kendrick introduction (30 resultados)

Mass Market Paperback. Condición: As New. The spirit of Edgar Cayce discusses mediumship, psychic discernment of past lives, his health readings, and the current treatment of his work in this fascinating interview from the From Heaven to Earth Series.

Hardcover. 3rd,Revised. Dust jacket has extensive wear a.

Fine and bright in like glossy dustjacket with crisp bright text. Gift quality. From a poet's library with his signature.

Paperback. Condición: Very Good. Paperback. First Edition Limited to 300 copies this one is numbered 262/300. Minor cover wear - clean unmarked text - tight binding. ** WE SHIP DAILY (Mon-Fri) ** Free Tracking Information.

no date, Asia, B. T. Batsford LTD., 86 p., good + cloth and the remains of a dust jacket.

Hard Cover/Stitched. Condición: Very Good. No Jacket. E.W. Kemble (Illustrator) Ilustrador. First Edition, 2nd Printing. Text/Bright & clean w/one folded corner. Illustrated (prospector pushing a reluctant burro) mustard linen boards/VG, showing backstrap discoloration. DJ/None. PO name to fEP. First published 1856; this is the printing of 1903. Humorous narratives of John Phoenix, psuedonym of Army topographical engineer Lt. George Horatio Derby (1823-1861) of Massachusetts, West Point 1846. He spent seveyn years in California, leading three exploring expeditions, and, became one of the state's first humorists. This volume contains Derby's pieces as "Professor John Phoenixiana", making light of a vast range of subject matter including military surveyors and explorers and army life, contemporary travel accounts, literary societies & women's clubs and the like. A treasury of American humor illustrated with pen & ink drawing of political cartoonist of Edward Winsor Kemble (1861 - 1933) who was commissioned by Mark Twain to illustrate the original edition of Adventures of Huckleberry Finn. Strong copy.

Hardcover. Condición: Good. B/W Illustrated Plates Throughout Ilustrador. 1st Edition. Tan Cloth With Color Paste-On Illustration, Red Lettering. 4 Pp Introduction By Bangs. 52 Illustrations (On 50 Plates), Printed On One Side Of Pages Only. First Printing, 1899 Date On Title Page. First Page After Copyright Is Headed "Peter Newell" And Continues With Bang's Introduction. Wear To Covers, Small Frays At Corners, Lettering Intact, Thin 2" Abrasion To Lower Part Of Paste-On Illustration, Previous Owner's Name And 1900 Date On Second Front Free Endpaper. Hinge Lightly Cracked Between Two Pages Of Ads At Rear.

Hardcover. 260p., semi-coated paperstock with frontis, preface, introduction and appendices. The lineup includes poems by Charlotte Perkins Stetson, Joaquin Miller et alia. Find two fullpage plates, a photoportrait of Pelton and an imaginary portrait of him standing under heavenly light. There are several steel-engraved vignettes and a small photo of the "First Baptist church and first public school in California, 1819" (even decades later it is a single building resembling a warehouse); a relevant newsclip is laid in that has offset badly. Also find pencilled brackets and the address of the no longer extant church. Pastedown bears a generic bookplate with another label farther on, the 9x6 inch maroon cloth casing is uglified by shelfwear and fray, dampstaining, and a dimming to near-illegibility of the gilt titling. Hinges are OK, text is clean and sound. Gilman is represented by a single contribution, "Thanksgiving", a twelve-line poem. Pelton was San Francisco's superintendent of public schools and founder of the first public schools in California. His son was the architect of Pelton Homes which can still be found in the Haight.

Hardcover. xxxii, 206 p.; front. & 21 halftone il.; 23.5 cm. -- Volume II: [Troy: ABCH] 1955. xxii, 61 p.; 23 halftone il.; 23.5 cm. (Starr, A Baptist bibliography, W237 and W236) Good ex-lib.set, [vol. I] maroon cloth, vol. II gray green cloth.

paperback. Condición: Good.

Hardcover. Condición: Good. Reprint Edition. Early reprint edition of this scarce translation first published by A.C. McClurg & Co. in 1892. In blue cloth blind stamped on cover and with gilt to type on spine. Corners rubbed/rounded and some wear/light fraying to head of spine and a lesser degree heel. A few tiny spots to cloth and tanning to page ends. Previous owner's name to ffep and split to front hinge at endpapers with mull showing, but still solid. Interior clean.

