killip christopher (28 resultados)

Condición: As New. Unread book in perfect condition.

Condición: New.

4°, gebundene Ausgabe; Second edition;. 85 Seiten; 29 cm Das Buch ist in einem sehr guten Zustand. 9783869309613 Sprache: Englisch Gewicht in Gramm: 843.

Soft cover. Condición: Near Fine. 1st ed. Large format. Unpaginated text front & rear with 69pp of photos in between. Photos of the island and some of its inhabitants. Preface by John Berger. Sl. spotting to the cover o/w a lovely copy of this much sought after book. 0 7287 0186 3,

Hardcover. Condición: Very Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. 'Here Comes Everybody' is a phrase that echoes repeatedly through the shifting dream-narrative of James Joyce's Finnegans Wake. It aptly captures the intense poetry of this new collection of photographs by Chris Killip, taken over repeated trips to Ireland between 1993 and 2005. On each visit Killip attended the annual pilgrimages at Croagh Patrick and Mman in the west of Ireland, places of wild beauty and ancient spirituality. His poignant photographs convey the dedication and community of the modern pilgrims' journey as they make their way across shingled mountainsides to take part in age-old rites. Images of the pilgrims' trek are complemented by landscapes, townscapes and details photographed in the west of Ireland and beyond. Presented as a facsimile of an album of prints from a decade of travels, this book includes the first colour photographs Killip has ever published. The book is in very good, nearly new condition, complete with dust jacket. Dust jacket slightly bumped on bottom edge; otherwise very good.

Hardcover. Condición: Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. 'Here Comes Everybody' is a phrase that echoes repeatedly through the shifting dream-narrative of James Joyce's Finnegans Wake. It aptly captures the intense poetry of this new collection of photographs by Chris Killip, taken over repeated trips to Ireland between 1993 and 2005. On each visit Killip attended the annual pilgrimages at Croagh Patrick and Mman in the west of Ireland, places of wild beauty and ancient spirituality. His poignant photographs convey the dedication and community of the modern pilgrims' journey as they make their way across shingled mountainsides to take part in age-old rites. Images of the pilgrims' trek are complemented by landscapes, townscapes and details photographed in the west of Ireland and beyond. Presented as a facsimile of an album of prints from a decade of travels, this book includes the first colour photographs Killip has ever published. 2009 first edition oversized hardback in good condition.

First revised Steidl edition. 30 x 37 cm 53 ungezählte Blätter. Oln. OU Qur-Gr.4° (Umschlag unten an einer Stzelle minimal gestaucht). KMEX Fotografie.

Hardcover missing dustjacket, 69 illustrations; otherwise very good condition; a few light scuffs to white covers; no internal marks. Foreign shipping may be extra.

Softcovder, 69 illustrations; good condition; yellowed covers have lots of small scuffs and abrasions; owner's stamp on first blank page; no other internal marks. Foreign shipping may be extra.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Good +. Christopher Killip Ilustrador. First Edition. Dustwrapper, 4to, unpageinated. Sixty nine photographic studies by Christopher Killip of The Isle of Man, its people and their places. Preface by John Berger. Wrapper sl yellowed, has small worn splits at spine ends ( with slight losses ), a little creasing and very small splits to rear top edge. White cloth remains clean and bright. Neat handwritten inscription in Manx on front endpaper. Contents clean and tight. Overall VG Size: 4to - over 9¾" - 12" tall.

Hardcover/Hardback. Condición: Good. Refer to photos for book condition.

Hardcover. Condición: Very Good. 1st Edition. Book is in very good condition. Some mild sun fading to the dust jacket. 96pp with b/w photographs.

