played by immigrant artists and critics in the circle of Alfred Stieglitz, including Japanese-German author Sadakichi Hartmann, Mexican-born caricaturist Marius de Zayas and English Sri-Lankan curator Ananda Coomaraswamy, as well as better-known U.S.-born painters, including Arthur Dove and Georgia OÂ?Keeffe. Record # 350451.

Softcover. Condición: NF. Quarto. Softcover. Illustrated wraps. 184 pages : illustrations (chiefly color) ; 28 cm. "As some American artists began to eliminate people and remove extraneous details from their compositions, they often employed neat, orderly brushwork or close-up, unemotional photography. Artists as diverse as Patrick Henry Bruce, John Covert, Georgia O'Keeffe, Paul Strand and Arthur Dove navigated European and American avant-garde circles, picking and choosing new ideas and methods. Inspiration ranged from Cubism and machine parts to new technologies, and they found ways to bring order to the modern world through extreme simplification. For them, abstraction involved absence and presence - the evacuation of human beings but also the desire to depict something that would not otherwise be visible or to render visible unseen natural processes like the passage of time, sound waves, or weather patterns. Their artworks provide a new context for the precisionist works in the subsequent sections and point to modern ideas about what art could be" c --Publisher's description. "This catalogue looks at a current in interwar American art that is relatively unknown. The familiar story of America in the 'roaring Twenties' is that of 'The Great Gatsby', the Harlem Renaissance, and the Machine Age; while the 1930s are known as the Steinbeckian world marked by the Depression and the New Deal. This exhibition focuses on the artists who grappled with the experience of modern America with a cool, controlled detachment, almost completely eliminating people from their pictures. For some artists this treatment reflected an ambivalence and anxiety about the modern world. Factories without workers and streets without people. Factories without workers and streets without people could seem strange and empty places. George Ault (1891-1948) and Niles Spencer (1893-1952) painted eerie factories with darkened windows. Their precise, orderly painting style adds to the unsettling atmosphere of their work. In 'Manhattan Bridge Loop' (1928), Edward Hopper (1882-1967) captured the stilled, quiet mood of the city, including a solitary pedestrian. For others, this cool treatment of contemporary America was a positive more response - an expression of optimism and pride. Skyscrapers and bridges become studies in geometry; and cities are cleansed and ordered with no crowds and no chaos. Louis Lozowick's (1892-1973) prints capture the energy of the city in curving sprawls and buildings soaring into the sky; while Ralston Crawford (1906-78) and Charles Sheeler (1883-1965) depicted the architecture of industrial America - factories, grain elevators, water plants - as the country's new cathedrals, glorious in their scale and feats of engineering, yet oddly emptied of people. The detached, frozen appearance of the scenes creates an uncertain or ambiguous atmosphere.".

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Fine. University of California Press hardcover: ‎ 271 pages. Photographer and modern art impresario Alfred Stieglitz and his allies embraced a racialized aesthetic discourse in their expressions of identity in the modern era. This book examines the often-neglected role played by immigrant artists and critics in the Stieglitz circle, including Japanese-German author Sadakichi Hartmann, Mexican-born caricaturist Marius de Zayas and English Sri-Lankan curator Ananda Coomaraswamy, as well as better-known U.S.-born painters, including Arthur Dove and Georgia O Keeffe.

hardcover. Condición: Very Good. Oversized hardcover with dust jacket. Partial, pictorial DJ is crisp and clean. Book is bound in exposed boards with blue cloth and silver lettering down the spine. Covers have mild edge wear, but are generally crisp and clean. Corners are slightly bumped. Binding is tight and secure. Pages are crisp, clean, and bright. Images are printed in B&W. The Museum of Modern Art. No publication date on title page. Copyright is dated 2019. 176 pages. A very good copy. This is an oversized book, so extra postage will be necessary for priority or international shipping. We ship everyday from a real neighborhood bookstore. This description is written by an actual person, who is holding the book in front of them to make sure it?s properly described. Please contact us with questions or if you would like to see photographs.

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; 267 pages : illustrations ; 27 cm. Summary; "In New York at the turn of the twentieth century, the photographer and modern-art impresario Alfred Stieglitz and his allies embraced a racialized aesthetic discourse in their expressions of identity. Creative composites examines the often neglected role played by immigrant artists and critics in the Stieglitz circle, including Japanese German author Sadakichi Hartmann, Mexican-born caricaturist Marius de Zayas and English Sri Lankan curator Ananda Coomaraswamy, as well as better-known U.S.-born painters such as Arthur Dove and Georgia O'Keeffe. In this book, Lauren Kroiz argues for a new understanding of early American modernism as a 'composite modernism.' She analyzes episodes in the use of diverse new media--photography, caricature, film, and collage--by the members of the Stieglitz circle to frame their modernist practice as part of the ongoing national dilemma of integrating difference." Subjects; Stieglitz, Alfred 1864-1946 Friends and associates. Modernism (Art) United States. Arts, American 20th century. Art criticism United States History 20th century. 3 Kg.

Trade Paperback. Condición: Good. No Jacket. First Edition. Size: 8vo - over 7¾" - 9¾" tall.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.