Hardcover. Condición: Very Good. Illustrated by E. W. Kemble Ilustrador. New Edition; 1st Printing. B&W Illustrations; New Edition - First Edition Thus. This book is in Very Good condition and is lacking a dust jacket. The book and its contents are in generally clean, bright condition. The spine ends and corners of the book covers have some light bumping, rubbing and scuffing. The covers of the book have generalized ground-in dirt. The front cover has an indented partial coffee ring and some beginning fraying. The text pages are clean and bright. There is a previous owner's bookplate (F. E. Perham) on the front pastedown page. "George Horatio Derby (April 3, 1823 May 15, 1861) was an early California humorist. He attended West Point with Ulysses S. Grant. Derby used the pseudonym "John P. Squibob" and its variants "John Phoenix" and "Squibob." Derby served as a Lieutenant in the U. S. Army Corps of Topographical Engineers. In his spare time, he wrote humorous anecdotes and burlesques, often under the guise of his pseudonyms.While waiting for approval of his San Diego River diversion plans, he had some time on his hands. He supplemented his low military pay by contributing humorous articles to the San Francisco Herald, California Pioneer magazine, and the fledgling local newspaper, the San Diego Herald. He wrote articles that poked fun at the figures and pretenses of high society. These articles were written to appear as if a running narrative from John Phoenix and were the state's first published humor. When another writer started writing articles with his pen name Squibob in a competing San Francisco newspaper, Derby wrote an article "killing off" Squibob and continued to write with a new penname, John Phoenix. ".

332pp. + ads 8vo illustrated by E.W. Kemble. Bolton says 15 full page & 25 text line illus Pictorial yellow cloth BAL 762: 1st edition thus, with introduction by John Kendrick Bangs Spine darkened, covers soiled, spine ends chipped, Good+ to VG-/no dj.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. 1st Edition. First Edition (NAP, 1929 on the title page; B. T. Batsford first editions identified by--'to 1959 no later printings mentioned'). 68 pages of text, 4 page unnumbered Index, Color frontispiece, 5 additional color plates, 66 black and white plates on full-page semi-glossy paper, and 66 pages (also on semi-glossy paper) 'devoted to announcements by art dealers, most of whom are owners of Georgian works of art.' These pages bring the book to a close. Once listed, I believe this will be the Only copy for sale with an intact dust jacket (see first three photos). The covers of the book itself are in very nice condition. They are exceptionally clean. I don't see any conspicuous soiling. The gilt design on the front is nicely bright, the gilt lettering on the spine is also nicely bright. There's a little crinkling at the spine ends, the bottom one also has a spot of rubbing. The cover edges look very good. The top corners have only speck-sized spots of superficial rubbing. The front bottom corner has a fairly small spot of rub-through. The page edges look perfectly clean. There is a bump/crease just below the front top corner and another just above the rear bottom corner. The book is square and the spine is straight. The binding is very solid from cover to cover with nicely tight pages throughout and nicely tight covers as well. The inside covers and end papers form a green and white floral decoration. They look very good, though there are a few areas with mild toning. The interior of the book is in excellent condition. I have turned over pretty much all of the pages. They are exceptionally clean. I don't think I saw any soiling at all, certainly nothing conspicuous. That includes all of the illustrations/ plates. There are two pages with a small rectangular shadow just off their top edge, no doubt created by a piece of paper taking up residence there. The only imperfection I'm seeing is a tiny crease just below the tips of the top corners of a large number of consecutive pages. There are no placeholder creases. No markings of any kind. No attachments. And no one has written their name or anything else anywhere. I have always had the jacket in a fitted protective cover. In fact it had one when I first purchased the book many years ago. I've just now removed it in order to avoid the glare it will create in the photographs. I will replace it with a new protective cover afterward. I can now tell you that the previous owner placed four small pieces of tape on the inside (hidden) of the jacket. One you can make out at the front bottom corner, the second one is behind the thin tear off the front bottom edge. One is behind the top edge of the spine and the other behind the bottom edge of the spine, neither of those seemed necessary. You can of course see the soiling over parts of the front cover. There is also light wear off the jacket's top edges-- crinkling off the front one and nicks off the rear one. There is a large, neat, clip off the top edge of the front flap. I'm not sure why since the price is off the bottom edge of the front flap. It is intact. There is no other print on either flap. Here are the Contents: Preface by the Editor R. R. Tatlock. Introduction by Roger Fry. Painting by J. B. Manson. Architecture and Sculpture by Geoffrey Webb. Ceramics and Glass by Bernard Rackham. Metalwork by W. W. Watts. Furniture by Oliver Brackett. Textiles by A. F. Kendrick. Minor Arts by Louise Gordon-Stables.