4° (31 x 21,5 cm.). 93 S. mit 50 Tafeln. Publishers cloth binding with illustrated dust jacket. Auer 675. Parr/Badger II, 299. Roth, The Open Book 340 f. - First edition; inscribed by C. Killip "For Victor on 4 OB, Hasty Pudding Club, + Harvard All the best Chris". - "In Flagrante is a singulary original work of art, both passionate and partisan. This is not an objective report. Killip tells his personal tale through these pictures, but he also allows his subjects' collective story a clear voice of its own. The pictures in In Flagrante - primarily candid portraits and urban landscapes made in rich-toned black and white, predominantly shot with a 4x5 camera - were made in the northeast of England during the premiership of Margaret Thatscher. In Flagrante is a dark, pessimistic journey, perhaps even a secret odyssey, where rigorous documentary is suffused with a contemplative inwardness, a rare quality in modern photography" (Parr/Badger). - "Renowned documentary photographer and former professor of visual and environmental studies Chris Killip died from lung cancer on Oct. 13. He was 74. Killip was a professor of photography in VES (now Art, Film, and Visual Studies) from 1991 to 2017, and the department chair from 1994 to 1998. For more than two decades, he had worked from the basement of the Carpenter Center, sharing his love of the art form with students and colleagues. . In 1988, Killip published his second and most famous book of photographs, "In Flagrante," which captured the everyday fallout from deindustrialization and economic decline in northeastern England in the 1970s and 1980s. His arresting documentary style of photography captured the attention of critics and viewers alike, and Killip received the inaugural Henri Cartier-Bresson Award, now called le Prix HCP. . "His photographs embodied Henri Cartier-Bresson's emphasis on the decisive moments, and Josef Koudelka's eye for the surreal. He captured in arresting black-and-white photographs fleeting moments filled with powerful emotions," said AFVS Professor Sharon Harper. "He was looking closely at people, labor, and the plight of the worker." The introductory photography course VES 40a, which he ran for many years, accommodated 100 students split into 10 sections. Even with so many spots, said Moss, the class often attracted two or three times as many students as it could accommodate. "Chris leaves quite a legacy of his documentary photography, which is known internationally, but also he has a legacy of students who were devoted to him and discovered photography through their studies with him," added Harper" (M. Aggarwal-Schifellite, Documentary photographer Chris Killip dies at 74, The Harvard Gazette, October 21, 2020). - A very fine copy of the rare hardback edition. Sprache: englisch.

Condición: Wie neu. Steidl, Göttingen, 2006. First edition, first printing. Wonderful photobook by the maker of the legendary "In Flagrante" (Martin Secker and Warburg, London, 1988; Martin Parr, The Photobook vol 2, page 299. 802 photo books from the M. + M. Auer collection, page 675). Cloth with jacket. 350 x 208 mm. 128 pages. With 50 tritone illustrations. With an essay by Clive Dilnot. Text: english. Condition: Book inside and outside new, mint, unread. Dustjacket with slightest trace of use with no tears or other defects. Overall near mint, like new condition! "I wanted to show the manufacturing process as clearly as I could and to do so in this factory meant it would have to be lit. Ironically, my stubborness in trying to avoid lighting would now have its own unexpected rewards. Because of the desperate amount of time that I had spent there, I knew in a visual way the processes of the factory; the rhythms and cycles of the machines, the movement and steps that the operators had to take, the movement that the processes predetermined for them. I began again, rephotographing the factory using lights, sometimes three or four lights triggered by remote control devices. The main light, the one balanced to light the subject, was often held on a pole by my friend, away from the camera, mimicking the fashion techniques that I knew from my past. I now understood and knew what I wanted to do. The workplace had become, in a real sense for me, a theatre and I embraced the look of these new photographs with their relation to fashion, film noir, and even Soviet realism. For me this 'look' seemed a more telling way to record and document this enforced ritual."***************Steidl, Göttingen, 2006. Erstausgabe. Originalausgabe. Wunderschönes Fotobuch vom Macher des legendären "In Flagrante" (Martin Secker and Warburg, London, 1988; Martin Parr, The Photobook vol 2, page 299. 802 photo books from the M. + M. Auer collection, page 675). Hardcover mit Schutzumschlag. 350 x 208 mm. 128 Seiten. Mit 50 Fotos in schwarz-weiss. Mit einem Essay von Clive Dilno. Text: englisch. Zustand: Buch innen wie aussen neu, ungelesen, verlagsfrisch. Schutzumschlag mit nur leichtesten Gebrauchsspuren, aber ohne Mängel wie Risse. Insgesamt sehr guter, nahezu neuwertiger Zustand! "Ich wollte den Herstellungsprozess so genau wie möglich darstellen und in einer Fabrik bedeutet das, dass diese entsprechend beleuchtet sein müsste. Meine Starrsinn, der mich immer dazu veranlasst hat, künstliche Beleuchtung zu vermeiden, zahlte sich hier, ironischerweise, endlich aus. Ich verbrachte soviel Zeit in der Fabrik, dass ich die Abläufe, zumindest visuell, verinnerlichte: Der Rhythmus der Maschinen, die genauen Schritte, die deren Betreiber einhalten muss, zu denen sie von dem Prozess gezwungen wurden. Später fotografierte ich die Fabrik erneut, diesmal unterstützt durch künstliche Lichtquellen, manchmal drei oder vier ferngesteuerte Lampen zur gleichen Zeit. Das Licht, das zur Ausleuchtung des Hauptmotivs genutzt wurde, wurde oftmals von einem Freund an einem Stab weg von der Kamera gehalten, wie in den Modefotografien, die ich früher gemacht habe. Jetzt verstand ich, was ich tat. Auf eine gewisse Art hatte sich die Werkstatt in ein Theater verwandelt und ich nahm die Bilder dementsprechend auf, in der Tradition von Mode, Film Noir oder auch sowjetischem Realismus. Für mich funktioniert dieser "Look" perfekt als Dokumentation und Zeugnis dieser erzwungenen Rituale." (Chris Killip) Sprache: Englisch Gewicht in Gramm: 1600.

