Krasny piotr (19 resultados)

Hardcover. Condición: Acceptable. reading copy only - damaged /worn /marked - may be ex-libris. Oversized.

380 pages. Hardcover: H 32.5cm x L 25.25cm. Dust jacket lightly rubbed with slight bumping/curling at top edges. Red cloth; patches of surface abrasion to spine and boards; spine's gilt stamping remains bright. Interior pages are bright and clean. Binding is firm. Please note that this large book has an approximate shipping weight of 6 pounds (2.72 kg) and will require additional postage for any postal class other than domestic Media Mail. ISBN 0300079184.…

Pictorial Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. First English Language Edition. Translated from the Polish by Wladyslaw Chlopick. A bright, clean, tight copy sans tears, stains, discoloration, etc. with all text and illustrations clear/unmarked. " The volume gives you an opportunity to capture the essence of Polish art, at the same time allowing you to trace the influence of trends in world art on the achievements of domestic artists." PROFUSELY ILLUSTRATED in full color photographic reproduction of Polish artworks with accompanying descriptive captions. 192 pages. LE1.…

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Pictorial Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. Minimal wear to jacket. No tears. Book very clean. Binding tight. 192pp Size: 290mm x 285mm. Book.

Cloth. Condición: Fine Condition. Estado de la sobrecubierta: Fine Condition. 378 pp., 197 illustrations 137 in full color. Dustjacket is protected with a mylar cover.

Encuadernación de tapa dura. Condición: Muy bueno. 1ª Edición.

hardcover. Condición: New. 1st.

216 S.,43 Abb. Gr 8° Kart. *neuwertig* The present book is an introduction to the dispute about religious art that had been conducted in France from the beginning of the sixteenth century until the end of the eighteenth century. The debate involved not only Catholic and Protestant theologians, but also lay writers who tried to replace the dogmatic Christianity with the 'religion of reason' invented by the philosophes. A recurrent theme in the majority of statements in this discussion was a contention that religious images must not be perceived as 'portraits of God', but that they should be seen merely as a 'separated signs', detached from its invisible prototype; signs that only remind the faithful about God. Sprache: Englisch.…

Gebundene Ausgabe. Condición: Befriedigend. 380 Seiten; Schutzumschlag mit Gebrauchsspuren, vordere Seite oberhalb leicht beschÃdigt, Artikel stammt aus Nichtraucherhaushalt! F5-149 Sprache: Englisch Gewicht in Gramm: 2359.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. 380pp. Red cloth-covered boards; gilt titles on spine; gold endpapers. Small Folio. Some very light mottling to boards. Internally neat, clean, bright and tight. Dust jacket has shelf wear, edges curling, light chipping to edges.

Condición: gut. 1999. The Land of the Winged Horsemen: Art in Poland 1572-1764 In englischer Sprache. pages.

Hardcover. Condición: New. In its golden years of the Baroque era, Poland expressed creative ties to east and west in extraordinary works of fine and decorative art. This gorgeously illustrated book displays more than 150 works of art that celebrate the cross-cultural richness of Poland's creative output during this period. From the dramatic uniform of the winged Hussar complete with feathers and leopard skin to traditional portraits of royalty to a Turkish-style beverage service, these splendid objects represent Poland's diversity and breadth at a time when it was the largest land empire in Europe, stretching from the Baltic to the Black Sea.The book addresses five areas of Polish culture in the sixteenth through eighteenth centuries. The first section on the monarchy features objects relating to the kings who ruled during the period. The second section of the book is devoted to the magnate class and the objects that were typically seen in a nobleman's home. The third part presents religious artworks, highlighted by an important seventeenth-century painting of Our Lady of Czestochowa. The section on the military, focusing on the cavalry, offers highly decorated battle regalia, weapons, and a Turkish tent. With gilded cups, clocks, decanters, and more, the decorative arts section of the book provides outstanding examples of the cross-cultural tenor of the Baroque era. The volume includes essays that set the art of Poland in the context of its history, geography, and culture; a timeline of major events; a map of the Polish Commonwealth; a glossary; a useful bibliography; and an index of exhibited works.…

Hardback. Condición: New. An introduction to the dispute about religious art conducted in France from the beginning of the sixteenth century until the end of the eighteenth century. The debate involved not only Catholic and Protestant theologians, but also lay writers who tried to replace dogmatic Christianity with the 'religion of reason' invented by the philosophes. A recurrent theme in the majority of statements in this discussion is a contention that religious images must not be perceived as 'portraits of God', but that they should be seen merely as 'separated signs', detached from their invisible prototype; signs that only remind the faithful about God.French writers favoured restraint in shaping paintings and sculptures, fearing that otherwise works of art might excessively fascinate viewers with their sophisticated appearance, or might too profoundly move the emotions of the faithful. Christianity was for these writers above all a religion of the Word, and they considered images merely as a pastoral aid intended for 'simpletons' who either could not read or were unable to grasp the teachings of the catechism or the message of simple homilies. So, these writers approached religious art with reservations. Yielding to the above theoretical assumptions, the makers of religious art in seventeenth-century France achieved a high level of workmanship, characterized by noble simplicity and purity, only to succumb to the banality of schematic solutions in the following century, as they were unwilling to exert themselves in a domain that was becoming increasingly disregarded by the elites.…

Hardcover. First Edition; First Printing. Near Fine in a Very Good dust jacket. 1 inch open tear at top of front flap fold.; 4to - over 9¾" - 12" tall.

Condición: New. In English.

Condición: New. 2019. 1st Edition. hardcover. . . . . .

Condición: New. 2019. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Hardback. Condición: New. An introduction to the dispute about religious art conducted in France from the beginning of the sixteenth century until the end of the eighteenth century. The debate involved not only Catholic and Protestant theologians, but also lay writers who tried to replace dogmatic Christianity with the 'religion of reason' invented by the philosophes. A recurrent theme in the majority of statements in this discussion is a contention that religious images must not be perceived as 'portraits of God', but that they should be seen merely as 'separated signs', detached from their invisible prototype; signs that only remind the faithful about God.French writers favoured restraint in shaping paintings and sculptures, fearing that otherwise works of art might excessively fascinate viewers with their sophisticated appearance, or might too profoundly move the emotions of the faithful. Christianity was for these writers above all a religion of the Word, and they considered images merely as a pastoral aid intended for 'simpletons' who either could not read or were unable to grasp the teachings of the catechism or the message of simple homilies. So, these writers approached religious art with reservations. Yielding to the above theoretical assumptions, the makers of religious art in seventeenth-century France achieved a high level of workmanship, characterized by noble simplicity and purity, only to succumb to the banality of schematic solutions in the following century, as they were unwilling to exert themselves in a domain that was becoming increasingly disregarded by the elites.…