Paperback. Condición: Good. First Paperback Edition. Type: Book Five Volume Paperback set.Small plain label to ffep each volume.

Hardcover. Condición: Very Good. New York: Translation Publishing Co., Inc., 1961. Students' Interlinear Translations Series. Complete works in Latin, line by line with English translation immediately below. Green cloth, no dustjacket. Very good with some surface rubbing, spine lettering hard to read, small spot to front cover, internally near fine with good hinges, tight binding, clean pages, no names or other markings. Hard Cover. Very Good. 8vo - over 7¾" - 9¾" tall.

Hard Cover. Estado de la sobrecubierta: Good. First Edition. HBDJ, 1968, 1st edition, VG+/GOOD+, DJ has top Front Triangle 1 in. Corner Chip , small pieces out top Back DJ & Also Spine ends chips, Back DJ bottom small slither Chip, Tiny Tears Extremities DJ, Yellow Cloth Lettered in Black, Interior Nice Tight Clean light Wear, 194 Pgs, Index, Bibliography.

Hardcover. Condición: Good Plus. First printing. Green cloth binding with stain on front cover, light edge wear. Well bound, tight copy. Some damp staining to edges of parts of the text, overall still bright paper, free of markings. Frontis of Rev. Converse. 99 pages. Uncommon title. Inquires welcome, scans of book can be made by request.

paperback. Condición: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fair. 1st Edition. First English language edition A fine copy with tipped in color plates and map endpapers in a fair price clipped DJ that has chips and wear on edges, now protected in removable archival mylar. See my photos of the book you will receive, not stock photos. All books are wrapped in bubble wrap and shipped in a cardboard box. USPS tracking provided. #AB2.

Condición: Good. Cover is scuffed and scraped from use. Pages very good.

Hard Cover. Condición: Very Good. No Jacket. First Edition. This is an ex library copy from the Reference Department, Edinburgh Public Libraries. Bound in a typical tough library binding of the early twentieth century.Dark blue leather spine with dark blue bckrams boards. Wuth gilt lettering on the spine.title, publisher and library stock refernce number.Inner hinges with tough cloth reiforcement. Half title page, Frintispiece (Plate1) and title page.List of contributors, List of plates and Introduction by A.F. Kendrick, Catalogue: 87[88] pages. Followed by 30 plates each with a guard page.Ten of the plates including the frontis. are in colour.12.5 X 16 inches. Library bookplates to front pastedown and front free endpaper, plus barcode.There is a small oval ink library stamp on teh title page, and on the margins of each of the plates.Library stock number in gilt to spine and in pencil on the reverse of the title epage.Very good stoutly bound copy, all complete and in good order, no signs of wear from overuse or careless handling. Boards a little bowed across their length.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 275 p. illus. (some mounted color illustrations) facsimiles, maps. 33 cm. ; LCCN: 66-22138 ; LC: BX2321.S3; DC20; Dewey: 248.4/6 ; OCLC: 382701 ; beige cloth in photographic dustjacket ; price-clipped ; Contents : Origins of t he cult -- St. James and the reconquest -- Beginnings of the pilgimage -- The grandeur of Compostella -- Some pilgrims and visitors -- Life on the roads -- Consequences of the pilgrimage -- Dounts about the pilgrimage -- Decline and revival -- The history of the relics -- The plates and their descriptions -- Bibliography ; 190 illustrations including 10 color tipped-in plates ; maps on endpapers ; foxing ; VG/VG. Book.