Brossura. Condición: buono. prima edizione. Preface by John Berger Publisher: Arts Council of Great Britain.c, London., 1980, First Edition Softcover, 69 illustrations, approximately 100 pp Condition: Good, some spotting and signs of use on the cover Language: English:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::Prefa zione: John Berger Editore: Arts Council of Great Britain., Londra., 1980, Prima edizione Copertina morbida, 69 illustrazioni, 100 Pagine circa Condizioni: Buone, alcuni segni d'uso e macchie in copertina Lingua: Inglese.

Cloth. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. Illustrated. Some very minor foxing to top edge; bookplate on front free endpaper. D/w very lightly rubbed at extremities, with a small repaired tear at front top edge and some very minor shelfwear. Additional postage might be required; please e-mail for quote. Size: 4to - over 9¾" - 12" tall.

Condición: Wie neu. Steidl, Gottingen. 2015. First edition, first printing. New, mint, unread; still originally shrink-wrapped in publisher`s plasti foil. Hardback with dustjacket. 297 x 297 mm. 96 pages. Text in english. Perfect condition! Collector`s copy! "Thirty years after the publication of the Isle of Man book I was in the process of preparing for my retrospective exhibition at the Museum Folkwang in Germany and started to re-examine my Isle of Man negatives. I hadn`t had an occasion to think about this work since the first edition of the book was published. Going through these negatives again I found new images that I now liked, but at the time had overlooked or had not used for reasons that now mystify me. I ended up with 250 photographs that I now think of as my Isle of Man archive. This new version of Isle of Man draws from that archive. The photographs in this edition keep, more or less, to the same order as the original book but I have changed some of the images, added thirty others, and printed them all larger." (Chris Killip")***************Steidl, Göttingen. 2015. Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch; noch originalverpackt in der Plastikfolie des Verlags. Hardback (wie erschienen). 297 x 297 mm. 96 Seiten. Text in englisch. Perfekter Zustand! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600.

Condición: Wie neu. Steidl, Göttingen. 2020. First edition, first printing. Mint, new, unread; still originally shrink-wrapped in publisher`s plastic foil. Hardcover (as issued). 285 x 375 mm. 80 pages. 72 photos. Text in english. Perfect condition! Collector`s copy! "Late in 2016 Chris Killip`s son serendipitously discovered a box of contact sheets of the photos his father had made at The Station, an anarcho-punk music venue in Gateshead open from 1981 to 1985. These images of raw youth caught in the heat of celebration had lain dormant for 30 years; they now return to life in this book. The Station was not merely a music and rehearsal space, but a crucible for the self-expression of the sub-cultures and punk politics of the time. As Killip recollects: `When I first went to The Station in April 1985, I was amazed by the energy and feel of the place. It was totally different, run for and by the people who went there. Every Saturday that I could, I photographed there. Nobody ever asked me where I was from or even who I was. A 39-year-old with cropped white hair, always wearing a suit, with pockets stitched inside the jacket to hold my slides. With a 4 × 5 camera around my neck and a Norman flash and its battery around my waist, I must have looked like something out of a 1950s B movie. 1985 was just after the miners strike and there was a lot of youth unemployment. Most of the punks at The Station didn`t have a job, and this place, run as a very inclusive collective, was so important to them and their self-worth.`" (from the publisher)***************Steidl, Göttingen. 2020. Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch; noch original-verschweisst in der Plastikfolie des Verlags. Hardcover (wie erschienen). 285 x 375 mm. 80 pages. 72 Fotos. Text in englischer Sprache. Perfekter Zustand! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600.

