Keniston ann (186 resultados)

Condición: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condición: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condición: acceptable. Book is considered to be in acceptable condition. The actual cover image may not match the stock photo. Book may have one or more of the following defects: noticeable wear on the cover dust jacket or spine; curved, dog eared or creased page s ; writing or highlighting inside or on the edges; sticker s or other adhesive on cover; CD DVD may not be included; and book may be a former library copy.…

Condición: New.

Paperback or Softback. Condición: New. Somatic. Book.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Near Fine. First Edition. Oak Park: The Bridge. Near Fine. 1997. First Edition. Softcover. First edition. Magazine. Trade sized paperback format [about 5.5" x 8.5"], 160 pages. Near Fine or better copy. clphE.

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Condición: New.

Condición: New.

Paperback. Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Soft cover. Condición: As New. Softcover, 168 pgs. Spring 2016 issue. Contributors include Elizabeth Gold, Richard Tillinghast, Amy Wallen, Allegry Hyde, Jennifer Clements, Michael Heffernan, Safiya Sinclair, Richard Lyons, Ann Keniston, Lesley Jenike, Ron DeMaris, Linda Pastan, Philip Schultz, Becky Hagenston and others. Paintings by Jacqui Larsen. …

paperback. Condición: Very Good. University Of Iowa Press, 2015. Trade paperback in VG condition; has a touch of minor wear to the edges.

Condición: New. In English.

Condición: good. This book is in Good condition. There may be some notes and highligting but otherwise the book is in overall good condition.

PF. Condición: New.

Trade paperback. Condición: Fine. First edition. Trade paperback (US). Glued binding. 228 p. Contemp North American Poetry. Audience: General/trade. From Sylvia Plath s depictions of the Holocaust as a group of noncohering bits to AIDS elegies assertions that the dead posthumously persist in ghostly form and Susan Howe s insistence that the past can be conveyed only through juxtaposed scraps, the condition of being too late is one that haunts post-World War II American poetry. This is a poetry saturated with temporal delay, partial recollection of the past, and the revelation that memory itself is accessible only in obstructed and manipulated ways. These postwar poems do not merely describe the condition of lateness: they enact it literally and figuratively by distorting chronology, boundary, and syntax, by referring to events indirectly, and by binding the condition of lateness to the impossibility of verifying the past. The speakers of these poems often indicate that they are too late by repetitively chronicling distorted events, refusing closure or resolution, and forging ghosts out of what once was tangible. Ghostly Figures contends that this poetics of belatedness, along with the way it is bound to questions of poetic making, is a central, if critically neglected, force in postwar American poetry. Discussing works by Sylvia Plath, Adrienne Rich, Jorie Graham, Susan Howe, and a group of poets responding to the AIDS epidemic, Ann Keniston draws on and critically assesses trauma theory and psychoanalysis, as well as earlier discussions of witness, elegy, lyric trope and figure, postmodernism, allusion, and performance, to define the ghosts that clearly dramatize poetics of belatedness throughout the diverse poetry of post World War II America.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Soft cover. Condición: Near Fine. ## Near Fine book is clean and tight. Paperback. Front cover has folded corner, else Fine. Slight age toning. Fold and staple construction. No marks in or on book. 36 pages. Scarce. Near Fine.

Paperback. Condición: Very Good. Literature after 9/11 (Routledge Studies in Contemporary Literature) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. …

Condición: very_good. This book is in Very good condition. There may be a few flaws like shelf wear and some light wear.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: New.