Hardcover. Condición: Near Fine. 1st Edition. 87 pp + 30 plates as called for. Slight discolouration to board edges. very tight and clean. Near fine hardback in publishers original grey/brown cloth with gilt lettering.

Hardcover. Condición: New. Kendrick, Mel Ilustrador. 10 inches square, 106 pages, including 42 unnumbered pages for the 21 leaves bearing the prints. The types are Stymie Bold for the text and Franklin Gothic for display, in Monotype and hand composition. The paper is German mouldmade Zerkall. Proofs of the woodblock prints were photographically reduced to approximately 62% and made into photopolymer plates. The type and plates were printed by letterpress in black ink. Red ink is used on the title page. The binding is a black goatskin spine with title stamped in red, with boards covered with laser-cut veneer replicas of woodblocks by Kendrick, inked in black. Numbered and signed by the artist. Edition of 300. Williams, one of the most important poets of this century, wrote this book of prose-poetry in 1917. He reflects on daily events over the course of a year, his readings, thoughts, observations. To these statements, made in language plain-spoken yet rising to the beauty and imagination of his poetry, he appended further comments or interpretations to make them more intelligible to others. An essay in which Williams explains himself as a figure within the modern movement was added as a prologue. The critic Lawrence Kart claims that the great poetry Williams achieved "would not have been possible without the eruptive prose of 'Kora in Hell'." The book includes prints by contemporary artist Mel Kendrick whose own work is in the modernist lineage. Twenty-one images from three series of woodblock prints, each involving seven separate blocks in the form of long vertical sheets that can be rolled up like scrolls, have been separated and each occupy the recto page of a leaf in the book, with pages of text in between. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help. Signed.

Hardcover. Condición: New. Kendrick,Mel Ilustrador. 10 inches square, 106 pages, including 42 unnumbered pages for the 21 leaves bearing the prints. The types are Stymie Bold for the text and Franklin Gothic for display, in Monotype and hand composition. The paper is German mouldmade Zerkall. Proofs of the woodblock prints were photographically reduced to approximately 62% and made into photopolymer plates. The type and plates were printed by letterpress in black ink. Red ink is used on the title page. The binding is a black goatskin spine with title stamped in red, with boards covered with laser-cut veneer replicas of woodblocks by Kendrick, inked in black. Numbered and signed by the artist. Edition of 300. This item includes the woodblock "Coupling" which was limited an edition of 20 copies (plus 5 artist's proofs and 5 publisher's proofs) and is accompanied by a copy of the book. Williams, one of the most important poets of this century, wrote this book of prose-poetry in 1917. He reflects on daily events over the course of a year, his readings, thoughts, observations. To these statements, made in language plain-spoken yet rising to the beauty and imagination of his poetry, he appended further comments or interpretations to make them more intelligible to others. An essay in which Williams explains himself as a figure within the modern movement was added as a prologue. The critic Lawrence Kart claims that the great poetry Williams achieved "would not have been possible without the eruptive prose of 'Kora in Hell'." The book includes prints by contemporary artist Mel Kendrick whose own work is in the modernist lineage. Twenty-one images from three series of woodblock prints, each involving seven separate blocks in the form of long vertical sheets that can be rolled up like scrolls, have been separated and each occupy the recto page of a leaf in the book, with pages of text in between. "Coupling", the long woodblock print as originally conceived by Kendrick in the scroll format, measures 99 1/2 by 27 1/2 inches, and was printed by hand by Stacy Petty and Robert Fisher at the artist's studio in New York City, using black ink on Kozo natural, a Japanese paper. The print is in a tube covered in oak veneer inked in black, with a black goatskin cap stamped with titling in red. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.