Condición: Sehr gut. Side Gallery. 1980. First edition, first printing. Signed by Killip! Signatures by this artist are very scarce! Mint, new, unread condition! Organized by the Side Gallery and toured by the Arts Council of Great Britain. Softcover as leporello (as issued). 90 x 110 mm (2 x 3 inch). Set of 6 black and white postcards, produced for the exhibition "About The Manx" at Side Gallery, Isle of Man 1980. With introduction by Nigel Kneale. Very rare like all Chris Killip items!***************Side Gallery. 1980. Britische Erstausgabe. Originalausgabe. Signiert von Chris Killip! Signaturen dieses Künstlers sind sehr selten! Neu, ungelesen, verlagsfrisch! Organisiert von der Side Gallery und dem Arts Council of Great Britain. Softcover als Leporello (nur so erschienen). 90 x 110 mm. Set von 6 schwarz-weiß Postkarten, produziert für die Ausstellung "About the Manx" in der Side Gallery. Mit einer Einführung von Nigel Keale. Selten, wie fast alle Chris Killip Publikationen! Sprache: Englisch Gewicht in Gramm: 1600.

Condición: Wie neu. Steidl, Göttingen, 2006. First edition, first printing. Signed by Chris Killip! Signatures by this artist are scarce! Mint, unread, new. Originally shrink-wrapped in publisher`s plastic foil; only opened once for signature! Wonderful photobook by the maker of the legendary "In Flagrante" (Martin Secker and Warburg, London, 1988; Martin Parr, The Photobook vol 2, page 299. 802 photo books from the M. + M. Auer collection, page 675). Cloth with jacket. 350 x 208 mm. 128 pages. With 50 tritone illustrations. With an essay by Clive Dilnot. Text: english. Perfect condition! Signed by the artist! Collector`s copy! "I wanted to show the manufacturing process as clearly as I could and to do so in this factory meant it would have to be lit. Ironically, my stubborness in trying to avoid lighting would now have its own unexpected rewards. Because of the desperate amount of time that I had spent there, I knew in a visual way the processes of the factory; the rhythms and cycles of the machines, the movement and steps that the operators had to take, the movement that the processes predetermined for them. I began again, rephotographing the factory using lights, sometimes three or four lights triggered by remote control devices. The main light, the one balanced to light the subject, was often held on a pole by my friend, away from the camera, mimicking the fashion techniques that I knew from my past. I now understood and knew what I wanted to do. The workplace had become, in a real sense for me, a theatre and I embraced the look of these new photographs with their relation to fashion, film noir, and even Soviet realism. For me this 'look' seemed a more telling way to record and document this enforced ritual."***************Steidl, Göttingen, 2006. Erstausgabe. Originalausgabe. Signiert von Chris Killip! Signaturen dieses Künstlers sind sehr selten! Neu, ungelesen, verlagsfrisch. Noch original-verschweisst in der Plastikfolie des Verlages; nur einmal geöffnet für die Signatur. Wunderschönes Fotobuch vom Macher des legendären "In Flagrante" (Martin Secker and Warburg, London, 1988; Martin Parr, The Photobook vol 2, page 299. 802 photo books from the M. + M. Auer collection, page 675). Mit einem Essay von Clive Dilnot. Hardcover mit Schutzumschlag. 350 x 208 mm. 128 Seiten. Mit 50 Fotos in schwarz-weis. Text: englisch. Perfekter Zustand! Signiert vom Künstler! Sammler-Exemplar! "Ich wollte den Herstellungsprozess so genau wie möglich darstellen und in einer Fabrik bedeutet das, dass diese entsprechend beleuchtet sein müsste. Meine Starrsinn, der mich immer dazu veranlasst hat, künstliche Beleuchtung zu vermeiden, zahlte sich hier, ironischerweise, endlich aus. Ich verbrachte soviel Zeit in der Fabrik, dass ich die Abläufe, zumindest visuell, verinnerlichte: Der Rhythmus der Maschinen, die genauen Schritte, die deren Betreiber einhalten muss, zu denen sie von dem Prozess gezwungen wurden. Später fotografierte ich die Fabrik erneut, diesmal unterstützt durch künstliche Lichtquellen, manchmal drei oder vier ferngesteuerte Lampen zur gleichen Zeit. Das Licht, das zur Ausleuchtung des Hauptmotivs genutzt wurde, wurde oftmals von einem Freund an einem Stab weg von der Kamera gehalten, wie in den Modefotografien, die ich früher gemacht habe. Jetzt verstand ich, was ich tat. Auf eine gewisse Art hatte sich die Werkstatt in ein Theater verwandelt und ich nahm die Bilder dementsprechend auf, in der Tradition von Mode, Film Noir oder auch sowjetischem Realismus. Für mich funktioniert dieser "Look" perfekt als Dokumentation und Zeugnis dieser erzwungenen Rituale." (Chris Killip) Sprache: Englisch Gewicht in Gramm: 1600.

Condición: Sehr gut. Steidl, Göttingen. 2012. First edition, first printing. Signed by Chris Killip! Mint, unread, new. Originally shrink-wrapped in publisher`s plastic foil; onyl opened once for signature. Wonderful work overview by the maker of the legendary "In Flagrante" (Martin Secker and Warburg, London, 1988; Martin Parr, The Photobook vol 2, page 299. 802 photo books from the M. + M. Auer collection, page 675). Cloth with jacket. 285 x 265 mm. 136 pages, 84 tritone plates. Perfect condition! Signed by the artist! Collector`s copy! "This book showcases Chris Killip`s photography from 1969 to 2005, and is a retrospective of a photographer who has influenced an entire generation of younger documentary photographers. Arbeit / Work presents several of Killip`s long- term projects, primarily in North England, which explore the working and living conditions of people through portraits as well as images of landscapes and architecture. This comprehensive publication, with an extended essay by David Campany, includes many previously unseen works." (from the publisher)***************Steidl, Göttingen, 2012. Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch. Signiert von Chris Killip! Noch original-verschweißt in der Plastikfolie des Verlages; nur einmal geöffnet für die Signatur. Wunderschönes Fotobuch vom Macher des legendären "In Flagrante" (Martin Secker and Warburg, London, 1988; Martin Parr, The Photobook vol 2, page 299. 802 photo books from the M. + M. Auer collection, page 675). Leinen mit Schutzumschlag. 285 x 265 mm. 136 Seiten. 84 Abbildungen in Tritone. Perfekter Zustand! Signiert vom Künstler! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600.

Condición: Wie neu. Steidl, Gottingen. 2016. First edition, first printing (there was a second printing same year). Signed by Chris Killip! New, mint, unread; only opened once for signature. Wonderful enlarged version of the famous photobook classic from 1988: Martin Parr, The Photobook vol 2, page 299. 802 photo books from the M. + M. Auer collection, page 675. Hardcover with dustjacket. 364 x 288 mm. 110 pages. Photographs in tritone printing. Text in English. Scarce first printing! Perfect condition! Signed by the artist! Collector`s copy! "The photographs that Chris Killip made in Northern England between 1973 and 1985 were first published by Secker & Warburg in the book In Flagrante in 1988. The new oversized Steidl edition is a radically updated presentation, showing a single image on the right side of each double-page spread. In Flagrante Two is strident in its belief in the primacy of the photograph, embracing ambiguities and contradictions in an unadorned narrative sequence devoid of text." (from the publisher)***************Steidl, Göttingen. 2016. Erstausgabe. Originalausgabe (es gab im selben Jahr noch einen zweiten Druck). Signiert von Chris Killip! Wunderschöne, erweiterte neu-gestaltete Auflage des legendären Fotobuch-Klassikers von 1988: Martin Parr, The Photobook vol 2, Seite 299. 802 photo books from the M. + M. Auer collection, Seite 675. Hardcover mit Schutzumschlag. 364 x 288 mm. 110 Seiten. Fotos in Tritone. Text in englisch. Seltene Erstausgabe! Perfekter Zustand! Signiert vom Künstler! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600.