Hardcover. Condición: New. Kendrick,Mel Ilustrador. 10 inches square, 106 pages, including 42 unnumbered pages for the 21 leaves bearing the prints. The types are Stymie Bold for the text and Franklin Gothic for display, in Monotype and hand composition. The paper is German mouldmade Zerkall. Proofs of the woodblock prints were photographically reduced to approximately 62% and made into photopolymer plates. The type and plates were printed by letterpress in black ink. Red ink is used on the title page. The binding is a black goatskin spine with title stamped in red, with boards covered with laser-cut veneer replicas of woodblocks by Kendrick, inked in black. Numbered and signed by the artist. Edition of 300. This item includes the woodblock "Helmet" which was limited an edition of 20 copies (plus 5 artist's proofs and 5 publisher's proofs) and is accompanied by a copy of the book. Williams, one of the most important poets of this century, wrote this book of prose-poetry in 1917. He reflects on daily events over the course of a year, his readings, thoughts, observations. To these statements, made in language plain-spoken yet rising to the beauty and imagination of his poetry, he appended further comments or interpretations to make them more intelligible to others. An essay in which Williams explains himself as a figure within the modern movement was added as a prologue. The critic Lawrence Kart claims that the great poetry Williams achieved "would not have been possible without the eruptive prose of 'Kora in Hell'." The book includes prints by contemporary artist Mel Kendrick whose own work is in the modernist lineage. Twenty-one images from three series of woodblock prints, each involving seven separate blocks in the form of long vertical sheets that can be rolled up like scrolls, have been separated and each occupy the recto page of a leaf in the book, with pages of text in between. "Helmet", the long woodblock print as originally conceived by Kendrick in the scroll format, measures 92 1/4 by 19 1/2 inches, and was printed by hand by Stacy Petty and Robert Fisher at the artist's studio in New York City, using black ink on Kozo natural, a Japanese paper. The print is in a tube covered in oak veneer inked in black, with a black goatskin cap stamped with titling in red. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.

Hardcover. Condición: New. Kendrick,Mel Ilustrador. 10 inches square, 106 pages, including 42 unnumbered pages for the 21 leaves bearing the prints. The types are Stymie Bold for the text and Franklin Gothic for display, in Monotype and hand composition. The paper is German mouldmade Zerkall. Proofs of the woodblock prints were photographically reduced to approximately 62% and made into photopolymer plates. The type and plates were printed by letterpress in black ink. Red ink is used on the title page. The binding is a black goatskin spine with title stamped in red, with boards covered with laser-cut veneer replicas of woodblocks by Kendrick, inked in black. Numbered and signed by the artist. Edition of 300. This item includes the woodblock "Sperm" which was limited an edition of 20 copies (plus 5 artist's proofs and 5 publisher's proofs) and is accompanied by a copy of the book. Williams, one of the most important poets of this century, wrote this book of prose-poetry in 1917. He reflects on daily events over the course of a year, his readings, thoughts, observations. To these statements, made in language plain-spoken yet rising to the beauty and imagination of his poetry, he appended further comments or interpretations to make them more intelligible to others. An essay in which Williams explains himself as a figure within the modern movement was added as a prologue. The critic Lawrence Kart claims that the great poetry Williams achieved "would not have been possible without the eruptive prose of 'Kora in Hell'." The book includes prints by contemporary artist Mel Kendrick whose own work is in the modernist lineage. Twenty-one images from three series of woodblock prints, each involving seven separate blocks in the form of long vertical sheets that can be rolled up like scrolls, have been separated and each occupy the recto page of a leaf in the book, with pages of text in between. "Sperm", the long woodblock print as originally conceived by Kendrick in the scroll format, measures 91 1/2 by 20 inches, and was printed by hand by Stacy Petty and Robert Fisher at the artist's studio in New York City, using black ink on Kozo natural, a Japanese paper. The print is in a tube covered in oak veneer inked in black, with a black goatskin cap stamped with titling in red. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.

First edition. First edition. Illustrated by the author, on rectos only. 1 vols. Oblong 8vo. Peter Newell (1862-1924) whose formal art instruction consisted of three months at the Art Students League, became celebrated as a humorous artist: his work appeared in a number of magazines, and he produced illustrations for John Kendricks Bangs and other authors, among them Lewis Carroll. He wrote and illustrated several books of his own, including The Hole Book, The Slant Book, The Rocket Book, and his Pictures and Rhymes, all of which were popular successes. BAL 746 Original tan cloth with multicolored printed pictorial label on upper cover, slight soiling, else fine Illustrated by the author, on rectos only. 1 vols. Oblong 8vo.

Leather Bound. Condición: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1899. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages:- 121, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 121 121.