Condición: Wie neu. The Museum of Modern Art, New York. 1990. First edition, first printing. Signed by Martin Parr, Chris Killip and Graham Smith! Very important and early documention of british photography! Photographers are: Chris Killip, Graham Smith, John Davies, Martin Parr and Paul Graham. Concerning its importance the catalogue is comparable with other important publications like "New Topographics (1975) and "In Deutschland" (1979). Published on the occasion of the exhibition "British Photograpyh from the Thatcher Years" (February 14 - April 28, 1990), organized by Susan Kismaric, Curator Department of Photography. Paperback (as issued). 230 x 260 mm. 56 pages. 31 photos (6 photos each photographer plus 1 photo by Parr on the cover). Condition: Inside and outside excellent without marks or other flaws. The signatures by Parr, Killip and Graham make the scarce catalogue very special!***************The Museum of Modern Art, New York. 1990. Erstausgabe. Originalausgabe. Signiert von Martin Parr, Chris Killip and Graham Smith! Sehr wichtige und frühe Dokumentation britischer Fotografie! Fotografen sind: Chris Killip, Graham Smith, John Davies, Martin Parr und Paul Graham. Von der Wichtigkeit vergleichbar mit "New Topographics (1975) oder "In Deutschland" (1979). Erschien anläßlich der Ausstellung "British Photograpyh from the Thatcher Years" (14. February bis 28. April 1990), organisiert von Susan Kismaric. Paperback (nur so erschienen). 230 x 260 mm. 56 Seiten. 31 Fotos (6 Fotos von jedem Fotografen plus 1 Foto von Parr auf dem Cover). Zustand: Innen und außen excellent erhalten ohne nennenswerte Mängel. Die Original-Signaturen machen den ohnehin schon sehr seltenen Katalog zu einem einzigartigen Objekt! Sprache: Englisch Gewicht in Gramm: 1600.

Condición: Wie neu. The Museum of Modern Art, New York. 1990. First edition, first printing. Unique copy! Signed by all five artists; Martin Parr, Chris Killip, John Davies, Paul Graham and Graham Smith! New, mint, unread; only opened once for the signatures. Very important and early documention of british photography! Concerning its importance the catalogue is comparable with other important publications like "New Topographics (1975) and "In Deutschland" (1979). Published on the occasion of the exhibition "British Photograpyh from the Thatcher Years" (February 14 - April 28, 1990), organized by Susan Kismaric, Curator Department of Photography. Paperback (as issued). 230 x 260 mm. 56 pages. 31 photos (6 photos each photographer plus 1 photo by Parr on the cover). The original signatures of Martin Parr, Chris Killip, John Davies, Paul Graham und Graham Smith and the fantastic condition make this copy so exclusiv! Signed by all artists!***************The Museum of Modern Art, New York. 1990. Erstausgabe. Originalausgabe. Einzigartiges Exemplar! Signiert von Martin Parr, Chris Killip, Paul Graham, John Davies und Graham Smith! Neu, ungelesen, verlagsfrisch; nur geöffnet für die Signaturen. Sehr wichtige und frühe Dokumentation britischer Fotografie! Von der Wichtigkeit vergleichbar mit "New Topographics (1975) oder "In Deutschland" (1979). Erschien anläßlich der Ausstellung "British Photograpyh from the Thatcher Years" (14. February bis 28. April 1990), organisiert von Susan Kismaric. Paperback (nur so erschienen). 230 x 260 mm. 56 Seiten. 31 Fotos (6 Fotos von jedem Fotografen plus 1 Foto von Parr auf dem Cover). Die Original-Signaturen und der nahezu perfekte Zustand machen diesen ohnehin schon sehr seltenen Katalog zu einem einzigartigen Sammler-Objekt! Signiert von allen Künstlern! Sprache: Englisch Gewicht in Gramm: 1600.

96 S. Oktn 4° (Deckel etwas angegilbt und lichtrandig, untere Deckelecke minimal besttossen). KMEX Fotografie.

First edition. 4to. Publisher's white cloth, lettered in grey to the spine and black to the upper board, early gift inscription to the front free endpaper, plain white dust jacket with a black and white photographic illustration to the upper cover. 69 full page black and white photographic illustrations. Some wear and rear to the edges of the jacket plus some light soiling overall, the book itself generally very good. Killip's first published book, providing a distinctive photographic record of his island on which he was born and brought up.

Condición: Sehr gut. Nathan Image, 1989. First french edition, first printing. Published one year after and in a much more smaller run (of only 1000 copies) than the original english edition (Martin Secker and Warburg, London, 1988). Martin Parr, The Photobook vol 2, page 299. 802 photo books from the M. + M. Auer collection, page 675. 302 x 245 mm (11 3/4 x 9 3/4 in), 104 pages. Paperback. 50 black&white photographs. Introduction by Chris Killip, essay by John Berger and Sylvia Grant; edited by Mark Holborn; design by Peter Dyer. Condition: Inside fresh and flawless; clean with no marks and with no foxing. Outside with light trace of use, but with no remarkable flaws or defects. Overall very fine condition! "In Flagrante is a singularly original work of art, both passionate and partisan. this is not an objective report. killip tells his personal tale through these pictures, but he also allows his subjects` collective story a clear voice of its own." "In Flagrante is a dark, pessimistic journey, perhaps even a secret odyssey, where rigorous documentary is suffused with a contemplative inwardness, a rare quality in modern photography." (Gerry Bagder)***************Nathan Image, 1989. Französische Erstausgabe. Erschien ein Jahr nach und in einer sehr viel kleineren Auflage (von nur 1000 Exemplaren) als die englische Original-Ausgabe (Martin Secker und Warburg, London, 1988). Martin Parr, The Photobook vol 2, Seite 299. 802 photo books from the M. + M. Auer collection, Seite 675. 302 x 245 mm, 104 Seiten. Paperback. 50 schwarz-weiß Fotografien. Einführung durch Chris Killip, Essay von John Berger and Sylvia Grant; editiert von Mark Holborn; Design von Peter Dyer. Zustand: Innen sauber und frisch ohne Besitzvermerke und ohne Stockflecken. Aussen leicht gebrauchsspurig, aber ohne nennenswerte Mängel. Insgesamt sehr guter Zustand! Sprache: Französisch Gewicht in Gramm: 1600.

Condición: Sehr gut. Nathan Image, 1989. First french edition, first printing. Signed by Chris Killip! Signatures by this artist are very scarce! Published one year after and in a much more smaller run (of only 1000 copies) than the original english edition (Martin Secker and Warburg, London, 1988). Martin Parr, The Photobook vol 2, page 299. 802 photo books from the M. + M. Auer collection, page 675. 302 x 245 mm (11 3/4 x 9 3/4 in), 104 pages. Paperback. 50 black&white photographs. Introduction by Chris Killip, essay by John Berger and Sylvia Grant; edited by Mark Holborn; design by Peter Dyer. Condition: Very fine and and clean condition. No marks, no defects. Covers with minimalst trace of use. Overall very fine condition! Extremly hard-to-find book, especially in this condition! Signed by the artist! Collector`s copy! "In Flagrante is a singularly original work of art, both passionate and partisan. this is not an objective report. killip tells his personal tale through these pictures, but he also allows his subjects` collective story a clear voice of its own." "In Flagrante is a dark, pessimistic journey, perhaps even a secret odyssey, where rigorous documentary is suffused with a contemplative inwardness, a rare quality in modern photography." (Gerry Bagder)***************Nathan Image, 1989. Französische Erstausgabe. Signiert von Chris Killip! Signaturen dieses Künsterlers sind sehr selten! Erschien ein Jahr nach und in einer sehr viel kleineren Auflage (von nur 1000 Exemplaren) als die englische Original-Ausgabe (Martin Secker und Warburg, London, 1988). Martin Parr, The Photobook vol 2, Seite 299. 802 photo books from the M. + M. Auer collection, Seite 675. 302 x 245 mm, 104 Seiten. Paperback. 50 schwarz-weiß Fotografien. Einführung durch Chris Killip, Essay von John Berger and Sylvia Grant; editiert von Mark Holborn; Design von Peter Dyer. Zustand: Wunderbar erhalten. Cover minimal berieben und benutzt, innen wie neu. Keine Besitzvermerke. Insgesamt von ungewöhnlich frischer, sehr guter Erhaltung! Signiert vom Künstler! Sammler-Objekt! Sprache: Französisch Gewicht in Gramm: 1600.